132 Quotes & Sayings By Donna Tartt

Donna Tartt was born in Denver in 1967. She attended the University of Alabama at Tuscaloosa, where she earned a BA in English Literature. Her first novel, The Secret History, was published in 1992 and won the PEN Center USA West Award. Her second novel, The Little Friend, was published in 2000 Read more

Her third novel, The Goldfinch was released in 2013 to wide acclaim. Tartt lives in New York City.

1
Because I don’t care what anyone says or how often or winningly they say it: no one will ever, ever be able to persuade me that life is some awesome, rewarding treat. Because, here’s the truth: life is a catastrophe. The basic fact of existence — of walking around trying to feed ourselves and find friends and whatever else we do — is a catastrophe. Forget all this ridiculous ‘Our Town’ nonsense everyone talks: the miracle of a newborn babe, the joy of one simple blossom, Life You Are Too Wonderful To Grasp, &c. For me — and I’ll keep repeating it doggedly till I die, till I fall over on my ungrateful nihilistic face and am too weak to say it: better never born, than born into this cesspool. Sinkhole of hospital beds, coffins, and broken hearts. No release, no appeal, no “do-overs” to employ a favored phrase of Xandra’s, no way forward but age and loss, and no way out but death. . Donna Tartt
2
Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born-never to have wanted anything, never to have hoped for anything. Donna Tartt
3
Whenever you see flies or insects in a still life–a wilted petal, a black spot on the apple–the painter is giving you a secret message. He’s telling you that living things don’t last–it’s all temporary. Death in life. That’s why they’re called natures mortes. Maybe you don’t see it at first with all the beauty and bloom, the little speck of rot. But if you look closer–there it is. Donna Tartt
4
What are the dead, anyway, but waves and energy? Light shining from a dead star? That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition — tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star… Which reminds me, by the way, of a dream I had a couple of weeks ago. I found myself in a strange deserted city — an old city, like London — underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly — past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble. I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors. There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below. I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon.History passing beneath my very eyes, changing every moment.' I thought I'd find you here, ' said a voice at my elbow. It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple. I was glad to see him, though not exactly surprised. 'You know, ' I said to him, 'everybody is saying that you're dead.' He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead, ' he said. 'I'm only having a bit of trouble with my passport.'' What?' He cleared his throat. 'My movements are restricted, ' he said.' I no longer have the ability to travel as freely as I would like.' Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him.' That information is classified, I'm afraid.'1 looked around curiously. It seemed that I was the only visitor.' Is it open to the public?' I said.' Not generally, no.' I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point.' Are you happy here?' I said at last. He considered this for a moment. 'Not particularly, ' he said.' But you're not very happy where you are, either.' St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch.' I hope you'll excuse me, ' he said, 'but I'm late for an appointment.' He turned from me and walked away. I watched his back receding down the long, gleaming hall. . Donna Tartt
5
And in the midst of our dying, as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn’t touch. For if disaster and oblivion have followed this painting down through time – so too has love. Insofar as it is immortal (and it is) I have a small, bright, immutable part in that immortality. It exists; and it keeps on existing. And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next. Donna Tartt
6
But Robin: their dear little Robs. More than ten years later, his death remained an agony; there was no glossing any detail; its horror was not subject to repair or permutation by any of the narrative devices that the Cleves knew. And–since this willful amnesia had kept Robin's death from being translated into that sweet old family vernacular which smoothed even the bitterest mysteries into comfortable, comprehensible form–the memory of that day's events had a chaotic, fragmented quality, bright mirrorshards of nightmare which flared at the smell of wisteria, the creaking of a clothes-line, a certain stormy cast of spring light. Donna Tartt
7
The shame that tormented me was all the more corrosive for having no very clear origin: I didn't know why I felt so tainted, and worthless, and wrong-only that I did, and whenever I looked up from my books I was swamped by slimy waters rushing in from all sides. Donna Tartt
8
The lamplight was eerie, and, standing there motionless in our bathrobes, sleepy, with shadows flickering all around, I felt as though I had woken from one dream into an even more remote one, some bizarre wartime bomb shelter of the unconscious. Donna Tartt
9
During the next week, everyone noticed that my appetite had improved, even Toddy. “Are you done with your hunger strike?” he asked me curiously, one morning. “Toddy, eat your breakfast.” “But I thought that was what it was called. When people don’t eat.” “No, a hunger strike is for people in prison, ” Kitsey said coolly. “Kitten, ” said Mr. Barbour, in a warning tone. “Yes, but he ate three waffles yesterday, ” said Toddy, looking eagerly between his uninterested parents in an attempt to engage them. “I only ate two waffles. And this morning he ate a bowl of cereal and six pieces of bacon, but you said five pieces of bacon was too much for me. Why can’t I have five pieces, too?. Donna Tartt
10
But when she was annoyed with me, she had a cold way of saying “Apparently” in answer to almost anything I said, making me feel stupid. “Um, I can’t find the can opener.” “Apparently.” “There’s going to be a lunar eclipse tonight.” “Apparently.” “Look, sparks are coming out of the wall socket.” “Apparently. Donna Tartt
11
Maybe that's why I tend to equate physical beauty with qualities with which it has absolutely nothing to do. I see a pretty mouth or a moody pair of eyes and imagine all sorts of deep affinities, private kinships. Donna Tartt
A different and much deeper sort of beauty altogether. The...
