90 Quotes About Surrealism

My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer NightOf privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire . Unknown

Il faut que l’homme s’évade de cette lice ridicule qu’on lui a faite: le prétendu réel actuel avec la perspective d’un réel futur qui ne vaille guère mieux. Chaque minute pleine porte en elle-même la négation de siècles d’histoire boitillante et cassée. Ceux à qui il appartient de faire virevolter ces huit flamboyants au-dessus de nous ne le pourront qu’avec de la sève pure._ Manifestes du surréalisme . Unknown

Once she called to invite me to a concert of Liszt piano concertos. The soloist was a famous South American pianist. I cleared my schedule and went with her to the concert hall at Ueno Park. The performance was brilliant. The soloist's technique was outstanding, the music both delicate and deep, and the pianist's heated emotions were there for all to feel. Still, even with my eyes closed, the music didn't sweep me away. A thin curtain stood between myself and pianist, and no matter how much I might try, I couldn't get to the other side. When I told Shimamoto this after the concert, she agreed." But what was wrong with the performance?" she asked. "I thought it was wonderful."" Don't you remember?" I said. "The record we used to listen to, at the end of the second movement there was this tiny scratch you could hear. Putchi! Putchi! Somehow, without that scratch, I can't get into the music! " Shimamoto laughed. "I wouldn't exactly call that art appreciation."" This has nothing to do with art. Let a bald vulture eat that up, for all I care. I don't care what anybody says; I like that scratch! "" Maybe you're right, " she admitted. "But what's this about a bald vulture? Regular vultures I know about--they eat corpses. But bald vultures?" In the train on the way home, I explained the difference in great detail. The difference in where they are born, their call, their mating periods. "The bald vulture lives by devouring art. The regular vulture lives by devouring the corpses of unknown people. They're completely different."" You're a strange one! " She laughed. And there in the train seat, ever so slightly, she moved her shoulder to touch mine. The one and only time in the past two months our bodies touched. . Haruki Murakami

We all love conflagrations. When the sky changes color, it is a dead man's passing. Unknown

Cine n-ar dori să moară visând că moare? Unknown

Equally, the surrealists consider words as witnesses of life acting in a direct way in human affairs. To use words properly it was necessary to treat them with respect, for they were the intermediaries between oneself and the rest of creation. To abuse them was immediately to set oneself adrift from true being. Words need to be coaxed to reveal a little of their true nature, so as to close the breach that exists between the writer and the universe. The world is not something alien against which man is in conflict. Rather man and cosmos exist in reciprocal motion. We are not cast adrift in an alien or meaningless environment. The universe is intimate with us and, as Breton insisted, it is a cryptogram to be deciphered. Michael Richardson

By giving words the latitude she does, (Marianne) Van Hirtum emphasizes their contagious qualities: they become almost like viruses, with which it is necessary to put oneself in harmony by sympathetic magic if one is not to be overwhelmed.... What is essential is to become one with the sickness, that is, in the context of language as a whole, to enter into contact with words. Michael Richardson

Plût au ciel que le lecteur, enhardi et devenu momentanément féroce comme ce qu’il lit, trouve, sans se désorienter, son chemin abrupt et sauvage, à travers les marécages désolés de ces pages sombres et pleines de poison ; car, à moins qu'il n’apporte dans sa lecture une logique rigoureuse et une tension d’esprit égale au moins à sa défiance, les émanations mortelles de ce livre imbiberont son âme comme l’eau le sucre. Il n’est pas bon que tout le monde lise les pages qui vont suivre ; quelques-uns seuls savoureront ce fruit amer sans danger. Par conséquent, âme timide, avant de pénétrer plus loin dans de pareilles landes inexplorées, dirige tes talons en arrière et non en avant. Écoute bien ce que je te dis : dirige tes talons en arrière et non en avant. . Unknown

