Quotes From "Walking On Water: Reflections On Faith And Art" By Madeleine LEngle

1
In a very real sense not one of us is qualified, but it seems that God continually chooses the most unqualified to do his work, to bear his glory. If we are qualified, we tend to think that we have done the job ourselves. If we are forced to accept our evident lack of qualification, then there's no danger that we will confuse God's work with our own, or God's glory with our own. Madeleine LEngle
2
We live by revelation, as Christians, as artists, which means we must be careful never to get set into rigid molds. The minute we begin to think we know all the answers, we forget the questions, and we become smug like the Pharisee who listed all his considerable virtues, and thanked God that he was not like other men. Unamuno might be describing the artist as well as the Christian as he writes, "Those who believe they believe in God, but without passion in the heart, without anguish of mind, without uncertainty, without doubt, and even at times without despair, believe only in the idea of God, and not in God himself. Madeleine LEngle
Aeschylus writes,
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Aeschylus writes, "In our sleep, pain that cannot forget falls drop by drop upon the heart and in our own despair, against our will, comes wisdom through the awful grade of God. Madeleine LEngle
Faith is what makes life bearable, with all its tragedies...
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Faith is what makes life bearable, with all its tragedies and ambiguities and sudden, startling joys. Madeleine LEngle
5
As Emmanuel, Cardinal Suhard says, "To be a witness does not consist in engaging in propaganda, nor even in stirring people up, but in being a living mystery. It means to live in such a way that one's life would not make sense if God did not exist. Madeleine LEngle
6
George MacDonald gives me renewed strength during times of trouble--times when I have seen people tempted to deny God--when he says, "The Son of God suffered unto death, not that men might not suffer, but that their sufferings might be like his. Madeleine LEngle
Reading about the response of people in stories, plays, poems,...
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Reading about the response of people in stories, plays, poems, helps us to respond more courageously and openly at our own moments of turning. Madeleine LEngle
8
The artist is a servant who is willing to be a birthgiver. In a very real sense the artist (male or female) should be like Mary who, when the angel told her that she was to bear the Messiah, was obedient to the command.. I believe that each work of art, whether it is a work of great genius, or something very small, comes to the artist and says, "Here I am. Enflesh me. Give birth to me." And the artist either says, "My soul doth magnify the Lord, " and willingly becomes the bearer of teh work, or refuses; but the obedient response is not necessarily a conscious one, and not everyone has the humble, courageous obedience of Mary.As for Mary, she was little more than a child when the angel came to her; she had not lost her child's creative acceptance of the realities moving on the other side of the everyday world. We lose our ability to see angels as we grow older, and that is a tragic loss. Madeleine LEngle
The discipline of creation, be it to paint, compose, write,...
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The discipline of creation, be it to paint, compose, write, is an effort towards wholeness. Madeleine LEngle
10
We all tend to make zealous judgments and thereby close ourselves off from revelation. If we feel that we already know something in its totality, then we fail to keep our ears and eyes open to that which may expand or even changes that which we so zealously think we know. Madeleine LEngle
11
If I do wrong, I may do it unwittingly, thinking I am doing something for the best; but if it turns out to be wrong, I have done it, and I must bear the responsibility. It is not somebody else’s or something else’s fault. If it is I am less than human. Like everybody else, I tend to rationalize and alibi, before I let myself admit, “Yes, I did this. I am sorry. I will do what I can to make reparation.” Our sins defeat us unless we are willing to recognize them, confess them, and become healed and whole and holy–not qualified, mind you; just holy. Madeleine LEngle
Freedom is a terrible gift, and the theory behind all...
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Freedom is a terrible gift, and the theory behind all dictatorships is that "the people" do no want freedom. Madeleine LEngle
To try to talk about art and about Christianity is...
