100 Quotes About Landscape

Sometimes we need a little inspiration to get us out of bed and going. Whether we’re feeling tired and uninspired or just plain unmotivated, these quotes can give us the boost we need to start our days.

1
At the time of Lewis and Clark, setting the prairies on fire was a well-known signal that meant, ‘Come down to the water.’ It was an extravagant gesture, but we can’t do less. If the landscape reveals one certainty, it is that the extravagant gesture is the very stuff of creation. After the extravagant gesture of creation in the first place, the universe has continued to deal exclusively in extravagances, flinging intricacies and colossi down aeons of emptiness, heaping profusions on profligacies with ever fresh vigor. The whole show has been on fire from the word go. I come down to the water to cool my eyes. But everywhere I look, I see fire: that which isn’t flint is tinder, and the whole world sparks and flames. Annie Dillard
2
A garden should make you feel you've entered privileged space -- a place not just set apart but reverberant -- and it seems to me that, to achieve this, the gardener must put some kind of twist on the existing landscape, turn its prose into something nearer poetry. Michael Pollan
3
I am no scientist. I explore the neighbourhood. An infant who has just learned to hold his head up has a frank and forthright way of gazing about him in bewilderment. He hasn't the faintest clue where he is, and he aims to learn. In a couple of years, what he will have learned instead is how to fake it: he'll have the cocksure air of a squatter who has come to feel he owns the place. Some unwonted, taught pride diverts us from our original intent, which is to explore the neighbourhood, view the landscape, to discover at least WHERE it is that we have been so startlingly set down, if we can't learn why. Annie Dillard
Life is not always perfect. Like a road, it has...
4
Life is not always perfect. Like a road, it has many bends, ups and down, but that’s its beauty. Amit Ray
5
I remember my childhood names for grasses and secret flowers. I remember where a toad may live and what time the birds awaken in the summer -- and what trees and seasons smelled like -- how people looked and walked and smelled even. The memory of odors is very rich. John Steinbeck
6
Thomas Merton wrote, “there is always a temptation to diddle around in the contemplative life, making itsy-bitsy statues.” There is always an enormous temptation in all of life to diddle around making itsy-bitsy friends and meals and journeys for itsy-bitsy years on end. It is so self-conscious, so apparently moral, simply to step aside from the gaps where the creeks and winds pour down, saying, I never merited this grace, quite rightly, and then to sulk along the rest of your days on the edge of rage. I won’t have it. The world is wilder than that in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain, or Lazarus.Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock-more than a maple- a universe. This is how you spend this afternoon, and tomorrow morning, and tomorrow afternoon. Spend the afternoon. You can’t take it with you. Annie Dillard
7
Think of a globe, a revolving globe on a stand. Think of a contour globe, whose mountain ranges cast shadows, whose continents rise in bas-relief above the oceans. But then: think of how it really is. These heights are just suggested; they’re there….when I think of walking across a continent I think of all the neighborhood hills, the tiny grades up which children drag their sleds. It is all so sculptured, three-dimensional, casting a shadow. What if you had an enormous globe that was so huge it showed roads and houses- a geological survey globe, a quarter of a mile to an inch- of the whole world, and the ocean floor! Looking at it, you would know what had to be left out: the free-standing sculptural arrangement of furniture in rooms, the jumble of broken rocks in the creek bed, tools in a box, labyrinthine ocean liners, the shape of snapdragons, walrus. Where is the one thing you care about in earth, the molding of one face? The relief globe couldn’t begin to show trees, between whose overlapping boughs birds raise broods, or the furrows in bark, where whole creatures, creatures easily visible, live our their lives and call it world enough. What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is a possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek. Annie Dillard
8
What I aim to do is not so much learn the names of the shreds of creation that flourish in this valley, but to keep myself open to their meanings, which is to try to impress myself at all times with the fullest possible force of their very reality. I want to have things as multiply and intricately as possible present and visible in my mind. Then I might be able to sit on the hill by the burnt books where the starlings fly over, and see not only the starlings, the grass field, the quarried rock, the viney woods, Hollins pond, and the mountains beyond, but also, and simultaneously, feathers’ barbs, springtails in the soil, crystal in rock, chloroplasts streaming, rotifers pulsing, and the shape of the air in the pines. And, if I try to keep my eye on quantum physics, if I try to keep up with astronomy and cosmology, and really believe it all, I might ultimately be able to make out the landscape of the universe. Why not? . Annie Dillard
