31 Quotes About Fantastic

A serious adult story must be true to something in life. Since marvel tales cannot be true to the events of life, they must shift their emphasis towards something to which they can be true; namely, certain wistful or restless moods of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural law. H.P. Lovecraft

An admirable line of Pablo Neruda’s, “My creatures are born of a long denial, ” seems to me the best definition of writing as a kind of exorcism, casting off invading creatures by projecting them into universal existence, keeping them on the other side of the bridge… It may be exaggerating to say that all completely successful short stories, especially fantastic stories, are products of neurosis, nightmares or hallucination neutralized through objectification and translated to a medium outside the neurotic terrain. This polarization can be found in any memorable short story, as if the author, wanting to rid himself of his creature as soon and as absolutely as possible, exorcises it the only way he can: by writing it. Unknown

Skill alone cannot teach or produce a great short story, which condenses the obsession of the creature; it is a hallucinatory presence manifest from the first sentence to fascinate the reader, to make him lose contact with the dull reality that surrounds him, submerging him in another that is more intense and compelling. Unknown

There are.. otherwise quite decent people who are so dull of nature that they believe that they must attribute the swift flight of fancy to some illness of the psyche, and thus it happens that this or that writer is said to create not other than while imbibing intoxicating drink or that his fantasies are the result of overexcited nerves and resulting fever. But who can fail to know that, while a state of psychical excitement caused by the one or other stimulant may indeed generate some lucky and brilliant ideas, it can never produce a well-founded, substantial work of art that requires the utmost presence of mind. E.T.A. Hoffmann

What is admirable about the fantastic is that there is no longer anything fantastic: there is only the real. Unknown

Surrealism, then, neither aims to subvert realism, as does the fantastic, nor does it try to transcend it. It looks for different means by which to explore reality itself. Michael Richardson

Anyone who still wants to experience fairytales these days can’t afford to dither when it comes to using their brains. Robert Musil

The fantastic breaks the crust of appearance … something grabs us by the shoulders to throw us outside ourselves. I have always known that the big surprises await us where we have learned to be surprised by nothing, that is, where we are not shocked by ruptures in the order. Unknown

The fantastic cannot exist independently of that 'real' world which it seems to find frustratingly finite. Rosemary Jackson

For he had acquired, as time went on, the firm conviction that any thought, even the most audacious, that any fiction, even the most insane, can one day materialize and see its fulfillment in space and time. Unknown

We have just begun to navigate a strange region; we must expect to encounter strange adventures, strange perils. Arthur Machen

As has already been noted, fantastic literature developed at precisely the moment when genuine belief in the supernatural was on the wane, and when the sources provided by folklore could safely be used as literary material. It is almost a necessity, for the writer as well as for the reader of fantastic literature, that he or she should not believe in the literal truth of the beings and objects described, although the preferred mode of literary expression is a naive realism. Authors of fantastic literature are, with a few exceptions, not out to convert, but to set down a narrative story endowed with the consistency and conviction of inner reality only during the time of the reading: a game, sometimes a highly serious game, with anxiety and fright, horror and terror. Franz Rottensteiner

The shifting sands of the world... show how much the surrealists were drawn towards an interrogation of what reality actually is. Unlike fabulists of whatever hue, there is a materiality in surrealist writing that resolutely keeps it, one might say, 'down to earth'. Michael Richardson

Supernatural fiction contains its own generic borderland: a neutral territory, which Tzvetan Todorov calls 'the fantastic, ' between 'the marvelous' and 'the uncanny.' According to Todorov, 'The fantastic is that hesitation experienced by a person who knows only the laws of nature, confronting an apparently supernatural event.' Once the event is satisfactorily explained (and sometimes it is never explained), we have left the fantastic for an adjacent genre - either 'the uncanny, ' where the apparently supernatural is revealed as illusory, or 'the marvelous, ' where the laws of ordinary reality must be revised to incorporate the supernatural. As long as uncertainty reigns, however, we are in the ambiguous realm of the fantastic. Howard Kerr

The fantastic is always a break in the acknowledged order, an irruption of the inadmissible within the changeless everyday legality Roger Caillois