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To try to talk about art and about Christianity is for me one and the same thing, and it means attempting to share the meaning of my life, what gives it, for me, its tragedy and its glory. Madeleine LEngle
14
Obedience is an unpopular word nowadays, but the artist must be obedient to the work, whether it be a symphony, a painting, or a story for a small child. I believe that each work of art, whether it is a work of great genius or something very small, comes to the artist and says, "Here I am, Enflesh me. Give birth to me." And the artist either says, "My soul doth magnify the Lord, " and willingly becomes the bearer of the work, or refuses; but the obedient response is not necessarily a conscious one, and not everyone has the humble, courageous obedience of Mary. Madeleine LEngle
15
Art is communication. Madeleine LEngle
16
When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens. Madeleine LEngle
17
The figure in the icon is not meant to represent literally what Peter or John or any of the apostles looked like, or what Mary looked like, nor the child, Jesus. But, the orthodox painter feels, Jesus of Nazareth did not walk around Galilee faceless. The icon of Jesus may not look like the man Jesus two thousand years ago, but it represents some *quality* of Jesus, or his mother, or his followers, and so becomes an open window through which we can be given a new glimpse of the love of God. Madeleine LEngle
18
What we are is going to be visible in our art, no matter how secular (on the surface) the subject may be. Madeleine LEngle
19
When we are writing or painting or composing, we are, during the time of creativity, freed from normal restrictions and opened to a wider world, where colours are brighter, sounds clearer, and people more wondrously complex than we normally realize. Madeleine LEngle
20
If the artist reflects only his own culture, then his works will die with that culture. But if his works reflect the eternal and universal, they will revive. Madeleine LEngle
21
The writer does want to be published; the painter urgently hopes that someone will see the finished canvas (van Gogh was denied the satisfaction of having his work bought and appreciated during his lifetime; no wonder the pain was more than he could bear); the composer needs his music to be heard. Art is communication, and if there is no communication it is as though the work has been stillborn. Madeleine LEngle
22
Stories, no matter how simple, can be vehicles of truth; can be, in fact, icons. It's no coincidence that Jesus taught almost entirely by telling stories, simple stories dealing with the stuff of life familiar to the Jews of his day. Stories are able to help us to become more whole, to become Named. And Naming is one of the impulses behind all art; to give a name to the cosmos we see despite all the chaos. . Madeleine LEngle
23
The artist cannot hold back; it is impossible, because writing, or any other discipline of art, involves participation in suffering, in the ills and the occasional stabbing joys that come from being part of the human drama. Madeleine LEngle
24
The well-intentioned mothers who don't want their children polluted by fairy tales would not only deny them their childhood, with its high creativity, but they would have them conform to the secular world, with its dirty devices. The world of fairy tale, fantasy, myth, is inimical to the secular world, and in total opposition to it, for it is interested not in limited laboratory proofs but in truth. Madeleine LEngle
25
In so-called primitive societies there are two words for power, mana and taboo: the power which creates and the power which destroys; the power which is benign and the power which is malign. Odd that we have retained in our vocabulary the word for dangerous power, taboo, and have lost mana. Madeleine LEngle
26
But what is real? In the Bible we are constantly being given glimpses of a reality quite different from that taught in school, even in Sunday school. And these glimpses are not given to the qualified; there's the marvel. It may be that the qualified feel no need of them. Madeleine LEngle
27
The child is aware of unlimited potential, and this munificence is one of the joys of creativity. Those of use who struggle in our own ways, small or great, trickles or rivers, to create, are constantly having to unlearn what the world would teach us... Madeleine LEngle
28
Creativity is a way of living life, no matter what our vocation, or how we earn our living. Creativity is not limited to the arts... Madeleine LEngle
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In the act of creativity, the artist lets go the self-control which he normally clings to and is open to riding the wind. Madeleine LEngle
30
But I am a storyteller, and that involves language, for me the English language, that wonderfully rich, complex, and ofttimes confusing tongue. When language is limited, I am thereby diminished, too. Madeleine LEngle
31
If we are to be aware of life while we are living it, we must have the courage to relinquish our hard-earned control of ourselves. Madeleine LEngle
32
Ridicule is a terrible witherer of the flower of imagination. It binds us where we should be free. Madeleine LEngle
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In art, either as creators or participators, we are helped to remember some of the glorious things we have forgotten, and some of the terrible things we were asked to endure... Madeleine LEngle
34
Jesus was not a theologian. He was a God who told stories. Madeleine LEngle
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Jesus was not a theologian. He was God who told stories. Madeleine LEngle
36
Meaninglessness inhibits fullness of life and is therefore equivalent to illness. Meaning makes a great many things endurable--perhaps everything.... It is not that 'God' is a myth, but that myth is the revelation of a divine life in man. It is not we who invent myth; rather, it speaks to us as a Word of God. Madeleine LEngle
37
It may be that we have lost our ability to hold a blazing coal, to move unfettered through time, to walk on water, because we have been taught that such things have to be earned; we should deserve them; we must be qualified. We are suspicious of grace. We are afraid of the very lavishness of the gift. But a child rejoices in presents! Madeleine LEngle
38
We are suspicious of grace. We are afraid of the very lavishness of the gift. Madeleine LEngle
39
Stories are able to help us to become more whole, to become Named. And Naming is one of the impulses behind all art; to give a name to the cosmos, we see despite all the chaos. Madeleine LEngle
40
I was at the annual meeting of a state library association a few years later, when the children were in the process of leaving the nest, and one of the librarians asked me, "What do you think you and Hugh have done which was the best for your children?" I answered immediately and without thinking, "We love each other. Madeleine LEngle
41
As long as we know what it's about, then we can have the courage to go wherever we are asked to go, even if we fear that the road may take us through danger and pain. Madeleine LEngle
42
Maybe the job of the artist is to see through all of this strangeness to what really is, and that takes a lot of courage and a strong faith in the validity of the artistic vision even if there is not a conscious faith in God. Madeleine LEngle
43
We all tend to make zealous judgement, and thereby close ourselves off from revelation. Madeleine LEngle
44
But when the world is, indeed, in chaos, then an affirmation of cosmos becomes essential. Madeleine LEngle
45
We live by revelation, as Christians, as artists, which means that we must be careful never to get set into rigid molds. The minute we begin to think we know all the answers, we forget the questions, and we become smug like the Pharisee who listed all his considerable virtues and thanked God that he was not like other men. Madeleine LEngle
46
When I am constantly running there is no time for being. When there is no time for being there is no time for listening. Madeleine LEngle
47
But BEing time is never wasted time. When we are BEing, not only are we collaborating with chronological time, but we are touching on kairos, and are freed from the normal restrictions of time. Madeleine LEngle