Quotes From "The God Of Small Things" By Arundhati Roy

1
But what was there to say? Only that there were tears. Only that Quietness and Emptiness fitted together like stacked spoons. Only that there was a snuffling in the hollows at the base of a lovely throat. Only that a hard honey-colored shoulder had a semicircle of teethmarks on it. Only that they held each other close, long after it was over. Only that what they shared that night was not happiness, but hideous grief. Only that once again they broke the Love Laws. That lay down who should be loved. And how. And how much. . Arundhati Roy
2
It is after all so easy to shatter a story. To break a chain of thought. To ruin a fragment of a dream being carried around carefully like a piece of porcelain. To let it be, to travel with it, as Velutha did, is much the harder thing to do. Arundhati Roy
3
The steel door of the incinerator went up and the muted hum of the eternal fire became a red roaring. The heat lunged out at them like a famished beast. Then Rahel's Ammu was fed to it. Her hair, her skin, her smile. Her voice. They way she used Kipling to love her children before putting them to bed: We be of one blood, though and I. Her goodnight kiss. The way she held their faces steady with one hand (squashed-cheeked, fish-mouthed) while she parted and combed their hair with the other. The way she held knickers out for Rahel to climb into. Left leg, right leg. All this was fed to the beast, and it was satisfied. She was their Ammu and their Baba and she had loved them Double. Arundhati Roy
4
They visited him in saris, clumping gracelessly through red mud and long grass .. and introduced themselves as Mrs. Pillai, Mrs. Eapen and Mrs. Rajagopalan. Velutha introduced himself and his paralyzed brother Kuttappen (although he was fast asleep). He greeted them with the utmost courtesy. He addressed them all as Kochamma [an honorific title for a woman] and gave them fresh coconut water to drink. He chatted to them about the weather. The river. The fact that in his opinion coconut trees were getting shorter by the year. As were the ladies in Ayemenem. He introduced them to his surly hen. He showed them his carpentry tools, and whittled them each a little wooden spoon. It is only now, these years later, that Rahel with adult hindsight recognized the sweetness of that gesture. A grown man entertaining three raccoons, treating them like real ladies. Instinctively colluding in the conspiracy of their fiction, taking care not to decimate it with adult carelessness. Or affection. [emphasis mine] It is after all so easy to shatter a story. To break a chain of thought. To ruin a fragment of a dream being carried around carefully like a piece of porcelain. To let it be, to travel with it, as Velutha did, is much the harder thing to do. . Arundhati Roy
Only that once again they broke the Love Laws. That...
5
Only that once again they broke the Love Laws. That lay down who should be loved. And how, And how much. Arundathi Roy
Her collarbones like wings that spread from the base of...
6
Her collarbones like wings that spread from the base of her throat to the ends of her shoulders. A bird held down by skin. Arundhati Roy
7
But when they made love he was offended by her eyes. They behaved as though they belonged to someone else. Someone watching. Looking out of the window at the sea. At a boat in the river. Or a passerby in the mist in Arundhati Roy
8
It turned out to be a war which, unfortunately for Comrade Pillai, would end almost before it began. Victory was gifted to him wrapped and beribboned, on a silver tray. Only then, when it was too late, and Paradise Pickles slumped softly to the floor without so much as a murmur or even the pretense of resistance, did Comrade Pillai realize that what he really needed was the process of war more than the outcome of victory. War could have been the stallion that he rode, part of, if not all, the way to the Legislative Assembly, whereas victory left him no better off than when he started out. He broke the eggs but burned the omelette. Arundhati Roy
9
They sensed somehow that she lived in the prenumbral shadows between two worlds, just beyond the grasp of their power. That a woman that they had already damned, now had little left to lose, and could therefore be dangerous. So on the days that the radio played Ammu's songs, people avoided her, making little loops around her, because everybody agreed that it was best to just Let Her Be. Arundhati Roy
10
