44 Quotes & Sayings By Ken Liu

Ken Liu is the author of the short story collection "The Grace of Kings" and the novels "The Paper Menagerie", "Folding Beijing", "The Walls of the Kingdom", and his forthcoming, Hugo Award-winning novel, "Dark Forest". He lives in Seattle with his family.

The fact that we can never have complete, perfect knowledge...
1
The fact that we can never have complete, perfect knowledge does not absolve us of the moral duty to judge and to take a stand against evil. Ken Liu
We are not defined by our individual loneliness, but by...
2
We are not defined by our individual loneliness, but by the web of relationships in which we’re enmeshed. Ken Liu
3
The Allatians believe that they have a writing system superior to all others. Unlike books written in alphabets, syllabaries, or logograms, an Allatian book captures not only words, but also the writer’s tone, voice, inflection, emphasis, intonation, rhythm. It is simultaneously a score and a recording. A speech sounds like a speech, a lament a lament, and a story re-creates perfectly the teller’s breathless excitement. For the Allatians, reading is literally hearing the voice of the past. But there is a cost to the beauty of the Allatian book. Because the act of reading requires physical contact with the soft, malleable surface, each time a text is read, it is also damaged and some aspects of the original irretrievably lost. Copies made of more durable materials inevitably fail to capture all the subtleties of the writer’s voice, and are thus shunned. In order to preserve their literary heritage, the Allatians have to lock away their most precious manuscripts in forbidding libraries where few are granted access. Ironically, the most important and beautiful works of Allatian writers are rarely read, but are known only through interpretations made by scribes who attempt to reconstruct the original in new books after hearing the source read at special ceremonies. . Ken Liu
Do you see how much power you have when you...
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Do you see how much power you have when you act without fear? Ken Liu
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Taking away men's weapons will be not bring peace. They'll fight with sticks and stones, and tooth and nail. Mapidéré's is a peace supported only by fear, as secure as a nest built on a rotten branch. Ken Liu
There is far more happiness in a life that is...
6
There is far more happiness in a life that is your own than a life in which you are handed the lines to say and shown the gestures to make. Do not ever be ambitious. Ken Liu
7
But being the mirrors for each other's souls has a cost: by the time they part from each other, the individuals in the mating pair have become indistinguishable. Before their merger, they each yearned for the other; as they part, they part from the self. The very quality that attracted them to each other is also, inevitably, destroyed in their union. Ken Liu
8
A little self-doubt is a good thing, " said Jia, "but not excessive doubt. Sometimes we live up to the stories others tell about us. Ken Liu
9
Clearing away the superficial structure of the reigns of emperors and the dates of battles, there was the deeper rhythm of history's ebb and flow not as the deeds of great men, but as the lives lived by ordinary men and women wading through the currents of the natural world around them: its geology, its seasons, its climate and ecology, the abundance and scarcity of the raw material for life. Ken Liu
10
But it's not really Chinese, is it?' Logan was thoughtful for a moment. "I don't know. I guess you'd say it's really not if you look back thousands of years. But I don't think that way. Lots of things start out not Chinese and end up that way. Ken Liu
11
I don't pay much attention to the distinction between fantasy and science fiction—or between “genre” and “mainstream” for that matter. For me, all fiction is about prizing the logic of metaphors-which is the logic of narratives in general—over reality, which is irreducibly random and senseless. We spend our entire lives trying to tell stories about ourselves—they’re the essence of memory. It is how we make living in this unfeeling accidental universe tolerable. That we call such a tendency “the narrative fallacy” doesn’t mean it doesn’t also touch upon some aspect of the truth. Some stories simply literalize their metaphors a bit more explicitly. Ken Liu
12
Who can say if the thoughts you have in your mind as you read these words are the same thoughts I had in my mind as I typed them? We are different, you and I, and the qualia of our consciousnesses are as divergent as two stars at the ends of the universe. And yet, whatever has been lost in translation in the long journey of my thoughts through the maze of civilization to your mind, I think you do understand me, and you think you do understand me. Our minds managed to touch, if but briefly and imperfectly. Does that thought not make the universe seem just a bit kinder, a bit brighter, a bit warmer and more human? We live for such miracles. . Ken Liu