9
When her doctor took her bandages off and led her into the garden, the girl who was no longer blind saw “the tree with the lights in it.” It was for this tree I searched through the peach orchards of summer, in the forests of fall and down winter and spring for years. Then one day I was walking along Tinker creek and thinking of nothing at all and I saw the tree with the lights in it. I saw the backyard cedar where the mourning doves roost charged and transfigured, each cell buzzing with flame. I stood on the grass with the lights in it, grass that was wholly fire, utterly focused and utterly dreamed. It was less like seeing that like being for the first time see, knocked breathless by a powerful glance. The flood of fire abated, but I’m still spending the power. Gradually the lights went out in the cedar, the colors died, the cells un-flamed and disappeared. I was still ringing. I had been my whole life a bell and never knew it until at that moment I was lifted and struck. I have since only very rarely seen the tree with the lights in it. The vision comes and goes, mostly goes, but I live for it, for the moment the mountains open and a new light roars in spate through the crack, and the mountains slam. Annie Dillard
10
Cruelty is a mystery, and the waste of pain. But if we describe a world to compass these things, a world that is a long, brute game, then we bump against another mystery: the inrush of power and light…unless all ages and races of men have been deluded by the same mass hypnotist (who?), there seems to be such a thing as beauty, a grace wholly gratuitous…we don’t know what’s going on here. If these tremendous events are random combinations of matter run amok, the yield of millions of monkeys at millions of typewriters, then what is it in us, hammered out of those same typewriters, that they ignite? We must somehow take a wider view, look at the whole landscape, really see it, and describe what’s going on here. Then we can at least wail the right question into the swaddling band of darkness, or, if it comes to that, choir the proper praise. . Annie Dillard
Bees blew like cake-crumbs through the golden air, white butterflies...
11
Bees blew like cake-crumbs through the golden air, white butterflies like sugared wafers, and when it wasn't raining a diamond dust took over which veiled and yet magnified all things Laurie Lee
The sky's gray and there's mizzle. It's so soft on...
12
The sky's gray and there's mizzle. It's so soft on my skin--it's nothing like rain. It's even softer than the lightest drizzle! Lift my face up, so it can kiss my skin." The Panopticon Jenn Fagan
13
She could see all of Ferenwood from here: the rolling hills, the endless explosion of color cascading down and across the lush landscape. Reds and blues: Maroon and ceruleans. Yellow and tangerine and violet and aquamarine. Every hue held a flavor, a heartbeat, a life. She took a deep breath and drew it all in. Tahereh Mafi
14
Unkar Delta at Mile 73The layers of brick red sandstone, siltstone, and mudstone of the Dox formation deposited a billion years ago, erode easily, giving the landscape an open, rolling character very different that the narrow, limestone walled canyon upstream, both in lithology and color, fully fitting Van Dyke’s description of “raspberry-red color, tempered with a what-not of mauve, heliotrope, and violet.” Sediments flowing in from the west formed deltas, floodplains, and tidal flats, which indurated into these fine-grained sedimentary rocks thinly laid deposits of a restful sea, lined with shadows as precise as the staves of a musical score, ribboned layers, an elegant alteration of quiet siltings and delicious lappings, crinkled water compressed, solidified, lithified. Ann Zwinger
15
This landscape is animate: it moves, transposes, builds, proceeds, shifts, always going on, never coming back, and one can only retain it in vignettes, impressions caught in a flash, flipped through in succession, leaving a richness of images imprinted on a sunburned retina. Ann Zwinger
16
I think of two landscapes- one outside the self, the other within. The external landscape is the one we see-not only the line and color of the land and its shading at different times of the day, but also its plants and animals in season, its weather, its geology… If you walk up, say, a dry arroyo in the Sonoran Desert you will feel a mounding and rolling of sand and silt beneath your foot that is distinctive. You will anticipate the crumbling of the sedimentary earth in the arroyo bank as your hand reaches out, and in that tangible evidence you will sense the history of water in the region. Perhaps a black-throated sparrow lands in a paloverde bush… the smell of the creosote bush….all elements of the land, and what I mean by “the landscap. Unknown
17
