Quotes From "The Windup Bird Chronicle" By Haruki Murakami

1
Is it possible, in the final analysis, for one human being to achieve perfect understanding of another? We can invest enormous time and energy in serious efforts to know another person, but in the end, how close can we come to that person's essence? We convince ourselves that we know the other person well, but do we really know anything important about anyone? Haruki Murakami
2
Here's what I think, Mr. Wind-Up Bird, " said May Kasahara. "Everybody's born with some different thing at the core of their existence. And that thing, whatever it is, becomes like a heat source that runs each person from the inside. I have one too, of course. Like everybody else. But sometimes it gets out of hand. It swells or shrinks inside me, and it shakes me up. What I'd really like to do is find a way to communicate that feeling to another person. But I can't seem to do it. They just don't get it. Of course, the problem could be that I'm not explaining it very well, but I think it's because they're not listening very well. They pretend to be listening, but they're not, really. So I get worked up sometimes, and I do some crazy things. Haruki Murakami
3
Holding this soft, small living creature in my lap this way, though, and seeing how it slept with complete trust in me, I felt a warm rush in my chest. I put my hand on the cat's chest and felt his heart beating. The pulse was faint and fast, but his heart, like mine, was ticking off the time allotted to his small body with all the restless earnestness of my own. Haruki Murakami
When you are used to the kind of life -of...
4
When you are used to the kind of life -of never getting anything you want- you stop knowing what it is you want. Haruki Murakami
Snow floated down every once in a while, but it...
5
Snow floated down every once in a while, but it was frail snow, like a memory fading into the distance. Haruki Murakami
6
The darkness behind my closed eyelids was like the cloud-covered sky, but the gray was somewhat deeper. Every few minutes, someone would come and paint over the gray with a different-textured gray - one with a touch of gold or green or red. I was impressed with the variety of grays that existed. Human beings were so strange. All you had to do was sit still for ten minutes, and you could see this amazing variety of grays. Haruki Murakami
7
Es decir..., lo que yo creo es que el hombre piensa en el significado de la vida porque sabe con certeza que va morir algún día. (...) Nadie sabe lo que va a ocurrir. Por eso nosotros, para evolucionar necesitamos la muerte. Haruki Murakami
Tell me, Doctor, are you afraid of death?
8
Tell me, Doctor, are you afraid of death?"" I guess it depends on how you die. Haruki Murakami
I guess time doesn't flow in order, does it -...
9
I guess time doesn't flow in order, does it - A, B, C, D? It just sort of goes where it feels like going. Haruki Murakami
The passage of time will usually extract the venom of...
10
The passage of time will usually extract the venom of most things and render them harmless Haruki Murakami
From the moment of my birth, I lived with pain...
11
From the moment of my birth, I lived with pain at the center of my life. My only purpose in life was to find a way to coexist with intense pain. Haruki Murakami
I closed my eyes and tried to sleep. But it...
12
I closed my eyes and tried to sleep. But it was not until much later that I was able to get any real sleep. In a place far away from anyone or anywhere, I drifted off for a moment. Haruki Murakami
13
As you are all aware, in the course of life we experience many kinds of pain. Pains of the body and pains of the heart. I know I have experienced pain in many different forms, and I'm sure you have too. In most cases, though, I'm sure you've found it very difficult to convey the truth of that pain to another person: to explain it in words. People say that only they themselves can understand the pain they are feeling. But is it true? I for one do not believe that it is. If, before our eyes, we see someone who is truly suffering, we do sometimes feel his suffering and pain as our own. This is the power of empathy. Am I making myself clear?'' He broke off and looked around the room once again.'' The reason that people sing songs for other people is because they want to have the power to arouse empathy, to break free of the narrow shell of the self and share their pain and joy with others. This is not an easy thing to do, of course. And so tonight, as a kind of experiment, I want you to experience a simpler, more physical kind of empathy. Lights please.'' Everyone in the place was hushed now, all eyes fixed on stage. Amid the silence, the man stared off into space, as if to insert a pause or to reach a state of mental concentration. Then, without a word, he held his hand over the lighted candle. Little by little, he brought the palm closer and closer to the flame. Someone in the audience made a sound like a sigh or a moan. You could see the tip of the