34 Quotes About Disillusionment

The search for truth takes you where the evidence leads you, even if, at first, you don't want to go there. Bart D. Ehrman

She'd stood by that creed. No softness, because the world wasn't soft; lots of laughter, because if you were in on the joke, the joke couldn't be on you; And no wanting what you couldn't take, because the world never gave. Or so she'd thought. Connie Brockway

The key question, it seemed to him, was that of whether man was to obey Nature, or attempt to command her. It had been answered long, long ago, claimed Moss; man's very essence lay in the fact that he had elected to command. But to Stenham that seemed a shallow reply. To him wisdom consisted in the conscious and joyous obedience to natural laws, yet when he had said that to Moss, Moss had laughed pityingly. 'My dear man, wisdom is a primitive concept, ' he had told him. 'What we want now is knowledge.' Only great disillusionment could make a man say such a thing, Stenham believed. Paul Bowles

It had been an awful thing to lose Henry the first time, to matrimony, but to discover what a false front he was capable of was another kind of blow, and it had left her almost speechless. Then there was the fury with herself–for she had known what Henry’s love was, and still she had gone back to suffer a little more at his hands. Anna Godbersen

Mostly, what people mean by love is laziness. Amanda Craig

Romance is finding your fantasy in people who don't have it. Andy Warhol

You are very harsh.'' I have seen the world. Voltaire

The world is a cruel place, Petrosinella, and it wounds the weak. Kate Forsyth

Elisabeth had not had her future and her parents had not had theirs, there was nothing to this so-called future which was always promised to the young. Ingeborg Bachmann

All my life I have been the sort of person in whom people confide. And all my life I have been flattered by this role - grateful for the frisson of importance that comes with receiving important information. In recent years, however, I have noticed that my gratification is becoming diluted by a certain weary indignation. They tell me because they regard me as safe. All of them, they make their disclosures to me in the same spirit that they might tell a castrato or a priest - with a sense that I am so outside the loop, so remote from the doings of the great world, as to be defused of any possible threat. The number of secrets I receive is in inverse proportion to the number of secrets anyone expects me to have of my own. And this is the real source of my dismay. Being told secrets is not - never has been - a sign that I belong or that I matter. It is quite the opposite: confirmation of my irrelevance. Unknown

Love may precede respect but it cannot survive the loss of it. Joe L. Wheeler

Captain Harcourt-Bruce was not only dashing, handsome, and brave, he was also rather romantic. The reappearance of magic in England thrilled him immensely. He was a great reader of the more exciting sort of history - and his head was full of ancient battles in which the English were outnumbered by the French and doomed to die, when all at once would be heard the sound of strange, unearthly music, and upon a hilltop would appear the Raven King in his tall, black helmet with it's mantling of raven-feathers streaming in the wind; he would gallop down the hillside on his tall, black horse with a hundred human knights and a hundred fairy knights at his back, and he would defeat the French by magic. That was Captain Harcourt-Bruce's idea of a magician. That was the sort of thing which he now expected to see reproduced on every battlefield on the Continent. So when he saw Mr Norrell in his drawing-room in Hanoversquare, and after he had sat and watched Mr Norrell peevishly complain to his footman, first that the cream in his tea was too creamy, and next that it was too watery - well, I shall not surprize you when I say he was somewhat disappointed. In fact he was so downcast by the whole undertaking that Admiral Paycocke, a bluff old gentleman, felt rather sorry for him and only had the heart to laugh at him and tease him very moderately about it. . Susanna Clarke

If my twelve-year-old self, of whom I had grown rather fond, thinking about him, were to reproach me: 'Why have you grown up such a dull dog, when I gave you such a good start? Why have you spent your time in dusty libraries, catologuing other people's books instead of writing your own? What had become of the Ram, the Bull and the Lion, the example I gave you to emulate? Where above all is the Virgin, with her shining face and curling tresses, whom I entrusted to you'- what should I say? I should have an answer ready. 'Well, it was you who let me down, and I will tell you how. You flew too near to the sun, and you were scorched. This cindery creature is what you made me.' To which he might reply: 'But you have had half a century to get over it! Half a century, half the twentieth century, that glorious epoch, that golden age that I bequeathed to you! '' Has the twentieth century, ' I should ask, 'done so much better than I have? When you leave this room, which I admit is dull and cheerless, and take the last bus to your home in the past, if you haven't missed it - ask yourself whether you found everything so radiant as you imagined it. Ask yourself whether it has fulfilled your hopes. You were vanquished, Colston, you were vanquished, and so was your century, your precious century that you hoped so much of. L.P. Hartley

