32 Quotes About Writing Fiction

Be a good reader first, if you wish to become a good writer. Pawan Mishra

A writer gets to live yet another life every time she creates a new story. Pawan Mishra

Writing a story is like going on a date–you will spoil it if you aren't living in the moment. Pawan Mishra

Tell a story in lesser and simpler words. Pawan Mishra

Don’t break the rules when you haven’t fully figured them out yet. Pawan Mishra

Dreams are good at playing with your memory. They love leaving no trace behind and hate to show up once again in the morning. Pawan Mishra

The good writing ideas don’t have to be about political turmoil, mass killings, capitalism, racism, injustice, etc. Find that one idea that has deep roots in your heart. Pawan Mishra

Create a world in front of your readers where they can taste, smell, touch, hear, see, and move. Else they are likely going to move on to another book. Pawan Mishra

A writer can do without food for a few hours, but not without the sight of books. Pawan Mishra

Turn those deep feelings and obsessions of your heart into captivating pieces of literature. Pawan Mishra

Ideas either age like fine wine or rot like potatoes over time. Pawan Mishra

If you are a singer, you must sing. If you are a dancer, you must dance. If you are a writer, you must write. Don’t suffocate your heart. Pawan Mishra

As you become a better writer, the writing becomes more difficult. You toil harder to tell a story in a lesser number of words. Pawan Mishra

Don’t interrupt when your characters take a flight of their own. Pawan Mishra

Cliches are the viruses that infect your writing with diseases. Pawan Mishra

If you think there is no time to write now, there would never be. Pawan Mishra

If certain aspect needs to be inconsistent, it must better be consistently inconsistent throughout the story. Pawan Mishra

The fiction writer is an observer, first, last, and always, but he cannot be an adequate observer unless he is free from uncertainty about what he sees. Those who have no absolute values cannot let the relative remain merely relative; they are always raising it to the level of the absolute. The Catholic fiction writer is entirely free to observe. He feels no call to take on the duties of God or to create a new universe. He feels perfectly free to look at the one we already have and to show exactly what he sees. Flannery OConnor

It is generally supposed, and not least by Catholics, that the Catholic who writes fiction is out to use fiction to prove the truth of the Faith, or at the least, to prove the existence of the supernatural. He may be. No one certainly can be sure of his low motives except as they suggest themselves in his finished work, but when the finished work suggests that pertinent actions have been fraudulently manipulated or overlooked or smothered, whatever purposes the writer started out with have already been defeated. What the fiction writer will discover, if he discovers anything at all, is that he himself cannot move or mold reality in the interests of an abstract truth. The writer learns, perhaps more quickly than the reader, to be humble in the face of what-is. What-is is all he has to do with; the concrete is his medium; and he will realize eventually that fiction can transcend its limitations only by staying within them. Flannery OConnor

The type of mind that can understand good fiction is not necessarily the educated mind, but it is at all times the kind of mind that is willing to have its sense of mystery deepened by contact with reality, and its sense of reality depend by contact with mystery. Fiction should be both canny and uncanny. In a good deal of popular criticism, there is the notion operating that all fiction has to be about the Average Man, and has to depict average ordinary everyday life, that every fiction writer must produce what used to be called "a slice of life." But if life, in that sense, satisfied us, there would be no sense in producing literature at all. Flannery OConnor

I'll call any length of fiction a story, whether it be a novel or a shorter piece, and I'll call anything a story in which specific characters and events influence each other to form a meaningful narrative. I find that most people know what a story is until they sit down to write one. Then they find themselves writing a sketch with an essay woven through it, or an essay with a sketch woven through it, or an editorial with a character in it, or a case history with a moral, or some other mongrel thing. When they realize that they aren't writing stories, they decide that the remedy for this is to learn something that they refer to as "the technique of the short story" or "the technique of the novel." Technique in the minds of many is something rigid, something like a formula that you impose on the material; but in the best stories it is something organic, something that grows out of the material, and this being the case, it is different for every story of any account that has ever been written. . Flannery OConnor

If you are writing fiction, think like a god. Release all the power of your imagination; create worlds and destroy them at your will, create as many miracles as your story needs Bangambiki Habyarimana

My job takes up many daylight hours, it wakes me in the still of night and fills my head with ghosts and monsters but I love it, telling stories is what I was born to do. Ken Scott

The writer who position is Christian, and probably also the writer whose position is not, will begin to wonder at this point if there could not be some ugly correlation between our unparalleled prosperity and the stridency of these demands for a literature that shows us the joy of life. He may at least be permitted to ask if these screams for joy would be quite so piercing if joy were really more abundant in our prosperous society. Flannery OConnor

I still suspect that most people start out with some kind of ability to tell a story but that it gets lost along the way. Of course, the ability to create life with words is essentially a gift. If you have it in the first place, you can develop it; if you don't have it, you might as well forget it. But I have found that people who don't have it are frequently the ones hell-bent on writing stories. I'm sure anyway that they are the ones who write the books and the magazine articles on how-to-write-short-stories. I have a friend who is taking a correspondence course in this subject, and she has passed a few of the chapter headings on to me–such as, "The Story Formula for Writers, " "How to Create Characters, " "Let's Plot! " This form of corruption is costing her twenty-seven dollars. Flannery OConnor

In any case, you can't have effective allegory in times when people are swept this way and that by momentary convictions, because everyone will read it differently. You can't indicate moral values when morality changes with what is being done, because there is no accepted basis of judgment. And you cannot show the operation of grace when grace is cut off from nature or when the very possibility of grace is denied, because no one will have the least idea of what you are about. Flannery OConnor

Now the second common characteristic of fiction follows from this, and it is that fiction is presented in such a way that the reader has the sense that it is unfolding around him. This doesn't mean he has to identify himself with the character or feel compassion for the character or anything like that. It just means that fiction has to be largely presented rather than reported. Another way to say it is that though fiction is a narrative art, it relies heavily on the element of drama. . Flannery OConnor

Write in pictures. With your words, let the reader see not letters, but images. Be specific about every detail, but don't describe it--make it happen on the page, if you were writing fiction, or make it happen over again, if you were writing about history or some recent event. A.A. Patawaran

It's always wrong of course to say that you can't do this or you can't do that in fiction. You can do anything you can get away with, but nobody has ever gotten away with much. Flannery OConnor

I have an idea and a first line -- and that suggests the rest of it. I have little concept of what I’m going to say, or where it’s going. I have some idea of how long it’s going to be -- but not what will happen or what the themes will be. That’s the intrigue of doing it -- it’s a process of discovery. You get to discover what you’re going to say and what it’s going to mean. T.C. Boyle