54 Quotes & Sayings By Hanif Kureishi

Hanif Kureishi is a novelist and playwright. He is the author of six novels, including The Buddha of Suburbia, The Black Album, Intimacy, My Beautiful Laundrette, and The War Against Cliché. He has also published two collections of short stories, four plays, two novellas, and three novels in the series of short stories “The Buddha of Suburbia”. Two of his plays have been performed on Broadway: "When We Were Orphans" in 1988 and "Something to Tell You" in 1995 Read more

He published a collection of his essays entitled A Life Less Ordinary: Essays on Writing in 1995. Kureishi's most recent novel is called Americana, which was published in September 2006 by Faber & Faber. He lives in London with his wife and sons.

The vocation of each writer is to describe the world...
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The vocation of each writer is to describe the world as he or she sees it anything more than that is advertising. Hanif Kureishi
You don't stop loving someone just because you hate them.
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You don't stop loving someone just because you hate them. Hanif Kureishi
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If you never left anything or anyone there would be no room for the new. Naturally, to move on is an infidelity -- to others, to the past, to old notions of oneself. Perhaps every day should contain at least one essential infidelity or necessary betrayal. It would be an optimistic, hopeful act, guaranteeing belief in the future -- a declaration that things can be not only different but better. Hanif Kureishi
People go their whole lives wanting to be admired for...
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People go their whole lives wanting to be admired for their hidden qualities. Hanif Kureishi
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But you're beautiful, and the beautiful should be given whatever they want."" Hey, what about the ugly ones?"" The ugly ones." She poked her tongue out. "It's their fault if their ugly. They're to be blamed, not pitied. Hanif Kureishi
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Intelligence and effort can be no compensation for ugliness. Hanif Kureishi
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However angry I was with him, however much I wanted to humiliate Terry, I suddenly saw such humanity in his eyes, and in the way he tried to smile - such innocence in the way he wanted to understand me, and such possibility of pain, along with the implicit assumption that he wouldn't be harmed - that I pulled away. Hanif Kureishi
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What was marriage but sex plus property. Hanif Kureishi
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Freud wrote that love involves the undervaluation of reality and the overvaluation of the desired object. While the correct valuation of a person is an odd, if not impossible idea, we might say Freud meant something like this: for various reasons, many of them masochistic, we become involved with others who cannot possibly give what we ask for; we can wait as long as we wish, but they do not have it, and one day, if we bear to abandon our fantasy and see clearly, we might face reality straight on. We will then look elsewhere for fulfillment, to a place where our needs can, in fact, be satisfied. Hanif Kureishi
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I began to enjoy my own generosity; I felt the pleasure of pleasing others, especially as this was accompanied by money-power. I was paying for them; they were grateful, they had to be; and they could no longer see me as a failure. Hanif Kureishi
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I have learned that the libido, like Elvis and jealousy, never dies. I know copulators of eighty-five. Who said you need an erection, a body or an orgasm for sex? Hanif Kureishi
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Sex is like art: if you know what you’re doing, you don’t know what you’re doing. Hanif Kureishi
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There’s a lot of degradation in sex, isn’t there?”“ When it’s done right. Hanif Kureishi
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You see, I have come to believe in self-help, individual initiative, the love of what you do, and the full development of all individuals. I am constantly disappointed by how little we expect of ourselves and of the world. Hanif Kureishi
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It’s frustration which makes creativity possible. Hanif Kureishi
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My blackness is spreading, Alice. I’ve been seeing and hearing things that can’t be there or anywhere. At night, when I’m not hallucinating mad women, I can feel depression starting to burn me around the edges. If I sink into it, I’ll have to give this thing up and write a novel. Hanif Kureishi
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As it was, she always did whatever occurred to her, which was, admittedly, not difficult for someone in her position, coming from a background where rick of failure was minimal; in fact, you had to work hard to fail in her world. Hanif Kureishi
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I don’t like being left for long struggling with my dangerous self. Hanif Kureishi
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Yes, Eleanor loathed herself and yet required praise, which she then never believed. Hanif Kureishi
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The past looks worse the closer you look at it. Hanif Kureishi
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Desire is naughty and doesn't conform to our ideals, which is why we have such a need of them. Desire mocks all human endeavour and makes it worthwhile. Desire is the original anarchist and undercover agent — no wonder people want it arrested and kept in a safe place. And just when we think we've got desire under control it lets us down or fills us with hope. Desire makes me laugh because it makes fools of us all. Hanif Kureishi
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Apparently, now, though, we writers and artists are not allowed to give offence. We must not question, criticise or insult the other, for fear of being hounded and murdered. These days a writer without bodyguards can hardly be considered serious. A bad review is the least of our problems. Hanif Kureishi
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Who can think of Larkin now without considering his fondness for the buttocks of schoolgirls and paranoid hatred of blacks … Or Eric Gill’s copulations with more or less every member of his family, including the dog? Proust had rats tortured, and donated his family furniture to brothels; Dickens walled up his wife and kept her from her children; Lillian Hellman lied. While Sartre lived with his mother, Simone de Beauvoir pimped babes for him; he envied Camus, before trashing him. John Cheever loitered in toilets, nostrils aflare, before returning to his wife. P.G. Wodehouse made broadcasts for the Nazis; Mailer stabbed his second wife. Two of Ted Hughes’s lovers had killed themselves. And as for Styron, Salinger, Saroyan … Literature was a killing field; no decent person had ever picked up a pen. . Hanif Kureishi
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He was, after all, just a man. And not merely a narrative. Hanif Kureishi
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Just as my body had changed at puberty, now I was developing a sense of guilt, a sense not only of how I appeared to others, but of how I appeared to myself, especially in violating self-imposed prohibitions. Hanif Kureishi
