69 Quotes About Postmodernism

Postmodernism is a contemporary philosophical movement that rejects absolutes, defending relativism and claims that there is no truth or absolute knowledge. Postmodernism encompasses a wide variety of movements, including pragmatism, structuralism, feminism, deconstruction, post-structuralism, post-colonial theory, post-structuralist philosophy, post-modernism literature, and post-modern architecture. These are the most important words for us to understand about postmodernism.

1
Women's liberation is one thing, but the permeation of anti-male sentiment in post-modern popular culture - from our mocking sitcom plots to degrading commercial story lines - stands testament to the ignorance of society. Fair or not, as the lead gender that never requested such a role, the historical male reputation is quite balanced. For all of their perceived wrongs, over centuries they've moved entire civilizations forward, nurtured the human quest for discovery and industry, and led humankind from inconvenient darkness to convenient modernity. Navigating the chessboard that is human existence is quite a feat, yet one rarely acknowledged in modern academia or media. And yet for those monumental achievements, I love and admire the balanced creation that is man for all his strengths and weaknesses, his gifts and his curses. I would venture to say that most wise women do. Tiffany Madison
2
…is postmodernity the pastime of an old man who scrounges in the garbage-heap of finality looking for leftovers, who brandishes unconsciousnesses, lapses, limits, confines, goulags, parataxes, non-senses, or paradoxes, and who turns this into the glory of his novelty, into his promise of change? Unknown
3
In the pragmatist, streetwise climate of advanced postmodern capitalism, with its scepticism of big pictures and grand narratives, its hard-nosed disenchantment with the metaphysical, 'life' is one among a whole series of discredited totalities. We are invited to think small rather than big — ironically, at just the point when some of those out to destroy Western civilization are doing exactly the opposite. In the conflict between Western capitalism and radical Islam, a paucity of belief squares up to an excess of it. The West finds itself faced with a full-blooded metaphysical onslaught at just the historical point that it has, so to speak, philosophically disarmed. As far as belief goes, postmodernism prefers to travel light: it has beliefs, to be sure, but it does not have faith. Terry Eagleton
4
For someone who is far from God, silence is a difficult confrontation with his own self and with the rather dismal realities that are at the bottom of our soul. Hence, man enters a mentality that resembles a denial of reality. He gets drunk on all sorts of noises so as to forget who he is. Postmodern man seeks to anesthetize his own atheism. Robert Sarah
For some folks death is release, and for others death...
5
For some folks death is release, and for others death is an abomination, a terrible thing. But in the end, I'm there for all of them. Neil Gaiman
6
For those whose ganglia were formed pre- T V, the mimetic deployment of pop-culture icons seems at best an annoying tic and at worst a dangerous vapidity that compromises fiction's seriousness by dating it out of the Platonic Always, where it ought to reside. Jonathan Lethem
I am simply not interested, at this point, in creating...
7
I am simply not interested, at this point, in creating narrative scenes between characters. Lydia Davis
8
Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from - it’s where you take them to." #53 - Winter, January 22, 2004 ] . Jim Jarmusch
9
We are living in a time when sensitivities are at the surface, often vented with cutting words. Philosophically, you can believe anything so as you do not claim it a better way. Religiously, you can hold to anything, so long as you do not bring Jesus Christ into it. If a spiritual idea is eastern, it is granted critical immunity; if western, it is thoroughly criticized. Thus, a journalist can walk into a church and mock its carryings on, but he or she dare not do the same if the ceremony is from eastern fold. Such is the mood at the end of the twentieth century. A mood can be a dangerous state of mind, because it can crush reason under the weight of feeling. But that is precisely what I believe postmodernism best represents - a mood. Ravi Zacharias
10
The religionists are the enemies of liberty, and the friends of liberty attack religion; the high-minded and the noble advocate bondage, and the meanest and most servile preach independence; honest and enlightened citizens are opposed to all progress, whilst men without patriotism and without principle put themselves forward as the apostles of civilization and intelligence. Has such been the fate of the centuries which have preceded our own? and has man always inhabited a world like the present, where all things are out of their natural connections, where virtue is without genius, and genius without honor; where the love of order is confounded with a taste for oppression, and the holy rites of freedom with a contempt of law; where the light thrown by conscience on human actions is dim, and where nothing seems to be any longer forbidden or allowed, honorable or shameful, false or true? . Alexis De Tocqueville
11
Reading a novel after reading semiotic theory was like jogging empty-handed after jogging with hand weights. What exquisite guilt she felt, wickedly enjoying narrative! Madeleine felt safe with a nineteenth century novel. There were going to be people in it. Something was going to happen to them in a place resembling the world. Then too there were lots of weddings in Wharton and Austen. There were all kinds of irresistible gloomy men. Jeffrey Eugenides