I have seen the tourism market shift over the last ten years with greater value attached to the culture of places, seen people growing sick of plastic phoniness and genuinely wanting to experience places and people that do different things. I see how bored we have grown of ourselves in the modern Western world and how people can fight back and shape their futures using their history as an advantage not an obligation. James Rebanks
18
On the Ridgeway path, aged nine or ten, was where for the first time I realized the power a person might feel by aligning themselves to deep history. Only much later did I understand these intimations of history had their own, darker, history. The chalk country-cult rested on a presumption of organic connections to a landscape, a sense of belonging sanctified through an appeal to your own imagined lineage. That chalk downloads held their national, as well as natural, histories. And it was much later, too, that I realized that these myths hurt. That they work to wipe away other cultures, other histories, other ways of loving, working and being in a landscape. How they tiptoe towards darkness. . Helen Macdonald
19
I know noble accents And lucid, inescapable rhythms; But I know, too, That the blackbird is involved In what I know. Wallace Stevens
20
Eduardo Galeano notes that America was conquered, but not discovered, that the men who arrived with a religion to impose and dreams of gold never really knew where they were, and that this discovery is still taking place in our time. Rebecca Solnit
21
Who will bear witness to these small islands and oases of wildness as land is divided and sold to become strip malls, housing developments, and parking lots? What happens to the natural history here? We must bear witness. Joni L. James
22
This whole effort to rebuild and stabilize a countryside is not without its disappointments and mistakes... What matter though these temporary growing pains when one can cast his eye upon the hills and see hard-boiled farmers who have spent their lives destroying land now carrying water by hand to their new plantations Aldo Leopold
23
Today is one of those excellent January partly cloudies in which light chooses an unexpected part of the landscape to trick out in gilt, and then the shadow sweeps it away. You know you’re alive. You take huge steps, trying to feel the planet’s roundness arc between your feet. Annie Dillard
24
Ahead and to the west was our ranger station - and the mountains of Idaho, poems of geology stretching beyond any boundaries and seemingly even beyond the world. Norman Maclean
25
Winters are a desolate time where all senses are wiped away, and here in Canada, this is especially true. All smells are sucked clean from the air, leaving only a harsh, icy crispness. Colours are stripped away, leaving a stark white landscape, a sky which stays black at night and gray in the day, a world of only three shades. Stay outside too long, and your hands will get so cold that they’ll go numb and turn red, like the claws of a lobster. During a whiteout, even sight itself is reduced to nothingness. Rebecca McNutt
26
It is in vain to dream of a wildness distant from ourselves. There is none such. It is in the bog in our brains and bowels, the primitive vigour of Nature in us, that inspires that dream. I shall never find in the wilds of Labrador any greater wildness than in some recess of Concord, i.e. than I import into it. Henry David Thoreau
27
Don’t forget that the land is always out there, making its way, doing everything it can so you can breathe fresh air; so you can eat fresh food; so you can move and see and feel and think, and it’s on your side. The world is out there doing what it’s been doing way before you came here, it’s firm and strong and it takes a lot to bring it down.so from time to time, just go outside and look at this spectacle. This pure painting right in front of your eyes. No one created it. No one owns it. It doesn’t want anything. It doesn’t need to prove anything to anyone. It simply is. So maybe, try a little tenderness. Just give it a chance to do what it can do. Just let it help you breatheand eatand moveand seeand maybe just try to live your life in a way that doesn’t kill this force of naturethat is just trying to give you a world worth living in. A clean world. A fresh world. Paths, forests, oceans, animals, oxygen, water. That’s all it takes. Just try a little tenderness towards this world we’ve been lucky enough to build our homes on. If you take care of it, it will take care of you. Charlotte Eriksson
28
... and isn't the world a treasure in itself? A spectacle glittering every single day, without a concern if anyone's watching or not. It simply goes on, elegantly, letting nature have its way. We only need to open our eyes to witness the biggest masterpiece ever created, the ticket is already in your hand. Charlotte Eriksson
29
There is no place like the beach... where the land meets the sea and the sea meats the sky Umair Siddiqui
30
The beautiful affair of sun, sky and the sea brings a perfect moment of love, peace and joy Umair Siddiqui
31
Our thoughts are great place of voyage. Lailah Gifty Akita
32
Take a trip to the exotic landscape of your lover’s body. Alexandra Katehakis