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Women only wear beautiful clothes so that men will want to remove them. Hanif Kureishi
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Whoever thought that pleasure makes you happy? Hanif Kureishi
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Mamoon went on, “The news I bring is to say that, man being the only animal who hates himself, the likely fate of the world is total self-destruction.” He raised his glass. “All the best then, my friends. Here’s to a happy apocalypse.”“ Happy apocalypse, ” murmured the other guests, obediently. Hanif Kureishi
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I didn't want to be educated. It wasn't the right time of my life for concentration, it really wasn't. The spirit of the age among the people I knew manifested itself as general drift and idleness. We didn't want money. What for? We could get by, living off parents, friends or the State And if we were going to be bored, and we were usually bored, rarely being self-motivated, we could at least be bored on our own terms, lying smashed on mattresses in ruined houses rather than working in the machine. I didn't want to work in a place where I couldn't wear my fur coat. Hanif Kureishi
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I am dust and my story ends here. Hanif Kureishi
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Falling in love was simple; one had only to yield. Digesting another person, however, and sustaining love, was bloody work, and not a soft job. Hanif Kureishi
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Plato, along with the latest pope, recognised how dangerous it is to have an artist around making mischief, stirring things up with the spoon of truth and intoxicant of fantasy and magic. And so, for crossing the line, and for stealing God’s fire, artists were banned, imprisoned, condemned, silenced, killed — they always would be, these sometimes Christs of the page. Hanif Kureishi
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The writer, indeed every real artist, was the devil, rivalling God in creativity, trying even to surpass him. God was surely man’s most fatal creation, the devil’s kitsch bitch. It was God, with his insistence on being worshipped and admired, who made the argument of art necessary, keeping the fire of dissent alive in men and women. This dissident was the artist, who spanned with his imagination reason and unreason, the under and the over, the dream and the world, men and women. . Hanif Kureishi
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Old age is the new childhood. Hanif Kureishi
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Being in love means being at the mercy of someone's childhood. Hanif Kureishi
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If there’s no sacrifice, there’s no love. Hanif Kureishi
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He died at the wrong time, when there was much to be clarified and established. They hadn’t even started to be grown-ups together. There was this piece of heaven, this little girl he’d carried around the shop on his shoulders; and then one day she was gone, replaced by a foreigner, an uncooperative woman he didn’t know how to speak to. Being so confused, so weak, so in love, he chose strength and drove her away from himself. The last years he spent wondering where she’d gone, and slowly came to realise that she would never return, and that the husband he’d chosen for her was an idiot. Hanif Kureishi
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Maybe you never stop feeling like an eight-year-old in front of your parents. You resolve to be your mature self, to react in this considered way rather than that elemental way, to breathe evenly from the bottom of your stomach and to see your parents as equals, but within five minutes your intentions are blown to hell, and you're babbling and screaming in rage like an angry child. Hanif Kureishi
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Popeye the Sailor Man has more cultural longevity. Only women and poofs read or write now. Otherwise, these days, no sooner has someone been sodomised by a close relative than they think they can write a memoir. The game’s up. Hanif Kureishi
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Act — make an event. Smash the coordinates and see where the smithereens fly. Let in the madness, and be sure to be a danger to oneself and others. Too much thinking turns you into that fool Hamlet. Hanif Kureishi
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I’m using Mao as my inspiration. “Cast away illusions. Prepare for struggle.” I’m back in business, baby. You don’t know you’re stuck until you get moving. Hanif Kureishi
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The city blew the windows of my brain wide open. But being in a place so bright, fast and brilliant made you vertiginous with possibility: it didn't necessarily help you grasp those possibilities. I still had no idea what I was going to do. I felt directionless and lost in the crowd. I couldn't yet see how the city worked, but I began to find out. Hanif Kureishi
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I’ve said before, Harry, no need to hide your light, ” said Alice, squeezing his hand. She giggled, “Dance, monkey, dance. Hanif Kureishi
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I admired him more than anyone but I didn't wish him well. It was that I preferred him to me and wanted to be him. I coveted his talents, face, style. I wanted to wake up with them all transferred to me. Hanif Kureishi
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How many artists have created while drunk, high on laudanum, opium, chloral or amphetamines? What have antidepressants ever done for culture? Hanif Kureishi
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Dear God, teach me to be careless. Hanif Kureishi
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I know love is dark work; you have to get your hands dirty. If you hold back, nothing interesting happens. At the same time, you have to find the right distance between people. Too close, and they overwhelm you; too far and they abandon you. How to hold them in the right relation? Hanif Kureishi
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I can only think how good life on earth can be, at times. What grief two people can give to one another! And what pleasure! Hanif Kureishi
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My son, there may be a time when I explain these things to you, because there may be a time when I understand them. Hanif Kureishi
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Now, watching her sleep, and closing his eyes, he felt, in this particular intimacy - stowed beneath her duvet - that he was intruding. At the same time, he knew, settling down, you couldn´t dislike anyone you'd seen sleep Hanif Kureishi
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Yet velvet curtains, soft cheese, compelling work and boys who can run full-tilt–it isn't enough. And if it isn't, it isn't. There's no living with that. The world is made from our imagination; our eyes enliven it, as our hands give it shape. Wanting makes it thrive; meaning is what you put in, not what you extract. You only see what you are inclined to see, and no more. We have to make the new. . Hanif Kureishi
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Security and safety were the reward of dullness. Hanif Kureishi
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When Victor Hugo was buried, you couldn’t find a whore in all of Paris. They were too busy paying their respects. That was a man — and he still has a show on in the West End. Hanif Kureishi