12
A different and much deeper sort of beauty altogether. The thing and yet not the thing. Donna Tartt
13
Do you remember what we were speaking of earlier, of how bloody, terrible things are sometimes the most beautiful?” he said. “It’s a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown back, throat to the stars, ‘more like deer than human being.’ To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn. . Donna Tartt
14
Maybe that's why I tend to equate physical beauty with qualities with which it has absolutely nothing to do. I see a pretty mouth or a moody pair of eyes and imagine all sorts of deep affinities, private kinships. Never mind that half a dozen jerks are clustered round the same person, just because they've been duped by the same pair of eyes. Donna Tartt
15
...as we rise from the organic and sink back ignominiously into the organic, it is a glory and a privilege to love what Death doesn't touch. Donna Tartt
16
Great paintings–people flock to see them, they draw crowds, they’re reproduced endlessly on coffee mugs and mouse pads and anything-you-like. And, I count myself in the following, you can have a lifetime of perfectly sincere museum-going where you traipse around enjoying everything and then go out and have some lunch. But if a painting really works down in your heart and changes the way you see, and think, and feel, you don’t think, ‘oh, I love this picture because it’s universal.’ ‘I love this painting because it speaks to all mankind.’ That’s not the reason anyone loves a piece of art. It’s a secret whisper from an alleyway. Psst, you. Hey kid. Yes you. An individual heart-shock. Your dream, Welty’s dream, Vermeer’s dream. You see one painting, I see another, the art book puts it at another remove still, the lady buying the greeting card at the museum gift shop sees something else entire, and that’s not even to mention the people separated from us by time–four hundred years before us, four hundred years after we’re gone–it’ll never strike anybody the same way and the great majority of people it’ll never strike in any deep way at all but–a really great painting is fluid enough to work its way into the mind and heart through all kinds of different angles, in ways that are unique and very particular. Yours, yours. I was painted for you. And–oh, I don’t know, stop me if I’m rambling… but Welty himself used to talk about fateful objects. Every dealer and antiquaire recognizes them. The pieces that occur and recur. Maybe for someone else, not a dealer, it wouldn’t be an object. It’d be a city, a color, a time of day. The nail where your fate is liable to catch and snag. Donna Tartt
17
This was a plunge encompassing sorrow and revulsion far beyond the personal: a sick, drenching nausea at all humanity and human endeavor from the dawn of time. The writhing loathsomeness of the biological order. Old age, sickness, death. No escape for anyone. Even the beautiful ones were like soft fruit about to spoil. And yet somehow people still kept fucking and breeding and popping out new fodder for the grave, producing more and more new beings to suffer like this was some kind of redemptive, or good, or even somehow morally admirable thing: dragging more innocent creatures into the lose-lose game. Donna Tartt
18
How much did she remember? I wondered, afire with humiliation yet unable to tear my eyes from her. It wasn’t the kind of thing you could ask but still I wanted to know. Did she have nightmares too? Crowd fears? Sweats and panics? Did she ever have the sense of observing herself from afar, as I often did, as if the explosion had knocked my body and my soul into two separate entities that remained about six feet apart from one another? Her gust of laughter had a self-propelling recklessness I knew all too well from wild nights with Boris, an edge of giddiness and hysteria that I associated (in myself, anyway) with having narrowly missed death. There had been nights in the desert where I was so sick with laughter, convulsed and doubled over with aching stomach for hours on end, I would happily have thrown myself in front of a car to make it stop. . Donna Tartt
19
What if one happens to be possessed of a heart that can’t be trusted–? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight towards a beautiful flare of ruin, self-immolation, disaster? Donna Tartt
20
That surge of power and delight, of confidence, of control. That sudden sense of the richness of the world. Its infinite possibility. Donna Tartt
21
What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?… If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or…is it better to throw yourself head first and laughing into the holy rage calling your name? . Donna Tartt
22
It was like waking from a nightmare to a worse nightmare. Donna Tartt
23
Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm? Donna Tartt
24