flame burning the man's palm. You could almost hear the sizzle of the flesh. A woman let out a hard little scream. Everyone else just watched in frozen horror. The man endured the pain, his face distorted in agony. What the hell was this? Why did he have to do such a stupid, senseless thing? I felt my mouth going dry. After five or six seconds of this, he slowly removed his hand from the flame and set the dish with the candle in it on the floor. Then he clasped his hands together, the right and left palms pressed against each other.'' As you have seen tonight, ladies and gentleman, pain can actually burn a person's flesh, '' said the man. His voice sounded exactly as it had earlier: quiet, steady, cool. No trace of suffering remained on his face. Indeed, it had been replaced by a faint smile. ''And the pain that must have been there, you have been able to feel as if it were your own. That is the power of empathy. Haruki Murakami
14
As you are all aware, in the course of life we experience many kinds of pain. Pains of the body and pains of the heart. I know I have experienced pain in many different forms, and I'm sure you have too. In most cases, though, I'm sure you've found it very difficult to convey the truth of that pain to another person: to explain it in words. People say that only they themselves can understand the pain they are feeling. But is it true? I for one do not believe that it is. If, before our eyes, we see someone who is truly suffering, we do sometimes feel his suffering and pain as our own. This is the power of empathy. Am I making myself clear?'' He broke off and looked around the room once again.'' The reason that people sing songs for other people is because they want to have the power to arouse empathy, to break free of the narrow shell of the self and share their pain and joy with others. This is not an easy thing to do, of course. And so tonight, as kind of experiment, I want you to experience a simpler, more physical kind of empathy. Lights please.'' Everyone in the place was hushed now, all eyes fixed on stage. Amid the silence, the man stared off into space, as if to insert a pause or to reach a state of mental concentration. Then, without a word, he held his hand over the lighted candle. Little by little, he brought the palm closer and closer to the flame. Someone in the audience made a sound like a sigh or a moan. You could see the tip of the flame burning the man's palm. You could almost hear the sizzle of the flesh. A woman let out a hard little scream. Everyone else just watched in frozen horror. The man endured the pain, his face distorted in agony. What the hell was this? Why did he have to do such a stupid, senseless thing? I felt my mouth going dry. After five or six seconds of this, he slowly removed his hand from the flame and set the dish with the candle in it on the floor. Then he clasped his hands together, the right and left palms pressed against each other.'' As you have seen tonight, ladies and gentleman, pain can actually burn a person's flesh, '' said the man. His voice sounded exactly as it had earlier: quiet, steady, cool. No trace of suffering remained on his face. Indeed, it had been replaced by a faint smile. ''And the pain that must have been there, you have been able to feel as if it were your own. That is the power of empathy. Haruki Murakami
15
Money had no name, of course. And if it did have a name, it would no longer be money. What gave money its true meaning was its dark-night namelessness, its breathtaking interchangeability. Haruki Murakami
16
As soon as I sat down across from her, she ordered me to put the entire contents of my pants pockets on the table. I did as I was told, saying nothing. My reality seemed to have left me and was now wandering around nearby. I hope it can find me, I thought. Haruki Murakami
17
Reality spilled out into the alley like water from an overfilled bowl - as sound, as smell, as image, as plea, as response. Haruki Murakami
18
Still, though, I can’t be sure if the zoo as I recall it was really like that. How can I put it? I sometimes feel that it’s too vivid, if you know what I mean. And when I start having thoughts like this, the more I think about it, the less I can tell how much of the vividness is real and how much of it my imagination has invented. Haruki Murakami
19
The better you were able to imagine what you wanted to imagine, the farther you could flee from reality. Haruki Murakami
20
Living like an empty shell is not really living, no matter how many years it might go on Haruki Murakami
21
A person’s destiny is something you look back at afterwards, not something to be known in advance. Haruki Murakami
22
How can I put this? There's a king of gap between what I think is real and what's really real. I get this feeling like some kind of little something-or-other is there, somewhere inside me... like a burglar is in the house, hiding in a wardrobe... and it comes out every once in a while and messes up whatever order or logic I've established for myself. The way a magnet can make a machine go crazy. Haruki Murakami
