29 Quotes About Mainstream

If New Orleans is not fully in the mainstream of culture, neither is it fully in the mainstream of time. Lacking a well-defined present, it lives somewhere between its past and its future, as if uncertain whether to advance or to retreat. Perhaps it is its perpetual ambivalence that is its secret charm. Somewhere between Preservation Hall and the Superdome, between voodoo and cybernetics, New Orleans listens eagerly to the seductive promises of the future but keeps at least one foot firmly planted in its history, and in the end, conforms, like an artist, not to the world but to its own inner being--ever mindful of its personal style. . Tom Robbins

... and I submit to you, that science, scientific discovery, especially cosmic discovery, does not become mainstream until the artist embraces the fruits of those discoveries. Neil Degrasse Tyson

I was once asked to pick a couple of records for an interview I was doing on Radio 2. I picked one by Will Oldham and one by Joanna Newsom. Someone on the production phoned me to say that I couldn't have either record because they were 'too alternative' and I could just pick two from their playlist. Now, personally, I think that Radio 2's listeners would dig both Joanna Newsom and Will Oldham if they heard their records, and that the fact they don't get to hear them contributes to the cultural wasteland we live in. I told them that I'd been to see Joanna Newsom in the Albert Hall a couple of weeks before and it had been sold out. How could she be 'too alternative'? 'Alternative' and 'mainstream' aren't strictly to do with whether things are popular or minority interest. They are ideological labels. Someone like Joe Pasquale would be called 'mainstream' and regularly pops up on TV, but would play the smaller end of the touring-theatre circuit. If Joanna Newsom can sell out Albert Hall, why can't she get played on Radio 2? I would agree that it's because her work is too layered, challenging and interesting. Think about that. What you get to hear about is filtered, and not filtered to get rid of useless cunts like Joe Pasquale, but of things that might enrich your life. Frankie Boyle

I was once asked to pick a couple of records for an interview I was doing on Radio 2. I picked one by Will Oldham and one by Joanna Newsome. Someone on the production phoned me to say that I couldn't have either record because they were 'too alternative' and I could just pick two from their playlist. Now, personally, I think that Radio 2's listeners would dig both Joanna Newsome and Will Oldham if they heard their records, and that the fact they don't get to hear them contributes to the cultural wasteland we live in. I told them that I'd been to see Joanna Newsome in the Albert Hall a couple of weeks before and it had been sold out. How could she be 'too alternative'? 'Alternative' and 'mainstream' aren't strictly to do with whether things are popular or minority interest. They are ideological labels. Someone like Joe Pasquale would be called 'mainstream' and regularly pops up on TV, but would play the smaller end of the touring-theatre circuit. If Joanna Newsome can sell out Albert Hall, why can't she get played on Radio 2? I would agree that it's because her work is too layered, challenging and interesting. Think about that. What you get to hear about is filtered, and not filtered to get rid of useless cunts like Joe Pasquale, but of things that might enrich your life. Frankie Boyle

I don't pay much attention to the distinction between fantasy and science fiction—or between “genre” and “mainstream” for that matter. For me, all fiction is about prizing the logic of metaphors-which is the logic of narratives in general—over reality, which is irreducibly random and senseless. We spend our entire lives trying to tell stories about ourselves—they’re the essence of memory. It is how we make living in this unfeeling accidental universe tolerable. That we call such a tendency “the narrative fallacy” doesn’t mean it doesn’t also touch upon some aspect of the truth. Some stories simply literalize their metaphors a bit more explicitly. Ken Liu

Perhaps all love stories no matter how varied are essentially the same. Unknown

And although he recognized that tenderness was not the same as passion, and certainly not equivalent to love, for now it seemed to him a suitable substitute. Unknown

Was she happy? She thought — yes, reasonably so. Then again, what was happiness but the vast terrain between ecstasy and agony? Was this too small an ambition? Unknown

Once you break someone’s heart, you are forever its master. Unknown

Nothing felt better to him than the act of waiting for her. As long as he believed it wasn’t in vain, he was able to justify his presence. Unknown

On occasion he would think back to the fiercest passion it had been his pleasure to experience and reflect on what might have been. He would look upon the woman who occupied the opposite half of his bed and feel his life had not quite lived up to the promise of another day. These moments would be mercifully brief, or so he hoped. Unknown

It was almost as if she had willed him into existence, into standing before her at the precise moment she was willing to accommodate him, arriving not a minute too early or too late. Unknown

Most people surrendered fairy tale hopes in exchange for cookie cutter lives Unknown