Their reality was far more interesting than any idealized version could possibly be Donna Tartt
25
I was deluded, and I knew it. Worse: my love for Pippa was muddied-up below the waterline with my mother, with my mother's death, with losing my mother and not being able to get her back. All that blind, infantile hunger to save and be saved, to repeat the past and make it different, had somehow attached itself, ravenously, to her. There was an instability in it, a sickness. I was seeing things that weren't there. I was only one step away from some trailer park loner stalking a girl he'd spotted in the mall. For the truth of it was: Pippa and I saw each other maybe twice a year; we e-mailed and texted, though with no great regularity; when she was in town we loaned each other books and went to the movies; we were friends; nothing more. My hopes for a relationship with her were wholly unreal, whereas my ongoing misery, and frustration, were an all-too-horrible reality. Was groundless, hopeless, unrequited obsession any way to waste the rest of my life? . Donna Tartt
26
The little white bundle–toddling dutifully down the hall to the front door–froze. Then a high-pitched scream as he began to run as fast as he could (which was not very fast at all, any more) and Boris–whooping with laughter–dropped to his knees.“ Oh! ” snatching him up, as Popchik wriggled and struggled. “You got fat! He got fat! ” he said indignantly as Popchik jumped up and kissed him on the face. “You let him get fat! Yes, hello, poustyshka, little bit of fluff you, hello! You remember me, don’t you?” He had toppled over on his back, stretched out and laughing, as Popchik–still screaming with joy–jumped all over him. “He remembers me! . Donna Tartt
27
But does it make any sense at all to know that it ends badly for all of us, even the happiest of us, and that we all lose everything that matters in the end-and yet to know as well, despite all this, as cruelly as the game is stacked, that it's possible to play it with a kind of joy? To try to make some meaning out of all this seems unbelievably quaint. Maybe I only see a pattern because I've been staring too long. But then again, to paraphrase Boris, maybe I see a pattern because it's there. Donna Tartt
28
Richard Papen: As it happened, I knew Gartrell. He was a bad painter and a vicious gossip, with a vocabulary composed almost entirely of obscenities, gutteral verbs, and the world "postmodernist. Donna Tartt
29
What do you think about America?""Everyone always smiles so big! Well–most people. Maybe not so much you. I think it looks stupid. Donna Tartt
30
But, if I dare say it, it wasn't until I had helped kill a man that I realized how elusive and complex an act a murder can actually be, and not necessarily attributable to one dramatic motive. Donna Tartt
31
It seems to me that psychology is only another word for what the ancients called fate. Donna Tartt
32
What’s worth living for? what’s worth dying for? what’s completely foolish to pursue? Donna Tartt
33
Fate is cruel but maybe not random. Nature (meaning Death) always wins but that doesn't mean we have to bow and gravel to it. Donna Tartt
34
Everyone basically has one aria to sing over their entire life. Donna Tartt
35
The vitality of the act was entirely obfuscated, the beauty, the terror, the sacrifice.' He took one last drag of this cigarette and put it out. 'Quite simply, ' he said, 'we didn't believe. And belief was the one condition which was absolutely necessary. Belief, and absolute surrender. Donna Tartt
36
Does such a thing as "the fatal flaw, " that showy dark crack running down the middle of a life, exist outside literature? Donna Tartt
37
And what does a person with such romantic temperament seek in the study of the classics?" If by romantic you mean solitary and introspective, I think romantics are frequently the best classicists. Donna Tartt
38
Who knew it was in my power to make anyone so happy? Or that I could ever be so happy myself? My moods were a slingshot; after being locked-down and anesthetized for years my heart was zinging and slamming itself around like a bee under a glass, everything bright, sharp, confusing, wrong - but it was a clean pain as opposed to the dull misery that had plagued me for years under the drugs like a rotten tooth, the sick dirty ache of something spoiled. The clarity was exhilarating; it was as if I'd removed a pair of smudged-up glasses that fuzzed everything I saw. All summer long I had been practically delirious: tingling, daffy, energized, running on gin and shrimp cocktail and the invigorating whock of tennis balls. And all I could think was Kitsey, Kitsey, Kitsey!. Donna Tartt
39
