21 Quotes & Sayings By Lydia Millet

From acclaimed author Lydia Millet, a stunning new novel about the power of the creative process.

1
Let God leave us! Let us grow up. Let us walk forward on our own. Because we need the silence of the holy: we need the sacred and equally we need its maddening silence. And in the curious privacy and relief of that silence we can go out into the chaos and commit a thousand acts of minor and gleeful splendor all our own. If it's our tragedy to be left by God, then let it also be our luck. Lydia Millet
Beneath the violet pillar, in the vacuum before the roar...
2
Beneath the violet pillar, in the vacuum before the roar of the cloud, there came a soft sound that might have been heard by those who listened closely: the gentle sigh of an idea unbound. Lydia Millet
3
There was the honour and austerity of money as he walked through art galleries, as he saw around him the collections of oil paintings by dead men, lit so carefully that warmth seemed to emanate from within - and not because their art was loved or understood but because it could be sold and bought for handsome sums. Lydia Millet
4
Beyond aspects of pain that are physical, thought Oppenheimer, sickness or injury or privation, beyond the so-called obvious, suffering can be a work of art. It can be made of buried and rising things, helpless and undiscovered, song of frustrated want, silence after desire. It can be the test of the self falling short, constrained, distorted, disturbed or rebuffed, the vacuum left by longing, call without an answer. Lydia Millet
5
I have always wished the present to resemble memory: because the present can be flat at times, and bald as a road. But memory is never like that. It makes hills of feeling in collapsed hours, a scene of enclosure made all precious by its frame. Lydia Millet
6
…suffering can be a work of art. It can be made of buried and rising things, helpless and undiscovered, song of frustrated want, silence after desire. It can be the test of the self falling short, constrained, distorted, disturbed or rebuffed, the vacuum left by longing, call without an answer. Lydia Millet
7
One man’s weakness is another man’s mercy. Lydia Millet
8
Forget the buildings and the monuments. Let the softness of dark come in, all those light-years between stars and planets. Cities were the works of men but the earth before and after those cities, outside and beneath and around them, was the dream of a sleeping leviathan--it was god sleeping there and dreaming, the same god that was time and transfiguration. From whatever dreamed the dream at the source, atom or energy, flowed all the miracles of evolution--tiger, tiger burning bright, the massive whales in the deep, luminescent specters in their mystery. The pearls that were their eyes, their tongues that were wet leaves, their bodies that were the bodies of the fantastic. Spectacular bestiaries of heaven, the limbs and tails of the gentle and the fearsome, silent or raging at will . they could never be known in every detail and they never should be. Lydia Millet
9
Helplessness was the one true fountain of youth. Lydia Millet
10
The rooms of his apartment were full with the dog home again, convalescing. He was satisfied to know, even when she was out of sight, that somewhere in the apartment she was sleeping or eating or sitting watchfully. It was family, he guessed, more or less. Did most people want a house of living things at night, to know that in the dark around them other warm bodies slept? Such a house could even be the whole world. . Lydia Millet
11
It is not learning we need at all. Individuals need learning but the culture needs something else, the pulse of light on the sea, the warm urge of huddling together to keep out the cold. We need empathy, we need the eyes that still can weep. Lydia Millet
12
What makes 'The Lorax' such a powerful fable is partly its shamelessness. It pulls no punches it wears its teacher heart on its sleeve. Lydia Millet
13
In 1805, the explorers Meriwether Lewis and William Clark, making their way across the West, were warned by American Indian tribes of grizzly bears' awesome strength. Lydia Millet
14
I've seen a few wild grizzly bears, mostly in Alaska and British Columbia, and always from a distance. But each grizzly I've caught sight of was as fearsome and sublime as the last. You never get used to their raw power and massive bodies, or the mysterious intelligence in their dark, close-set eyes. Lydia Millet
15
We read our children stories starring elephants and monkeys and bears to teach them about nobility, curiosity and courage, to warn them against selfishness and stubbornness. Lydia Millet
16
The comic novels I did when I was in my 20s had a harder edge - less sympathy for people. Or a sympathy that was harder to detect: Characters' foibles and obsessive bents were unrelenting, like caricatures. Lydia Millet
17
Children depend mightily on animals for comfort, inspiration, imagination, and art. And parents have long recognized this. Lydia Millet
18
If you're going to do a thing, do it fully so that no writing you give the world misrepresents you - so that nothing you put out there is like a sad regift you couldn't throw away and had to find a place for. Lydia Millet
19
Marriage is like the romantic ideal, and yet the trappings around it and the culture about it are really the opposite of that. Lydia Millet
20
The Safari Club International has worked the legal system hard to try to keep polar bears - threatened primarily by climate change, but also by hunting - on the list of creatures people can import as trophies after shooting. Lydia Millet