23
What i'm trying to say is this. A certain kind of shittiness, a certain kind of stagnation, a certain kind of darkness, goes on propogating itself by its own power in its own self-contained cycle. And once it passes a certain point, no one can stop it - even if the person himself wants to stop it. Haruki Murakami
24
I was a vacant room. Inside, the music produces only a dry, hollow echo. Haruki Murakami
25
I don't know much about the world, but I do know one thing for sure. If I'm pessimistic, then the adults in this world who are not pessimistic are a bunch of idiots. Haruki Murakami
26
Curiosity can bring guts out of hiding at times, maybe even get them going. But curiosity usually evaporates. Gust have to go for the long haul. Curiosity's like a fun friend you can't really trust. It turns you on and then it leaves you to make it on your own - with whatever guts you can muster Haruki Murakami
27
I could disappear from the face of the earth, and the world would go on moving without the slightest twinge. Things were tremendously complicated, to be sure, but one thing was clear: no one needed me. Haruki Murakami
28
Still, though, I can't be sure if the zoo as I recall it was really like that. How can I put it? I sometimes feel that it's too vivid, if you know what I mean. And when I start having thoughts like this, the more I think about it, the less I can tell how much of the vividness is real and how much of it my imagination has invented. I feel as if I've wandered into a labyrinth. Has that ever happened to you? . Haruki Murakami
29
I stayed in the town until early evening, and when the sun began to sink, my heart did too. This is your last chance to go back, I told myself. Once it gets completely dark, you might never be able to leave here. I went home on the same buses that had brought me there. I arrived before seven, and no one noticed that I had run away. Haruki Murakami
30
I stayed in the town until earlyevening, and when the sun began to sink, my heart did too. This is your last chance to goback, I told myself. Once it gets completely dark, you might never be able to leave here. Iwent home on the same buses that had brought me there. I arrived before seven, and no onenoticed that I had run away. Haruki Murakami
31
I am afraid to die, though, ' I whispered to myself. These turned out to be my last words. They were not very impressive words, but it was too late to change them. Haruki Murakami
32
Looking up at [the sky], I think about the October evening world, where 'people' must be going about their lives. Beneath that pale autumn light, they must be walking down streets, going to the store for things, preparing dinner, boarding trains for home. And they think--if they think at all--that these things are too obvious to think about, just as I used to do (or not do). Haruki Murakami
33
I feel as if the world is listening for my next thought. But I can't think of anything. Sorry, but I just can't think of anything. Haruki Murakami
34
But even so, every now and then I would feel a violent stab of loneliness. The very water I drink, the very air I breathe, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning. Haruki Murakami
35
Can I be honest with you, Mr. Wind-Up Bird? I mean, really, really, really honest? Sometimes I get sooo scared! I’ll wake up in the middle of the night all alone, hundreds of miles away from anybody, and it’s pitch dark, and I have absolutely no idea what’s going to happen to me in the future, and I get so scared I want to scream. Does that happen to you, Mr. Wind-Up Bird? When it happens, I try to remind myself that I am connected to others–other things and other people. I work as hard as I can to list their names in my head. On that list, of course, is you, Mr. Wind-Up Bird. And the alley, and the well, and the persimmon tree, and that kind of thing. And the wigs that I’ve made here with my own hands. And the little bits and pieces I remember about the boy. All these little things (though you’re not just another one of those little things, Mr. Wind-Up Bird, but anyhow…) help me to come back “here” little by little. Haruki Murakami
36
I was the chain that bit into my ankle, and I was the ruthless guard that never slept. Haruki Murakami
37
If something came out of the deal, it couldn’t make things any worse for us than they already were, I thought. But I couldn’t have been more wrong. Hell has no true bottom. Haruki Murakami
38
The real world is in a much darker and deeper place than this, and most of it is occupied by jellyfish and things. We just happen to to forget all that. Don't you agree? Two-thirds of earth's surface is ocean, and all we can see with the naked eye is the surface: the skin. Haruki Murakami
39
In truly deep darkness, all kinds of strange things were possible. Haruki Murakami
40