She discovered that underneath the aspect of the Rumpled Porcupine, a tortured Marxist was at war with an impossible, incurable Romantic - who forgot the candles, who broke the wine glasses, who forgot the ring. Who made love to her with a passion that took her breath away. She had always thought of herself as a somewhat uninteresting, thick-waisted, thick ankled girl. Not bad-looking. Not special. But when she was with Chacko, old limits were pushed back. Horizons expanded. She had never before met a man who spoke of the workd - of what it was, and how it came to be, or what he thought would become of it - in the way in which other men she knew discussed their jobs, their friends or their weekends at the beach. Being with Chacko made Margaret Kochamma feel as though her soul had escaped from the narrow confines of her island country, into the vast extravagant spaces of his. He made her feel as though the world belonged to them - as though it lay before thm like an opened frog on a dissecting table, begging to be examined. . Arundhati Roy
11
To understand history, ' Chacko said, 'we have to go inside and listen to what they're saying. And look at the books and the pictures on the wall. And smell the smells. Arundhati Roy
12
How history negotiates its terms and collects its dues from those who break its laws. Arundhati Roy
13
Certainly no beast has essayed the boundless, infinitely inventive art of human hatred. No beast can match its range and power. Arundhati Roy
14
When she listened to songs that she loved on the radio, something stirred inside her. A liquid ache spread under her skin, and she walked out of the world like a witch. Arundhati Roy
15
This was the trouble with families. Like invidious doctors, they knew just where it hurt. Arundhati Roy
16
At least not until the Terror took hold of him. Not until he saw, night after night, a little boat being rowed across the river. Not until he saw it return at dawn. Not until he saw what his Untouchable son had touched. More than touched. Enter. Loved. Arundhati Roy
17
The twins were too young to know that these were only history’s henchmen. Sent to square the books and collect the dues from those who broke its laws. Impelled by feelings that were primal yet paradoxically wholly impersonal. Feelings of contempt born of inchoate, unacknowledged fear–civilization’s fear of nature, men’s fear of women, power’s fear of powerlessness. Man’s subliminal urge to destroy what he could neither subdue nor deify. Arundhati Roy
18
It wasn't what lay at the end of her road that frightened Ammu as much as the nature of the road itself. No milestones marked its progress. No trees grew along it. No dappled shadows shaded it. No mists rolled over it. No birds circled it. No twists, no turns or hairpin bends obscured even momentarily, her clear view of the end. This filled Ammu with an awful dread, because she was not the kind of woman who wanted her future told. She dreaded it too much. So if she were granted one small wish perhaps it would have been Not to Know, Not to know what each day had in store for her. Not to know where she might be, next month, next year. Ten years on. Not to know which way her road might turn and what lay beyond the bend. . Arundhati Roy
19
In a determined reversal of her inherent nature, Kochu Maria now, as a policy, hardly ever believed anything that anybody said. Arundhati Roy
20
That's what careless words do. They make people love you a little less. Arundhati Roy
21
Only that once again they broke the Love Laws. That lay down who should be loved. And how. And how much. Arundhati Roy
22
Flat muscled and honey coloured. Sea secrets in his eyes. A silver raindrop in his ear. Arundhati Roy
23
Ridges of muscle on his stomach rose under his skin like divisions on a slab of chocolate. He held her close by the light of an oil lamp, and he shone as though he had been polished with a high-wax body polish. Arundhati Roy
24
The two men had a conversation. Brief, cryptic, to the point. As though they had exchanged numbers and not words. No explanations seemed necessary. They were not friends, Comrade Pillai and Inspector Thomas Mathew, and they didn’t trust each other. But they understood each other perfectly. They were both men whom childhood had abandoned without a trace. Men without curiosity. Without doubt. Both in their own way truly, terrifyingly adult. They looked out at the world and never wondered how it worked, because they knew. They worked it. They were mechanics who serviced different parts of the machine. . Arundhati Roy
25
There are things that can be forgotten. And things that cannot - that sit on dusty shelves like stuffed birds with baleful, sideways staring eyes. Arundhati Roy
26
