53 Quotes About Pilgrimage

A pilgrimage is a journey to a sacred place or religious site, usually on foot. Pilgrimage (from the Latin via, way, and plaga, plow) is usually an organized trip with a specific purpose along with certain ritual aspects that may include prayer or study. While there are many different types of pilgrimage, one can usually be divided into several categories: religious, cultural, or both. Here are some of the best quotes about pilgrimages to inspire you when you want to go on one.

Faith is not the clinging to a shrine but an...
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Faith is not the clinging to a shrine but an endless pilgrimage of the heart. Abraham Joshua Heschel
There is of course a deep spiritual need which the...
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There is of course a deep spiritual need which the pilgrimage seems to satisfy, particularly for those hardy enough to tackle the journey on foot. Edwin Mullins
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Is this what I am doing now? Watching the currents, passagesof life around me. I am not looking for books to explainmore with their words, butlistening to poets with their imagery, symbols, listening to my own feelings as Icontinue my pilgrimage in this life, pausing, watching, catching glimpsesof deeper down things.- Deeper Down Things Robert Trabold
My prayer is my pilgrimage.
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My prayer is my pilgrimage. Lailah Gifty Akita
Frequently we do not leave the past behind. We clasp...
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Frequently we do not leave the past behind. We clasp on to it. We dissect it, and let fears for the future, tempered by the past, unconsciously prevent us from taking up the task eternal. Ray Simpson
Every great journey stimulates great faith and great joy.
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Every great journey stimulates great faith and great joy. Lailah Gifty Akita
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The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist — a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us. Unknown
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None of your knowledge, your reading, your connections will be of any use here: two legs suffice, and big eyes to see with. Walk alone, across mountains or through forests. You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind. When you walk, the world has neither present nor future: nothing but the cycle of mornings and evenings. Always the same thing to do all day: walk. But the walker who marvels while walking (the blue of the rocks in a July evening light, the silvery green of olive leaves at noon, the violet morning hills) has no past, no plans, no experience. He has within him the eternal child. While walking I am but a simple gaze. Unknown
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Days of slow walking are very long: they make you live longer, because you have allowed every hour, every minute, every second to breathe, to deepen, instead of filling them up by straining the joints… Unknown
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Slowness means cleaving perfectly to time, so closely that the seconds fall one by one, drop by drop like the steady dripping of a tap on stone. This stretching of time deepens space. It is one of the secrets of walking: a slow approach to landscapes that gradually renders them familiar. Like the regular encounters that deepen friendship. Unknown
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Walking: it hits you at first like an immense breathing in the ears. You feel the silence as if it were a great fresh wind blowing away clouds. There’s the silence of woodland. Clumps and groves of trees form shifting, uncertain walls around us. We walk along existing paths, narrow winding strips of beaten earth. We quickly lose our sense of direction. That silence is tremulous, uneasy. Then there’s the silence of tough summer afternoon walks across the flank of a mountain, stony paths, exposed to an uncompromising sun. Unknown
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This time, there’s no question of freeing yourself from artifice to taste simple joys. Instead there is the promise of meeting a freedom head-on as an outer limit of the self and of the human, an internal overflowing of a rebellious Nature that goes beyond you. Walking can provoke these excesses: surfeits of fatigue that make the mind wander, abundances of beauty that turn the soul over, excesses of drunkenness on the peaks, the high passes (where the body explodes). Walking ends by awakening this rebellious, archaic part of us: our appetites become rough and uncompromising, our impulses inspired. Because walking puts us on the vertical axis of life: swept along by the torrent that rushes just beneath us. What I mean is that by walking you are not going to meet yourself. By walking, you escape from the very idea of identity, the temptation to be someone, to have a name and a history. Being someone is all very well for smart parties where everyone is telling their story, it’s all very well for psychologists’ consulting rooms. But isn’t being someone also a social obligation which trails in its wake — for one has to be faithful to the self-portrait — a stupid and burdensome fiction? The freedom in walking lies in not being anyone; for the walking body has no history, it is just an eddy in the stream of immemorial life. Unknown