13
I have seen the poor suffer when nobles seek the purity of ideals. I have seen the powerless die when princes believe in the nostalgia of their dreams. I have seen the common people torn from peace and thrown into war when kings yearn to test the clarity of their vision. Ken Liu
14
He intrigued her. Powerful men, in her experience, were usually not so full of doubt. Kuni was consumed by the desire to do good for others, but uncertain what "good" might be and whether he was the right man for the job. Kuni was the sort of man, Risana realized, who, rather than deceive himself, was so full of self-doubt that he could not longer see himself Ken Liu
15
As the wind continued to howl and groan through her decaying body, she began to sing her story. Ken Liu
16
I thought my duty was to restore Haan, but Haan is not King Cosugi or the burned-down palace or the ruins of the great estates or the dead nobles and their descendants pining for glory-these are but parts of an experiment at a way of life for the people of Haan, her true essence. When the experiment has proven to be a failure, one must be willing to try new paths, new ways of doing things. Ken Liu
17
The calf is capable of walking quite well now, " Dazu said. "He never stumbles."" But I told you to carry him back here, " the teacher said. "The first thing a soldier must learn is to obey orders." Every day, the calf grew a little heavier, and every day, Dazu had to struggle a little harder. He would collapse, exhausted, when he finally got to the ranch, and the calf would bound out of his arms, glad to be able to walk on his own and stretch out. When winter rolled around again, Médo handed him a wooden sword and asked him to strike as hard as he could at the practice dummy. Dazu looked with distaste at the crude weapon with no edge, but he swung obediently. The wooden dummy fell in half, cut clean through. He looked at the sword in his hand with wonder." It's not the sword, " his teacher said. "Have you looked at yourself lately?" He brought Dazu to stand in front of a brightly polished shield. The young man could hardly recognize the reflection. His shoulders filled the frame of the mirror. His arms and thighs were twice as thick as he remembered, and his chest bulged over his narrow waist." A great warrior trusts not his weapons, but himself. When you possess true strength, you can deal a killing blow even if all you have is a blade of grass." Now you're finally ready to learn from me. But first, go thank the calf for making you strong. Ken Liu
18
I've always thought it nonsense to believe something true simply because it was written in a book long ago. Ken Liu
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Time's arrow is the loss of fidelity in compression. A sketch, not a photograph. A memory is a re-creation, precious because it is both more and less than the original. Ken Liu
20
At this moment, in this place, the shifting action potential in my neurons cascade into certain arrangements, patterns, thoughts; they flow down my spine, branch into my arms, my fingers, until muscles twitch and thought is translated into motion; mechanical levers are pressed; electrons are rearranged; marks are made on paper. At another time, in another place, light strikes the marks, reflects into a pair of high-precision optical instruments sculpted by nature after billions of years of random mutations; upside-down images are formed against two screens made up of millions of light-sensitive cells, which translate light into electrical pulses that go up the optic nerves, cross the chiasm, down the optic tracts, and into the visual cortex, where the pulses are reassembled into letters, punctuation marks, words, sentences, vehicles, tenors, thoughts. The entire system seems fragile, preposterous, science fictional. Ken Liu
21
It is as if the Caru'ee were able to perceive an echo of the past, and unconsciously, as they built upon a palimpsest of books written long ago and long forgotten, chanced to stumble upon an essence of meaning that could not be lost, no matter how much time had passed. Ken Liu
22
As a jailer, I never got to understand my charges. But when I became a bandit, I spent a lot of time being close to the lowliest of the low: criminals, the enslaved, deserters, men who had nothing to lose. Contrary to what I had expected, I found that they had a hardscrabble beauty and grace. They were not mean in their nature, but made mean by the meanness of their rulers. The poor were willing to endure much, but the emperor had taken everything from them. Ken Liu
23