12
In the transformed world political context of today, it is more essential than ever that the critique of democracy in the name of difference developed by oppositional intellectuals be formulated so carefully that these thoughts cannot be exploited for nationalist, tribalist, and xenophobic purposes. It is imperative that the politics of the 'differend' not be settled beyond and at the margins of democratic politics. Unknown
13
Andrei Yanuaryevich (one longs to blurt out, “Jaguaryevich”) Vyshinsky, availing himself of the most flexible dialectics (of a sort nowadays not permitted either Soviet citizens or electronic calculators, since to them yes is yes and no is no), pointed out in a report which became famous in certain circles that it is never possible for mortal men to establish absolute truth, but relative truth only. He then proceeded to a further step, which jurists of the last two thousand years had not been willing to take: that the truth established by interrogation and trial could not be absolute, but only, so to speak, relative. Therefore, when we sign a sentence ordering someone to be shot we can never be absolutely certain, but only approximately, in view of certain hypotheses, and in a certain sense, that we are punishing a guilty person. Thence arose the most practical conclusion: that it was useless to seek absolute evidence-for evidence is always relative-or unchallengeable witnesses-for they can say different things at different times. The proofs of guilt were relative, approximate, and the interrogator could find them, even when there was no evidence and no witness, without leaving his office, “basing his conclusions not only on his own intellect but also on his Party sensitivity, his moral forces” (in other words, the superiority of someone who has slept well, has been well fed, and has not been beaten up) “and on his character” (i.e., his willingness to apply cruelty! )… In only one respect did Vyshinsky fail to be consistent and retreat from dialectical logic: for some reason, the executioner’s bullet which he allowed was not relative but absolute… . Aleksandr Solzhenitsyn
14
[Concerning postmodernism:] The aim of this experimental history is to disturb the ontological security of modern identity and hence to provoke the possibility of otherness through exposition of the cultural difference concealed by, and within, the order of modern rationalism. Nicholas Gane
However, as Bordo herself notes, the problem with the adoption...
15
However, as Bordo herself notes, the problem with the adoption of postmodern ideas in general is that they have led some writers to disregard the materiality of power relations. Sheila Jeffreys
16
The Christian worldview, contra-postmodernism, understands language not as a Self-referential, merely human and ultimately arbitrary system of signs that is reducible to contingent cultural factors, but it has the gift of a rational God entrusted to beings made in his own image and likeness. Douglas Groothuis
17
What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants. Robert Hughes
18
The assertion that only sex is power and the arrogation of creativity to the masculine sex and the rendering of all creativity as sexual–this is patriarchal aesthetics. Patriarchal passion sees violent sex as the essential creative act, even aesthetically, through a sort of metaphysical transubstantiation. This is their romantic belief that sex with the Master can produce the artistic spirit in the student. Male creativity is thus born in another, her work is given depth through the violent transgression of her boundaries. . Somer Brodribb
19
In the end the soul is itself the longing of the soulless for salvation. Theodor W. Adorno
20
Do you believe that every story must have a beginning and an end? In ancient times a story could end only in tow ways: having passed all the tests, the hero and the heroine married, or else they died. The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death. Italo Calvino
21
Try this for deviancy: fabricants are mirrors held up to purebloods' conscience; what purebloods see reflected there sickens them. So they blame you for holding the mirror." I hid my shock by asking when purebloods might blame themselves. Mephi replied, "History suggests, not until they are made to. David Mitchell
22
But these are sad times, the 'prentices wanting to be masters, and every little tradesman wanting to be a Senator, and every dirty little urchin thinking he can giveimpudence to his betters! Hope Mirrlees
23
The word 'heresy' not only means no longer being wrong; it practically means being clear-headed and courageous. The word 'orthodoxy' not only no longer means being right; it practically means being wrong. All this can mean one thing, and one thing only. It means that people care less for whether they are philosophically right. For obviously a man ought to confess himself crazy before he confesses himself heretical. G.k. Chesterton
24
Obi-Wan Kenobi once said ‘your eyes can deceive you, don’t trust them.’ It seems to be getting harder. Distinguishing reality from the illusions people make for us, or the ones we make for ourselves. I don’t know, maybe that’s part of the plan, to make me think I’m crazy…it’s working. Huey Freeman
25
