Quotes From "Wanderlust: A History Of Walking" By Rebecca Solnit

To write is to carve a new path through the terrain of the imagination, or to point out new features on a familiar route. To read is to travel through that terrain with the author as a guide-- a guide one might not always agree with or trust, but who can at least be counted on to take one somewhere. Rebecca Solnit

I like walking because it is slow, and I suspect that the mind, like the feet, works at about three miles an hour. If this is so, then modern life is moving faster than the speed of thought or thoughtfulness. Rebecca Solnit

For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom. Rebecca Solnit

If the body is the register of the real, then reading with one's feet is real in a way reading with one's eyes alone is not. Rebecca Solnit

..the act of remembering is imagined as a real act, that is, as a physical act: as walking..the means of retrieving the stored information was walking through the rooms like a visitor in a museum..to walk the same route again can mean to think the same thoughts again, as though thoughts and ideas were indeed fixed objects in a landscape one need only know how to travel through. In this way, walking is reading, even when both the walking and reading are imaginary, and the landscape of the memory becomes a text as stable as that to be found in the garden, the labyrinth, or the stations. Rebecca Solnit

This is what is behind the special relationship between tale and travel, and, perhaps, the reason why narrative writing is so closely bound up with walking. To write is to carve a new path through the terrain of the imagination, or to point out new features on a familiar route. To read is to travel through that terrain that the author as guide - a guide one may not always agree with our trust, but who can at least be counted upon to take one somewhere. I have have often wished that my sentences could be written out as a single line running into distances so that it would be clear that a sentence is likewise a road and reading is traveling. . Rebecca Solnit

Perhaps walking is best imagined as an 'indicator species, ' to use an ecologist's term. An indicator species signifies the health of an ecosystem, and its endangerment or diminishment can be an early warning sign of systemic trouble. Walking is an indicator species for various kinds of freedom and pleasures: free time, free and alluring space, and unhindered bodies. Rebecca Solnit

[In mountaineering, if] we look for private experience rather than public history, even getting to the top becomes an optional narrative rather than the main point, and those who only wander in high places become part of the story. Rebecca Solnit

The famous Zen parable about the master for whom, before his studies, mountains were only mountains, but during his studies mountains were no longer mountains, and afterward mountains were again mountains could be interpreted as an alleory about [the perpetual paradox that when one is closest to a destination one is also the farthest). Rebecca Solnit

A lone peak of high point is a natural focal point in the landscape, something by which both travelers and local orient themselves. In the continuum of landscape, mountains are discontinuity -- culminating in high points, natural barriers, unearthly earth. Rebecca Solnit

Suddenly I came out of my thoughts to notice everything around me again-the catkins on the willows, the lapping of the water, the leafy patterns of the shadows across the path. And then myself, walking with the alignment that only comes after miles, the loose diagonal rhythm of arms swinging in synchronization with legs in a body that felt long and stretched out, almost as sinuous as a snake…when you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one the best ways of exploring the mind, and walking travels both terrains. Rebecca Solnit

When you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one the best ways of exploring the mind, and walking travels both terrains. Rebecca Solnit

Women have routinely been punished and intimidated for attempting that most simple of freedoms, taking a walk, because their walking and indeed their very beings have been construed as inevitably, continually sexual in those societies concerned with controlling women's sexuality. Rebecca Solnit

Of course women's walking is often construed as performance rather than transport, with the implication that women walk not to see but to be seen, not for their own experience but for that of a male audience, which means that they are asking for whatever attention they receive. Rebecca Solnit

It was a place as blank as a sheet of paper. It was the place I had always been looking for... Flat expanses would call to me... These are the places where the desert is most itself: stark, open, free, an invitation to wander, a laboratory of perception, scale, light, a place where loneliness has a luxurious flavor... Rebecca Solnit

The fear of rape puts many women in their place - indoors, intimidated, dependent yet again on material barriers and protectors.. I was advised to stay indoors at night, to wear baggy clothes, to cover or cut my hair, to try to look like a man, to move someplace more expensive, to take taxis, to buy a car, to move in groups, to get a man to escort me–all modern versions of Greek walls and Assyrian veils, all asserting it was my responsibility to control my own and men's behavior rather than society's to ensure my freedom. I realized that many women had been so successfully socialized to know their place that they had chosen more conservative, gregarious lives without realizing why. The very desire to walk alone had been extinguished in them–but it had not in me. . Rebecca Solnit

Alone in the car with my social life all before and behind me, I was suspended in the beautiful solitude of the open road, in a kind of introspection that only outdoor space generates, for inside and outside are more intertwined than the usual distinctions allow. The emotion stirred by the landscape is piercing, a joy close to pain when the blue is deepest on the horizon or the clouds are doing those spectacular fleeting things so much easier to recall than to describe. Rebecca Solnit

... a certain kind of wanderlust can only be assuaged by the acts of the body itself in motion, not the motion of the car, boat, or plane. Rebecca Solnit

Musing takes place in a kind of meadowlands of the imagination, a part of the imagination that has not yet been plowed, developed, or put to any immediately practical use…time spent there is not work time, yet without that time the mind becomes sterile, dull, domesticated. The fight for free space – for wilderness and public space – must be accompanied by a fight for free time to spend wandering in that space. Rebecca Solnit

Earlier 18th-century literary language was not supple enough to connect the life of the imagination to that of the street. Rebecca Solnit

The magic of the street is the mingling of the errand and the epiphany. Rebecca Solnit

Drifting across the vast space, silent except for wind and footsteps, I felt uncluttered and unhurried for the first time in a while, already on desert time. Rebecca Solnit

...I fear their false urgency, their call to speed, their insistence that travel is less important than arrival... Rebecca Solnit

Walkers are 'practitioners of the city, ' for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go. Rebecca Solnit

Thinking is generally thought of as doing nothing in a production-oriented society, and doing nothing is hard to do. It's best done by disguising it as doing something, and the something closest to doing nothing is walking. Rebecca Solnit

A labyrinth is a symbolic journey .. . but it is a map we can really walk on, blurring the difference between map and world. Rebecca Solnit

Language is like a road, it cannot be perceived all at once because it unfolds in time, whether heard or read. This narrative or temporal element has made writing and walking resemble each other. Rebecca Solnit

A path is a prior interpretation of the best way to traverse a landscape. Rebecca Solnit

...the gym is a kind of wildlife preserve for bodily exertion. A preserve protects species whose habitat is vanishing elsewhere, and the gym (and home gym) accommodates the survival of bodies after the abandonment of the original sites of bodily exertion. Rebecca Solnit