200+ Quotes & Sayings By Rebecca Solnit

The desire to go home that is a desire to be whole, to know where you are, to be the point of intersection of all the lines drawn through all the stars, to be the constellation-maker and the center of the world, that center called love. To awaken from sleep, to rest from awakening, to tame the animal, to let the soul go wild, to shelter in darkness and blaze with light, to cease to speak and be perfectly understood. Rebecca Solnit

How will you go about finding that thing the nature of which is totally unknown to you?" (Plato) The things we want are transformative, and we don’t know or only think we know what is on the other side of that transformation. Love, wisdom, grace, inspiration- how do you go about finding these things that are in some ways about extending the boundaries of the self into unknown territory, about becoming someone else? . Rebecca Solnit

Hope is not a lottery ticket you can sit on the sofa and clutch, feeling lucky. It is an axe you break down doors with in an emergency. Hope should shove you out the door, because it will take everything you have to steer the future away from endless war, from the annihilation of the earth's treasures and the grinding down of the poor and marginal.. To hope is to give yourself to the future - and that commitment to the future is what makes the present inhabitable. . Rebecca Solnit

The positive emotions that arise in...unpromising circumstances demonstrate that social ties and meaningful work are deeply desired, readily improvised, and intensely rewarding. The very structure of our economy and society prevent these goals from being achieved. Rebecca Solnit

...William Stegner...coined the term 'the geography of hope, ' countering the argument that wilderness preservation served elites with the assertion that wilderness could be a place in which everyone could locate their hopefulness even if few actually entered it. Rebecca Solnit

Finding ways to appreciate advances without embracing complacency is a delicate task. It involves being hopeful and motivated and keeping eyes on the prize ahead. Saying that everything is fine or that it will never get any better are ways of going nowhere or of making it impossible to go anywhere. Either approach implies that there is no road out or that, if there is, you don’t need to or can’t go down it. You can. We have. Rebecca Solnit

Bush invited his constituency to be blind to the world's real problems, and leftists often do the opposite, gazing so fixedly at those problems that they cannot see beyond them. Thus it is that the world often seems divided between false hope and gratuitous despair. Despair demands less of us, it's more predictable, and in a sad way safer. Authentic hope requires clarity--seeing the troubles in this world--and imagination, seeing what might lie beyond these situations that are perhaps not inevitable and immutable. . Rebecca Solnit

To say that the emperor has no clothes is a nice anti-authoritarian gesture, but to say that everything without exception is going straight to hell is not an alternative vision but only an inverted version of the mainstream's 'everything's fine. Rebecca Solnit

There's a kind of activism that's more about bolstering identity than achieving results, one that sometimes seems to make the left the true heirs of the Puritans. Puritanical in that the point becomes the demonstration of one's own virtue rather than the realization of results. And puritanical because the somber pleasure of condemning things is the most enduring part of that legacy, along with the sense of personal superiority that comes from pleasure denied. The bleakness of the world is required as contrasting backdrop to the drama of their rising above. . Rebecca Solnit

Hopefulness is risky, since it is after all a form of trust, trust in the unknown and the possible, even in discontinuity. To be hopeful is to take on a different persona, one that risks disappointment, betrayal... Rebecca Solnit

Another part of the Puritan legacy is the belief that no one should have joy or abundance until everyone does, a belief that austere at one end, in the deprivation it endorses, and fantastical in the other, since it awaits a universal utopia. Joy sneaks in anyway, abundance cascades forth uninvited.. Joy doesn't betray but sustains activism. And when you face a politics that aspires to make you fearful, alienated, and isolated, joy is a fine initial act of insurrection. . Rebecca Solnit

The revolution that counts is the one that takes place in the imagination; many kinds of change issue forth thereafter, some gradual and subtle, some dramatic and conflict-ridden--which is to say that revolution doesn't necessarily look like revolution. Rebecca Solnit

The term 'politics of prefiguration' has long been used to describe the idea that if you embody what you aspire to, you have already succeeded. That is to say, if your activism is already democratic, peaceful, creative, then in one small corner of the world these things have triumphed. Activism, in this model, is not only a toolbox to change things but a home in which to take up residence and live according to your beliefs, even if it's a temporary and local place.. Rebecca Solnit

The naively cynical measure a piece of legislation, a victory, a milestone not against the past or the limits of the possible, but against their ideas of perfection... Rebecca Solnit