Now, in the academy, you cannot just say anything about male theory. You have to proceed with an immanent critique, that is to say, you have to expertly play the parts against the whole. You show, for example, how certain assumptions in the work actually defeat its stated purpose of human liberation, but once remedied, i.e. salvaged, the theory will work for women. An immanent critique can stay within the masculinist academic circle. In this position women become the technicians of male theory who have to reprogram the machine, turning it from a war machine against women into a gentler, kinder war machine, killing us softly. This is a very involving task and after years of playing this part it is understandable that there may be little desire to admit that the effort was virtually futile. An investment has been made, and the conformity is not wholly outer. What attitudes and feelings does this sexist context produce towards oppositional women who refuse this male material? Does a male-circled woman have the power and security to be generous? Having compromised her freedom, will she be less willing to compromise ours? Perhaps the most pernicious aspect of this arrangement, besides the ways it sets women against one another, is the fact that although the male academy values owning our freedom, it does not have to pay a lot for it. Masculine culture already controls gross amounts of female lives. Still, it seems to want more, but always at the same low price. The exploited are very affordable. Somer Brodribb
26
Women are no longer required to be chaste or modest, to restrict their sphere of activity to the home, or even to realize their properly feminine destiny in maternity. Normative femininity [that is, the rules for being a good woman] is coming more and more to be centered on women’s body–not its duties and obligations or even its capacity to bear children, but its sexuality, more precisely, its presumed heterosexuality and its appearance. The woman who checks her makeup half a dozen times a day to see if her foundation has caked or her mascara has run, who worries that the wind or the rain may spoil her hairdo, who looks frequently to see if her stockings have bagged at the ankle, or who, feelingfat, monitors everything she eats, has become, just as surely as the inmateof Panopticon, a self-policing subject, a self committed to a relentless self-surveillance. This self-surveillance is a form of obedienceto patriarchy. Rosemarie Tong
27
I realize then that the disappearance of a culture does not signify the disappearance of human value, but simply of certain means of expressing this value, yet the fact remains that I have no sympathy for the current European civilization and do not understand its goals, if it has any. So I am really writing for friends who are scattered throughout the corners of the globe. Ludwig Wittgenstein
28
I always am in a role, lovely — for you, for them — even for myself. Yeah... Even when I’m alone, I am still in a role — and I myself am the most exacting audience I have ever had. Simona Panova
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Even I don’t know myself... In fact, I don’t know if I really have a self at all, as I’m constantly playing different roles and pretending — not so much on stage as in real life... Simona Panova
30
Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from - it’s where you take the . Jim Jarmusch
31
We all - whether naturalists, atheists, Buddhists, or Christians - see the world through the grid of an interpretive framework - and ultimately this interpretive framework is religious in nature, even if not allied with a particular institutional religion. James K.A. Smith
32
The Postmodernists' tyranny wears people down by boredom and semi-literate prose. Christopher Hitchens
33
Many things in this period have been hard to bear, or hard to take seriously. My own profession went into a protracted swoon during the Reagan-Bush-Thatcher decade, and shows scant sign of recovering a critical faculty–or indeed any faculty whatever, unless it is one of induced enthusiasm for a plausible consensus President. (We shall see whether it counts as progress for the same parrots to learn a new word.) And my own cohort, the left, shared in the general dispiriting move towards apolitical, atonal postmodernism. Regarding something magnificent, like the long-overdue and still endangered South African revolution (a jagged fit in the supposedly smooth pattern of axiomatic progress), one could see that Ariadne’s thread had a robust reddish tinge, and that potential citizens had not all deconstructed themselves into Xhosa, Zulu, Cape Coloured or ‘Eurocentric’; had in other words resisted the sectarian lesson that the masters of apartheid tried to teach them. Elsewhere, though, it seemed all at once as if competitive solipsism was the signifier of the ‘radical’; a stress on the salience not even of the individual, but of the trait, and from that atomization into the lump of the category. Surely one thing to be learned from the lapsed totalitarian system was the unwholesome relationship between the cult of the masses and the adoration of the supreme personality. Yet introspective voyaging seemed to coexist with dull group-think wherever one peered about among the formerly ‘committ. Christopher Hitchens
34
Is there a word for forgetting the name of someone when you want to introduce them to someone else at the same time you realize you've forgotten the name of the person you're introducing them to as well?"" No. Neil Gaiman
35
This is the postmodern desert inhabited by people who are, in effect, consuming themselves in the form of images and abstractions through which their desires, sense of identity, and memories are replicated and then sold back to them as products Larry McCaffrey