In our modern world, this elemental quality of storytelling is denied. We live today in a world in which everything has its place and function and nothing is left out of place. Storytelling is thus at a discount and like everything else in a world ruled by the laws of exchange value, literature is required to submit itself to the requirements of the market and must learn, like any other commodity, to adapt and serve needs that lie outside of itself and its concrete value. It is forced to stand not for itself but for an ideological cause of one sort or another, whether it be political, social or literary. It cannot exist for itself: like everything else it has to be justified. And for this very reason the power of storytelling is automatically devalued. Literature is reduced to the status of complimentary utilitarian functions: as a pastime to provide distraction and entertainment, or as a heightened activity that would claim to explore 'great truths' about the human condition. . Michael Richardson

As humans, we have invented lots of useful kinds of lie. As well as lies-to-children ('as much as they can understand') there are lies-to-bosses ('as much as they need to know') lies-to-patients ('they won't worry about what they don't know') and, for all sorts of reasons, lies-to-ourselves. Lies-to-children is simply a prevalent and necessary kind of lie. Universities are very familiar with bright, qualified school-leavers who arrive and then go into shock on finding that biology or physics isn't quite what they've been taught so far. 'Yes, but you needed to understand that, ' they are told, 'so that now we can tell you why it isn't exactly true.' Discworld teachers know this, and use it to demonstrate why universities are truly storehouses of knowledge: students arrive from school confident that they know very nearly everything, and they leave years later certain that they know practically nothing. Where did the knowledge go in the meantime? Into the university, of course, where it is carefully dried and stored. Terry Pratchett

Strictly speaking, it might not be a dream. It was reality, but a reality imbued with all the qualities of a dream. A different sphere of reality, where - at a special time and place - imagination had been set free. Haruki Murakami

I am the soul in limbo. Unknown

People love mystery, and that is why they love my paintings. Unknown

I have forced myself to contradict myself in order to avoid conforming to my own taste. Marcel Duchamp

I try to apply colors like words that shape poems, like notes that shape music. Unknown

Possible reality [is obtained] by slightly bending physical and chemical laws. Marcel Duchamp

One can show one's contempt for the cruelty and stupidity of the world by making of one's life a poem of incoherence and absurdity. Alfred Jarry

[David] Salle's earlier work had been marked by a kind of spaciousness, sometimes an emptiness, such as surrealist works are prone to. But here everything was condensed, impacted, mired. The paintings were like an ugly mood. Janet Malcolm

Everyday objects shriek aloud. Unknown

There is no use being alive if one must work. The event from which each of us is entitled to expect the revelation of his own life’s meaning - that event which I may not yet have found, but on whose path I seek myself - is not earned by work. Unknown

What is admirable about the fantastic is that there is no longer anything fantastic: there is only the real. Unknown

Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for different means by which to explore reality itself. Michael Richardson

The shifting sands of the world... show how much the surrealists were drawn towards an interrogation of what reality actually is. Unlike fabulists of whatever hue, there is a materiality in surrealist writing that resolutely keeps it, one might say, 'down to earth'. Michael Richardson

Refusing what Adorno called that 'comfort in the uncomfortable' taken by the fantastic, surrealism seeks to reintegrate man into the universe. Michael Richardson

He considered himself a sort of esoteric martyr, who'd sacrificed everything for principle. Apparently that little book had set him on a course towards political extremism, culminating in the loss of his job at the community college, as well as the breakup of his previously stable marriage. By the time he met Old Hoss, a few years later, Hiram Buckley was one of those unfortunates the normal and untroubled point at in scorn and laugh at derisively; a veritable dog that's kicked while it's down. He was, under such circumstances, a perfect companion for Abner "Old Hoss" Billingsly, one of the few people who didn't consider him a prime candidate for St. Elizabeth's, the infamous mental hospital located in the District of Columbia. Since his career in education had been so rudely interrupted, the Professor had worked his way through a series of menial, low paying jobs, which he inevitably lost due to his proclivity for preaching unwelcome and unpopular political ideas to his fellow employees. Donald Jeffries

