56 Quotes & Sayings By Richard Matheson

Richard Hall Matheson was born in New York City, New York, on January 26, 1926. He is best known for his novel I Am Legend (1954) which was turned into the film The Last Man on Earth (1964). Other novels include Beyond the Time Barrier (1956), Hell House (1960), The Incredible Shrinking Man (1957), What Dreams May Come (1978). He also wrote numerous short stories that were collected in two collections: The Incredible Shrinking Man and Other Stories (1957) and I Am Legend and Other Stories (1986) Read more

His novelette "A Rose for Emily" won the 1955 Hugo Award for Best Short Story.

Heaven would never be heaven without you.
1
Heaven would never be heaven without you. Richard Matheson
2
Thank you...for gracing my life with your lovely presence, for adding the sweet measure of your soul to my existence. Richard Matheson
Let this hell be our heaven.
3
Let this hell be our heaven. Richard Matheson
4
But now, in the final hours, even hope had vanished. Yet he could smile. At a point without hope he had found contentment. He knew he had tried and there was nothing to be sorry for. And this was complete victory, because it was a victory over himself. Richard Matheson
If men only felt about death as they do about...
5
If men only felt about death as they do about sleep, all terrors would cease.. . Men sleep contentedly, assured that they will wake the following morning. They should feel the same about their lives. Richard Matheson
Failures plagued me. Things I had omitted or ignored, neglected....
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Failures plagued me. Things I had omitted or ignored, neglected. What I should have given and hadn’t. I felt the biting pang of every unfulfillment. Richard Matheson
7
Each memory was brought to life before me and within me. I could not avoid them. Neither could I rationalize, explain away. I could only re-experience with total cognizance, unprotected by pretense. Self delusion was impossible, truth exposed in this blinding light. Nothing as I thought it had been. Nothing as I hoped it had been. Only as it had been. Richard Matheson
Now when I die, I shall only be dead.
8
Now when I die, I shall only be dead. Richard Matheson
Because there was only one thing worse than dying. And...
9
Because there was only one thing worse than dying. And that was knowing you were going to die. And where. And how. (“Death Ship”) Richard Matheson
10
Not only did I rediscover every experience of my life, I had to live each unfulfilled desire as well–as though they’d been fulfilled. I saw that what transpires in the mind is just as real as any flesh and blood occurrence. What had only been imagination in life, now became tangible, each fantasy a full reality. I lived them all–while, at the same time, standing to the side, a witness to their, often, intimate squalor. A witness cursed with total objectivity. Richard Matheson
…Not that it was unjust; not that the scales were...
11
…Not that it was unjust; not that the scales were forced out of balance. Where there had been good, it showed as clearly. Kindnesses, accomplishments, all those were present, too. Richard Matheson
12
He thought about that visionary lady. To die, he thought, never knowing the fierce joy and attendant comfort of a loved one's embrace. To sink into that hideous coma, to sink then into death and, perhaps, return to sterile, awful wanderings. All without knowing what it was to love and be loved. That was a tragedy more terrible than becoming a vampire. Richard Matheson
13
God, how impossible life is without money. Nothing can ever overcome it, it's everything when it's anything. How can I write in peace with endless worries of money, money, money? (“Disappearing Act”) Richard Matheson
14
I'm sitting in my office trying to squeeze a story from my head. It is that kind of morning when you feel like melting the typewriter into a bar of steel and clubbing yourself to death with it. (“Advance Notice”) Richard Matheson
God help me, he thought. God help all us poor...