For twenty years I have sat alone at a desk tinkering with sentences and then sending them out, and for most of my literary life the difference between throwing something in the trash and publishing it was imperceptible... Rebecca Solnit

I wonder sometimes what would happen if victory was imagined not just as the elimination of evil but the establishment of good... Rebecca Solnit

We inhabit, in ordinary daylight, a future that was unimaginably dark a few decades ago, when people found the end of the world easier to envision than the impending changes in everyday roles, thoughts, practices that not even the wildest science fiction anticipated. Perhaps we should not have adjusted to it so easily. It would be better if we were astonished every day. Rebecca Solnit

Stories migrate secretly. The assumption that whatever we now believe is just common sense, or what we always knew, is a way to save face. It's also a way to forget the power of a story and of a storyteller, the power in the margins, and the potential for change. Rebecca Solnit

You may be told that the legal decisions lead the changes, that judges and lawmakers lead the culture in those theaters called courtrooms, but they only ratify change. They are almost never where change begins, only where it ends up, for most changes travel from the edges to the center. Rebecca Solnit

Their grumpiness is often the grumpiness of perfectionists who hold that anything less than total victory is failure, a premise that makes it easy to give up at the start or to disparage the victories that are possible. This is Earth. It will never be heaven. There will always be cruelty, always be violence, always be de- struction. Rebecca Solnit

Your opponents would love you to believe that it's hopeless, that you have no power, that there's no reason to act, that you can't win. Hope is a gift you don't have to surrender, a power you don't have to throw away. Rebecca Solnit

You write your books. You scatter your seeds. Rats might eat them, or they might rot. In California, some seeds lie dormant for decades because they only germinate after fire, and sometimes the burned landscape blooms most lavishly. Rebecca Solnit

To write is to carve a new path through the terrain of the imagination, or to point out new features on a familiar route. To read is to travel through that terrain with the author as a guide-- a guide one might not always agree with or trust, but who can at least be counted on to take one somewhere. Rebecca Solnit

The thing the nature of which is totally unknown to you is usually what you need to find, and finding it is a matter of getting lost. The word "lost" comes from the Old Norse los, meaning the disbanding of an army, and this origin suggests soldiers falling out of formation to go home, a truce with the wide world. I worry now that many people never disband their armies, never go beyond what they know. Rebecca Solnit

How long does it take to see something, to know someone? If you put in years, you realize how little you grasped at the start, even when you thought you knew. We move through life mostly not seeing what is around us, not knowing who is around us, not understanding the forces at play, not understanding ourselves. Unless we stay with it, and maybe this is a movie about staying with it. Rebecca Solnit

I like walking because it is slow, and I suspect that the mind, like the feet, works at about three miles an hour. If this is so, then modern life is moving faster than the speed of thought or thoughtfulness. Rebecca Solnit

Emptiness is the track on which the centered person moves, " said a Tibetan sage six hundred years ago, and the book where I found this edict followed it with an explanation of the word "track" in Tibetan: shul, "a mark that remains after that which made it has passed by - a footprint for example. In other contexts, shul is used to describe the scarred hollow in the ground where a house once stood, the channel worn through rock where a river runs in flood, the indentation in the grass where an animal slept last night. Rebecca Solnit

For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom. Rebecca Solnit

A year ago, I was at a dinner in Amsterdam when the question came up of whether each of us loved his or her country. The German shuddered, the Dutch were equivocal, the Brit said he was "comfortable" with Britain, the expatriate American said no. And I said yes. Driving across the arid lands, the red lands, I wondered what it was I loved. the places, the sagebrush basins, the rivers digging themselves deep canyons through arid lands, the incomparable cloud formations of summer monsoons, the way the underside of clouds turns the same blue as the underside of a great blue heron's wings when the storm is about to break. Beyond that, for anything you can say about the United States, you can also say the opposite: we're rootless except we're also the Hopi, who haven't moved in several centuries; we're violent except we're also the Franciscans nonviolently resisting nucelar weapons out here; we're consumers except the West is studded with visionary environmentalists..and the landscape of the West seems like the stage on which such dramas are played out, a space without boundaries, in which anything can be realized, a moral ground, out here where your shadow can stretch hundreds of feet just before sunset, where you loom large, and lonely. Rebecca Solnit

