100 Quotes About Description

All communication is communication of information. The recipient of the communication receives the information. The communication medium is a means of transfer of information from one person to another. In addition to the transmitted information, the communication medium carries its own qualities Read more

In some cases it can be used as a tool for deception or manipulation. All communications are thus rendered vulnerable to various forms of censorship. However, even this vulnerability does not render communications ineffective; rather, it renders them merely ineffective to certain parties.

To identify who these parties are, we must understand the nature of communication media and how they function.

1
Oh, he did look like a deity — the perfect balance of danger and charm, he was at the same time fascinating and inaccessible, distant because of his demonstrated flawlessness, and possessing such strength of character that he was dismaying and at the same time utterly attractive in an enticing and forbidden way. Simona Panova
2
It slowly began to dawn on me that I had been staring at her for an impossible amount of time. Lost in my thoughts, lost in the sight of her. But her face didn't look offended or amused. It almost looked as if she were studying the lines of my face, almost as if she were waiting. I wanted to take her hand. I wanted to brush her cheek with my fingertips. I wanted to tell her that she was the first beautiful thing that I had seen in three years. The sight of her yawning to the back of her hand was enough to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again. In that breathless second I almost asked her. I felt the question boiling up from my chest. I remember drawing a breath then hesitating--what could I say? Come away with me? Stay with me? Come to the University? No. Sudden certainty tightened in my chest like a cold fist. What could I ask her? What could I offer? Nothing. Anything I said would sound foolish, a child's fantasy. I closed my mouth and looked across the water. Inches away, Denna did the same. I could feel the heat of her. She smelled like road dust, and honey, and the smell the air holds seconds before a heavy summer rain. Neither of us spoke. I closed my eyes. The closeness of her was the sweetest, sharpest thing I had ever known. Patrick Rothfuss
3
No one needed to say it, but the room overflowed with that sort of blessing. The combination of loss and abundance. The abundance that has no guilt. The loss that has no fix. The simple tiredness that is not weary. The hope not built on blindness. Aimee Bender
4
In the absence of a formally agreed, worldwide dictionary definition of 'Quotography' (in 2016), here are my two cents worth: 'Quotography is the art of pairing unique quotations with complementary images in order to express thought-provoking ideas, challenging concepts, profound sentiments'. Alex Morritt
5
In writing. Don't use adjectives which merely tell us how you want us to feel about the thing you are describing. I mean, instead of telling us a thing was "terrible, " describe it so that we'll be terrified. Don't say it was "delightful"; make us say "delightful" when we've read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers, "Please will you do my job for me.", 26 June 1956] . C.s. Lewis
6
It’s not about describing someone as that’s typically an attempt to make whatever they are comfortable for whoever we are. Instead, we may wish to skip the agenda of the description and embrace the wonder of the person. Craig D. Lounsbrough
7
Mankind has uncovered two extremely efficient theories: one that describes our universe's structure (Einstein's gravity: the theory of general relativity), and one that describes everything our universe contains (quantum field theory), and these two theories won't talk to each other. Christophe Galfard
8
The house is seventies modern with sliding windows, gas-effect and a giant TV in the living room. There are almost no books. I'm not making any judgement. It's just the sort of thing I can't help but notice. Anthony Horowitz
The only thing that comes close to defining me correctly...
9
The only thing that comes close to defining me correctly is my love. Kamand Kojouri
10
However gross a man may be, the minute he expresses a strong and genuine affection, some inner secretion alters his features, animates his gestures, and colors his voice. The stupidest man will often, under the stress of passion, achieve heights of eloquence, in thought if not in language, and seem to move in some luminous sphere. Goriot's voice and gesture had at this moment the power of communication that characterizes the great actor. Are not our finer feelings the poems of the human will?. Unknown
Everything about her was sweet, pale like honey. You would...
11
Everything about her was sweet, pale like honey. You would not have been surprised to see a bee caught in the tangles of that yellow hair. Katherine Mansfield
The man is angry, the man Is destructive, the man...