Perhaps it’s true that things can change in a day. That a few dozen hours can affect the outcome of whole lifetimes. And that when they do, those few dozen hours, like the salvaged remains of a burned house–the charred clock, the singed photograph, the scorched furniture–must be resurrected from the ruins and examined. Preserved. Accounted for. Little events, ordinary things, smashed and reconstituted. Imbued with new meaning. Suddenly they become the bleached bones of a story. Arundhati Roy
27
She was perhaps too young to realize that what she assumed was her love for [him] was actually a tentative, timorous, acceptance of herself. Arundhati Roy
28
Glanced up and caught Ammu's gaze. Centuries telescoped into one evanescent moment. History was wrong-footed, caught off guard. Sloughed off like an old snakeskin. Its marks , its scars its wouns from old wars and the walking backwards days all fell away. In its abscence it left an aura, a palpable shimmering that was as plain as water in a river or the sun in the sky. As plain to feel the heat on a hot day, or the tug of a fish on a taut line. So obvious that no-one noticed. In that brief moment, Velutha looked up and saw things that he hadn't seen before. Things that had been out of bounds so far, obscured by histor's blinkers.. This knowing slid into him cleanly, like the sharp edge of a knife. Cold and hot at once. It only took a moment. Ammu saw that he saw. She looked away. He did too. History's fiends returned to claim them. To rewrap them in its old scarred pelt and drag them back to where they really lived. Where the Love Laws lay down who should be loved. And how. And how much. Arundhati Roy
29
Suddenly Ammu hoped that it had been him that Rahel saw him in the march. She hoped it had been him that raised his flag and knotted arm in anger. She hoped that under his careful cloak of cheerfulness he housed a living breathing anger against the smug, ordered world that she raged against. Arundhati Roy
30
She wore flowers in her hair and carried magic secrets in her eyes. She spoke to no one. She spent hours on the riverbank. She smoked cigarettes and had midnight swims... Arundhati Roy
31
They only asked for punishments that fitted their crimes. Not ones that came like cupboards with built-in bedrooms. Not ones you spent your whole life in, wandering through its maze of shelves. Arundhati Roy
32
His gratitude widened his smile and bent his back. Arundhati Roy
33
Then to give the kids a historical perspective, Chacko told them about the earth woman. He made them imagine that the earth - 4600 million years old - was a 46 year old woman- as old as Aleyamma teaacher, who gave them Malayalam lessons. It had taken the whole of earth woman’s life for the earth to become what it was. For the oceans to part. For the mountains to rise. The earth woman was 11 yrs old when the first single celled organisms appeared. The first animals, creatures like worms and jellyfish, appeared only when she was forty. She was over forty five - just 8 months ago - when dinosaurs roamed the earth. The whole of human civilization as we know it, began only 2 hrs ago in the earth woman’s life… . Arundhati Roy
34
They looked at each other. They weren't thinking anymore. The time for that had come and gone. Smashed smiles lay ahead of them. But that would be later. Lay Ter. Arundhati Roy
35
He could do only one thing at a time. If he held her, he couldn't kiss her. If he kissed her, he couldn't see her. If he saw her, he couldn't feel her. Arundhati Roy
36
If you're happy in a dream, does that count? Arundhati Roy
37
Heaven opened and the water hammered down, reviving the reluctant old well, greenmossing the pigless pigsty, carpet bombing still, tea-colored puddles the way memory bombs still, tea-colored minds. Arundhati Roy
38
It was raining when Rahel came back to Ayemenem. Slanting silver ropes slammed into loose earth, plowing it up like gunfire. The old house on the hill wore its steep, gabled roof pulled over its ears like a low hat. Arundhati Roy
39
Ammu's tears made everything that had so far seemed unreal, real. Arundhati Roy
40
And once again, only the Small Things were said. The Big Things lurked unsaid inside. Arundhati Roy
41
Their lives have a size and a shape now. Estha has his and Rahel hers. Edges, Borders, Boundaries, Brinks and Limits have appeared like a team of trolls on their separate horizons. Short creatures with long shadows, patrolling the Blurry End. Gentle half-moons have gathered under their eyes and they are as old as Ammu was when she died. Thirty-one. Not old. Not young. But a viable die-able age. Arundhati Roy