We can act to deal with the consequences of the earthquake and tsunami, but the disaster was only faintly political in the economics and indifference..the relief will be very political, in who gives how much (Bush offering 15 million, then 35 million under pressure, the cost of his inauguration and then 350 million under strong international pressure)..but the event itself transcends politics, the realm of things we cause and can work to prevent. We cannot wish that human beings were not subject to the forces of nature, including the mortality.. we cannot wish for the seas to dry up, that the waves grow still, that the tectonic plates ceast to exist, that nature ceases to be beyond our abilities to predict and control.. But the terms of that nature include such catastrophe and suffering, which leaves us with sorrow as not a problem to be solved but a fact. And it leaves us with compassion as the work we will never finish . Rebecca Solnit

We write history with our feet and with our presece and our collective voice and vision. And yet, of course, everything in the mainstream media suggests that popular resistance is ridiculous, pointless, or criminal, unless it is far away, was long ago, or, ideally, both. These are the forces that prefer the giant remain asleep. Rebecca Solnit

To hope is to gamble. It's to bet on your futures, on your desires, on the possibility that an open heart and uncertainty is better than gloom and safety. To hope is dangerous, and yet it is the opposite of fear, for to live is to risk. Rebecca Solnit

Cause-and-effect assumes history marches forward, but history is not an army. It is a crab scuttling sideways, a drip of soft water wearing away stone, an earthquake breaking centuries of tension. Sometimes one person inspires a movement, or her words do decades later, sometimes a few passionate people change the world; sometimes they start a mass movement and millions do; sometimes those millions are stirred by the same outrage or the same ideal, and change comes upon us like a change of weather. All that these transformations have in common is that they begin in the imagination, in hope. . Rebecca Solnit

Women often find great roles in revolution, simply because the rules fall apart and everyone has agency, anyone can act. As they did in Egypt, where liberty leading the masses was an earnest young woman in a black hijab. Rebecca Solnit

The moment when mortality, ephemerality, uncertainty, suffering, or the possibility of change arrives can split a life in two. Facts and ideas we might have heard a thousand times assume a vivid, urgent, felt reality. We knew them then, but they matter now. They are like guests that suddenly speak up and make demands upon us; sometimes they appear as guides, sometimes they just wreck what came before or shove us out the door. We answer them, when we answer, with how we lead our lives. Sometimes what begins as bad news prompts the true path of a life, a disruptive visitor that might be thanked only later. Most of us don’t change until we have to, and crisis is often what obliges us to do so. Crises are often resolved only through anew identity and new purpose, whether it’s that of a nation or a single human being. Rebecca Solnit

The art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss. Rebecca Solnit

If the body is the register of the real, then reading with one's feet is real in a way reading with one's eyes alone is not. Rebecca Solnit

..the act of remembering is imagined as a real act, that is, as a physical act: as walking..the means of retrieving the stored information was walking through the rooms like a visitor in a museum..to walk the same route again can mean to think the same thoughts again, as though thoughts and ideas were indeed fixed objects in a landscape one need only know how to travel through. In this way, walking is reading, even when both the walking and reading are imaginary, and the landscape of the memory becomes a text as stable as that to be found in the garden, the labyrinth, or the stations. Rebecca Solnit

This is what is behind the special relationship between tale and travel, and, perhaps, the reason why narrative writing is so closely bound up with walking. To write is to carve a new path through the terrain of the imagination, or to point out new features on a familiar route. To read is to travel through that terrain that the author as guide - a guide one may not always agree with our trust, but who can at least be counted upon to take one somewhere. I have have often wished that my sentences could be written out as a single line running into distances so that it would be clear that a sentence is likewise a road and reading is traveling. . Rebecca Solnit

In that moment, we knew that we were all weird, all in this together, and that addressing our own suffering, while learning not to inflict it on others, is part of the work we’re all here to do. So is love, which comes in so many forms and can be directed at so many things. Rebecca Solnit

When someone doesn't show up, the people who wait sometimes tell stories about what might have happened and come to half believe the desertion, the abduction, the accident. Worry is a way to pretend that you have knowledge or control over what you don't--and it surprises me, even in myself, how much we prefer ugly scenarios to the pure unknown. Perhaps fantasy is what you fill up maps with rather than saying that they too contain the unknown. Rebecca Solnit