Do you have any idea why you might be feeling better?”“ No, not really, ” I said curtly. Better wasn’t even the word for how I felt. There wasn’t a word for it. It was more that things too small to mention–laughter in the hall at school, a live gecko scurrying in a tank in the science lab–made me feel happy one moment and the next like crying. Sometimes, in the evenings, a damp, gritty wind blew in the windows from Park Avenue, just as the rush hour traffic was thinning and the city was emptying for the night; it was rainy, trees leafing out, spring deepening into summer; and the forlorn cry of horns on the street, the dank smell of the wet pavement had an electricity about it, a sense of crowds and static, lonely secretaries and fat guys with bags of carry-out, everywhere the ungainly sadness of creatures pushing and struggling to live. For weeks, I’d been frozen, sealed-off; now, in the shower, I would turn up the water as hard as it would go and howl, silently. Everything was raw and painful and confusing and wrong and yet it was as if  I’d been dragged from freezing water through a break in the ice, into sun and blazing cold. . Donna Tartt
40
I hated being around people, couldn’t pay attention to what anyone was saying, couldn’t talk to clients, couldn’t tag my pieces, couldn’t ride the subway, human activity seemed pointless, incomprehensible, some blackly swarming ant hill in the wilderness, there was not a squeak of light anywhere I looked, the antidepressants I’d been dutifully swallowing for eight weeks hadn’t helped a bit, nor had the ones before that (but then, I’d tried them all; apparently I was among the twenty unfortunates who didn’t get the daisy fields and the butterflies but the Sever Headaches and the Suicidal Thoughts); and though the darkness sometimes lifted just enough so I could construe my surroundings, familiar shapes solidifying the bedroom furniture at dawn, my relief was never more than temporary because somehow the full morning never came, things always went black before I could orient myself and there I was again with ink poured in my eyes, guttering around in the dark. Donna Tartt
41
[T]hough the darkness sometimes lifted just enough so I could construe my surroundings, familiar shapes solidifying like bedroom furniture at dawn, my relief was never more than temporary because somehow the full morning never came, things always went black before I could orient myself and there I was again with ink poured in my eyes, guttering around in the dark. Donna Tartt
42
It's a very Greek idea, and a very profound one. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to lose control completely? To throw off all the chains of being for an instant, to shatter the accident of our mortal selves? Donna Tartt
43
Who knew, or cared, the names of the Turks who blew the roof off the Parthenon? the mullahs who had ordered the destruction of the Buddhas at Bamiyan? Yet living or dead: their acts stood. It was the worst kind of immortality. Intentionally or no: I had extinguished a light at the heart of the world. Donna Tartt
44
Everything was hysterically funny, even the playground slide was smiling at us, and at some point, deep in the night, when we were winging on the jungle gym and showers of sparks were flying out of our mouths, I had the epiphany that laughter was light, and light was laughter, and that this was the secret of the universe. Donna Tartt
45
Every new event - everything I did for the rest of my life - would only separate us more and more: days she was n longer a part of, an ever-growing distance between us. Every single day for the rest of my life, she would only be further away. Donna Tartt
46
When we are sad...it can be comforting to cling to familiar objects, to things that don't change. Donna Tartt
47
I missed her so much I wanted to die: a hard, physical longing, like a craving for air underwater. Lying awake, I tried to recall all my best memories of her–to freeze her in my mind so I wouldn’t forget her–but instead of birthdays and happy times I kept remembering things like how a few days before she was killed she’d stopped me halfway out the door to pick a thread off my school jacket. For some reason, it was one of the clearest memories I had of her: her knitted eyebrows, the precise gesture of her reaching out to me, everything. Several times too–drifting uneasily between dreaming and sleep– I sat up suddenly in bed at the sound of her voice speaking clearly in my head, remarks she might conceivably have made at some point but that I didn’t actually remember, things like Throw me an apple, would you? and I wonder if this buttons up the front or the back? and This sofa is in a terrible state of disreputableness. . Donna Tartt
48
But sometimes, unexpectedly, grief pounded over me in waves that left me gasping; and when the waves washed back, I found myself looking out over a brackish wreck which was illumined in a light so lucid, so heartsick and empty, that I could hardly remember that the world had ever been anything but dead. Donna Tartt
49