33
Landscape is to American painting what sex and psychoanalysis are to the American novel. Robert Hughes
34
Great places, great memories. Lailah Gifty Akita
35
When you travel, be fully present in the place of voyage. Lailah Gifty Akita
36
When strange objects shapes the landscape, we get fiction Umair Siddiqui
37
I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels Rebecca Solnit
38
Feminism has both undone the hierarchy in which the elements aligned with the masculine were given greater value than those of the feminine and undermined the metaphors that aligned these broad aspects of experience with gender. So, there goes women and nature. What does it leave us with? One thing is a political mandate to decentralize privilege and power and equalize access, and that can be a literal spatial goal too, the goal of our designed landscapes and even the managed ones -- the national parks, forests, refuges, recreation areas, and so on. Rebecca Solnit
39
Together they spent their whole lives waiting for their luck to change, as though luck were some fabulous tide that would one day flood and consecrate the marshes of our island, christening us in the iridescent ointments of a charmed destiny. Pat Conroy
40
Keep travelling. You will discover new paths and new places. Lailah Gifty Akita
41
Over the years, one comes to measure a place, too, not just for the beauty it may give, the balminess of its breezes, the insouciance and relaxation it encourages, the sublime pleasures it offers, but for what it teaches. The way in which it alters our perception of the human. It is not so much that you want to return to indifferent or difficult places, but that you want to not forget. Unknown
42
I grow into these mountains like a moss. I am bewitched. The blinding snow peaks and the clarion air, the sound of earth and heaven in the silence, the requiem birds, the mythic beasts, the flags, great horns, and old carved stones, the silver ice in the black river, the Kang, the Crystal Mountain. Also, I love the common miracles-the murmur of my friends at evening, the clay fires of smudgy juniper, the coarse dull food, the hardship and simplicity, the contentment of doing one thing at a time… gradually my mind has cleared itself, and wind and sun pour through my head, as through a bell. Though we talk little here, I am never lonely; I am returned into myself. In another life-this isn’t what I know, but how I feel- these mountains were my home; there is a rising of forgotten knowledge, like a spring from hidden aquifers under the earth. To glimpse one’s own true nature is a kind of homegoing, to a place East of the Sun, West of the Moon- the homegoing that needs no home, like that waterfall on the supper Suli Gad that turns to mist before touching the earth and rises once again to the sky. . Peter Matthiessen
43
It was still early, and the sun's lower limb was just free of the hill, his rays, ungenial and peering, addressed the eye rather than the touch as yet. Thomas Hardy
44
The light irradiates white peaks of Annapurna marching down the sky, in the great rampart that spreads east and west for eighteen hundred miles, the Himalaya- the alaya (abode, or home) of hima (snow).Hibiscus, frangipani, bougainvillea: seen under snow peaks, these tropical blossoms become the flowers of heroic landscapes. Macaques scamper in green meadow, and a turquoise roller spins in a golden light. Drongos, rollers, barbets, and white Eqyptian vulture are the common birds, and all have close relatives in East Africa. Peter Matthiessen
45
I picture the vast realm of the sciences as an immense landscape scattered with patches of dark and light. The goal towards which we must work is either to extend the boundaries of the patches of light, or to increase their number. One of these tasks falls to the creative genius; the other requires a sort of sagacity combined with perfectionism. Denis Diderot
46
Nothing: a landscape, a glass of wine, a little loveless love, and the vague sadness caused by our understanding nothing and having lost the little we're given. Unknown
47
Dare to explore the beautiful places of the world. Lailah Gifty Akita
48
On every travel, we saw beautiful landscapes. Lailah Gifty Akita
49
I had never liked, even feared a little, this wild reach of marsh and mud flats where everything seemed turned away from the land, looking off desperately toward the horizon as if in mute search for a sign of rescue. John Banville
50
When ideas evaporate, when shapes fade and forms lose their integrity, our imagination can create an outlandish setting and convert everything into a hazy, misty Turner landscape. ("Back garden of a dream") Erik Pevernagie
51
We travel to see beauty of souls in new landscapes. Lailah Gifty Akita
52
There are places which exist in this world beyond the reach of imagination. Daniel J. Rice
53
I love to receive a beautiful postcard from your place of voyage. Lailah Gifty Akita
54
I looked around at the rooms that I did not see as rooms but more as a landscape for my emotions, a biography of memory. Anne Spollen
55