12
The man is angry, the man Is destructive, the man wants more. The woman is more, the woman is all. James Franco
13
The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again. Richard Adams
14
Words can be honed to crafted perfection by the finest wordsmiths. Yet, if we trust solely in the expanse of them to explain this God of ours or articulate our experience of Him, we will have brutally destroyed the very things we are attempting to explain. And if I should do that, no words can describe how badly I wish I had no words. Craig D. Lounsbrough
15
I look out at the reservation, still and glittering with casinos, and think of all the death dried up and buried in its dirt. Hannah Lillith Assadi
16
The moon hung over the planet Earth, a dead thing over a dying thing. John Fowles
17
The crow flew closer, as if to hear its praises. Emma Donoghue
18
I see foxes often, but always they are crossing fallow fields in the distance. Gold flecks on faraway expanses of green. Magnetic to the meandering eye. Enigmatic, unreachable. Sara Baume
19
I hiked up a path and into the woods, thinking about what I should be thinking about and almost having a real feeling–a feeling like, this is really sad, this is a sad place to be, a sad part of my life, maybe just a sad life. The woods were not particularly beautiful. I was not impressed by the trees. Catherine Lacey
20
The sky was low and broody, but from here, near the treeline, you could see the forest rolling down into the valley, the lake tucked away like a pocket mirror. Garth Risk Hallberg
21
Dark spruce frowned on either side of the frozen waterway. Jack London
22
It is not enough to say the crow flies purposefully, or heavily, or rowingly, or whatever. There are no words to capture the infinite depth of crowiness in the crow's flight. All we can do is use a word as an indicator, or a whole bunch of words as a general directive. But the ominous thing in the crow's flight, the bare-faced, bandit thing, the tattered beggarly gipsy thing, the caressing and shaping yet slightly clumsy gesture of the down-stroke, as if the wings were both too heavy and too powerful, and the headlong sort of merriment, the macabre pantomime ghoulishness and the undertaker sleekness - you could go on for a very long time with phrases of that sort and still have completely missed your instant, glimpse knowledge of the world of the crow's wingbeat. And a bookload of such descriptions is immediately rubbish when you look up and see the crow flying. Ted Hughes
23
Dr. Morris soon recognized that the difference between successful and unsuccessful marriages can often be traced to how well couples are able to "bond" during the courtship period. By bonding he referred to the process by which a man and woman become cemented together emotionally. It describes the chemistry that permits two previous strangers to become intensely valuable to one another. It helps them weather the storms of life and remain committed in sickness and health, for richer or poorer, for better or worse, forsaking all others until they are parted in death. It is a phenomenal experience that almost defies description. James C. Dobson
24
It was long past midnight. Laura's music played on. It was composed in the language of stars, tinkling in a crystal pool suspended from constellations. She used chimes now and then, the chimes that characterized every patio in Arizona, the piano, the trees combed by wind. A prelude to a storm. It was like discovering the secret room in a dream of your house that holds all the magic. It was music I wished I lived inside. Around us, cactus, hills filled with jumping cholla, the heat of August like another animal heaving over us. Hannah Lillith Assadi
25
The music as always had a dark sweet luster, but it was more than ever like an endless beginning-a theme ever building to a climax which would never come. Anne Rice
26
Art is the reflection of pure emotion and mind, the nature of sensation. An artist illustrates that. Unarine Ramaru
27
My mother likes odd numbers and is suspicious of the even ones. She reads a new book every week and is bewitched by black holes in the universe. She describes herself as an optimist but she worries about everything–worries incessantly–worries on behalf of others when she feels they are not worrying adequately for themselves. And my mother misses her own mother, my grandmother, immensely, who only has a past now; who is only allowed to be as we remember her. . Sara Baume
28
