1
The novelist Dumas would one day borrow features from both of his uncles, not to mention his grandfather, the acknowledged scoundrel, in fashioning the central villains of The Count of Monte Cristo. Reading court documents detailing the sordid unraveling of Charles's sham fortune, which would have devastating effects on his daughter and her unsuspecting husband, I couldn't help thinking that one of the interesting things about Dumas's villains is that, while greedy and unprincipled themselves, they produce children who can be innocent and decent. This was something that the writer understood very well from his own family.Tom Reiss
2
-I'm going to heaven! I replied.- What do you mean, you're going to heaven?- Let me pass.- And what will you do in heaven, my poor child?- I'm going there to kill God, who killed Daddy.Tom Reiss
3
Eighteenth-century doctors prescribed sugar pills for nearly everything: heart problems, headache, consumption, labor pains, insanity, old age, and blindness. Hence, the French expression 'like an apothecary without sugar' meant someone in an utterly hopeless situation.Tom Reiss
4
The demons you have are what motivate you to make your art. This is what drives the detective, this is what drives the painter, this is what drives the writer: a conflicting urge to forget pain and at the same time remember it and fight for some kind of justice. I know these powerful things are inside of me and everyone in some way or another.Tom Reiss
5
Today, the world is so awash in sugar - it is such a staple of the modern diet, associated with all that is cheap and unhealthy - that it's hard to believe things were once exactly the opposite. The West Indies were colonized in a world where sugar was seen as a scarce, luxurious, and profoundly health-giving substance.Tom Reiss
6
Alex Dumas was a consummate warrior and a man of great conviction and moral courage. He was renowned for his strength, his swordsmanship, his bravery, and his knack for pulling victory out of the toughest situations. But he was known, too, for his profane back talk and his problems with authority.Tom Reiss
7
In the winter of 1940, 'The Atlantic Monthly' invited Peter Viereck, a twenty-three-year-old Harvard graduate who had won the college's top essay and poetry prizes, to write about 'the meaning of young liberalism for the present age.'Tom Reiss