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Walking causes a repetitive, spontaneous poetry to rise naturally to the lips, words as simple as the sound of footsteps on the road. There also seems to be an echo of walking in the practice of two choruses singing a psalm in alternate verses, each on a single note, a practice that makes it possible to chant and listen by turns. Its main effect is one of repetition and alternation that St Ambrose compared to the sound of the sea: when a gentle surf is breaking quietly on the shore the regularity of the sound doesn’t break the silence, but structures it and renders it audible. Psalmody in the same way, in the to-and-fro of alternating responses, produces (Ambrose said) a happy tranquillity in the soul. The echoing chants, the ebb and flow of waves recall the alternating movement of walking legs: not to shatter but to make the world’s presence palpable and keep time with it. And just as Claudel said that sound renders silence accessible and useful, it ought to be said that walking renders presence accessible and useful. Unknown
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An author who composes while walking, on the other hand, is free from such bonds; his thought is not the slave of other volumes, not swollen with verifications, nor weighted with the thought of others. It contains no explanation owed to anyone: just thought, judgement, decision. It is thought born of a movement, an impulse. In it we can feel the body’s elasticity, the rhythm of a dance. It retains and expresses the energy, the springiness of the body. Here is thought about the thing itself, without the scrambling, the fogginess, the barriers, the customs clearances of culture and tradition. The result will not be long and meticulous exegesis, but thoughts that are light and profound. That is really the challenge: the lighter a thought, the more it rises, and becomes profound by rising — vertiginously — above the thick marshes of conviction, opinion, established thought. While books conceived in the library are on the contrary superficial and heavy. They remain on the level of recopying. . Unknown
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Think while walking, walk while thinking, and let writing be but the light pause, as the body on a walk rests in contemplation of wide open spaces. Unknown
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The joy of walking and feeling the body advancing ‘like a man alone’; the fullness of feeling alive. And then happiness, before the spectacle of a violet-shadowed valley below the beams of the setting sun, that miracle of summer evenings, when for a few minutes every shade of colour, flattened all day by a steely sun, is brought out at last by the golden light, and breathes. Happiness can come later, at the guesthouse, in the company of others staying there: people met there, happy to find themselves together for a moment through chance. But all of that involves receiving. . Unknown
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Joy is not the satisfied contemplation of an accomplished result, the emotion of victory, the satisfaction of having succeeded. It is the sign of an energy that is deftly deployed, it is a free affirmation: everything comes easy. Joy is an activity: executing with ease something difficult that has taken time to master, asserting the faculties of the mind and the body. Joys of thought when it finds and discovers, joys of the body when it achieves without effort. That is why joy, unlike pleasure, increases with repetition, and is enriched. When you are walking, joy is a basso continuo. Locally, of course, you may run into effort and difficulty. You will also find immediate moments of contentment: a proud gaze backwards to contemplate the long steep plunge of the slope behind you. Those satisfactions, though, too often present an opportunity to reintroduce quantities, scores, figures (which track? how long? what altitude?). And walking becomes a competition. That is why expeditions in high mountain country (conquering peaks, each one a challenge) are always slightly impure: because they give rise to narcissistic gratification. What dominates in walking, away from ostentation and showing off, is the simple joy of feeling your body in the most primitively natural activity. Unknown
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When walking in this mode we discover the immense vigour of starry night skies, elemental energies, and our appetites follow: they are enormous, and our bodies are satisfied. When you have slammed the world’s door, there is nothing left to hold you: pavements no longer guide your steps (the path, a hundred thousand times repeated, of the return to the fold). Crossroads shimmer like hesitant stars, you rediscover the tremulous fear of choosing, a vertiginous freedom. Unknown
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Blinding, mineral, shattering silence. You hear nothing but the quiet crunch of stones underfoot. An implacable, definitive silence, like a transparent death. Sky of a perfectly detached blue. You advance with eyes down, reassuring yourself sometimes with a silent mumbling. Cloudless sky, limestone slabs filled with presence: silence nothing can sidestep. Silence fulfilled, vibrant immobility, tensed like a bow. There’s the silence of early morning. For long routes in autumn you have to start very early. Outside everything is violet, the dim light slanting through red and gold leaves. It is an expectant silence. You walk softly among huge dark trees, still swathed in traces of blue night. You are almost afraid of awakening. Everything whispering quietly. There’s the silence of walks through the snow, muffled footsteps under a white sky. All around you nothing moves. Things and even time itself are iced up, frozen solid in silent immobility. Everything is stopped, unified, thickly padded. A watching silence, white, fluffy, suspended as if in parentheses. . Unknown
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But just a vibration among the trees and stones, on the paths. Walking to breathe in the landscape. Every step an inspiration born to die immediately, well beyond the oeuvre. I like to walk at my ease, and to stop when I like. A wandering life is what I want. To walk through a beautiful country in fine weather, without being obliged to hurry, and with a pleasant prospect at the end, is of all kinds of life the one most suited to my taste. Unknown