...with a grief no less sharp for not being intimate with its object. Donna Tartt
50
When we are sad–at least I am like this–it can be comforting to cling to familiar objects, to the things that don't change. Donna Tartt
51
He did touch people's lives, the lives of strangers, in an entirely unanticipated way. It was they who really mourned him - or what they thought was him - with a grief that was no less sharp for not being intimate with its object. Donna Tartt
52
It happened in New York, April 10th, nineteen years ago. Even my hand balks at the date. I had to push to write it down, just to keep the pen moving on the paper. It used to be a perfectly ordinary day, but now it sticks up on the calendar like a rusty nail. Donna Tartt
53
He looked very tired, a regard which manifested itself not in dark circles, or pallor, but a dreamy and bright-cheeked sadness. Donna Tartt
54
...not to look back or feel sad about things, that home is wherever I am. Donna Tartt
55
Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see clearly that everything I love or care about is illusion, and yet — for me, anyway — all that’s worth living for lies in that charm A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are. Donna Tartt
56
And, lying on my bed in some biscuit-colored hotel room in Nice, with a balcony facing the Promenade des Anglais, I watch the clouds reflected on sliding panes and marvel even how my sadness can make me happy .. . Donna Tartt
57
...life - whatever else it is - is short... maybe even if we're not always so glad to be here, it's our task to immerse ourselves anyway: wade straight through it, right through the cesspool, while keeping eyes and hearts open. Donna Tartt
58
Birds can sing and fish can swim and I can do this. Donna Tartt
59
Why does that obstinate little voice in our heads torment us so?' he said, looking round the table. 'Could it be because it reminds us that we are alive, of our mortality, of our individual souls - which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self? Donna Tartt
60
The chronological sorting of memories is an interesting business. Prior to this first weekend in the country, my recollections of that fall are distant and blurry: from here on out, they come into a sharp, delightful focus. It is here that the stilted mannequins of my initial acquaintance begin to yawn and stretch and come to life. It was months before the gloss and mystery of newness, which kept me from seeing them with much objectivity, would wear entirely off - though their reality was far more interesting than any idealized version could possibly be - but it is here, in my memory, that they cease being totally foreign and being to appear, for the first time, in shapes very like their bright old selves. I too appear as something of a stranger in these early memories. Donna Tartt
61
But walking through it all was one thing; walking away, unfortunately, has proved to be quite another, and though once I thought I had left that ravine forever on an April afternoon long ago, now I am not so sure. Now the searchers have departed, and life has grown quiet around me, I have come to realize that while for years I might have imagined myself to be somewhere else, in reality I have been there all the time: up at the top by the muddy wheel-ruts in the new grass, where the sky is dark over the shivering apple blossoms and the first chill of the snow that will fall that night is already in the air. Donna Tartt
62
I have only to glance over my shoulder for all those years to drop away and I see it behind me again, the ravine, rising all green and black through the saplings, a picture that will never leave me. Donna Tartt
63
All of a sudden, images from every crime movie I'd ever seen began to pop into my mind–the windowless room, the harsh lights and narrow hallways, images which did not seem so much theatrical or foreign as imbued with the indelible quality of memory, of experience lived. Donna Tartt
64
The ceilings had set off a ghostly echo, giving all that desperate hilarity the quality of a memory even as I sat listening to it, memories of things I'd never known. Donna Tartt
65
The thought of her gave me such a continual anguish that I could no more forget her than an aching tooth. It was involuntary, hopeless, compulsive. For years she had been the first thing I remembered when I woke up, the last thing that drifted through my mind as I went to sleep, and during the day she came to me obtrusively, obsessively, always with a painful shock. Donna Tartt
66
Because, between ‘reality’ on the one hand, and the point where the mind strikes reality, there’s a middle zone, a rainbow edge where beauty comes into being, where two very different surfaces mingle and blur to provide what life does not: and this is the space where all art exists, and all magic. Donna Tartt
67
