Quotes From "Never Let Me Go" By Kazuo Ishiguro

1
I half closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field and gradually get larger until I'd see it was Tommy, and he'd wave, and maybe even call. Kazuo Ishiguro
2
That was the only time, as I stood there, looking at that strange rubbish, feeling the wind coming across those empty fields, that I started to imagine just a little fantasy thing, because this was Norfolk after all, and it was only a couple of weeks since I’d lost him. I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half-closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call. The fantasy never got beyond that --I didn't let it-- and though the tears rolled down my face, I wasn't sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be. . Kazuo Ishiguro
3
What I'm not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we've lived through, or feel we've had enough time. Kazuo Ishiguro
Poor creatures. What did we do to you? With all...
4
Poor creatures. What did we do to you? With all our schemes and plans? Kazuo Ishiguro
5
As I’ve said, it wasn’t until a long time afterwards–long after I’d left the Cottages–that I realized just how significant out little encounter in the churchyard had been. I was upset at the time, yes. But I didn’t believe it to be anything so different from other tiffs we’d had. It never occurred to me that our lives, until then so closely interwoven could unravel and separate over a thing like that. But the fact was, I suppose, there were powerful tides tugging us apart by then, and it only needed something like that to finish the task. If we’d understood that back then–who knows?–maybe we’d have kept a tighter hold of one another. Kazuo Ishiguro
6
I can see, ’ Miss Emily said, ‘that it might look as though you were simply pawns in a game. It can certainly be looked at like that. But think of it. You were lucky pawns. There was a certain climate and now it’s gone. You have to accept that sometimes that’s how things happen in the world. People’s opinions, their feelings, they go one way, then the other. It just so happens you grew up at a certain point in this process.’‘ It might be just some trend that came and went, ’ I said. ‘But for us, it’s our life. Kazuo Ishiguro
I think of my pile of old paperbacks, their pages...
7
I think of my pile of old paperbacks, their pages gone wobbly, like they'd once belonged to the sea. Kazuo Ishiguro
8
And what made these heart-to-hearts possible--you might even say what made the whole friendship possible during that time--was this understanding we had that anything we told each other during these moments would be treated with careful respect: that we'd honor confidences, and that no matter how much we rowed, we wouldn't use against each other anything we'd talked about during those sessions. Kazuo Ishiguro
9
I suppose it had something to do with it being a secret, just how much it had meant to me. Maybe all of us at Hailsham had little secrets like that--little private nooks created out of thin air where we could go off alone with our fears and longings. But the very fact that we had such needs would have felt wrong to us at the time--like somehow we were letting the side down. Kazuo Ishiguro
10
It was like there was some parallel universe we all vanished off to where we had all this sex. Kazuo Ishiguro
11
I needed to get familiar with sex, and it would be just as well to practise first with a boy I didn't care about too much. Then later on, if I was with someone special, I'd have more chance of doing everything right. Kazuo Ishiguro
12
That's most interesting. But I was no more a mind-reader then than today. Iwas weeping for an altogether different reason. When I watched you dancing that day, I saw something else. I saw a new world coming rapidly. Morescientific, efficient, yes. More cures for the old sicknesses. Very good. But aharsh, cruel world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could notremain, and she was holding it and pleading, never to let her go. That is what I saw. It wasn't really you, what you were doing, I know that. But I saw you and it broke my heart. And I've never forgotten. Kazuo Ishiguro
13
When we lost something precious, and we'd looked and looked and still couldn't find it, then we didn't have to be completely heartbroken. We still had that last bit of comfort, thinking one day, when we grow up, and we were free to travel around the counry, we would always go and find it in Norfolk..And that's why years and years later, that day Tommy and I found another copy of that lost tape of mine in a town on the Norfolk coast, we didn't just think it pretty funny; we both felt deep down some tug, some old wish to believe again in something that was once close to our hearts. Kazuo Ishiguro
14