The chronicle of a man, the account of his life, his historiography, written as he lived out his life formed part of the rituals of his power. The disciplinary methods reversed this relation, lowered the threshold of describable individuality and made of this description a means of control and a method of domination. Michel Foucault
29
The world always says the same thing. And in that patient truth which proceeds from star to star is established a freedom that releases us from ourselves and from others, as in that other patient truth which proceeds from death to death. Albert Camus
30
The child-like, gum-chewing naïveté , the glamour rooted in despair, the self admiring carelessness, the perfected otherness, the wispiness, the shadowy, voyeuristic, vaguely sinister aura, the pale, soft-spoken magical presence, the skin and bones… Andy Warhol
31
...she felt as if her entire body were glowing with the taste of sunlight, of wind blowing in wide spaces and trees reaching their burdened arms to boundless skies. Alison Croggon
32
Your personality should be described in poem not in paragraph. Amit Kalantri
33
My dears, laugh at me if you like; it is not conventionally beautiful, but there is something in its quaint old face which pleases me. If it could play the piano, I am sure it would really play. Marcel Proust
34
All this happened in much less time than it takes to tell, since I am trying to interpret for you into slow speech the instantaneous effect of visual impressions. Joseph Conrad
35
The moon was up now and the trees were dark against it, and he passed the frame houses with their narrow yards, light coming from the shuttered windows; the unpaved alleys, with their double rows of houses; Conch town, where all was starched, well-shuttered, virtue, failure, grit and boiled grunts, under-nourishment, prejudice, righteousness, inter-breeding and the comforts of religion; the open-doored, lighted Cuban boilto houses, shacks whose only romance was their names . Ernest Hemingway
36
Rap in its form is poetry, meaning the point of convergence is words. Unarine Ramaru
37
In the deep, wet tangled, wild jungle where even natives won't go is a mystical, dangerous river. The river's got no name because naming it would make it real, and no one wanted to believe that river be real. They say you get there only inside a dream-but don't you think of it at bedtime, now, 'cause not everyone who goes there be able to leave! That jungle canopy, it so leafy true daylight can never break in the riverbank, it be wet muck thick with creatures that eat you alive if you stay still too long. To miss that fate, you gots to go into the black water. But the water be heavy as hot tar; once you in, it bind you and pull you along, bit by bit, 'til you come to the end of the land, and then over the water goes in a dark, slow cascade, the highest falls in the history of the world ever. There be demons in that cascading water, and snakes, and wraiths that whisper in your ears. They love you, they say. You should give yourself to them, stay with them, become one of them, they say. 'Isn't it good here?' they say. 'No pain, no trouble.' But also no light and no love and no joy and no ground. You tumble and tumble as you fall, and you try and choose, but your mind be topsy-turvy and maybe you can't think so well, and maybe you can't choose right, and maybe you never wake up. "It felt like that, " I tell Tootsie, "even after you got me out and Scott moved me to Highland. I couldn't choose. I couldn't shut out the wraiths.. But you would say, 'Hang on, sweetie, ' and Scottie would say, 'I miss you, Mama, ' and Scott would hold me, just hold me and say nothing at all." Tootsie snorts. "Scott was useless the whole while." "Scott was in the river, too. . Therese Anne Fowler
38
Inside the building, the sun lights up segments of the rotting wooden floor through the many holes in the roof. As I look for her, I register things: the soggy floorboards. The smell of almonds, like her. An old claw-footed bathtub in a corner. So many holes everywhere that this place is simultaneously inside and outside. John Green
39
The color palette is confined to that of a Gustave Dore' engraving, greys and blacks, and subtle shadings of these rendered in harrowing crosshatches and highlighted with sudden glaring areas of nothingness, like splotches of vitiligo sent to haunt the dead with memories of what real light did to the eyes. Kevin Hearne
40
Brother Row you could trust to make a long shot with a short bow. You could trust him to come out of a knife fight with somebody else's blood on his shirt. You could trust him to lie, to cheat, to steal, and to watch your back. You couldn't trust his eyes though. He had kind eyes, and you couldn't trust them. Mark Lawrence