I sometimes get the feeling that he was less pleased by kindness itself than by the elegance of the gesture. Donna Tartt
68
Though Julian could be marvelously kind in difficult circumstances of all sorts, I sometimes got the feeling that he was less pleased by kindness itself than by the elegance of the gesture. Donna Tartt
69
And I'm hoping there's some larger truth about suffering here, or at least my understanding of it - although I've come to realize that the only truths that matter to me are the ones I don't, and can't, understand. What's mysterious, ambiguous, inexplicable. What doesn't fit into a story, what doesn't have a story. Glint of brightness on a barely-there chain. Patch of sunlight on a yellow wall. The loneliness that separates every living creature from every other living creature. Sorrow inseparable from joy. . Donna Tartt
70
…I’ve come to realize that the only truths that matter to me are the ones I don’t, and can’t, understand. What’s mysterious, ambiguous, inexplicable. What doesn’t fit into a story, what doesn’t have a story. Glint of brightness on a barely-there chain. Patch of sunlight on a yellow wall. The loneliness that separates every living creature from every other living creature. Sorrow inseparable from joy. . Donna Tartt
71
After all, the appeal to stop being yourself, even for a little while, is very great, ' he said. 'To escape the cognitive mode of experience, to transcend the accident to one's moment of being. There are other advantages, more difficult to speak of, things which ancient sources only hint at and which I myself only understood after the fact. Donna Tartt
72
I mean we think of phenomenal change as being the very essence of time, when it's not at all. Time is something which defies spring and winter, birth and decay, the good and the bad, indifferently. Something changeless and joyous and absolutely indestructible. Duality ceases to exist; there is no ego, no 'I, ' and yet it's not at all like those horrid comparisons one sometimes hears in Eastern religions, the self being a drop of water swallowed by the ocean of the universe. It's more as if the universe expands to fill the boundaries of the self. You have no idea how pallid the workday boundaries of ordinary existence seem, after such an ecstasy. Donna Tartt
73
It's not about outward appearances but inward significance. A grandeur in the world, but not of the world, a grandeur that the world doesn't understand. That first glimpse of pure otherness, in whose presence you bloom out and out and out. A self one does not want. A heart one cannot help. Donna Tartt
74
We don't like to admit it, but the idea of losing control is one that fascinates controlled people such as ourselves more than almost anything. All truly civilized people — the ancients no less than us — have civilized themselves through the wilful repression of the old, animal self. Donna Tartt
75
You could study the connections for years and never work it out-it was all about things coming together, things falling apart, time warp, my mother standing out in front of the museum when time flickered and the light went funny, uncertainties hovering on the edge of a vast brightness. the stray chance that might, or might not, change everything. Donna Tartt
76
And beauty is terror, ' said Julian, 'then what is desire? We think we have many desires, but in fact we have only one. What is it?'' To live, ' said Camilla.'To live forever, ' said Bunny, chin cupped in palm. Donna Tartt
77
... is it better to throw yourself head first and laughing into the holy rage calling your name? Donna Tartt
78
What if our badness and mistakes are the very thing that set our fate and bring us round to good? What if, for some of us, we can't get there any other way? Donna Tartt
79
For that you should read the original. In very great poetry the music often comes through even when one doesn't know language. I loved Dante passionately before I knew a word of Italian. Donna Tartt
80
One's thought patterns become different, he said, when forced into the confines of a rigid and unfamiliar tongue. Certain common ideas become inexpressible; other, previously undreamt-of ones spring to life, finding miraculous new articulation. Donna Tartt
81
The most satisfying of languages, Latin. Donna Tartt
82
They too, knew this beautiful and harrowing landscape; they'd had the same experience of looking up from their books with fifth-century eyes and finding the world disconcertingly sluggish and alien, as if it were not their home. Donna Tartt
83
Out on the lawn, Bunny had just knocked Henry's ball about seventy feet outside the court. There was a ragged burst of laughter; faint, but clear, it floated back across the evening air. That laughter haunts me still. Donna Tartt
84
