1
Rhythm becoming thought, thought becoming memory; memory, which tends to shuck itself, to peel away. You get older, look back through a child's tunnel vision, and realize you never knew the whole that tied the details together. You were just along for the ride, moving from experience to experience, a flat spectacle, some kind of guideless tour. You remember--or think you remember--what happened, but not where, or why. What you did, but not with who. Details fade. People's names get lost in the white noise. .Gemma Files
2
The Idea of Ghost, like the Idea of North. A mere looped whisper, in darkness or in light. And no matter what this person may have been like before he or she died, no matter what they--specifically--might have wanted, ghosts only really want one thing: you, with them. Not to be alone. Not to be trapped. Not to be where they are. Not to be.Gemma Files
3
The central question of any execution: do you want the hood on or off? Would you rather see it coming? Or would you rather simply drift away, cocooned in warm darkness, stinking of nothing but yourself? A kind, familiar place to hide in, just before the snap, the crackle? Or the pop?Gemma Files
4
...most ghosts are a rag and a bone and a hank of hair at best--a memory fragment stuck on continual loop, just dust and PKE and water-vapour with no real "there" there. Leftover fragments of psychic energy deluded into believing in their own personality; an echo cobbled together from memory and pain, with no self-awareness as such 'cept what we give them. Survival instinct, with no survival.Gemma Files
5
As time passes, the cast and crew go the way of all flesh, though their celluloid echoes remain--walking, talking, fighting, fucking. After enough time, every person you see onscreen will have died, transformed through the magic of cinema into a collection of visible memories: light on a screen, pixels on a videotape, information on a DVD. We bring them back every time we start a movie, and they live again, reflected in our eyes. It's a cruel sort of immortality, I guess, though it probably beats the alternative. .Gemma Files
6
I’m pretty sure Mom and Dad didn’t see me coming, either: the kid with the black moods, the kid whose mind was always elsewhere, flinching from real life as from a bruise. Who wanted to lay a fiction-filter on top of everything and pretend it was something else just to keep the sheer disappointment of it all bearable: this limited, empirical experience of ours, trapped inside a decaying shell of meat, mainly able to perceive that nothing lasts, even in our most pleasurable moments.Gemma Files