41
He was a small, chubby little man with a perpetual air of sadness about him, making him look like a baby that has dropped its rattle. Marion Chesney
42
She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. Anthony Doerr
43
It was grotesque and eerie, too strange of a dream. Catherine Lacey
44
Time, I think, is like walking backward away from something: say, from a kiss. First there is the kiss; then you step back, and the eyes fill up your vision, then the eyes are framed in the face as you step further away; the face then is part of a body, and then the body is framed in a doorway, then the doorway framed in the trees beside it. The path grows longer and the door smaller, the trees fill up your sight and the door is lost, then the path is lost in the woods and the woods lost in the hills. Yet somewhere in the center still is the kiss. That's what time is like. John Crowley
45
On the floor beside the spare pillow that had tumbled from the bed in her sleep was a single yellow flower. Five heart-shaped petals. As fresh and as pure as if it were in full bloom in a summer meadow. Drowsy and mind-fogged, she crept downstairs to look for a book on Irish wildflowers. It took her a while to find anything that resembled the yellow flower, but eventually she found an image and description that matched: "Cinquefoil, a flower renowned for its healing properties and a flower also said to be favored by fairy folk. Meanings associated with it include money, protection, sleep, prophetic dreams, and beloved daughter. Hazel Gaynor
46
Among all the methods by which love is brought into being, among all the agents which disseminate that blessed bane, there are few so efficacious as the great gust of agitation which, now and then, sweeps over the human spirit. For then the creature in whose company we are seeking amusement at the moment, her lot is cast, her fate and ours decided, that is the creature whom we shall henceforward love. It is not necessary that she should have pleased us, up till then, any more, or even as much as others. All that is necessary is that our taste for her should become exclusive. And that condition is fulfilled so soon as - in the moment when she has failed to meet us - for the pleasure which we were on the point of enjoying in her charming company is abruptly substituted an anxious torturing desire, whose object is the creature herself, an irrational, absurd desire, which the laws of civilised society make it impossible to satisfy and difficult to assuage - the insensate, agonising desire to possess her. Marcel Proust
47
Under the glass porte-cochère of a theatre Amory stood, watching the first great drops of rain splatter down and flatten to dark stains on the sidewalk. The air became grey and opalescent; a solitary light suddenly outlined a window over the way; then another light; then a hundred more danced and glimmered into vision. Under his feet a thick, iron-studded skylight turned yellow; in the street the lamps of the taxicabs sent out glistening sheens along the already black pavement. The unwelcome November rain had perversely stolen the day’s last hour and pawned it with that ancient fence, the night. . F. Scott Fitzgerald
48
The king who stepped into the ballroom wearing a green velvet robe and bejeweled crown was none other that the tiger-man who'd prowled through my nightmares and nearly every waking moment for the past two days. Chorda. Kat Falls
49
I stumble across the sea of tarmac, finding pavement, concealment and a brick wall. Palms brace against the scrubby surface. My stomach churns and then bubbles over, burning my throat as acrid yellow acid spills from my lips in frothy discomposure. It splatters the pavement like a spray of blood. Rebecca Clare Smith
50
When he lifted his head, the sun seemed impossibly close. Science-fictionally close. Garth Risk Hallberg
51
A good story or a book is all about it's power to hold it's readers still till the very last word of it's climax - complexity in language, dialogues, descriptions, everything else is secondary! Mehek Bassi
52
Max always mumbles; not in a shy way, but rather as if he's telling you what it will cost to take out your worst enemy, or how much you'd have to pay to rig a horse race. Scarlett Thomas
53
She told him that he had the most beautiful voice she'd ever heard, that it sounded like whiskey and wood smoke. Dennis Lehane
54
