Quotes From "The Secret History" By Donna Tartt

1
What are the dead, anyway, but waves and energy? Light shining from a dead star? That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition — tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star… Which reminds me, by the way, of a dream I had a couple of weeks ago. I found myself in a strange deserted city — an old city, like London — underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly — past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble. I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors. There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below. I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon.History passing beneath my very eyes, changing every moment.' I thought I'd find you here, ' said a voice at my elbow. It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple. I was glad to see him, though not exactly surprised. 'You know, ' I said to him, 'everybody is saying that you're dead.' He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead, ' he said. 'I'm only having a bit of trouble with my passport.'' What?' He cleared his throat. 'My movements are restricted, ' he said.' I no longer have the ability to travel as freely as I would like.' Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him.' That information is classified, I'm afraid.'1 looked around curiously. It seemed that I was the only visitor.' Is it open to the public?' I said.' Not generally, no.' I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point.' Are you happy here?' I said at last. He considered this for a moment. 'Not particularly, ' he said.' But you're not very happy where you are, either.' St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch.' I hope you'll excuse me, ' he said, 'but I'm late for an appointment.' He turned from me and walked away. I watched his back receding down the long, gleaming hall. . Donna Tartt
2
The lamplight was eerie, and, standing there motionless in our bathrobes, sleepy, with shadows flickering all around, I felt as though I had woken from one dream into an even more remote one, some bizarre wartime bomb shelter of the unconscious. Donna Tartt
3
Maybe that's why I tend to equate physical beauty with qualities with which it has absolutely nothing to do. I see a pretty mouth or a moody pair of eyes and imagine all sorts of deep affinities, private kinships. Donna Tartt
4
Do you remember what we were speaking of earlier, of how bloody, terrible things are sometimes the most beautiful?” he said. “It’s a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown back, throat to the stars, ‘more like deer than human being.’ To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn. . Donna Tartt
5
Maybe that's why I tend to equate physical beauty with qualities with which it has absolutely nothing to do. I see a pretty mouth or a moody pair of eyes and imagine all sorts of deep affinities, private kinships. Never mind that half a dozen jerks are clustered round the same person, just because they've been duped by the same pair of eyes. Donna Tartt
6
For the miserable find comfort in the philosophy that not on them alone has evil fallen. Procopius
7
That surge of power and delight, of confidence, of control. That sudden sense of the richness of the world. Its infinite possibility. Donna Tartt
8
It was like waking from a nightmare to a worse nightmare. Donna Tartt
9
Their reality was far more interesting than any idealized version could possibly be Donna Tartt
10
But, if I dare say it, it wasn't until I had helped kill a man that I realized how elusive and complex an act a murder can actually be, and not necessarily attributable to one dramatic motive. Donna Tartt
11
The vitality of the act was entirely obfuscated, the beauty, the terror, the sacrifice.' He took one last drag of this cigarette and put it out. 'Quite simply, ' he said, 'we didn't believe. And belief was the one condition which was absolutely necessary. Belief, and absolute surrender. Donna Tartt
12
Does such a thing as "the fatal flaw, " that showy dark crack running down the middle of a life, exist outside literature? Donna Tartt
13
It's a very Greek idea, and a very profound one. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to lose control completely? To throw off all the chains of being for an instant, to shatter the accident of our mortal selves? Donna Tartt
14
...with a grief no less sharp for not being intimate with its object. Donna Tartt
15
He did touch people's lives, the lives of strangers, in an entirely unanticipated way. It was they who really mourned him - or what they thought was him - with a grief that was no less sharp for not being intimate with its object. Donna Tartt
16
The chronological sorting of memories is an interesting business. Prior to this first weekend in the country, my recollections of that fall are distant and blurry: from here on out, they come into a sharp, delightful focus. It is here that the stilted mannequins of my initial acquaintance begin to yawn and stretch and come to life. It was months before the gloss and mystery of newness, which kept me from seeing them with much objectivity, would wear entirely off - though their reality was far more interesting than any idealized version could possibly be - but it is here, in my memory, that they cease being totally foreign and being to appear, for the first time, in shapes very like their bright old selves. I too appear as something of a stranger in these early memories. Donna Tartt
17
But walking through it all was one thing; walking away, unfortunately, has proved to be quite another, and though once I thought I had left that ravine forever on an April afternoon long ago, now I am not so sure. Now the searchers have departed, and life has grown quiet around me, I have come to realize that while for years I might have imagined myself to be somewhere else, in reality I have been there all the time: up at the top by the muddy wheel-ruts in the new grass, where the sky is dark over the shivering apple blossoms and the first chill of the snow that will fall that night is already in the air. Donna Tartt
18
I have only to glance over my shoulder for all those years to drop away and I see it behind me again, the ravine, rising all green and black through the saplings, a picture that will never leave me. Donna Tartt
19
All of a sudden, images from every crime movie I'd ever seen began to pop into my mind–the windowless room, the harsh lights and narrow hallways, images which did not seem so much theatrical or foreign as imbued with the indelible quality of memory, of experience lived. Donna Tartt