Yet, my grandfather was not a monster. He was simply a man of ordinary moral courage whose capacity for great evil was revealed to his and my everlasting shame. Labeling someone a monster implies that he is from another world, one which has nothing to do with us. It cuts off the bonds of affection and fear, assures us of our own superiority, but there's nothing learned, nothing gained. It's simple, but it's cowardly. I know now that only by empathizing with a man like my grandfather can we understand the depth of the suffering he caused. There are no monsters. The monster is us. Ken Liu
24
There is often no line between perfection and evil. Ken Liu
25
There are many ways to say I love you in this cold, dark, silent universe, as many as the twinkling stars. Ken Liu
26
Some have said I should demand that the surviving members of Unit 731 be brought to justice. But what does that mean? I am no longer a child. I do not want to see trials, parades, spectacles. The law does not give you real justice. Ken Liu
27
One has to be careful, whenever one tells a story about a great injustice. We are a species that loves narrative, but has been taught not to trust an individual speaker. Ken Liu
28
Those men and women of Yangzhou died a hundred years ago, Tian Haoli, and nothing can be done to change that. But the past lives on in the form of memories, and those in power are always going to want to erase and silence the past, to bury the ghosts. Now that you know about the past, you're no longer an innocent bystander. If you do not act you are complicit with the Emperor and his Blood Drops in this new act of violence, this deed of erasure. Like Wang Xiuchu, you're now a witness. Like him, you must choose what to do. You must decide if, on the day you die, you will regret your choice. . Ken Liu
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Every act of communication is a miracle of translation. Ken Liu
30
The way I look at it is this: If you try to obey the law, and the judges call you a criminal anyway, then you might as well live up to the name. Ken Liu
31
Platitude or not, the crowd erupted into applause, and by acclamation, Kuni Garu became the Duke of Zudi. A few pointed out that titles of nobility really couldn't be handed out in such a democratic fashion, but these killjoys were ignored. Ken Liu
32
Mapidéré was but one man-and indeed, judging by rumors of his decrepit state near death, a weak, sickly man-but his creation, the empire, had taken on a life of its own. Killing the emperor would not have been enough. We have to kill the empire. Ken Liu
33
Emperor, king, general, duke, ” he whispered to himself. “These are just labels. Climb up the family tree of any of them high enough and you’ll find a commoner who dared to take a chance. Ken Liu
34
But in a time of war, knowledge made interesting friendships. Soon, the scholars and the thieves were . . . well, thick as thieves. Ken Liu
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A loyal servant does not think of things outside of his control. Ken Liu
36
A momentary smile appeared on Cogo's face before fading away. No matter how many times he saw it, he was still amazed by how Kuni's sincerity shaded into an instinct for political theater. He was, of course, moved by the loyalty of a man who would rather be in jail than betray him, but he also knew to play it for all it was worth to cement even more loyalty. Ken Liu
37
Sometimes, the anger built up so much that people had to scream out their treasonous thoughts just to keep on breathing. Maybe not all of the were really crazy, but it was best for everyone involved to pretend that they were. Ken Liu
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I think writing novels has taught me more about the value of patience and being organized. I've learned to use timelines and wikis to track decisions and make sure everything still fits together. It's both easier and harder than writing short fiction. Ken Liu
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If I end up having a novel that sells really well and that allows me to pay for health insurance and mortgage without having to work at a day job, that would be great. Ken Liu
40
There's this long history of colonialism and the colonial gaze when applied to matters related to China. So a lot of conceptions about China in literary representations in the West are things you can't even fight against because they've been there so long that they've become part of the Western imagination of China. Ken Liu
41
The 'silk' in silkpunk refers not to a source of power, but to an entirely different, expressive technology language. Ken Liu
42
The evolution of technology is, like the evolution of literature, heavily path-dependent. Culture plays a far more important role in the acceptance, adoption, and spread of technology than many of us are willing to acknowledge. Ken Liu
43
Real history is far more complex and interesting than the simplistic summaries presented in Wikipedia articles. Knowing this allows you to question received wisdom, to challenge 'facts' 'everybody' knows to be true, and to imagine worlds and characters worthy of our rich historical heritage and our complex selves. Ken Liu