Alex Barrow’s broad face, with the roughened skin that gave him an air of experience. His powerful, packed, wrestler’s body. The thick black fur at the base of his throat. It was wrong to call him handsome, although all the women did. Really he was almost ugly, but in a stirring, thrilling way that made her shift in her seat as she thought about him. Anne Tyler
55
The nature of atheism merits clarification on two further points which involve less common ideas about theism. The first involves the idea of 'God' which is metaphorical – for example, a theist who believes in 'God' as a principle of conscience or morality. This 'God' exists in a person’s mind and it is not something which atheists will dispute. Atheists agree that gods exist as ideas in people’s minds; the disagreement lies over whether any gods actually exist independently of human beliefs. Those are the gods which atheists disbelieve in or deny. The second type of theism involves gods that exist as physical objects: stones, trees, rivers, or even the universe itself. Believers treat these objects are their gods, but do atheists reject their existence? Of course not – but how do they then remain atheists? The point of disagreement here is whether the label 'god' communicates any information beyond the more common label of 'stone, ' 'tree, ' or 'universe.' If not, then as far as atheists are concerned, those objects don’t merit the extra label 'god' and they remain atheists. . Austin Cline
56
Hot weather opens the skull of a city, exposing its white brain, and its heart of nerves, which sizzle like the wires inside a lightbulb. And there exudes a sour extra-human smell that makes the very stone seem flesh-alive, webbed and pulsing. Truman Capote
57
A solitary finger of light fell upon it, illuminating motes of golden dust floating in the air. Christopher Paolini
58
The desert at night was black and a strange madder-tinted silver; the sky was black, and the great contorted cliffs, and the vast expanses of sand that stretched out in all directions. But the red moon cast a pale crimson-tinged luminescence over everything, and far above the stars were glittering points of silver. Rachel Neumeier
59
To label myself is similar to thinking that I can come up with a single phrase to explain the universe. Craig D. Lounsbrough
60
The city was asleep, and the bookshop felt like a boat adrift in a sea of silence and shadows. Unknown
61
While the bible is GOD because the word of GOD is GOD, please understand that GOD cannot be contained in the bible. To believe otherwise is to make an infinite GOD finite. TemitOpe Ibrahim
62
He's the navigator, he could probably find you a route to Hawaii underwater. Jocelyn White
63
The immense accretion of flesh which had descended on her in middle life like a flood of lava on a doomed city had changed her from a plump active little woman with a neatly-turned foot and ankle into something as vast and august as a natural phenomenon. She had accepted this submergence as philosophically as all her other trials, and now, in extreme old age, was rewarded by presenting to her mirror an almost unwrinkled expanse of firm pink and white flesh, in the centre of which the traces of a small face survived as if awaiting excavation. A flight of smooth double chins led down to the dizzy depths of a still-snowy bosom veiled in snowy muslins that were held in place by a miniature portrait of the late Mr. Mingott; and around and below, wave after wave of black silk surged away over the edges of a capacious armchair, with two tiny white hands poised like gulls on the surface of the billows. . Edith Wharton
64
A 'real' person, profoundly as we may sympathise with him, is in a great measure perceptible only through our senses, that is to say, he remains opaque, offers a dead weight which our sensibilities have not the strength to lift. Marcel Proust
65
She had always wanted to do every thing, and had made more progress in both drawing and music than many might have done with so little labour as she ever would submit to... She was not much deceived as to her own skill either as an artist or a musician, but she was not unwilling to have others deceived, or sorry to know her reputation for accomplishment often higher than it deserved. Jane Austen
66
Her flesh was powdery and voluptuously weary, as if tenderized by all the different beds and arms in which she had lain. Her face was as soft as the pulpy flash of an overripe banana, her breasts like two tiny bunches of grapes. She exuded a certain seedy charm, a poetry of premature corruption and decay. She breathed the air as if it burned her palate, baking her small, hot, whorish mouth. It was as if she were sucking a sweet or slurping champagne. Unknown