Martial (the main character of LOCUS SOLUS) has a very interesting conception of literary beauty: the work must contain nothing real, no observations about the world or the mind, nothing but completely imaginary constructions. These are in themselves ideas from an extrahuman world. Pierre Janet

What is infinity? I haven’t a clue. But maybe that’s the whole point I’ve been attempting to explain to you. The fact that it’s not known Or seen Or heard. Infinity is every person, every being, every bird. Infinity is a simple mystery. It looks like a mystery. Tastes mysterious. Feels like something completely delirious. We cannot imagine what this sound could be. All we can imagine is infinity. . F.K. Preston

Oh, ' said a very white body as it threw a wrist watch to the ground which broke without attracting anyone's attention, 'Oh, how can anyone not love poetry, natural machines, large white houses, the brilliance of steel, crimes and wild passions? Robert Desnos

The imaginary is what tends to become real. Unknown

Nothing that surrounds us is object, all is subject. Unknown

The lamentable expression: 'But it was only a dream", the increasing use of which - among others in the domain of the cinema - has contributed not a little to encourage such hypocrisy, has for a long while ceased to merit discussion. Unknown

In this stillness that is at the same time movement, in this darkness that is at the same time light, change is found not in the realm of ideas but in the energizing desire that is realized through precipitation. Desire tends towards its own realization and change takes place when the desire for it shatters the bounds of the possible, breaking the dialectical equilibrium holding together the framework of what is existent. It is at such moments that the imaginary flows into the real and overwhelms it, inundating it until it has been absorbed. Michael Richardson

Surrealism also refuses the representation of reality: reality can only be; its existence proves its reality. Fiction thereby becomes impossible or is, by definition, false. Michael Richardson

The ultimate aim of reality is to become science fiction! Eli Of Kittim

There is another world, but, it is in this one. Unknown

They floated for a while, two flesher-shaped creatures and a giant worm in a cloud of spinning metal fragments, an absurd collection of imaginary debris, glinting by the light of the true stars. Greg Egan

As an evil cultist, I make an excellent evil cultist. Only I'm stupid, and not evil. And I worship nothing, really. Will Advise

Reality is changing Viena. You can not stop the cycle. Veronica Purcell

The sultan had enormous eyebrows, fibrous like angora wool. In moments of strife, his eyebrows twitched violently. Like now! His Excellency’s royal blood boiled. Once again another mesmerized American news anchor gushed about Dubai’s vision, hailing the imagination of the al- Maktoum family.“ Where is this vision coming from?” probed Katie Couric.“Ignorant Yankee! ” Sultan Mo-Mo’s British twang bore traces of Basil Fawlty.The sultan wanted to retch. Dubai’s showboating gave him indigestion, but he continued helping himself to more chips and fiery salsa, downing cold Guinness, smoking excellent hash, humming the theme song of The Wonder Years. Deepak Unnikrishnan

In childhood we inhabit a world of wonderful contrasts that later we often come to see as bizarre and do our best to rearrange, with everything in its 'proper' place. Unusual juxtapositions we label surrealistic. Yet what is surrealism but a second childhood with Freudian overtones which we have to be re-educated to enjoy? -- part of the tragedy of growing up Ken Russell

The real importance of automatism lay in the fact that it led to a different relation between the artist and the creative act. Where the artist had traditionally been seen as someone who invents a personal world, bringing into being something unique to his own 'genius', the surrealists conceived themselves as explorers and researchers rather than 'artist' in the traditional sense and it was discovery rather than invention that became crucial for them. Michael Richardson

We can sum up the surrealist distinction between 'literature' and 'poetry' by saying where the former is artificial, fictive and elusive, the latter is natural, real, direct and spontaneous. Michael Richardson

A stubborn refusal of the conditions of 20th Century 'reality', surrealism has denied intransigently and consistently that modern man can live without a sense of wonder at the world that was once embodied in myth. In approaching literature, it has aimed at restoring to the word its magical qualities. And at giving back to language the elemental power it once had within society. This determinism lies at the heart of the surrealist attitude and distinguishes it radically from the modernism which took shape contemporaneously with it. . Michael Richardson