Many of the best fantastic stories begin in a leisurely way, set in commonplace surroundings, with exact, meticulous descriptions of an ordinary background, much as in a 'realistic' tale. Then a gradual - or it may be sometimes a shockingly abrupt - change becomes apparent, and the reader begins to realize that what is being described is alien to the world he is accustomed to, that something strange has crept or leapt into it. This strangeness changes the world permanently and fundamentally. Franz Rottensteiner

The fantastic postulates that there are forces in the outside world, and in our own natures, which we can neither know nor control, and these forces may even constitute the essence of our existence, beneath the comforting rational surface. The fantastic is, moreover, a product of human imagination, perhaps even an excess of imagination. It arises when laws thought to be absolute are transcended, in the borderland between life and death, the animate and the inanimate, the self and the world; it arises when the real turns into the unreal, and the solid presence into vision, dream or hallucination. The fantastic is the unexpected occurrence, the startling novelty which goes contrary to all our expectations of what is possible. The ego multiplies and splits, time and space are distorted. Franz Rottensteiner

In any event, whether a supernatural tale remains altogether fantastic or eventually modulates to the uncanny or the marvelous, the reader is faced with disconcerting ontological and perceptual problems. Indeed, the disorienting effect of the supernatural encounter in fiction seems to reflect some deeper disorientations in the culture at large. Howard Kerr

It should be particularly stressed that the fantastic makes no sense in an out-and-out strange world. To imagine the fantastic in it is even impossible. In a world full of marvels the extraordinary loses its power. Roger Caillois

Fantastic literature has been especially prominent in times of unrest, when the older values have been overthrown to make way for the new; it has often accompanied or predicted change, and served to shake up rational Complacency, challenging reason and reminding man of his darker nature. Its popularity has had its ups and downs, and it has always been the preserve of a small literary minority. As a natural challenger of classical values, it is rarely part of a culture's literary mainstream, expressing the spirit of the age; but it is an important dissenting voice, a reminder of the vast mysteries of existence, sometimes truly metaphysical in scope, but more often merely riddling. Franz Rottensteiner

(Washington) Irving was only the first of the writers of the American ghostly tale to recognize that the supernatural, exactly because its epistemological status is so difficult to determine, challenged the writer to invent a commensurately sophisticated narrative technique. Howard Kerr

But the recurrent ambiguity of the American tale of the supernatural reveals both a fascination with the possibility of numinous experience and a perplexity about whether there was, in fact, anything numinous to be experienced. Writers often delighted in leading readers into, but not out of, the haunted dusk of the borderland. Howard Kerr

The fantastic in literature doesn't exist as a challenge to what is probable, but only there where it can be increased to a challenge of reason itself: the fantastic in literature consists, when all has been said, essentially in showing the world as opaque, as inaccessible to reason on principle. This happens when Piranesi in his imagined prisons depicts a world peopled by other beings than those for which it was created. ("On the Fantastic in Literature") . Lars Gustafsson

The fantastic is in complicity with the realist model, in the claims that realism makes to represent the true face of reality. It points to the gaps and inadequacies of realism, but does not question the legitimacy of its claims to represent reality. The concept of “suspension of disbelief', that beloved criterion of positivist criticism supposedly serving to establish the legitimacy of the fantastic, confirms this hegemony. Michael Richardson

Refusing what Adorno called that 'comfort in the uncomfortable' taken by the fantastic, surrealism seeks to reintegrate man into the universe. Michael Richardson

(Uncle) would remark that it was impossible to get by without such a (portentous and whimsical) tone when speaking of many things of this world, and especially of the things not entirely of this world. Vladimir Odoyevsky

Come! our world is done: For all the witchery of the world is fled, And lost all wanton wisdom long since won. Lionel Pigot Johnson

The influence of the future on the past, " said Morel enthusiastically, almost inaudibly. Adolfo Bioy Casares

If I stay. If I live. It’s up to me. All this business about medically induced comas is just doctor talk. It’s not up to the doctors. It’s not up to the absentee angels. It’s not even up to God who, if He exists, is nowhere around right now. It’s up to me. Gayle Forman

You want to do something very simple but also very fantastic? Then sit under the rain! Not long after, yourself will leave you and there will remain only the rain! Mehmet Murat Ildan