I picked up one and then a second and then a third of these stones, finding them at about the rate of one stone to the acre. And here is where my adventure became magical, for in a striking foreshortening of time that embraced thousands of years, I had become the witness of this miserly rain from the stars. the marvel of marvels was that there on the rounded back of the planet, between this magnetic sheet and those stars, a human consciousness was present in which as in a mirror that rain could be reflected. Unknown
56
Fifteen feet away, the wide River Thames rolled past, dark and deep and mysterious is the sullen-not-quite sunrise. Amy Butler Greenfield
57
It is a pity indeed to travel and not get this essential sense of landscape values. You do not need a sixth sense for it. It is there if you just close your eyes and breathe softly through your nose; you will hear the whispered message, for all landscapes ask the same question in the same whisper. 'I am watching you -- are you watching yourself in me?' Most travelers hurry too much..the great thing is to try and travel with the eyes of the spirit wide open, and not to much factual information. To tune in, without reverence, idly -- but with real inward attention. It is to be had for the feeling..you can extract the essence of a place once you know how. If you just get as still as a needle, you'll be there. . Lawrence Durrell
58
We travel to see beautiful places and to meet great souls. Lailah Gifty Akita
59
In one picture, the pool was half hidden by a fringe of mace- weeds, and the dead willow was leaning across it at a prone, despondent angle, as if mysteriously arrested in its fall towards the stagnant waters. Beyond, the alders seemed to strain away from the pool, exposing their knotted roots as if in eternal effort. In the other drawing, the pool formed the main portion of the foreground, with the skeleton tree looming drearily at one side. At the water's farther end, the cat-tails seemed to wave and whisper among themselves in a dying wind; and the steeply barring slope of pine at the meadow's terminus was indicated as a wall of gloomy green that closed in the picture, leaving only a pale of autumnal sky at the top. ("Genius Loci") . Clark Ashton Smith
60
I think it was a sense of being completely swallowed up by nature that gave the prairie its powerful attraction. There is nothing like it in all of Europe. Even high up on a Swiss glacier one is still conscious of the toy villages below, the carefully groomed landscape of multicolored fields, the faraway ringing of a church bell. It is all very beautiful, but it does not convey the utmost escape. I believe, with the Indians, that a landscape influences and forms the people living on it and that one cannot understand them and make friends with them without also understanding, and making friends with, the earth from which they came. Richard Erdoes
61
They were full of mysteries and secrets, like... like poems turned into landscapes.""' Poems turned into landscapes.'" he murmured with a slight smile. "And what of Vestenveld's gardens? Do you see poems in them?"" Your gardens are like your country's poetry. Very frilly and organized. Jaclyn Dolamore
62
He had been thinking of how landscape moulds a language. It was impossible to imagine these hills giving forth anything but the soft syllables of Irish, just as only certain forms of German could be spoken on the high crags of Europe; or Dutch in the muddy, guttural, phlegmish lowlands. Alexander McCall Smith
63
It occurred to me that no words by the tongue of man can express the simplicities of a quiet land, so I returned to the river. Daniel J. Rice
64
You cross the field in the snow leaving tracks in perfect whiteness ...disturbing my placid universe...marking the landscape within me ... John Geddes
65
They laid up in the shade of a rock shelf until past noon, scratching out a place in the gray lava dust to sleep, and they set forth in the afternoon down the valley following the war trail and they were very small and they moved very slowly in the immensity of that landscape. Come evening they hove toward the rimrock again and Sproule pointed out a dark stain on the face of the barren cliff. It looked like the black from old fires. The kid shielded his eyes. The scalloped canyon walls rippled in the heat like drapery folds. Cormac McCarthy
66
The only real voyage consists not in seeking new landscapes, but in having new eyes; in seeing the universe through the eyes of another, one hundred others-in seeing the hundred universes that each of them sees. Marcel Proust, translated by Kiyotesong Rob Brezsny
67