I was jarred - a little spooked as well - at so blatant a reference to something referred to, by mutual agreement, almost exclusively with codes, catchwords, a hundred different euphemisms." It was the most important night of my life, " he said calmly. "It enabled me to do what I've always wanted most."" Which is?"" To live without thinking. Donna Tartt
85
It was a clear, black morning, encrusted with stars. Donna Tartt
86
Well, girls always love assholes, ” said Platt, not bothering to dispute this. “Haven't you noticed?” No, I thought bleakly, untrue. Else why didn't Pippa love me? Donna Tartt
87
I suppose there is a certain crucial interval in everyone's life when character is fixed forever. Donna Tartt
88
...it's so heartbreaking and unnecessary how we lose things. From pure carelessness. Fires, wars. The Parthenon, used as a munitions storehouse. I guess that anything we manage to save from history is a miracle." p28 Donna Tartt
89
What if – is more complicated than that? What if maybe opposite is true as well? Because, if bad can sometimes come from good actions–? where does it ever say, anywhere, that only bad can come from bad actions? Maybe sometimes – the wrong way is the right way? You can take the wrong path and it still comes out where you want to be? Or, spin it another way, sometimes you can do everything wrong and it still turns out to be right? . Donna Tartt
90
Maybe the one had to be lost for the others to be found? Donna Tartt
91
It's commonplace to say that we 'love' a book, but when we say it, we mean all sorts of things. Sometimes we mean that a book was important to us in out youth, though we haven't picked it up in years; sometimes what we 'love' is an impressionistic idea glimpsed from afar (Combray..madeleins..Tante Leonie..) as apposed to the experience of wallowing and plowing through an actual text, and all too often people claim to love books they haven't read at all. Then there are books we love so much that we read every year or two, and know passages of them by heart; that cheer us up when we are sick or sad and never fail to amuse us when we take them up at random; that we pass on to all our friends and acquaintances; and to which we return again and again with undimmed enthusiasm over the course of a lifetime. I think it goes without saying ghat most books that engage readers on this very high levels are masterpieces; and this is why I believe that True Grit by Charles Portis is a masterpiece. . Donna Tartt
92
Grown children (an oxymoron, I realize) veer instinctively to extremes: the young scholar is much more a pedant than his older counterpart. And I, being young myself, took these pronouncements of Henry's very seriously. I doubt if Milton himself could have impressed me more. Donna Tartt
93
It’s a long story. I’ll make it short as I can. Donna Tartt
94
I think politics is deadly to write about, frankly. If you have a political agenda and you set out to write a novel to prove that, say, capitalism should crumble, then it's going to be a really bad novel. Very few people have been able to deal with political fiction - Dickens, Dostoyevsky. But even Tolstoy got really tiresome when he was talking about the serfs. You have to let characters be characters, not [gruff voice] Mr Capitalism or [girlie voice] Miss Anti-Fur. Donna Tartt
95
It was a myth you couldn't function on opiates: shooting up was one thing but for someone like me-jumping at pigeons beating from the sidewalk, afflicted with Post Traumatic Stress Disorder practically to the point of spasticity and cerebral palsy-pills were the key to being not only competent, but high-functioning. Donna Tartt
96
Even now I remember those pictures, like pictures in a storybook one loved as a child. Radiant meadows, mountains vaporous in the trembling distance; leaves ankle-deep on a gusty autumn road; bonfires and fog in the valleys; cellos, dark window-panes, snow. Donna Tartt
97
Kids shouting and skidding in the playground with no idea what future Hells awaited them: boring jobs and ruinous mortgages and bad marriages and hair loss and hip replacements and lonely cups of coffee in an empty house and a colostomy bag at the hospital. Donna Tartt
98
You'd be surprised, Theo." she said, leaning back in her shawl-shaped chair, "what small, everyday things can lift us out of despair. But nobody can do it for you. You're the one who has to watch for the open door. Donna Tartt
99
And though it's a bleak thing to admit all these years later, still I've never met anyone who made me feel loved the way she did. Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colors than ordinary. Donna Tartt
100
And as much as I wanted to, I knew I couldn't turn around, that to look at her directly was to violate the laws of her world and mine; she had come to me the only way she could, and our eyes met in the glass for a long still moment; but just as she seemed about to speak - with what seemed a combination of amusement, affection, exasperation - a vapor rolled between us and I woke up. Donna Tartt