15
God help me, he thought. God help all us poor wretches who could create and find we must lose our hearts for it because we cannot afford to spend our time at it. (“Mad House”) Richard Matheson
16
Very well then! I'll write, write write. He let the words soak into his mind and displace all else. A man had a choice, after all. He devoted his life to his work or to his wife and children and home. It could not be combined; not in this day and age. In this insane world where God was second to income and goodness to wealth. Richard Matheson
17
In a typical desperation for quick answers, easily understood, people had turned to primitive worship as the solution. With less than success. Not only had they died as quickly as the rest of the people, but they had died with terror in their hearts, with a mortal dread flowing in their very veins. Richard Matheson
18
He stood there for a moment looking around the silent room, shaking his head slowly. All these books, he thought, the residue of a planet's intellect, the scrapings of futile minds, the leftovers, the potpourri of artifacts that had no power to save men from perishing. Richard Matheson
19
It was a fairy tale, no fooling. It was unreality becoming real. This frightened her. Because people don't care for unreality becoming real. It pricks their well-fed minds, you see, with something like a hunger pang. They prefer the logical stuffiness of expectancy. It is only at certain times that they weaken, letting imagination in. That's the time to get them. (“The Disinheritors”) Richard Matheson
20
It was more than a spider. It was every unknown terror in the world fused into wriggling, poison-jawed horror. It was every anxiety, insecurity, and fear in his life given a hideous, night-black form. Richard Matheson
21
But it was hard to keep his hands still. He could almost feel them twitching emphatically with his strong desire to reach out and stroke the dog's head. He had such a terrible yearning to love something again, and the dog was such a beautiful ugly dog. Richard Matheson
22
He kept thinking about Mary. What a fool he'd been to let her go. To think, with the thoughtless assurance of youth, that the world was replete with endless possibilities. He'd thought it a mistake to choose so early in life and embrace the present good. He'd been a great one for looking for greener pastures. He'd kept looking until all his pastures were brown with time. ("Old Haunts") Richard Matheson
23
But are his needs any more shocking than the needs of any other animals and men? Are his deeds more outrageous than the deeds of the parent who drained the spirit from his child? The vampire may foster quickened heartbeats and levitated hair. But is he worse than the parent who gave to society a neurotic child who became a politician? Is he worse than the manufacturer who set up belated foundations with the money he made by handing bombs and guns to suicidal nationalists? Is he worse than the distiller who gave bastardized grain juice to stultify further the brains of those who, sober, were incapable of progressive thought? (Nay, I apologize for this calumny; I nip the brew that feeds me.) Is he worse, then, than the publisher who filled ubiquitous racks with lust and death wishes? Really, no, search your soul, lovie--is the vampire so bad? . Richard Matheson
24
This, he knew, was courage, the truest, ultimate courage, because there was no one here to sympathize or praise him for it. What he felt was felt without the hope of commendation. Richard Matheson
25
Miniture protoplasm, the dirty little bastard! Richard Matheson
26
Perhaps jungle life, despite physical danger, was a relaxing one. Surely it was free of the petty grievances, the disparate values of society. It was simple, devoid of artifice and ulcer-burning pressures. Richard Matheson
27
He took the woman from her bed, pretending not to notice the question posed in his mind: Why do you always experiment on women? He didn't care to admit that the inference had any validity. She just happened to be the first one he's come across, that was all. What about the man in the living room, though? For God's sake! he flared back. I'm not going to rape the woman! Crossing your fingers, Neville? Knocking on wood? He ignored that, beginning to suspect his mind of harboring an alien. Once he might have termed it conscience. Now it was only an annoyance. Morality, after all, had fallen with society. He was his own ethic. Makes a good excuse, doesn't it, Neville? Oh, shut up. Richard Matheson
28
All of us have a path to follow and the path begins on earth. Richard Matheson
29
After a while, though, even the deepest sorrow faltered, even the most penetrating despair lost its scalpel edge. Richard Matheson
30
…They think of suicide as a quick route to oblivion, an escape. Far from it. It merely alters a person from one form to another. Nothing can destroy the spirit. Suicide only precipitates a darker continuation of the same conditions from which escape was sought. A condition under circumstances so much more painful. Richard Matheson
31
There seemed no answer. He wasn't resigned to anything, he hadn't accepted or adjusted to the life he'd been forced into. Yet here he was, eight months after the plague's last victim, nine since he's spoken to another human being, ten since Virginia had died. Here he was with no future and a virtually hopeless present. Still plodding on. Instinct? Or was he just stupid? Too unimaginative to destroy himself? Why hadn't he done it in the beginning when he was in the very depths? What had impelled him to enclose the house, install a freezer, a generator, an electric stove, a water tank, build a hothouse, a workbench, burn down the houses on each side of his, collect records and books and mountains of canned supplies, even - it was fantastic when you thought about it - even put a fancy mural on the wall? Was the life force something more than words, a tangible, mind-controlling potency? Was nature somehow, in him, maintaining its spark against its own encroachments? He closed his eyes. Why think, why reason? There was no answer. His continuance was an accident and an attendant bovinity. He was just too dumb to end it all, and that was about the size of it. Richard Matheson