20
The ceilings had set off a ghostly echo, giving all that desperate hilarity the quality of a memory even as I sat listening to it, memories of things I'd never known. Donna Tartt
21
I sometimes get the feeling that he was less pleased by kindness itself than by the elegance of the gesture. Donna Tartt
22
Though Julian could be marvelously kind in difficult circumstances of all sorts, I sometimes got the feeling that he was less pleased by kindness itself than by the elegance of the gesture. Donna Tartt
23
After all, the appeal to stop being yourself, even for a little while, is very great, ' he said. 'To escape the cognitive mode of experience, to transcend the accident to one's moment of being. There are other advantages, more difficult to speak of, things which ancient sources only hint at and which I myself only understood after the fact. Donna Tartt
24
I mean we think of phenomenal change as being the very essence of time, when it's not at all. Time is something which defies spring and winter, birth and decay, the good and the bad, indifferently. Something changeless and joyous and absolutely indestructible. Duality ceases to exist; there is no ego, no 'I, ' and yet it's not at all like those horrid comparisons one sometimes hears in Eastern religions, the self being a drop of water swallowed by the ocean of the universe. It's more as if the universe expands to fill the boundaries of the self. You have no idea how pallid the workday boundaries of ordinary existence seem, after such an ecstasy. Donna Tartt
25
We don't like to admit it, but the idea of losing control is one that fascinates controlled people such as ourselves more than almost anything. All truly civilized people — the ancients no less than us — have civilized themselves through the wilful repression of the old, animal self. Donna Tartt
26
And beauty is terror, ' said Julian, 'then what is desire? We think we have many desires, but in fact we have only one. What is it?'' To live, ' said Camilla.'To live forever, ' said Bunny, chin cupped in palm. Donna Tartt
27
For that you should read the original. In very great poetry the music often comes through even when one doesn't know language. I loved Dante passionately before I knew a word of Italian. Donna Tartt
28
One's thought patterns become different, he said, when forced into the confines of a rigid and unfamiliar tongue. Certain common ideas become inexpressible; other, previously undreamt-of ones spring to life, finding miraculous new articulation. Donna Tartt
29
The most satisfying of languages, Latin. Donna Tartt
30
They too, knew this beautiful and harrowing landscape; they'd had the same experience of looking up from their books with fifth-century eyes and finding the world disconcertingly sluggish and alien, as if it were not their home. Donna Tartt
31
Out on the lawn, Bunny had just knocked Henry's ball about seventy feet outside the court. There was a ragged burst of laughter; faint, but clear, it floated back across the evening air. That laughter haunts me still. Donna Tartt
32
I was jarred - a little spooked as well - at so blatant a reference to something referred to, by mutual agreement, almost exclusively with codes, catchwords, a hundred different euphemisms." It was the most important night of my life, " he said calmly. "It enabled me to do what I've always wanted most."" Which is?"" To live without thinking. Donna Tartt
33
It was a clear, black morning, encrusted with stars. Donna Tartt
34
I suppose there is a certain crucial interval in everyone's life when character is fixed forever. Donna Tartt
35
Grown children (an oxymoron, I realize) veer instinctively to extremes: the young scholar is much more a pedant than his older counterpart. And I, being young myself, took these pronouncements of Henry's very seriously. I doubt if Milton himself could have impressed me more. Donna Tartt
36
Asparagus is in season. Donna Tartt
37
It's a terrible thing, what we did, ” said Francis abruptly. “I mean, this man was not Voltaire we killed. But still. It’s a shame. I feel bad about it.”“ Well, of course, I do too, ” said Henry matter-of-factly. “But not bad enough to want to go to jail for it.” Francis snorted and poured himself another shot of whiskey and drank it straight off. “No, ” he said. “Not that bad. Donna Tartt
38
Mais, vrai, J'ai trop pleure! Les aubes sont navrantes. What a sad and beautiful line that is. I'd always hoped that someday I'd be able to use it. Donna Tartt
39
The dead appear to us in dreams because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star... Donna Tartt
40
I suppose the shock of recognition is one of the nastiest shocks of all. Donna Tartt
41
Yet my longing for her was like a bad cold that had hung on for years despite my conviction that I was sure to get over it at any moment. Donna Tartt
42
It seemed my wholelife was composed of these disjointedfractions of time, hanging around in onepublic place and then another, as if I werewaiting for trains that never came. And, likeone of those ghosts who are said to lingeraround depots late at night, askingpassersby for the timetable of the MidnightExpress that derailed twenty years before, Iwandered from light to light until thatdreaded hour when all the doors closed and, stepping from the world of warmth andpeople and conversation overheard, I feltthe old familiar cold twist through my bonesagain and then it was all forgotten, thewarmth, the lights; I had never been warmin my life, ever. Donna Tartt
43
But while I have never considered myself a very good person, neither can I bring myself to believe that I am spectacularly bad one. Perhaps it's simply impossible to think of oneself in such a way. Donna Tartt
44
I like the idea of living in a city - any city, especially a strange one - like the thought of traffic and crowds, of working in a bookstore, waiting tables in a coffee shop, who knew what kind of odd, solitary life I might slip into? Meals alone, waling the dogs in the evenings; and nobody knowing who I was. Donna Tartt
45
Occasionally a car swooshed by in the rain and its headlights would swing round momentarily and illuminate the room-the pool table, snowshoes on the wall and the rowing machine, the armchair in which Henry sat, motionless, a glass in his hand and the cigarette burning low between his fingers. For a moment his face, pale and watchful as a ghost's, would be caught in the headlights and then, very gradually, it would slide back into the dark. Donna Tartt