67
His voice gave out and he made several wavy motions with his hand, indicative of the shape of a woman who would probably be unable to keep her balance. Terry Pratchett
68
Somewhere int he flesh of the earth the dreadful earthquake shuddered, the tide walked to and fro on the leash of the moon, rainbows formed, winds swept the sky like giant brooms piling up clouds before them, clouds which writhed into different shapes, melted into rain or darkened, bruised themselves against an unseen antagonist and went on their way, laced with forking rivers of lightning, complete with white electric tributaries. Out of this infinite vision an infinity of details could be drawn, but Sonny had settled on one, and from the endless series a particular beach was chosen and began to form around Laura - a beach of iron-dark sand and shells like frail stars, and a wonderful wide sea that stretched, neither green nor blue, but inked by the approach of night into violet and black, wrinkling with its own salty puzzles, right out to a distant, pure horizon. Margaret Mahy
69
Gansey clucked at his bedraggled reflection in the dark-framed mirror hanging in the front hallway. Chainsaw eyed herself briefly before hiding on the other side of Ronan's neck; Adam did the same, but without the hiding-in- Ronan's-neck bit. Even Blue looked less fanciful that usual, the lighting rendering her lampshade dress and spiky hair as a melancholy Pierrot. Maggie Stiefvater
70
...only more keenly aware of how her soul starved within her, its wings wasting with the despair of disuse. Alison Croggon
71
There was this hot, yellowy stillness the air always got in the minutes before the last bell, as if it were stiffening itself to be shattered. Garth Risk Hallberg
72
He had the beginning of wrinkles and the easy manner of one who has already made his mistakes. Donald Kingsbury
73
She had short curls and her face had so many wrinkles it looked as if someone had been trying to draw her for a very long time and every line put in had made the face more like her. L.M. Boston
74
At last he said, "Did you come out of the big mountains?" Gitano shook his head slowly. "No, I walked down the Salinas Valley."The afternoon thought would not let Joey go. "Did you ever go into the big mountains back there?" The old dark eyes grew fixed, and their light turned inward on the years that were living in Gitano's head. John Steinbeck
75
Night would settle in like slow blindness, sucking the color from the trees and the low sky and the rocks and the frozen grass and the frost white hydrangeas until there was nothing left in the window but her own reflection. Anita Shreve
76
Outside the windows, everything is getting darker. First the yellow dies from the light, then the green and pink. The world is a blue version of itself, momentarily, before the blue snuffs out, too and it is all night. Alexandra Kleeman
77
Night was fading over the fields as if the rain had washed the darkness out of the hem of its garment. Cornelia Funke
78
Sometimes it's as if I can shrink away to nothing. Sometimes I feel as pure and perfect as a ghost. The hunger, the headaches, the dizziness–these are the only things that are real. J.P. Delaney
79
Nippers was a whiskered, sallow, and, upon the whole, rather piratical-looking young man of about five and twenty. I always deemed him the victim of two evil powers – ambition and indigestion. Herman Melville
80
Salander was an information junkie with a delinquent child's take on morals and ethics. Stieg Larsson
81
Zachariah, Zachariah, ' whispers Rachel, casting a practised eye over the back of his head and down the length of him, from the shoulder blades where his wings once grew, epochs ago, in some other guise: angel–guardian, avenging–or great vagrant bird– Daurian Jackdaw, Chimney Swift, Pacific Loon! Emma Richler
82
I should've known the eyes. Wide, bright blue, and something about the delicate arc of the lids: a cat's slant, a pale jeweled girl in an old painting, a secret. Tana French
83
His eyes reflected the open grey of the autumnal sky. Juliet Marillier
84
She gave a shiver, and suddenly clutched her arms about her body. She spoke, Gascoigne thought, with an exhilarated fatigue, the kind that comes after the first blush of love, when the self has lost its mooring, and, half-drowning, succumbs to a fearful tide. But addiction was not love; it could not be love. Gascoigne could not romanticize the purple shadows underneath her eyes, her wasted limbs, the dreamy disorientation with which she spoke; but even so, he thought, it was uncanny that opium's ruin could mirror love's raptures with such fidelity. . Eleanor Catton
