Quotes From "The Last Word" By Hanif Kureishi

1
What was marriage but sex plus property. Hanif Kureishi
2
There’s a lot of degradation in sex, isn’t there?”“ When it’s done right. Hanif Kureishi
3
It’s frustration which makes creativity possible. Hanif Kureishi
4
My blackness is spreading, Alice. I’ve been seeing and hearing things that can’t be there or anywhere. At night, when I’m not hallucinating mad women, I can feel depression starting to burn me around the edges. If I sink into it, I’ll have to give this thing up and write a novel. Hanif Kureishi
5
Apparently, now, though, we writers and artists are not allowed to give offence. We must not question, criticise or insult the other, for fear of being hounded and murdered. These days a writer without bodyguards can hardly be considered serious. A bad review is the least of our problems. Hanif Kureishi
6
Who can think of Larkin now without considering his fondness for the buttocks of schoolgirls and paranoid hatred of blacks … Or Eric Gill’s copulations with more or less every member of his family, including the dog? Proust had rats tortured, and donated his family furniture to brothels; Dickens walled up his wife and kept her from her children; Lillian Hellman lied. While Sartre lived with his mother, Simone de Beauvoir pimped babes for him; he envied Camus, before trashing him. John Cheever loitered in toilets, nostrils aflare, before returning to his wife. P.G. Wodehouse made broadcasts for the Nazis; Mailer stabbed his second wife. Two of Ted Hughes’s lovers had killed themselves. And as for Styron, Salinger, Saroyan … Literature was a killing field; no decent person had ever picked up a pen. . Hanif Kureishi
7
He was, after all, just a man. And not merely a narrative. Hanif Kureishi
8
Women only wear beautiful clothes so that men will want to remove them. Hanif Kureishi
9
Mamoon went on, “The news I bring is to say that, man being the only animal who hates himself, the likely fate of the world is total self-destruction.” He raised his glass. “All the best then, my friends. Here’s to a happy apocalypse.”“ Happy apocalypse, ” murmured the other guests, obediently. Hanif Kureishi
10
Plato, along with the latest pope, recognised how dangerous it is to have an artist around making mischief, stirring things up with the spoon of truth and intoxicant of fantasy and magic. And so, for crossing the line, and for stealing God’s fire, artists were banned, imprisoned, condemned, silenced, killed — they always would be, these sometimes Christs of the page. Hanif Kureishi
11
The writer, indeed every real artist, was the devil, rivalling God in creativity, trying even to surpass him. God was surely man’s most fatal creation, the devil’s kitsch bitch. It was God, with his insistence on being worshipped and admired, who made the argument of art necessary, keeping the fire of dissent alive in men and women. This dissident was the artist, who spanned with his imagination reason and unreason, the under and the over, the dream and the world, men and women. . Hanif Kureishi
12
If there’s no sacrifice, there’s no love. Hanif Kureishi
13
Popeye the Sailor Man has more cultural longevity. Only women and poofs read or write now. Otherwise, these days, no sooner has someone been sodomised by a close relative than they think they can write a memoir. The game’s up. Hanif Kureishi
14
I’ve said before, Harry, no need to hide your light, ” said Alice, squeezing his hand. She giggled, “Dance, monkey, dance. Hanif Kureishi
15
How many artists have created while drunk, high on laudanum, opium, chloral or amphetamines? What have antidepressants ever done for culture? Hanif Kureishi
16
When Victor Hugo was buried, you couldn’t find a whore in all of Paris. They were too busy paying their respects. That was a man — and he still has a show on in the West End. Hanif Kureishi