We cleave our way through the mountains until the interstate dips into a wide basin brimming with blue sky, broken by dusty roads and rocky saddles strung out along the southern horizon. This is our first real glimpse of the famous big-sky country to come, and I couldn't care less. For all its grandeur, the landscape does not move me. And why should it? The sky may be big, it may be blue and limitless and full of promise, but it's also really far away. Really, it's just an illusion. I've been wasting my time. We've all been wasting our time. What good is all this grandeur if it's impermanent, what good all of this promise if it's only fleeting? Who wants to live in a world where suffering is the only thing that lasts, a place where every single thing that ever meant the world to you can be stripped away in an instant? And it will be stripped away, so don't fool yourself. If you're lucky, your life will erode slowly with the ruinous effects of time or recede like the glaciers that carved this land, and you will be left alone to sift through the detritus. If you are unlucky, your world will be snatched out from beneath you like a rug, and you'll be left with nowhere to stand and nothing to stand on. Either way, you're screwed. So why bother? Why grunt and sweat and weep your way through the myriad obstacles, why love, dream, care, when you're only inviting disaster? I'm done answering the call of whippoorwills, the call of smiling faces and fireplaces and cozy rooms. You won't find me building any more nests among the rose blooms. Too many thorns. Jonathan Evison
68
This life has been a landscape of painand still, flowersbloom in it. Sanober Khan
69
But here, the rain was just another part of the landscape. Like it was the thing that lived here and we were merely visitors. Megan Miranda
70
I told the students that they were at the age when they might begin to choose places that would sustain them the rest of their lives, that places were more reliable than human beings, and often much longer-lasting, and I asked them where they felt at home. Rebecca Solnit
71
The hand of nature was stretching itself out towards him, for the tall grass on the slopes of the Bulashah Hills was in sight, and he had opened his heart to it, lifted by the cool breeze that wafted him away from the crowds, the ugliness and the noise of the outcastes' street. He looked across at the swaying loveliness before him and the little hillocks over which it spread under a sunny sky, so transcendingly blue and beautiful that he felt like standing dumb and motionless before it. He listened to the incoherent whistling of the shrubs. They were the voices he knew so well. He was glad that his friends were ahead of him and that the thrum was not broken, for the curve of his soul seemed to bend over the heights, straining to woo nature in solitude and silence. It seemed to him he would be unhappy if he heard even one human voice. His inside seemed to know that it wouldn't be soothed if there were the slightest obstruction between him and the outer world. It didn't even occur to him to ask why he had come here. He was just swamped by the merest fringe of the magnificent fields that spread before him. He had been startled into an awareness of the mystery of vegetable moods. . Mulk Raj Anand
72
The might of lifehonors thewaning sun of Autumn be-decking the landscapein a fancy blaze of tangerine. Tara Estacaan
73
Though American scenery is destitute of many of those circumstances that give value to the European, still it has features, and glorious ones, unknown to Europe...the most distinctive, and perhaps the most impressive, characteristic of American scenery is its wildness Thomas Cole
74
...seen from above, landscapes are made up of mountains and watercourses. Just as a transparent model of the human body consists of a framework of bone and a network of arteries, the earth's crust is structured in mountain ridges, river, creeks, and gullies. Reinhold Messner
75
How can you care about the image of a landscape, when you show by your deeds that you don't care for the landscape itself? William Morris
76
The village lay in the hollow, and climbed, with very prosaic houses, the other side. Village architecture does not flourish in Scotland. The blue slates and the grey stone are sworn foes to the picturesque; and though I do not, for my own part, dislike the interior of an old-fashioned pewed and galleried church, with its little family settlements on all sides, the square box outside, with its bit of a spire like a handle to lift it by, is not an improvement to the landscape. Still, a cluster of houses on differing elevations - with scraps of garden coming in between, a hedgerow with clothes laid out to dry, the opening of a street with its rural sociability, the women at their doors, the slow waggon lumbering along - gives a centre to the landscape. It was cheerful to look at, and convenient in a hundred ways. ("The Open Door") . Mrs. Oliphant
77
As Elizabeth Blackmar and Ray Rosenzweig wrote in their magisterial history of [Central Park in NYC]: 'The issue of demoncratic access to the park has also been raised by the increasing number of homeless New Yorkers. Poor people--from the 'squatters' of the 1850s to the 'tramps' of the 1870s and 1890s to the Hooverville residents of the 1930s--have always turned to the park land for shelter.. The growing visibility of homeless people in Central Park osed in the starkest terms the contradiction between Americans' commitment to democratic space and their acquiescence in vast disparities of wealth and power. Rebecca Solnit
78
