18 Quotes & Sayings By David Morrell

As much as I like it when a book I'm writing speeds along, the downside can be that an author becomes too eager to finish and rushes the end. The end is even more important than the first page, and rushing can damage it. David Morrell

Before I start a project, I always ask myself the following question. Why is this book worth a year of my life? There needs to be something about the theme, the technique, or the research that makes the time spent on it worthwhile. David Morrell

There are no inferior types of fiction, only inferior practitionersof them David Morrell

He strode with the weight of robbed innocence and a stolen childhood, for a life time of pain and anger, of terror and death."- Frank Balenger David Morrell

His blank face communicated an emptiness that could never be filled"- Frank Balenger David Morrell

His name was Rambo, and he was just some nothing kid for all anybody knew, standing by the pump of a gas station at the outskirts of Madison, Kentucky. David Morrell

Just because somebody smiles when he hands me a bag of shit, that doesn't mean I have to take it. I don't give a damn how friendly he is. It's what he does that matters. David Morrell

On every page, confidence fights with self-doubt. Every sentence is an act of faith. Why would anybody want to do it? David Morrell

You have to follow your own voice. You have to be yourself when you write. In effect, you have to announce, 'This is me, this is what I stand for, this is what you get when you read me. I'm doing the best I can - buy me or not - but this is who I am as a writer. David Morrell

I suppose none of what I'm saying matters. In a few years a search like this won't even be necessary. We have instruments now that can be mounted on the underside of an airplane. To find a man all you have to do is fly over the spot where you think he is, and the machine will register his body heat. Right now there aren't enough of those machines to go around. Most of them are in the war. But when we come home from there, well, a man on the run won't have hope. And a man like me, he won't be needed. This is the last of something. It's too bad. As much as I hate war, I fear the day when machines take the place of men. At least now a man can still get along on his talents. David Morrell

Don't give in to doubt. Never be discouraged if your first draft isn't what you thought it would be. Given skill and a story that compels you, muster your determination and make what's on the page closer to what you have in your mind. The chances are that you'll never make them identical. That's one reason I'm still hitting the keyboard. Obsessed by the secrets of my past, I try to put metaphorical versions of them on the page, but each time, no matter how honest and hard my effort, what's in my mind hasn't been fully expressed, compelling me to keep trying. To paraphrase a passage from John Barth's "Lost in the Funhouse, " I'll die telling stories to myself in the dark. But there's never enough time. There was never enough time. David Morrell

So they spread the paintings on the lawn, and the boy explained each of them. "This is the school, and this is the playground, and these are my friends." He stared at the paintings for a long time and then shook his head in discouragement. "In my mind, they were a whole lot better." Isn't that the truth? Every morning, I go to my desk and reread yesterday's pages, only to be discouraged that the prose isn't as good as it seemed during the excitement of composition. In my mind, it was a whole lot better. Don't give in to doubt. Never be discouraged if your first draft isn't what you thought it would be. Given skill and a story that compels you, muster your determination and make what's on the page closer to what you have in your mind. . David Morrell

I've heard this called st. peter's square, " arlene said. "but it isn't square. it's oval. David Morrell

If the passage absolutely demands cursing, be moderate. A little of it goes a long way. I've seen beginning writers pepper curse words through sentence after sentence.' If you don't -blanking- get your -blanking-blank-blank- in to this house this -blanking- minute, I'm going to -blank- your -blank- and nail it to the -blanking- door.' Two things happen when I read this junk: I get bored and I get angry. I didn't pick up your book to read garbage. If this is as clever as you can be, I don't want to read your prose. In life if you met someone who spoke like this, you'd want to flee. Then why put this stuff on the page? As near as I can determine, this abomination occurs because a writer is corrupted by the awful -blanking- dialog that movies inflict on us these days. It's also a sign of insecurity. The writer wonders if the dialog is strong enough and decides a lot of -blanking-blank- will do the trick. Someone might object that this kind of dialog is realistic in certain situations--intense scenes involving policemen or soldiers for example. I can only reply that in my research I spend considerable time with policemen and soldiers. Few of them curse any more than a normal person would. This garbage isn't realistic. It merely draws attention to itself and holds back the story. Use it sparingly. David Morrell

If people weren't sinners, every intelligence network would be out of business David Morrell

I have a graduate degree from Penn State. I studied at Penn State under a noted Hemingway scholar, Philip Young. I had an interest in thrillers, and it occurred to me that Hemingway wrote many action scenes: the war scenes in 'A Farewell to Arms' and 'For Whom the Bell Tolls' come to mind. But the scenes don't feel pulpy. David Morrell

One of the advantages of having gone to Penn State was having had a scholar for a mentor - Philip Young. Also, a professional writer named Philip Klass taught there. He was a science fiction writer whose pseudonym was William Tenn. As a professional writer, he brought wisdom to teaching because he'd done it for a living. David Morrell