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But walking causes absorption. Walking interminably, taking in through your pores the height of the mountains when you are confronting them at length, breathing in the shape of the hills for hours at a time during a slow descent. The body becomes steeped in the earth it treads. And thus, gradually, it stops being in the landscape: it becomes the landscape. That doesn’t have to mean dissolution, as if the walker were fading away to become a mere inflection, a footnote. It’s more a flashing moment: sudden flame, time catching fire. And here, the feeling of eternity is all at once that vibration between presences. Eternity, here, in a spark. Unknown
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Thoreau: ‘The West of which I speak is but another name for the Wild; and what I have been preparing to say is, that in Wildness is the preservation of the world.’ That is why walking leads to a total loss of interest in what is called — laughably no doubt — the ‘news’, one of whose main features is that it becomes old as soon as it is uttered. Once caught in the rhythm, Thoreau says, you are on the treadmill: you want to know what comes next. The real challenge, though, is not to know what has changed, but to get closer to what remains eternally new. So you should replace reading the morning papers with a walk. News items replace one another, become mixed up together, are repeated and forgotten. But the truth is that as soon as you start walking, all that noise, all those rumours, fade out. What’s new? Nothing: the calm eternity of things, endlessly renewed. . Unknown
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You lift your head, you’re on your way, but really just to be walking, to be out of doors. That’s it, that’s all, and you’re there. Outdoors is our element: the exact sensation of living there. Unknown
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Perhaps the itinerant monks called ‘Gyrovagues’ were especially responsible for promoting this view of our condition as eternal strangers. They journeyed ceaselessly from monastery to monastery, without fixed abode, and they haven’t quite disappeared, even today: it seems there are still a handful tramping Mount Athos. They walk for their entire lives on narrow mountain paths, back and forth on a long repeated round, sleeping at nightfall wherever their feet have taken them; they spend their lives murmuring prayers on foot, walk all day without destination or goal, this way or that, taking branching paths at random, turning, returning, without going anywhere, illustrating through endless wandering their condition as permanent strangers in this profane world. Unknown
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When one has walked a long way to reach the turning in the path that discloses an anticipated view, and that view appears, there is always a vibration of the landscape. It is repeated in the walker’s body. The harmony of the two presences, like two strings in tune, each feeding off the vibration of the other, is like an endless relaunch. Eternal Recurrence is the unfolding in a continuous circle of the repetition of those two affirmations, the circular transformation of the vibration of the presences. The walker’s immobility facing that of the landscape … it is the very intensity of that co-presence that gives birth to an indefinite circularity of exchanges: I have always been here, tomorrow, contemplating this landscape. Unknown
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Forest paths — flat labyrinths — and gentle plains invite the walker’s body to softness, to languor. And memories arise like eddying mists. The air is more bracing with Nietzsche, and above all sharp, transparent. The thought is trenchant, the body wide awake, trembling. Unknown
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Zhuang Zhu also meant that the feet as such are small pieces of space, but their vocation (‘walking’) is to articulate the world’s space. The size of the foot, the gap between the legs, have no role, are never lined up anywhere. But they measure all the rest. Our feet form a compass that has no useful function, apart from evaluating distance. The legs survey. Their stride constitutes a serviceable measurement. Unknown
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In the history of walking, many experts considering him (Wordsworth) the authentic originator of the long expedition. He was the first — at a time (the late eighteenth century) when walking was the lot of the poor, vagabonds and highwaymen, not to mention travelling showmen and pedlars — to conceive of the walk as a poetic act, a communion with Nature, fulfilment of the body, contemplation of the landscape. Christopher Morley wrote of him that he was ‘one of the first to use his legs in the service of philosophy’. Unknown
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And as we know from the pilgrimage diaries of Swami Ramdas, it is when we renounce everything that everything is given to us, in abundance. Everything: meaning the intensity of presence itself. Unknown
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A true pilgrimage requires letting go of the very things most people try to hold onto. In seeking after what the soul desires, we become pilgrims with no home but the path the soul would have us follow. Michael Meade
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One of the open secrets of life on earth is that the answer to life’s burning question has been inscribed in one’s soul all along. The soul is a kind of ancient vessel that holds the exact knowledge we seek and need to find our way in life. Each life is a pilgrimage intended to arrive at the center of the pilgrim’s soul. From that vantage point, the issue is not whether we managed to choose the right god or the only way to live righteously; such notions fail to recognize the inborn intimacy each soul already has with the divine. . Michael Meade
May my soul radiate light and love.