In her novel Regeneration, Pat Barker writes of a doctor who 'knew only too well how often the early stages of change or cure may mimic deterioration. Cut a chrysalis open, and you will find a rotting caterpillar. What you will never find is that mythical creature, half caterpillar, half butterfly, a fit emblem of the human soul, for those whose cast of mind leads them to seek such emblems. No, the process of transformation consists almost entirely of decay. . Rebecca Solnit

They are all beasts of burden in a sense, ' Thoreau once remarked of animals, 'made to carry some portion of our thoughts.' Animals are the old language of the imagination; one of the ten thousand tragedies of their disappearance would be a silencing of this speech. Rebecca Solnit

Perhaps walking is best imagined as an 'indicator species, ' to use an ecologist's term. An indicator species signifies the health of an ecosystem, and its endangerment or diminishment can be an early warning sign of systemic trouble. Walking is an indicator species for various kinds of freedom and pleasures: free time, free and alluring space, and unhindered bodies. Rebecca Solnit

[In mountaineering, if] we look for private experience rather than public history, even getting to the top becomes an optional narrative rather than the main point, and those who only wander in high places become part of the story. Rebecca Solnit

The famous Zen parable about the master for whom, before his studies, mountains were only mountains, but during his studies mountains were no longer mountains, and afterward mountains were again mountains could be interpreted as an alleory about [the perpetual paradox that when one is closest to a destination one is also the farthest). Rebecca Solnit

Eduardo Galeano notes that America was conquered, but not discovered, that the men who arrived with a religion to impose and dreams of gold never really knew where they were, and that this discovery is still taking place in our time. Rebecca Solnit

I grew up with landscape as a recourse, with the possibility of exiting the horizontal realm of social relations for a vertical alignment with earth and sky, matter and spirit. Vast open spaces speak best to this craving, the spaces I myself first found in the desert and then in the western grasslands. Rebecca Solnit

I love going out of my way, beyond what I know, and finding my way back a few extra miles, by another trail, with a compass that argues with the map…nights alone in motels in remote western towns where I know no one and no one I know knows where I am, nights with strange paintings and floral spreads and cable television that furnish a reprieve from my own biography, when in Benjamin’s terms, I have lost myself though I know where I am. Moments when I say to myself as feet or car clear a crest or round a bend, I have never seen this place before. Times when some architectural detail on vista that has escaped me these many years says to me that I never did know where I was, even when I was home. Rebecca Solnit

A lone peak of high point is a natural focal point in the landscape, something by which both travelers and local orient themselves. In the continuum of landscape, mountains are discontinuity -- culminating in high points, natural barriers, unearthly earth. Rebecca Solnit

Suddenly I came out of my thoughts to notice everything around me again-the catkins on the willows, the lapping of the water, the leafy patterns of the shadows across the path. And then myself, walking with the alignment that only comes after miles, the loose diagonal rhythm of arms swinging in synchronization with legs in a body that felt long and stretched out, almost as sinuous as a snake…when you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one the best ways of exploring the mind, and walking travels both terrains. Rebecca Solnit

David had been photographing endangered species in the Hawaiian rainforest and elsewhere for years, and his collections of photographs and Suzie's tarot cards seemed somehow related. Because species disappear when their habitat does, he photographed them against the nowhere of a black backdrop (which sometimes meant propping up a black velvet cloth in the most unlikely places and discouraging climates), and so each creature, each plant, stood as though for a formal portrait alone against the darkness. The photographs looked like cards too, card from the deck of the world in which each creature describes a history, a way of being in the world, a set of possibilities, a deck from which cards are being thrown away, one after another. Plants and animals are a language, even in our reduced, domesticated English, where children grow like weeds or come out smelling like roses, the market is made up of bulls and bears, politics of hawks and doves. Like cards, flora and fauna could be read again and again, not only alone but in combination, in the endlessly shifting combinations of a nature that tells its own stories and colors ours, a nature we are losing without even knowing the extent of that loss. Rebecca Solnit

What is the message that wild animals bring, the message that seems to say everything and nothing? What is this message that is wordless, that is nothing more or less than the animals themselves- that the world is wild, that life is unpredictable in its goodness and its danger, that the world is larger than your imagination. Rebecca Solnit

When you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one the best ways of exploring the mind, and walking travels both terrains. Rebecca Solnit

Women have routinely been punished and intimidated for attempting that most simple of freedoms, taking a walk, because their walking and indeed their very beings have been construed as inevitably, continually sexual in those societies concerned with controlling women's sexuality. Rebecca Solnit