To his shock, as Saarang turned the first page, the words slowly transformed into small cylinders, except for one-letter words which preferred being spheres, and started rolling toward the vertical edges of the book. Pawan Mishra

I moved in front of the medicine cabinet. If I looked in the mirror while I did it, it would be like watching somebody else, in a book or a play. Sylvia Plath

As Peret asserts, the value of such stories resides in the fact that they respond to direct social necessity but in a way that is not obvious in a society dominated by what is utilitarian and functional. Rather they represent a natural surplus of imaginative abundance that may confound or reinforce the way we perceive the world, but which never does so in a simple way. Even though they may have no direct social use, they nonetheless embody the actual state of real relations between people. Michael Richardson

Surrealism had a great effect on me because then I realised that the imagery in my mind wasn't insanity. Surrealism to me is reality. John Lennon

Jesus to Pilate:"The trouble is, " the bound man went on, not stopping by anyone, "that you are too closed off and have definitely lost faith in people. You must agree, one can't place all one's affection in a dog. Your life is impoverished, Hegemon. Mikhail Bulgakov

We have come from all the countries of the world and are going to Saintes-Maries de la Mer. Nomads of the enigma, we gather there each year after having carried our mystery through ordinary countryside and fluid towns. Since we become transformed by our wanderings we are despised by those who stand still and retain a memory of giant serpents and metallic green. Raymond Queneau

Yes, i have dated Salvador Dali guy when i was a high school girl. he was a great lover. but i had to dump him because he stole my inspiration of bent clock*~* .... who cares... Hiroko Sakai

Being alone in the dark - surrounded by silence, frightful. Thoughts breathe a life of their own; twisting and turning on each other as enemies unto themselves. Veronica Purcell

Princess Cookie’s cognitive pathways may have required a more comprehensive analysis. He knew that it was possible to employ certain progressive methods of neural interface, but he felt somewhat apprehensive about implementing them, for fear of the risks involved and of the limited returns such tactics might yield. For instance, it would be a particularly wasteful endeavor if, for the sake of exhausting every last option available, he were even to go so far as resorting to invasive Ontological Neurospelunkery, for this unorthodox process would only prove to be the cerebral equivalent of tracking a creature one was not even sure existed: surely one could happen upon some new species deep in the caverns somewhere and assume it to be the goal of one’s trek, but then there was a certain idiocy to this notion, as one would never be sure this newfound entity should prove to be what one wished it to be; taken further, this very need to find something, to begin with, would only lead one to clamber more deeply inward along rigorous paths and over unsteady terrain, the entirety of which could only be traversed with the arrogant resolve of someone who has already determined, with a misplaced sense of pride in his own assumptions, that he was undoubtedly making headway in a direction worthwhile. And assuming still that this process was the only viable option available, and further assuming that Morell could manage to find a way to track down the beast lingering ostensibly inside of Princess Cookie, what was he then to do with it? Exorcise the thing? Reason with it? Negotiate maybe? How? Could one hope to impose terms and conditions upon the behavior of something tracked and captured in the wilds of the intellect? The thought was a bizarre one and the prospect of achieving success with it unlikely. Perhaps, it would be enough to track the beast, but also to let it live according to its own inclinations inside of her. This would seem a more agreeable proposition. Unfortunately, however, the possibility still remained that there was no beast at all, but that the aberration plaguing her consciousness was merely a side effect of some divine, yet misunderstood purpose with which she had been imbued by the Almighty Lord Himself. She could very well have been functioning on a spiritual plane far beyond Morell’s ability to grasp, which, of course, seared any scrutiny leveled against her with the indelible brand of blasphemy. To say the least, the fear of Godly reprisal which this brand was sure to summon up only served to make the prospect of engaging in such measures as invasive Ontological Neurospelunkery seem both risky and wasteful. And thus, it was a nonstarter. . Ashim Shanker