85
Is it the smoke?' the boy said, shivering slightly. 'I've never touched the stuff, myself, but how it claws at one...like a thorn in every one of your fingers, and a string around your heart...and one fees it always. Nagging. Nagging. Eleanor Catton
86
And out the bus window, here is my dead world come true, my whole dead world in motion. Sara Baume
87
Lady Moon rose an' gazed o'er my busted'n'beautsome Valleys with silv'ry'n'sorryin' eyes, an' the dingos mourned for the died uns. David Mitchell
88
Through my sudden tears, the train lights smeared like shooting stars. Lying before the rippling blue window, below the slurred lights of the world above, it was as if we were underwater. Hannah Lillith Assadi
89
She was strong and stubborn but loving. She was an untouchable angel with a devil’s mark. She was beautiful. Shannon A. Thompson
90
Famous revolutionary, ' you say, and the laughter pumps out of your chest like blood, great almost painful spurts of it splashing up the building faces toward the marquee moon. Garth Risk Hallberg
91
String theory is an attempt at a deeper description of nature by thinking of an elementary particle not as a little point but as a little loop of vibrating string. Edward Witten
92
The evening sky was awash with peach, apricot, cream: tender little ice-cream clouds in a wide orange sky. Philip Pullman
93
Even the kids, behind the slice of streetscape floating in the glass, had mastered the art of pretending not to see. Garth Risk Hallberg
94
This morning, I see the lead in my glass tumbler. A slim, bright glint, a silverfish. I feel it collecting in my blood, papercutting the lining of my veins. Sara Baume
95
Dark-bright fire lit eyes Audre Lorde
96
She grew up in the ordinary paradise of the English countryside. When she was five she walked to school, two miles, across meadows covered with cowslips, buttercups, daisies, vetch, rimmed by hedges full of blossom and then berries, blackthorn, hawthorn, dog-roses, the odd ash tree with its sooty buds. A.S. Byatt
97
Meantime the clang of the bows and the shouts of the combatants mixed fearfully with the sound of the trumpets, and drowned the groans of those who fell, and lay rolling defenceless beneath the feet of the horses. The splendid armour of the combatants was now defaced with dust and blood, and gave way at every stroke of the sword and battle-axe. The gay plumage, shorn from the crests, drifted upon the breeze like snowflakes. All that was beautiful in the martial array had disappeared, and what was now visibke was only calculated to awaken terror or compassion. . Walter Scott
98
In describing a protein it is now common to distinguish the primary, secondary and tertiary structures. The primary structure is simply the order, or sequence, of the amino-acid residues along the polypeptide chains. This was first determined by [Frederick] Sanger using chemical techniques for the protein insulin, and has since been elucidated for a number of peptides and, in part, for one or two other small proteins. The secondary structure is the type of folding, coiling or puckering adopted by the polypeptide chain: the a-helix structure and the pleated sheet are examples. Secondary structure has been assigned in broad outline to a number of librous proteins such as silk, keratin and collagen; but we are ignorant of the nature of the secondary structure of any globular protein. True, there is suggestive evidence, though as yet no proof, that a-helices occur in globular proteins, to an extent which is difficult to gauge quantitatively in any particular case. The tertiary structure is the way in which the folded or coiled polypeptide chains are disposed to form the protein molecule as a three-dimensional object, in space. The chemical and physical properties of a protein cannot be fully interpreted until all three levels of structure are understood, for these properties depend on the spatial relationships between the amino-acids, and these in turn depend on the tertiary and secondary structures as much as on the primary. Only X-ray diffraction methods seem capable, even in principle, of unravelling the tertiary and secondary structures.[ Co-author with G. Bodo, H. M. Dintzis, R. G. Parrish, H. Wyckoff, and D. C. Phillips] . John Kendrew
99
He had a prince's looks but a pirate's eyes. Veronica Rossi
100
Tricky was a plain-faced man with a very handsome voice - a voice like the sound of a clarinet, at once liquid and penetrating, and lovely to listen to. Sarah Waters