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May my soul radiate light and love. Lailah Gifty Akita
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Praying is holy pilgrimage. Lailah Gifty Akita
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With great passion, observe every details of the sacred journey. Lailah Gifty Akita
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Believe is confident hope. Hope is faith. Faith is timeless possibility. Possibility is spiritual. Spiritual is divine Lailah Gifty Akita
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How could we have discovered great lands, if we dare not travel? Lailah Gifty Akita
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Life is a pilgrimage. Each moment is to be lived in depth, because each moment contains God, hidden within it. Banani Ray
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Self education is holy mission. Lailah Gifty Akita
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What lies ahead is often unknown. But keep traveling. Lailah Gifty Akita
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Let thy pilgrimage be a prayer. Lailah Gifty Akita
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After many paths and many years, perhaps many lifetimes, we become aware of the sacredness of our suffering. Earthschool Harmony
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The purpose of a pilgrimage is about setting aside a long period of time in which the only focus is to be the matters of the soul. Many believe a pilgrimage is about going away but it isn’t; it is about coming home. Those who choose to go on pilgrimage have already ventured away from themselves; and now set out in a longing to journey back to who they are. Many a time we believe we must go away from all that is familiar if we are to focus on our inner well-being because we feel it is the only way to escape all that drains and distracts us, allowing us to turn inward and tend to what ails us. Yet we do not need to go to the edges of the earth to learn who we are, only the edges of ourself. L.M. Browning
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Mexico, as it was in the 1970s–and isn’t now–was my Paris. With Mexicans, Europeans, and Americans I celebrated life and the journey, which took on qualities of a pilgrimage in which every moment was a movable feast and every place was a shrine. Among the intricately carved ruins in the jungle at Palenque, I partook of the Mayan sacrament, the sacred psilocybin mushroom, and there I learned to see. Mason West
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I like the idea that when I die, I will have a long sit-down chat with God and get answers to all my questions. For example, those apple coresthat I threw out of car windows when I was a child–did any of them becometrees? Few boys or men had ever asked me out. I told myself that itwas because I was almost 6-feet tall. Was that true or was there somethinghumbling I needed to know? Kristine K. Stevens
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I don’t know who I am. And I don’t think people ever will know who they are. We have to be humble enough to learn to live with this mysterious question. Who am I? So, I am a mystery to myself. I am someone who is in this pilgrimage from the moment that I was born to the day to come that I’m going to die. And this is something that I can’t avoid, whether I like it or not, or – I’m going to die. So, what I have to do is to honor this pilgrimage through life. And so I am this pilgrim – if I can somehow answer your question – who’s constantly amazed by this journey. Who is learning a new thing every single day. But who’s not accumulating knowledge, because then it becomes a very heavy burden in your back. I am this person who is proud to be a pilgrim, and who’s trying to honor his journey. Unknown
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It was a perfect spring day. The air was sweet and gentle and the sky stretched high, an intense blue. Harold was certain that the last time he had peered through the net drapes of Fossebridge Road (his home), the trees and hedges were dark bones and spindles against the skyline; yet now that he was out, and on his feet, it was as if everywhere he looked, the fields, gardens, trees, and hedgerows and exploded with growth. A canopy of sticky young leaves clung to the branches above him. There were startling yellow clouds of forsythia, trails of purple aubrietia; a young willow shook in a fountain of silver. The first of the potato shoots fingered through the soil, and already tiny buds hung from the gooseberry and currant shrubs like the earrings Maureen used to wear. The abundance of new life was enough to make him giddy. . Rachel Joyce
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A big wind came up and I hoped a storm would break the heat. But it just blew alot of dust around, and at sunset we had to bar doors and windows against mosquitoes. Itdidn’t do much for our comfort level, but–here’s where the Chemin takes you–we weregrateful. We were grateful because we had (albeit narrowly) escaped heatstroke; becausethe shelter, though unbelievably hot, was clean and quiet; and most of all, because it sleptsix but we had it to ourselves. No people to deal with at the end of your (and their)tether; no sodden bathrooms. No snoring. Pilgrim camaraderie was all very well, butsometimes it was too damn much. . Denise Fainberg
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I am on pilgrim to self-realisation. Lailah Gifty Akita
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And he began, "What chance or destinyhas brought you here before your final day? And who is he who leads your pilgrimage?"" Up there in life beneath the quiet stars I lost my way, " I answered, "in a valley, before I'd reached the fullness of my age. I turned my shoulders on it yesterday:this soul appeared as I was falling back, and by the road through Hell he leads me home."" Follow your star and you will never fail to find your glorious port, " he said to me . Dante Alighieri
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For pilgrims walking...every footfall is doubled, landing at once on the actual road and also on the path of faith. Robert Macfarlane
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All this, I suspect, has been little more than the operation known as the pilgrimage from the cradle to the grave, but I have had a comfortable feeling that, however ordinary my enterprises may have been, they had at any rate the advantage of containing, for me, an element of sustained unfamiliarity. I am one of those persons who begin life by exclaiming they've "never seen anything like this before" and die in the hope that they may say the same of heaven. Siegfried Sassoon
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Queenie Hennessy - "I am here to die." Sister Mary Inconnue - "Pardon me but you are here to live until you die. There is a significant difference. Rachel Joyce