Oh incomprehensible pederasts, I shall not heap insults upon your great degradation; I shall not be the one to pour scorn on your infundibuliform anus. It is enough that the shameful and almost incurable maladies which besiege you should bring with them their unfailing punishments. Unknown

Sound waves, regardless of their frequency or intensity, can only be detected by the Mole Fly’s acute sense of smell–it is a little known fact that the Mole Fly’s auditory receptors do not, in fact, have a corresponding center in the brain designated for the purposes of processing sensory stimuli and so, these stimuli, instead of being siphoned out as noise, bypass the filters to be translated, oddly enough, by the part of the brain that processes smell. Consequently, the Mole Fly’s brain, in its inevitable confusion, understands sound as an aroma, rendering the boundary line between the auditory and olfactory sense indistinguishable. Sounds, thus, come in a variety of scents with an intensity proportional to its frequency. Sounds of shorter wavelength, for example, are particularly pungent. What results is a species of creature that cannot conceptualize the possibility that sound and smell are separate entities, despite its ability to discriminate between the exactitudes of pitch, timbre, tone, scent, and flavor to an alarming degree of precision. Yet, despite this ability to hyper-analyze, they lack the cognitive skill to laterally link successions of either sound or smell into a meaningful context, resulting in the equivalent of a data overflow. And this may be the most defining element of the Mole Fly’s behavior: a blatant disregard for the context of perception, in favor of analyzing those remote and diminutive properties that distinguish one element from another. While sensory continuity seems logical to their visual perception, as things are subject to change from moment-to-moment, such is not the case with their olfactory sense, as delays in sensing new smells are granted a degree of normality by the brain. Thus, the Mole Fly’s olfactory-auditory complex seems to be deprived of the sensory continuity otherwise afforded in the auditory senses of other species. And so, instead of sensing aromas and sounds continuously over a period of time–for example, instead of sensing them 24-30 times per second, as would be the case with their visual perception–they tend to process changes in sound and smell much more slowly, thereby preventing them from effectively plotting the variations thereof into an array or any kind of meaningful framework that would allow the information provided by their olfactory and auditory stimuli to be lasting in their usefulness. The Mole flies, themselves, being the structurally-obsessed and compulsive creatures that they are, in all their habitual collecting, organizing, and re-organizing of found objects into mammoth installations of optimal functional value, are remarkably easy to control, especially as they are given to a rather false and arbitrary sense of hierarchy, ascribing positions–that are otherwise trivial, yet necessarily mundane if only to obscure their true purpose–with an unfathomable amount of honor, to the logical extreme that the few chosen to serve in their most esteemed ranks are imbued with a kind of obligatory arrogance that begins in the pupal stages and extends indefinitely, as they are further nurtured well into adulthood by a society that infuses its heroes of middle management with an immeasurable sense of importance–a kind of celebrity status recognized by the masses as a living embodiment of their ideals. And yet, despite this culture of celebrity worship and vicarious living, all whims and impulses fall subservient, dropping humbly to the knees–yes, Mole Flies do, in fact, have knees! –before the grace of the merciful Queen, who is, in actuality, just a puppet dictator installed by the Melic papacy, using an old recycled Damsel fly-fishing lure. The dummy is crude, but convincing, as the Mole flies treat it as they would their true-born queen. . Ashim Shanker

I have come to the conclusion that there has never been an honest investigation by any authoritative body in the history of the world. Donald Jeffries

Subconsciously, we all want to be nebula... In the end, we’re all connected. We’re all going to become one cloud of light whether you like it or not. We’re all made of the same star dust. Jason Daniel Chaplin

Wasn't much of a life anyway. Wasn't much of a brain."" But didn't you say you were satisfied with your life?"" Word games, " I dismissed. "Every army needs a flag. Haruki Murakami

[David] Maraniss sees [Barack] Obama as a man with "a moviegoer's or writer's sensibility, where he is both participating and observing himself participating, and views much of the political process as ridiculous or surreal, even as he is deep into it. Jane Mayer