36
The radical hermeneutic of suspicion that characterizes all of post-modernity is essentially nihilistic, denying the very possibility of creative or healing love. In the cross and resurrection of Jesus we find the answer: the God who made the world is revealed in terms of a self-giving love that no hermeneutic of suspicion can ever touch, in a Self that found itself by giving itself away, in a Story that was never manipulative but always healing and recreating, and in a Reality that can truly be known, indeed to know which is to discover a new dimension of knowledge, the dimension of loving and being loved. N.T. Wright
37
And I wasn’t playing a role — I was trying to be myself. But the harder I was striving, the more I was realizing that I had probably lost that ‘myself’ somewhere between two perfectly performed roles... Simona Panova
38
In our postmodern culture which is TV dominated, image sensitive, and morally vacuous, personality is everything and character is increasingly irrelevant. David F. Wells
39
What was true of an ancient community of Christian believers struggling with a powerful and appealing philosophy is also true for Christians in a postmodern context. Arguments that deconstruct the regimes of truth at work in the late modern culture of global capitalism are indispensable. So also is a deeper understanding of the counterideological force of the biblical tradition. But such arguments are no guarantee that the biblical metanarrative will not be co-opted for ideological purposes of violent exclusion, nor do arguments prove the truth of the gospel. Only the nonideological, embracing, forgiving and shalom-filled life of a dynamic Christian community formed by the story of Jesus will prove the gospel to be true and render the idolatrous alternatives fundamentally implausible. Brian J. Walsh
40
Whereas modern cynicism brought despair about the ability of the human species to realize laudable ideals, postmodern cynicism doesn't – not because it's optimistic, but because it can't take ideals seriously in the first place. The prevailing attitude is Absurdism. A postmodern magazine may be irreverent, but not bitterly irreverent, for it's not purposefully irreverent; its aim is indiscriminate, because everyone is equally ridiculous. And anyway, there's no moral basis for passing judgment. Just sit back and enjoy the show. Robert Wright
41
The single greatest cultural contribution of postmodernity is that it eliminates the presumption of intellectual neutrality that modernity automatically associated with skeptical rationalism. (...) It shows, not that truth is socially constructed, but that the uniquely human act of bearing witness to the truth is always a moral as well as an intellectual or empirical or noetic act. Paul C. Vitz
42
The popular concept—that we should each determine our own morality—is based on the belief that the spiritual realm is nothing at all like the rest of the world. Does anyone really believe that? For many years after each of the morning and evening Sunday services I remained in the auditorium for another hour to field questions. Hundreds of people stayed for the give-and-take discussions. One of the most frequent statements I heard was that 'Every person has to define right and wrong for him- or herself.' I always responded to the speakers by asking, 'Is there anyone in the world right now doing things you believe they should stop doing no matter what they personally believe about the correctness of their behavior?' They would invariable say, 'Yes, of course.' Then I would ask, “Doesn’t that mean that you do believe there is some kind of moral reality that is "there" that is not defined by us, that must be abided by regardless of what a person feels or thinks?' Almost always, the response to that question was silence, either a thoughtful or a grumpy one. . Timothy J. Keller
43
So my life is a point-counterpoint, a kind of fugue, and a falling away—and everything winds up being lost to me, and everything falls into oblivion, or into the hands of the other man. Jorge Luis Borges
44
For the normative self-understanding of modernity, Christianity has functioned as more than just a precursor or catalyst. Universalistic egalitarianism, from which sprang the ideals of freedom and a collective life in solidarity, the autonomous conduct of life and emancipation, the individual morality of conscience, human rights and democracy, is the direct legacy of the Judaic ethic of justice and the Christian ethic of love. This legacy, substantially unchanged, has been the object of a continual critical reappropriation and reinterpretation. Up to this very day there is no alternative to it. And in light of the current challenges of a post-national constellation, we must draw sustenance now, as in the past, from this substance. Everything else is idle postmodern talk. Unknown
45
So winners, Hae-Joo proposed, are the real losers because they learn nothing? What, then, are losers? Winners? David Mitchell
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We're the most aggressively inarticulate generation to come along since, you know, a long time ago! Taylor Mali
47
As thoroughly as mankind has killed God, the reader has despatched the author. Johnny Rich
48
The question of the relation between modernity and postmodernity revolves around the issue of 'legitimation.' Modernity, then, appeals to science to legitimate its claim - and by 'science' we simply mean the notion of a universal, autonomous reason. Science, then, is opposed to narrative, which attempts not to prove its claims but rather to proclaim them within a story. James K.A. Smith