His fierce appreciation of female beauty, the unrelenting desire he felt for their company, the pleasure he both derived and sought to give, had led him in and out of quite a few bedroom doors. Unknown

...forever meant different things to people at different times. They could imagine what infinity looked and felt like as much as they wanted, but could never truly grasp its meaning nor bear its full weight. Unknown

...the locale did not make him think of her, nor did most things. He felt no negativity about the time they had spent together, but simply did not dwell on it much. She had been a seat filler, memorable as the smiling face of a beautiful girl in the window of a passing train, inspiring a fleeting moment of joy and promise, immediately forgotten with the opening of that day’s newspaper. Unknown

Life was a swirl of mysteries, each one waiting to be plucked up and explored, but not necessarily solved. As the weight of responsibility bore down on a person, it could feel like a long list of chores leading up to the final one - figuring out how to die with dignity. But Quincy’s interpretation of his surroundings seemed a truer representation of life’s meaning, or rather, the lack of meaning other than to dazzle and delight and befuddle from cradle to grave. Unknown

Was happiness (which was perhaps achieved not by getting what you wanted, but rather, by obtaining what you didn’t know you wished for until it was in hand) a hologram that would continually change appearance with the slightest shift of perspective? Or maybe happiness by definition was a temporary state of being recognizable only in hindsight. It was impossible to catch what always managed to be overrun and end up in the rear view mirror. Unknown

Womanism is feminism's vulgate. It asserts that women are the oppressed or the victims and never the collaborators in the 'bad' things that men do. It entails a double standard around sexuality where women's sexual self-expression is seen as necessary and even desirable, but men's is seen as dangerous or even disgusting. Womanism is by no means confined to a tiny, politically motivated bunch of man-hating feminists, but is a regular feature of mainstream culture. . Rosalind Coward

So, fuck ’em, we say. Fuck the mundane of Mainstream, the elitists of Literature. We’re GENRE FICTION and proud of it, proud to wear that brand painted on the backs of our biker’s jackets. Hal Duncan

Copywriters, journalists, mainstream authors, ghostwriters, bloggers and advertising creatives have as much right to think of themselves as good writers as academics, poets, or literary novelists. Sara Sheridan

Border crossing' is a recurrent theme in all aspects of my work -- editing, writing, and painting. I'm interested in the various ways artists not only cross borders but also subvert them. In mythology, the old Trickster figure Coyote is a champion border crosser, mischievously dashing from the land of the living to the land of the dead, from the wilderness world of magic to the human world. He tears things down so they can be made anew. He's a rascal, but also a culture hero, dancing on borders, ignoring the rules, as many of our most innovative artists do. I'm particularly drawn to art that crosses the borders critics have erected between 'high art' and 'popular culture, ' between 'mainstream' and 'genre, ' or between one genre and another -- I love that moment of passage between the two; that place on the border where two worlds meet and energize each other, where Coyote enters and shakes things up. But I still have a great love for traditional fantasy, for Imaginary World, center-of-the-genre stories. I'm still excited by series books and trilogies if they're well written and use mythic tropes in interesting ways. Terri Windling

Nothing in my view is more reprehensible than those habits of mind in the intellectual that induce avoidance, that characteristic turning away from a difficult and principled position, which you know to be the right one, but which you decide not to take. You do not want to appear too political; you are afraid of seeming controversial; you want to keep a reputation for being balanced, objective, moderate; your hope is to be asked back, to consult, to be on a board or prestigious committee, and so to remain within the responsible mainstream; someday you hope to get an honorary degree, a big prize, perhaps even an ambassadorship. For an intellectual these habits of mind are corrupting par excellence. If anything can denature, neutralize, and finally kill a passionate intellectual life it is the internalization of such habits. Personally I have encountered them in one of the toughest of all contemporary issues, Palestine, where fear of speaking out about one of the greatest injustices in modern history has hobbled, blinkered, muzzled many who know the truth and are in a position to serve it. For despite the abuse and vilification that any outspoken supporter of Palestinian rights and self-determination earns for him or herself, the truth deserves to be spoken, represented by an unafraid and compassionate intellectual. Edward Said

You have two choices in life: you can dissolve into the mainstream or you can be distinct. To be distinct, you must be different. To be different, you must strive to be what no one else but you can be. Alan AshleyPitt

What used to be edgy (divorces) has become mainstream and what used to be mainstream (racism and sexism) has become shocking. Sara Sheridan

Every time when we think we smart, and following for mainstream, we've been used to kill ourselves. 08.07.11 VicDo

The worst way to drown is in mainstream. J.R. Rim

Usually, environmental programs are not designed for a mainstream audience. Paul Watson