32
How shall I typify what happened? Passion play? Somewhat. Weird tale? Indubitably. Horror story? Pretty close. Grotesque melodrama? Certainly. Black comedy? Your point of view will determine that. Perhaps it was a combination of them all... So, to the story. A chronicle of greed and cruelty, horror and rapacity, sadism and murder. Love, American style. Richard Matheson
33
You can get used to horror, he thought. When it has lost immediacy and is no longer pungent and has become a steady diet. When it has degraded to a chain of mind-numbing events. (“Lover When You're Near Me”) Richard Matheson
34
Yet, despite all, it is a difficult thing to admit the existence of ghosts in a coldly factual world. One's very instincts rebel at the admission of such maddening possibility. For, once the initial step is made into the supernatural, there is no turning back, no knowing where the strange road leads except that it is quite unknown and quite terrible. ("Slaughter House") Richard Matheson
35
It’s horrible, " she said. He looked at her in surprise. Horrible? Wasn’t that odd? He hadn’t thought that for years. For him the word “horror” had become obsolete. A surfeiting of terror made terror a cliché. To Robert Neville the situation merely existed as natural fact. It had no adjectives. Richard Matheson
36
She sounded angry. That was the way she'd been as long as he'd known her. If she became ill, it irritated her. She was annoyed by sickness. She seemed to regard it as a personal affront. Richard Matheson
37
She felt all right. Her heart was like a drum hanging from piano wire in her chest, slowly, slowly beaten. Her hands and feet were numb, not with cold but with a sultry torpor. Thoughts moved with a tranquil lethargy, her brain a leisurely machine imbedded in swaths of woolly packing. She felt all right. Richard Matheson
38
How quickly one accepts the incredible if only one sees it enough! Richard Matheson
39
Quiet is here and all in me. ("Dress of White Silk") Richard Matheson
40
Everyone has something to hide. And if they couldn't hide it the world would be in a lot worse mess than it is. Richard Matheson
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The foraging for food and water, the struggle for life in a world without masters, housed in a body that man had made dependent on himself. Richard Matheson
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And suddenly he thought, I'm the abnormal one now. Normalcy was a majority concept, the standard of many and not the standard of just one man. Richard Matheson
43
What would a Mohammedan vampire do if faced with a cross? Richard Matheson
44
Shall I kill her now? Shall I not even investigate, but kill her and burn her? His throat moved. Such thoughts were a hideous testimony to the world he had accepted; a world in which murder was easier than hope. Richard Matheson
45
We've forgotten much. How to struggle, how to rise to dizzy heights and sink to unparalleled depths. We no longer aspire to anything. Even the finer shades of despair are lost to us. We've ceased to be runners. We plod from structure to conveyance to employment and back again. We live within the boundaries that science has determined for us. The measuring stick is short and sweet. The full gamut of life is a brief, shadowy continuum that runs from gray to more gray. The rainbow is bleached. We hardly know how to doubt anymore. (“The Thing”) . Richard Matheson
46
…Those who’ve marred their appearance in any way by their actions in life aren’t forced to witness that marring. If they were, they’d become self-conscious and be unable to concentrate on improving themselves. Richard Matheson
47
No, by God, he had no intention of going on like a blind man, plodding down a path of brainless, fruitless existence until old age or accident took him. Either he found the answer or he ditched the whole mess, life included. Richard Matheson
48
I looked at all the people, feeling sorry for them. They were still subordinate to clock and calendar. Absolved of that, I stood becalmed. Richard Matheson
49
It was a high ceilinged room with tall, large-panes windows. Apart from the doorway was the desk where book had been checked out in days when books were still being checked out. He stood there for a moment looking around the silent room, shaking his head slowly. All these books, he thought, the residue of a planet's intellect, the scrapings of futile minds, the leftovers, the potpourri of artifacts that had no power to save men from perishing. . Richard Matheson
50
Again he shook his head. The world's gone mad, he thought. The dead walk about and I think nothing of it. The return of corpses has become trivial in import. How quickly one accepts the incredible if only one sees it enough! Richard Matheson
51
What condemnation could possibly be more harsh than one’s own, when self-pretense is no longer possible? Richard Matheson
52
The vampire was real. It was only that his true story had never been told. Richard Matheson
53
As her analyst had told her: the deeper buried the distress, the further into the body it went. The digestive system was about as far as it could go to hide. Richard Matheson
54
That's what was wrong with drinking too much. You became immune to drunken delights. There was no solace in liquor. Before you got happy, you collapsed. Richard Matheson
55
Robert Neville looked out over the new people of the earth. He knew he did not belong to them; he knew that, like the vampires, he was anathema and black terror to be destroyed. And, abruptly, the concept came, amusing to him even in his pain.... Full circle. A new terror born in death, a new superstition entering the unassailable fortress of forever. I am legend. Richard Matheson