49
The values we rightly associate with the modern age - the "liberty, equality, and fraternity" of the French revolution - are all endangered today not by the dead hand of tradition but by modernity itself, and they can be salvaged only by moving beyond it. Harvey Cox
50
You’re chicken, she told herself, snapping her seat belt. This is America, you live in it, you let it happen. Let it unfurl. Thomas Pynchon
51
Worship, then, needs to be characterized by hospitality; it needs to be inviting. But at the same time, it should be inviting seekers into the church and its unique story and language. Worship should be an occasion of cross-cultural hospitality. Consider an analogy: when I travel to France, I hope to be made to feel welcome. However, I don't expect my French hosts to become Americans in order to make me feel at home. I don't expect them to start speaking English, ordering pizza, talking about the New York Yankees, and so on. Indeed, if I wanted that, I would have just stayed home! Instead, what I'm hoping for is to be welcomed into their unique French culture; that's why I've come to France in the first place. And I know that this will take some work on my part. I'm expecting things to be different; indeed, I'm looking for just this difference. So also, I think, with hospitable worship: seekers are looking for something our culture can't provide. Many don't want a religious version of what they can already get at the mall. And this is especially true of postmodern or Gen X seekers: they are looking for elements of transcendence and challenge that MTV could never give them. Rather than an MTVized version of the gospel, they are searching for the mysterious practices of the ancient gospel. . James K.A. Smith
52
An attempt to wrest from God the prerogatives of absolute freedom and infinity leads to the inversion of Pentecost and what is in effect a new Babel. 'Postmodernism' represents that Babel perfectly, because when each speaks a language unrelated to that of the other - when language is not the basis of the communication that shapes our being - the only outcome can be fragmentation. In that sense, postmodernism is modernity come home to roost. Colin E. Gunton
53
All discourses and disciplines proceed from commitments and beliefs that are ultimately religious in nature. No scientific discourse (whether natural science or social science) simply discloses to us the facts of reality to which theology must submit; rather, every discourse is, in some sense, religious. The playing field has been leveled. Theology is most persistently postmodern when it rejects a lingering correlational false humility and instead speaks unapologetically from the the primacy of Christian revelation and the church's confessional language. . James K.A. Smith
54
For example, the call for equal rights has perverted into “let’s all be the same.” Male and female biological differences are discounted, because “male” and “female” are considered “outdated social constructs, ” and while that is partially true, the social construct stance becomes clear reductionism when it totally discounts clear differences in male and female biology (i.e., androgyny is not the same as equality). Gudjon Bergmann
55
This is not the "relativism of truth" presented by journalistic takes on postmodernism. Rather, the ironist's cage is a state of irony by way of powerlessness and inactivity: In a world where terrorism makes cultural relativism harder and harder to defend against its critics, marauding international corporations follow fair-trade practices, increasing right-wing demagoguery and violence can't be answered in kind, and the first black U.S. president turns out to lean right of center, the intelligentsia can see no clear path of action. Irony dominates as a "mockery of the promise and fitness of things, " to return to the OED definition of irony. This thinking is appropriate to Wes Anderson, whose central characters are so deeply locked in ironist cages that his films become two-hour documents of them rattling their ironist bars. Without the irony dilemma Roth describes, we would find it hard to explain figures like Max Fischer, Steve Zissou, Royal Tenenbaum, Mr. Fox, and Peter Whitman. I'm not speaking here of specific political beliefs. The characters in question aren't liberals; they may in fact, along with Anderson himself, have no particular political or philosophical interests. But they are certainly involved in a frustrated and digressive kind of irony that suggests a certain political situation. Though intensely self-absorbed and central to their films, Anderson's protagonists are neither heroes nor antiheroes. These characters are not lovable eccentrics. They are not flawed protagonists either, but are driven at least as much by their unsavory characteristics as by any moral sense. They aren't flawed figures who try to do the right thing; they don't necessarily learn from their mistakes; and we aren't asked to like them in spite of their obvious faults. Though they usually aren't interested in making good, they do set themselves some kind of mission-- Anderson's films are mostly quest movies in an age that no longer believes in quests, and this gives them both an old-fashioned flavor and an air of disillusionment and futility. Arved Mark Ashby
56