You see, because [Norfolk is] stuck out here on the east, on this hump jutting into the sea, it's not on the way to anywhere. People going north and south, they bypass it altogether. For that reason, it's a peaceful corner of England, rather nice. But it's also something of a lost corner.' Someone claimed after the lesson that Miss Emily had said Norfolk was England's 'lost corner' because that was were all the lost property found in the country ended up. Ruth said one evening, looking out at the sunset, that 'when we lost something precious, and we'd looked and looked and still couldn't find it, then we didn't have to be completely heartbroken. We still had that last bit of comfort, thinking one day, when we were grown up, and we were free to travel the country, we could always go and find it again in Norfolk. Kazuo Ishiguro
15
She always wanted to believe in things. Kazuo Ishiguro
16
Memories, even your most precious ones, fade surprisingly quickly. But I don’t go along with that. The memories I value most, I don’t ever see them fading. Kazuo Ishiguro
17
What he wanted was not just to hear about Hailsham, but to remember Hailsham, just like it had been his own childhood. He knew he was close to completing and so that's what he was doing: getting me to describe things to him, so they'd really sink in, so that maybe during those sleepless nights, with the drugs and the paint and the exhaustion, the line would blur between what were my memories and what were his. Kazuo Ishiguro
18
Maybe from as early as when you're five or six, there's been a whisper going at the back of your head, saying: “One day, maybe not so long from now, you'll get to know how it feels.” So you're waiting, even if you don't quite know it, waiting for the moment when you realise that you really are different to them; that there are people out there, like Madame, who don't hate you or wish you any harm, but who nevertheless shudder at the very thought of you — of how you were brought into this world and why — and who dread the idea of your hand brushing against theirs. The first time you glimpse yourself through the eyes of a person like that, it's a cold moment. It's like walking past a mirror you've walked past every day of your life, and suddenly it shows you something else, something troubling and strange. Kazuo Ishiguro
19
You need to remember that. If you’re to have decent lives, you have to know who you are and what lies ahead of you, every one of you. Kazuo Ishiguro
20
When we were eleven, say, we really weren't interested in each other's poems at all.. .. But we didn't know a thing about poetry. We didn't care about it. Kazuo Ishiguro
21
You see, we were able to give you something, something which even now no one will ever take from you, and we were able to do that principally by sheltering you. Hailsham would not have been Hailsham if we hadn’t. Very well, sometimes that meant we kept things from you, lied to you. Yes, in many ways we fooled you, I suppose you could even call it that. But we sheltered you during those years, and we gave you your childhoods. Lucy was well-meaning enough. But if she’d have her way, your happiness at Hailsham would have been shattered. Look at you both now! I’m so proud to see you both. You built your lives on what we gave you. You wouldn’t be who you are today if we’d not protected you. You wouldn’t have become absorbed in your lessons, you wouldn’t have lost yourselves in your art and your writing. Why should you have done, knowing what lay in store for each of you? You would have told us it was all pointless, and how could we have argued with you? So she had to go. Kazuo Ishiguro
22
The earlier years - the ones I've just been telling you about - they tend to blur into each other as a kind of golden time, and when I think about them at all, even the not-so-great things, I can't help feeling a sort of glow. Kazuo Ishiguro
23
Sometimes I get so immersed in my own company, if I unexpectedly run into someone I know, it's a bit of a shock and takes me a while to adjust. Kazuo Ishiguro
24
You're always in a rush, or else you're too exhausted to have a proper conversation. Soon enough, the long hours, the traveling, the broken sleep have all crept into your being and become part of you, so everyone can see it, in your posture, your gaze, the way you move and talk. Kazuo Ishiguro
25
What I mean is, right from that first time, there wassomething in Tommy's manner that was tinged with sadness, that seemed tosay: “Yes, we're doing this now and I'm glad we're doing it now. But what apity we left it so late. Kazuo Ishiguro
26
Maybe all of us at Hailsam had little secrets like that -- little private nooks created out of thin air where we could go off alone without fears and longing. Kazuo Ishiguro
27
I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it’s just too much. The current’s too strong. They’ve got to let go, drift apart. Kazuo Ishiguro
28
When we lost something precious, and we'd looked and looked and still couldn't find it, then we didn't have to be completely heartbroken. We still had that last bit of comfort, thinking one day, when we were grown up, and we were free to travel the country, we could always go and find it again in Norfolk. Kazuo Ishiguro
29
It might be just some trend that came and went, ' I said. 'But for us, it's our life. Kazuo Ishiguro