Of course women's walking is often construed as performance rather than transport, with the implication that women walk not to see but to be seen, not for their own experience but for that of a male audience, which means that they are asking for whatever attention they receive. Rebecca Solnit

It was a place as blank as a sheet of paper. It was the place I had always been looking for... Flat expanses would call to me... These are the places where the desert is most itself: stark, open, free, an invitation to wander, a laboratory of perception, scale, light, a place where loneliness has a luxurious flavor... Rebecca Solnit

The fear of rape puts many women in their place - indoors, intimidated, dependent yet again on material barriers and protectors.. I was advised to stay indoors at night, to wear baggy clothes, to cover or cut my hair, to try to look like a man, to move someplace more expensive, to take taxis, to buy a car, to move in groups, to get a man to escort me–all modern versions of Greek walls and Assyrian veils, all asserting it was my responsibility to control my own and men's behavior rather than society's to ensure my freedom. I realized that many women had been so successfully socialized to know their place that they had chosen more conservative, gregarious lives without realizing why. The very desire to walk alone had been extinguished in them–but it had not in me. . Rebecca Solnit

Alone in the car with my social life all before and behind me, I was suspended in the beautiful solitude of the open road, in a kind of introspection that only outdoor space generates, for inside and outside are more intertwined than the usual distinctions allow. The emotion stirred by the landscape is piercing, a joy close to pain when the blue is deepest on the horizon or the clouds are doing those spectacular fleeting things so much easier to recall than to describe. Rebecca Solnit

... a certain kind of wanderlust can only be assuaged by the acts of the body itself in motion, not the motion of the car, boat, or plane. Rebecca Solnit

Pain serves a purpose. Without it you are in danger. What you cannot feel you cannot take care of. Rebecca Solnit

[A]though people get paid to do their jobs, you cannot pay someone to do their job passionately and wholeheartedly. Those qualities are not for sale; they are themselves gifts that can only be given freely, and are in many, many fields. Rebecca Solnit

In contemporary parlance, sex is biological and gender is socially constructed. Rebecca Solnit

When exactly do the abuses that have been tolerated for so long become intolerable? When does the fear evaporate and the rage generate action that produces joy? Rebecca Solnit

When my friends began to have babies and I came to comprehend the heroic labor it takes to keep one alive, the constant exhausting tending of a being who can do nothing and demands everything, I realized that my mother had done all of these things for me before I remembered. I was fed; I was washed; I was clothed; I was taught to speak and given a thousand other things, over and over again, hourly, daily, for years. She gave me everything before she gave me nothing. Rebecca Solnit

How can I tell a story we already know too well? Her name was Africa. His was France. He colonized her, exploited her, silenced her, and even decades after it was supposed to have ended, still acted with a high hand in resolving her affairs in places like Côte d' Ivoire, a name she had been given because of her export products, not her own identity. Her name was Asia. His was Europe. Her name was silence. His was power. Her name was poverty. His was wealth. Her name was Her, but what was hers? His name was His, and he presumed everything was his, including her, and he thought be could take her without asking and without consequences. It was a very old story, though its outcome had been changing a little in recent decades. And this time around the consequences are shaking a lot of foundations, all of which clearly needed shaking. Who would ever write a fable as obvious, as heavy-handed as the story we've been given?.. His name was privilege, but hers was possibility. His was the same old story, but hers was a new one about the possibility of changing a story that remains unfinished, that includes all of us, that matters so much, that we will watch but also make and tell in the weeks, months, years, decades to come. Rebecca Solnit

I think one of the primary goals of a feminist landscape architecture would be to work toward a public landscape in which we can roam the streets at midnight, in which every square is available for Virginia Woolf to make up her novels Rebecca Solnit

Feminism has both undone the hierarchy in which the elements aligned with the masculine were given greater value than those of the feminine and undermined the metaphors that aligned these broad aspects of experience with gender. So, there goes women and nature. What does it leave us with? One thing is a political mandate to decentralize privilege and power and equalize access, and that can be a literal spatial goal too, the goal of our designed landscapes and even the managed ones -- the national parks, forests, refuges, recreation areas, and so on. Rebecca Solnit

You can use the power of words to bury meaning or to excavate it. Rebecca Solnit

I like incidents of that sort, when forces that are usually so sneaky and hard to point out slither out of the grass and are as obvious as, say, an anaconda that's eaten a cow or an elephant turd on the carpet. Rebecca Solnit