There are fairy stories to be written for adults. Stories that are still in a green state. Unknown

Half asleep, he wondered whether that might not have been his happiest day ever, the last, perfect day swelling with the immensity of his secret intent, secret creation–the day before everything changed–the day before he realized, for the first time, yet with absolute finality, just how small his private immensity really was when measured against that other vast, dark, impersonal immensity, call it God, or history, or simply life. Olga Grushin

The clouds were disappearing rapidly, leaving the stars to die. The night dried up. Unknown

Iff replied that the Plentimaw Fishes were what he called 'hunger artists' – 'Because when they are hungry they swallow stories through every mouth, and in their innards miracles occur; a little bit of one story joins on to an idea from another, and hey presto, when they spew the stories out they are not the old tales but new ones. Nothing comes from nothing, Thieflet; no story comes from nowhere; new stories are born from old – it is the new combinations that make them new. Salman Rushdie

.. from the classically executed lifelike bouquets, tempting you to reach for the petals that fell on a three-dimensional tablecloth, to a new and disturbing style in which the colors seemed to blaze with such intensity they destroyed the old lines, the old solidity, to make a vision like those states which I'm nearest my delirium and flowers grow before my eyes and crackle like the flames of lamps. Anne Rice

Cubism is a Cathedral of shit. Francis Picabia

All the wild beasts have been extinct for years, but it's perfectly possible to synthesize them autobiogenically. On the other hand, why be bound to what was once produced by natural evolution? The spokesman for surrealist zoology was most eloquent - we should populate our preserves with bold, original conceptions, not slavish imitations, we should forge the New, not plagiarize the Old. Unknown

May night continue to fall upon the orchestra Unknown

Now the night's breath responds to the sea, which I can scarcely hear from here, as it reminisces about its shipwrecks. Unknown

Back in our apartment, lights out, The Professor emerged from beneath the bed." - from "The Professor Spends the Night, " in issue 4 of Literary Orphans Joseph Patrick Pascale

Fighting for freedom” is a myth. There’s only freedom in uniting. You’re not really free with an, “Us vs Them” mentality; because you are constantly defending yourself. And in fighting, there’s no time for freedom. Jason Daniel Chaplin

You’re better looking than me. You’re more intelligent than me. Your personality is more likable than mine. You make more money than me. Your family is nicer than mine. Your religion is better than mine. You’ve seen more beaches than me. You’ve been to more cities than me. Your automobile is nicer than mine. Your significant other is better looking than mine. Your candidate won. Your home team won. You’re number one. But life is a tie. We all die. Jason Daniel Chaplin

...just because someone is a loner, it doesn't mean they’re alone. And just because someone is alone, it doesn't mean they’re lonely. Jason Daniel Chaplin

Sure, people can make you happy, but no one can stop you from being happy. Jason Daniel Chaplin

But in those first hours after you take it, your brain is tuned in like nothing you can imagine. Eyes like the Hubble telescope, sensing light that's not even on the spectrum. You might be able to read minds, make time stop, cook pasta that's exactly right every time. David Wong

I gazed upon the earth and saw that a body, in its tender faithlessness, had located it in the sky. A splendid scarf of blood, looming above the abyss. Unknown

That's what dreams are really like, you know? They're not full of melting clocks or floating roses or people made out of rocks. Most of the time, dreams look just like the normal world. It's your feelings that tell you something's off. Not your mind, not your intellect, not something as obvious as that. The only part of you that really knows what's going on is the part of you that's most a mystery. If that's not Surrealism, I don't know what is. Amy Reed

There are easier ways of making sense, the connoisseurship of gesture, for example. You hold a girl's face in your hands like a vase. You lift a gun from the glove compartmentand toss it out the window into the desert heat. Billy Collins

I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attitude toward life itself was wise, as was Dada’s.’ Hans Arp Lepota L. Cosmo

Surrealism is not a poetry but a poetics, and even more, and more decisively, a world vision. Octavio Paz