In some deep place in her heart, Caroline had kept alive the silly romantic notion that somehow David Henry had once known her as no one else ever could. But it was not true. He had never even glimpsed her. Kim Edwards

We must steel ourselves against utopias and be content with a slightly better state. Will Durant

Every day we make the whole world new... Or else grow old. John Valentine

Kids think with their brains cracked wide open; becoming an adult, I've decided, is only a slow sewing shut. Jodi Picoult

It's true we all build imaginary prisons for ourselves. Believe that we are trapped behind the invisible bars of the lives we have somehow carelessly constructed for ourselves, despite our youthful promises to ourselves. We see adults who are stagnant and miserable as we grow up. They graffiti the walls behind them with their mistakes and we swear secret oaths that we will heed those warnings. We’re much too clever, we know all the shortcuts and the back alleys. Thomas Lloyd Qualls

In freedom you form in utter disgrace, the bars of my prison this night. While you drift on currents of seraphim heights, it is I who deserve to take flight. Craig Froman

In our world, to do what you want to do, you must first do what you have to do. Anirudh Arun

This is not the "relativism of truth" presented by journalistic takes on postmodernism. Rather, the ironist's cage is a state of irony by way of powerlessness and inactivity: In a world where terrorism makes cultural relativism harder and harder to defend against its critics, marauding international corporations follow fair-trade practices, increasing right-wing demagoguery and violence can't be answered in kind, and the first black U.S. president turns out to lean right of center, the intelligentsia can see no clear path of action. Irony dominates as a "mockery of the promise and fitness of things, " to return to the OED definition of irony. This thinking is appropriate to Wes Anderson, whose central characters are so deeply locked in ironist cages that his films become two-hour documents of them rattling their ironist bars. Without the irony dilemma Roth describes, we would find it hard to explain figures like Max Fischer, Steve Zissou, Royal Tenenbaum, Mr. Fox, and Peter Whitman. I'm not speaking here of specific political beliefs. The characters in question aren't liberals; they may in fact, along with Anderson himself, have no particular political or philosophical interests. But they are certainly involved in a frustrated and digressive kind of irony that suggests a certain political situation. Though intensely self-absorbed and central to their films, Anderson's protagonists are neither heroes nor antiheroes. These characters are not lovable eccentrics. They are not flawed protagonists either, but are driven at least as much by their unsavory characteristics as by any moral sense. They aren't flawed figures who try to do the right thing; they don't necessarily learn from their mistakes; and we aren't asked to like them in spite of their obvious faults. Though they usually aren't interested in making good, they do set themselves some kind of mission-- Anderson's films are mostly quest movies in an age that no longer believes in quests, and this gives them both an old-fashioned flavor and an air of disillusionment and futility. Arved Mark Ashby

As long as my Duke remains unmarried some of the Great Houses can still hope for alliance. Frank Herbert

How strange when an illusion dies. It's as though you've lost a child. Judy Garland

She lost her illusions in the collapse of her sympathies. D.h. Lawrence

They faced each other at opposite ends of an illusion. Andrew Holleran

Once the dust of volcanic love has settled and the harshness of a new reality has become oppressive, disillusionment may have to be mended, wounds to be healed and emotional fallouts to be taken care of, mindfully ( "Is that all there is ?") Erik Pevernagie

There's truths you have to grow into. H.G. Wells

From the ruins, lonely and inexplicable as the sphinx, rose the Empire State Building. And just as it had been tradition of mine to climb to the Plaza roof to take leave of the beautiful city extending as far as the eyes could see, so now I went to the roof of that last and most magnificent of towers. Then I understood. Everything was explained. I had discovered the crowning error of the city. Its Pandora's box. Full of vaunting pride, the New Yorker had climbed here, and seen with dismay what he had never suspected. That the city was not the endless sucession of canyons that he had supposed, but that it had limits, fading out into the country on all sides into an expanse of green and blue. That alone was limitless. And with the awful realization that New York was a city after all and not a universe, the whole shining ediface that he had reared in his mind came crashing down. That was the gift of Alfred Smith to the citizens of New York. F. Scott Fitzgerald

The very lack of explicit pressure was itself a compelling force, for it created a world in which the expectation of success was simply there, a fact of life as basic as breakfast. H.W. Brands

Innocence ends when one is stripped of the delusion that one likes oneself. Joan Didion