...the Men Who Knew came out of the woodwork. Rebecca Solnit

Every woman knows what I'm talking about. It's the presumption that makes it hard, at times, for any woman in any field; that keeps women from speaking up and from being heard when they dare; that crushes young women into silence by indicating, the way harassment on the street does, that this is not their world. It trains us in self-doubt and self-limitation just as it exercises men's unsupported overconfidence. Rebecca Solnit

...explaining men still assume I am, in some sort of obscene impregnation metaphor, an empty vessel to be filled with their wisdom and knowledge. Rebecca Solnit

It's the way some med say, "I'm not the problem" or that they shifted the conversation from actual corpses and victims as well as perpetrators to protecting the comfort level of bystander males. An exasperated woman remarked to me, "What do they want--a cookie for not hitting, raping, or threatening women? Rebecca Solnit

It's the way some men say, 'I'm not the problem' or that they shifted the conversation from actual corpses and victims as well as perpetrators to protecting the comfort level of bystander males. An exasperated woman remarked to me, 'What do they want--a cookie for not hitting, raping, or threatening women? Rebecca Solnit

Like racism, misogyny can never be adequately addressed by its victims alone. Rebecca Solnit

Finding ways to appreciate advances without embracing complacency is a delicate task. Rebecca Solnit

Thanks to demographics, that conservative push is not going to work-the United States is not going to be a mostly white country again- and because genies don't go back into bottles and queer people are not going back into the closet and women aren't going to surrender. It's a war, but I don't believe we're losing it, even if we won't win it anytime soon either; rather, some battles are won, some are engaged, and some women are doing really well while others suffer. And things continue to change in interesting and sometimes even auspicious ways. Rebecca Solnit

The backlash against feminism remains savage, strong, and omnipresent, but it is not winning. The world has changed profoundly, and it needs to change far more. Rebecca Solnit

Yes, people of both genders pop up at events to hold forth on irrelevant things and conspiracy theories, but the out-and-out confrontational confidence of the totally ignorant is, in my experience, gendered. Men explain things to me, and other women, whether or not they know what they're talking about. Rebecca Solnit

Of course, women are capable of all sorts of major unpleasantness, and there are violent crimes by women, but the so-called war of the sexes is extraordinarily lopsided when it comes to actual violence. Unlike the last (male) head of the International Monetary Fund, the current (female) head is not going to assault an employee at a luxury hotel; top-ranking female officers in the US military, unlike their male counterparts, are not accused of any sexual assaults; and young female athletes, unlike those male football players in Steubenville, aren't likely to urinate on unconscious boys, let alone violate them and boast about it in YouTube videos and Twitter feeds. No female bus riders in India have ganged up to sexually assault a man so badly he dies of his injuries, nor are marauding packs of women terrorizing men in Cairo's Tahrir Square, and there's no maternal equivalent to the 11 percent of rapes that are by fathers or stepfathers. Rebecca Solnit

It's rare that anyone says what this medical study does, even if in the driest way possible "Being male has been identified as a risk factor for violent criminal behavior in several studies, as have exposure to tobacco smoke before birth, having antisocial parents, and belonging to a poor family". It's not that I want to pick on men. I just think that if we noticed that women are, on the whole, radically less violent, we might be able to theorize where violence come from and what we can do about it a lot more productively. Clearly the ready availability of guns is a huge problem for United States, but despite this availability to everyone, murder is still a crime committed by men 90 percent of the time. . Rebecca Solnit

I've learned that a certain amount of self-doubt is a good tool for correcting, understanding, listening, and progressing - though too much is paralyzing and total self-confidence produces arrogant idiots. There's a happy medium between these poles to which the genders have been pushed, a warm equatorial belt of give and take where we should all meet. Rebecca Solnit

That made clear to me the continuum that stretches from minor social minor to violent silencing and violent death (and I think we would understand misogyny and violence against women even better if we looked at the abuse of power as a whole rather than treating domestic violence separately from rape and murder and harrassment and intimidation, online at home and in the workplace and in the streets; seen together, the pattern is clear). Having the right to show up and speak are basic to survival, to dignity, and to liberty. Rebecca Solnit