All U.S. irony is based on an implicit "I don't really mean what I say." So what does irony as a cultural norm mean to say? That it's impossible to mean what you say? That maybe it's too bad it's impossible, but wake up and smell the coffee already? Most likely, I think, today's irony ends up saying: "How very banal to ask what I mean." Anyone with the heretical gall to ask an ironist what he actually stands for ends up looking like a hysteric or a prig. And herein lies the oppressiveness of institutionalized irony, the too-successful rebel: the ability to interdict the question without attending to its content is tyranny. It is the new junta, using the very tool that exposed its enemy to insulate itself. This is why our educated teleholic friends' use of weary cynicism to try to seem superior to TV is so pathetic. David Foster Wallace
57
Fukuyama’s thesis that history has climaxed with liberal capitalism may have been widely derided, but it is accepted, even assumed, at the level of the cultural unconscious. It should be remembered, though, that even when Fukuyama advanced it, the idea that history had reached a ‘terminal beach’ was not merely triumphalist. Fukuyama warned that his radiant city would be haunted, but he thought its specters would be Nietzschean rather than Marxian. Some of Nietzsche’s most prescient pages are those in which he describes the ‘oversaturation of an age with history’. ‘It leads an age into a dangerous mood of irony in regard to itself’, he wrote in Untimely Meditations, ‘and subsequently into the even more dangerous mood of cynicism’, in which ‘cosmopolitan fingering’, a detached spectatorialism, replaces engagement and involvement. This is the condition of Nietzsche’s Last Man, who has seen everything, but is decadently enfeebled precisely by this excess of (self) awareness. Mark Fisher
58
So that while others may look on the laws of physics as legislation and God as a human form with beard measured in light-years and nebulae for sandals, Faust's kind (poets) are alone with the task of living in a universe of things which simply are, and cloaking that innate mindlessness with comfortable and pious metaphor so that the "practical" half of humanity may continue in the Great Lie, confident that their machines, dwellings, streets and weather share the same human motives, personal traits and fits of contrariness as they. Thomas Pynchon
59
So that while others may look on the laws of physics as legislation and God as a human form with beard measured in light-years and double for sandals, Faust's kind (poets) are alone with the task of living in a universe of things which simply are, and cloaking that innate mindlessness with comfortable and pious metaphor so that the "practical" half of humanity may continue in the Great Lie, confident that their machines, dwellings, streets and weather share the same human motives, personal traits and fits of contrariness as they. Thomas Pynchon
60
So that while others may look on the laws of physics as legislation and God as a human form with beard measured in light-years and nebulae for sandals, Fausto's kind (poets) are alone with the task of living in a universe of things which simply are, and cloaking that innate mindlessness with comfortable and pious metaphor so that the "practical" half of humanity may continue in the Great Lie, confident that their machines, dwellings, streets and weather share the same human motives, personal traits and fits of contrariness as they. Thomas Pynchon
61
Even at a time like this, the street is bright enough and filled with people coming and going–people with places to go and people with no place to go; people with a purpose and people with no purpose; people trying to hold time back and people trying to urge it forward. Haruki Murakami
62
To him, they looked like shadows that his wife had left behind. Size 7 shadows of his wife hung there in long rows, layer upon layer, as if someone had gathered and hung up samples of the infinite possibilities (or at least the theoretically infinite possibilities) implied in the existence of a human being. Haruki Murakami
63
The common-sense notion that 'There is a time and place for everything' gets carried into a set of prescriptions which replicate the social order by assigning social meanings to spaces and times. David Harvey
64
Quick note here: if this crush-slash-swooning stuff is hard for you to stomach; if you’ve never had a similar experience, then you should come to grips with the fact that you’ve got a TV dinner for a heart and might want to consider climbing inside a microwave and turning it on high for at least an hour, which if you do consider only goes to show what kind of idiot you truly are because microwaves are way too small for anyone, let alone you, to climb into. Mark Z. Danielewski
65
Saying, “I don’t agree with you, ” or going so far as to say, “I think your belief structure is childish, ” does not amount to persecution. Insensitivity is not the same as harassment or oppression. Gudjon Bergmann
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Postmodernity means the exhilarating freedom to pursue anything, yet mind-boggling uncertainty as to what is worth pursuing and in the name of what one should pursue it. Zygmunt Bauman
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So who is cruel? You, cruel reader, you are. Johnny Rich
68
Heidegger is the philosopher to whom especially postmodernists chiefly appeal in their radical rejections of metaphysics and of any and every conception of the entirety of actuality, of Being as such and as a whole. To be sure, their appeals to Heidegger are as a rule extraordinarily superficial ones. These authors come nowhere near to providing adequate interpretations of or appropriations from Heid . Lorenz B. Puntel