DAD (Decide-Announce-Defend) remains the order of the day, with only a few inspiring models of EDD (Engage-Deliberate-Decide) available to us to demonstrate how very different things could be. Johnathon Porritt
79
I watched the surrounding landscape with great curiosity, and I wanted to discover the words that could describe all its unspoiled beauty. Daniel J. Rice
80
Crossing the Fens by boat there comes the realisation that water not earth or sky is the natural element in this landscape. Stephanie Green
81
The water glittered under the moon’s careful watch, and, in the distance, steeples cut stark black silhouettes into the landscape of the distant city. Katherine McIntyre
82
As the darkness deepened, the sky was streaked with veins of red, the last low beats of a dying sun. Against this scarlet canopy the hulk of the Rust Road's twin peaks stood tall, mountains of metal, unnaturally jagged. Their sharp pinnacles pierced the sky, and Jacob could not help but wonder if that explained the blood there. Dean F. Wilson
83
Perhaps the central question about [Eliot] Porter's work is about the relationship between science, aesthetics, and environmental politics. His brother, the painter and critic Fairfield Porter, wrote in a 1960 review of [Porter's] colour photographs: 'There is no subject and background, every corner is alive, ' and this suggests what an ecological aesthetic might look like. Rebecca Solnit
84
Pescatore marveled at the seascape. It gave him vertigo. The wind deployed cloud formations. The sun seared the Moroccan coastline. He had read a line once about "the lion-colored hills of Africa." Were they lion-colored? What color was a lion exactly? Sebastian Rotella
85
Building a museum case and filling it with types of mussels is one way of knowing mussels; but on the shore, a mussel leads to a crab or a curious stone, which leads to another thing and eventually leads back to mussels, which is another and perhaps a more far-reaching way to know mussels. The sea that always seems like a metaphor, but one that is always moving, cannot be fixed, like a heart that is a like a tongue that is like a mystery that is like a story that is like a border that is like something altogether different and like everything at once. One thing leads to another, and this is the treasure that always runs through your fingers and never runs out. Rebecca Solnit
86
Summer was on the way; Jem and I awaited it with impatience. Summer was our best season: it was sleeping on the back screened porch in cots, or trying to sleep in the tree house; summer was everything good to eat; it was a thousand colors in a parched landscape; but most of all, summer was Dill. Harper Lee
87
Is then no nook of English ground secure From rash assault? William Wordsworth
88
The campus spreads around him like the verdant pleasure garden of an ancient king. He is enraptured by the enormous trees that lift branches like cathedral roofs overhead, shoot roots like polished ballroom floors underfoot. In the hot afternoons he leaves the crowded rooms to study under the protection of these spreading giants. Nayomi Munaweera
89
By now, at the end of a sloping alley, we had reached the shores of a vast marsh. Some unknown quality in the sparkling water had stained its whole bed a bright yellow. Green leaves, of such a sour brightness as almost poisoned to behold, floated on the surface of the rush-girdled pools. Weeds like tempting veils of mossy velvet grew beneath in vivid contrast with the soil. Alders and willows hung over the margin. From where we stood a half-submerged path of rough stones, threaded by deep swift channels, crossed to the very centre.(" The Basilisk") . R. Murray Gilchrist
90
It was cold and barren. It was no longer the view that I remembered. The sunshine of her presence was far from me. The charm of her voice no longer murmured in my ear. Wilkie Collins
91
As she gobbled up the miles, big ravines appeared before her, their starving mouths open for the swallow. R.J. Lawrence
92
I went on to Harvard and got very interested in computers and studying the earth's landscape. Jack Dangermond
93
The lake and the mountains have become my landscape, my real world. Georges Simenon
94
Agriculture changes the landscape more than anything else we do. It alters the composition of species. We don't realize it when we sit down to eat, but that is our most profound engagement with the rest of nature. Michael Pollan
95
For me nature is not landscape, but the dynamism of visual forces. Bridget Riley
96
The good is, like nature, an immense landscape in which man advances through centuries of exploration. Unknown
97
It's not the normal way to look at things but I experienced death at a really young age and because of that it's been part of my mental landscape that death is really very possible. Cate Blanchett
98
I don't divide architecture, landscape and gardening; to me they are one. Luis Barragan
99
Landscape architecture is basically geodesign; it's designing geography. And yet geodesign is not only done by landscape architects, it's done by some of the world's largest corporations. Jack Dangermond
100
I like to think about machines and technology in relation to landscape and architecture. Antoine Predock