Of course, women are capable of all sorts of major unpleasantness, and there are violent crimes by women, but the-called war of the sexes is extraordinarily lopsided when it comes to actual violence. Unlike the last (male) head of the International Monetary Fund, the current (female) head is not going to assault an employee at a luxury hotel; top-ranking female officers in the US military, unlike their male counterparts, are not accused of any sexual assaults; and young female athletes, unlike those male football players in Steubenville, aren't likely to urinate on unconscious boys, let alone violate them and boast about it in YouTube videos and Twitter feeds. No female bus riders in India have ganged up to sexually assault a man so badly he dies of his injuries, nor are marauding packs of women terrorizing men in Cairo's Tahrir Square, and there's no maternal equivalent to the 11 percent of rapes that are by fathers or stepfathers. Rebecca Solnit

Some women get erased a little at a time, some all at once. Some reappear. Every woman who appears wrestles with the forces that would have her disappear. She struggles with the forces that would tell her story for her, or write her out of the story, the genealogy, the rights of man, the rule of law. The ability to tell your own story, in words or images, is already a victory, already a revolt. Rebecca Solnit

We have an abundance of rape and violence against women in this country and on this Earth, though it's almost never treated as a civil rights or human rights issue, or a crisis, or even a pattern. Violence doesn't have a race, a class, a religion, or a nationality, but it does have a gender. Rebecca Solnit

Women in the online gaming community have been harassed, threatened, and driven out. Anita Sarkeesian, a feminist media critic who documented such incidents, received support for her work, but also, in the words of a journalist, 'another wave of really aggressive, you know, violent personal threats, her accounts attempted to be hacked. And one man in Ontario took the step of making an online video game where you could punch Anita's image on the screen. And if you punched it multiple times, bruises and cuts would appear on her image.' The difference between these online gamers and the Taliban men who, last October, tried to murder fourteen-year-old Malala Yousafzai for speaking out about the right of Pakistani women to education is one of degree. Both are trying to silence and punish women for claiming voice, power, and the right to participate. Welcome to Manistan. Rebecca Solnit

Women are an eternal subject, which is a lot like being subjected, or subjugated, or a subject nation, even. There are comparatively few articles about whether men are happy or why their marriages also fail or how nice or not their bodies are, even the movie-star bodies. They are the gender that commits the great majority of crime, particularly violent crime, and they are the majority of suicides as well. American men are falling behind women in attending college, and have fallen farther in the current economic depression than women, which you'd think would make them interesting subjects of inquiry. . Rebecca Solnit

When I was young, women were raped on the campus of a great university and the authorities responded by telling all the women students not to go out alone after dark or not to be out at all. Get in the house. (For women, confinement is always waiting to envelope you.) Some pranksters put up a poster announcing another remedy, that all men be excluded from campus after dark. It was an equally logical solution, but men were shocked at being asked to disappear, to lose their freedom to move and participate, all because of the violence of one men. . Rebecca Solnit

Recently, a lot of Americans have swapped the awkward phrase 'same-sex marriage' for the term 'marriage equality'. This phrase is ordinarily implied to mean that same-sex couples will have the rights different-sexed couples do. But it could also mean that marriage is between equals. That's not what traditional marriage was. Throughout much of history in the west, the laws defining marriage made the husband essentially an owner and the wife a possession. Or the man a boss and the woman a slave. Rebecca Solnit

At my glummest, I sometimes think women get to chose- between being punished for being unsubjugated and the continual punishment of subjugation. Rebecca Solnit

Feminism is an endeavor to change something very old, widespread, and deeply rooted in many, perhaps most, cultures around the world, innumerable institutions, and most households on Earth–and in our minds, where it all begins and ends. That so much change has been made in four or five decades is amazing; that everything is not permanantly, definitively, irrevocably changed is not a sign of failure. A woman goes walking down a thousand-mile road. Twenty minutes after she steps forth, they proclaim that she still has nine hundred ninety-nine miles to go and will never get anywhere. . Rebecca Solnit

The self is also a creation, the principal work of your life, the crafting of which makes everyone an artist. Rebecca Solnit

On January 18, 1915, six months into the First World War, as all Europe was convulsed by killing and dying, Virginia Woolf wrote in her journal, 'The future is dark, which is on the whole, the best thing the future can be, I think.' Dark, she seems to be saying, as in inscrutable, not as in terrible. We often mistake the one for the other. Or we transform the future's unknowability into something certain, the fulfillment of all our dread, the place beyond which there is no way forward. Be again and again, far stranger things happen than the end of the world. . Rebecca Solnit