Quotes From "Station Eleven" By

1
Twenty years earlier, in a life [Kirsten] mostly couldn’t remember, she had had a small nonspeaking role in a short-lived Toronto production of King Lear. Now she walked in sandals whose soles had been cut from an automobile tire, three knives in her belt. Unknown
2
I was thinking earlier that to know this city you must first become penniless, because pennilessness (real pennilessness, I mean not having $2 for the subway) forces you to walk everywhere and you see the city best on foot. Unknown
3
If nothing else, it's pleasant to consider the possibility. He likes the thought of ships moving over the water, toward another world just out of sight. Unknown
4
No, ' Dahlia said, 'because I think people like him think work is supposed to be drudgery punctuated by very occasional moments of happiness, but when I say happiness, I mostly mean distraction. You know what I mean?'' No, please elaborate.'' Okay, say you go into the break room, ' she said, 'and a couple people you like are there, say someone's telling a funny story, you laugh a little, you feel included, everyone's so funny, you go back to your desk with a sort of, I don't know, I guess afterglow would be the word? You go back to your desk with an afterglow, but then by four or five o'clock the day's just turned into yet another day, and you go on like that, looking forward to five o'clock and then the weekend and then your two or three annual weeks of paid vacation time, day in day out, and that's what happens to your life. Unknown
5
This is going to seem bitter but I don't mean it that way, V., I'm just stating a fact here: you'll only ever call me if I call you first. Have you noticed that? If I call and leave a message you'll call me back, but you will never call me first. And I think that's kind of a horrible thing, V., when you're supposed to be someone's friend. I always come to you. You always say you're my friend but you'll never come to me and I think I have to stop listening to your words, V., and take stock instead of your actions. My friend C. thinks my expectations of friendship are too high but I don't think he's right. Take care, V. I'll miss you. Unknown
6
All of this, ' the prophet said, serene, 'all of our activities, Sayid, you must understand this, all of your suffering, it's all part of a greater plan.'' You'd be surprised at how little comfort I take from that notion. Unknown
7
The beauty of this world where almost everyone was gone. If hell is other people, what is a world with almost no people in it? Perhaps soon humanity would simply flicker out, but Kirsten found this thought more peaceful than sad. So many species had appeared and later vanished from this earth; what was one more? How many people were even left now? Unknown
8
Adulthood’s full of ghosts... High-functioning sleepwalkers, essentially. Unknown
9
The beauty of this world where almost everyone was gone. If hell is other people, what is a world with almost no people in it? Unknown
10
He found he was a man who repented almost everything, regrets crowding in around him like moths to a light. This was actually the main difference between twenty-one and fifty-one, he decided, the sheer volume of regret. Unknown
11
It's like the corporate world's full of ghosts … maybe a fairer way of putting this would be to say that adulthood's full of ghosts … these people who've ended up in one life instead of another and they are just so disappointed. . They've done what's expected of them. They want to do something different but it's impossible now, there's a mortgage, kids, whatever, they're trapped … High-functioning sleepwalkers, essentially. Unknown
12
Are you asking if I believe in ghosts?"" I don't know. Maybe. Yes.""Of course not. Imagine how many there'd be."" Yes, " Kirsten said, "that's exactly it. Unknown
13
Miranda opened her eyes in time to see the sunrise. A wash of violent color, pink and streaks of brilliant orange, the container ships on the horizon suspended between the blaze of the sky and the water aflame, the seascape bleeding into confused visions of Station Eleven, its extravagant sunsets the its indigo sea. The lights of the fleet fading into morning, the ocean burning into sky. Unknown
14
The king stood in a pool of blue light, unmoored. Unknown
15
He placed a pinch of snow on his tongue and thought of making snow ice cream with Frank and their mother when they were small boys - 'First you stir in the vanilla' - Frank standing on a stool on his wondrously functional pre- Libya legs, the bullet that would sever his spinal cord still twenty-five years away but already approaching: a woman giving birth to a child who will someday pull the trigger on a gun, a designer sketching the weapon or its precursor, a dictator making a decision that will spark in the fullness of time into the conflagration that Frank will go overseas to cover for Reuters, the pieces of a pattern drifting closer together. Unknown
16
If you write literary fiction that’s set partly in the future, you’re apparently a sci-fi writer ... I think of it as being more of a story about what remains after we lose everything and the importance of art in our lives. Unknown
17
She works on her never-ending project for hours at a time. In art school they talked about day jobs in tones of horror. She never would have imagined that her day job would be the calmest and least cluttered part of her life. Unknown
18
The more we know about the former world, the better we’ll understand what happened when it fell. Unknown