Anyway, it seems to me that the way most people go on living (I suppose there are a few exceptions), they think that the world of life (or whatever) is this place where everything is (or is supposed to be) basically logical and consistent.. It's like when you put instant rice pudding mix in a bowl in the microwave and push the button, and you take the cover off when it rings, and there you've got rice pudding. I mean, what happens in between the time when you push the switch and when the microwave rings? You can't tell what's going on under the cover. Maybe the instant rice pudding first turns into macaroni gratin in the darkness when nobody's looking and only then turns back into rice pudding. We think it's natural to get rice pudding after we put rice pudding mix in the microwave and the bell rings, but to me that's just a presumption. I would be kind of relieved if, every once in a while, after you put rice pudding mix in the microwave and it rang and you opened the top, you got macaroni gratin. Haruki Murakami
41
No, I don't think I've been defiled. But I haven't been saved, either. There's nobody who can save me right now, Mr. Wind-Up Bird. The world looks totally empty to me. Everything I see around me looks fake. The only thing thay isn't fake is that gooshy thing inside me. Haruki Murakami
42
Hatred is like a long, dark shadow. Not even the person it falls upon knows where it comes from, in most cases. It is like a two-edged sword. When you cut the other person, you cut yourself. The more violently you hack at the other person, the more violently you hack at yourself. It can often be fatal. But it is not easy to dispose of. Please be careful, Mr.Okada. It is very dangerous. Once it has taken root in your heart, hatred is the most difficult think in the world to shake off. . Haruki Murakami
43
Hatred is like a tow-edged sword. When you cut the other person, you cut yourself. Haruki Murakami
44
The majority of people dismiss those things that lie beyond the bounds of their own understanding as absurd and not worth thinking about. I myself can only wish that my stories were, indeed, nothing but incredible fabrications. I have stayed alive all these years clinging to the frail hope that these memories of mine were nothing but a dream or a delusion. I have struggled to convince myself that they never happened. But each time I tried to push them into the dark, they came back stronger and more vivid than ever. Like cancer cells, these memories have taken root in my mind and eaten into my flesh. Haruki Murakami
45
Whenever an occasion arose in which she needed an opinion on something in the wider world, she borrowed her husband's. If this had been all there was to her, she wouldn't have bothered anyone, but as is so often the case with such women, she suffered from an incurable case of of pretentiousness. Lacking any internalized values of her own, such people can arrive at a standpoint only by adopting other people's standards or views. The only principle that governs their minds is the question "How do I look?. Haruki Murakami
46
Certain kinds of information are like smoke: they work their way into people's eyes and minds whether sought out or not, and with no regard to personal preference. Haruki Murakami
47
We were young, and we had no need for prophecies. Just living was itself an act of prophecy. Haruki Murakami
48
Unable to sleep after the others had drowsed off, I crawled out of the tent and lay on the ground, looking at the sky. Now and then, a shooting star would trace a bright arc across the heavens. The longer I watched, though, the more nervous it made me. There were simply too many stars, and the sky was too vast and deep. A huge, overpowering foreign object, it surrounded me, enveloped me, and made me feel almost dizzy. Until that moment, I had always thought that the earth on which I stood was a solid object that would last forever. Or rather, I had never thought about such a thing at all. I had simply taken it for granted. Haruki Murakami
49
I mean, all I do here is do the work that my bosses tell me to do the way they tell me to do it. I don't have to think at all. It's like I just put my brain in a locker before I start work and pick it up on the way home. I spend seven hours a day at a workbench, planting hairs into wig bases, then I eat dinner in the cafeteria, take a bath, and of course I have to sleep, like everybody else, so out of a twenty-four-hour day, the amount of free time I have is like nothing. And because I'm so tired from work, the 'free time' I have I mostly spend lying around in a fog. I don't have any time to sit and think about anything. Of course, I don't have to work on the weekends, but then I have to do the laundry and cleaning I've let go, and sometimes I go into town, and before I know it the weekend is over. I once made up my mind to keep a diary, but I had nothing to write, so I quit after a week. I mean, I just do the same thing over and over again, day in, day out. Haruki Murakami
50
Stop agreeing with everything I say! It's not as if you're going to solve everything by admitting your mistakes. Whether or not you admit then or not, mistakes are mistakes."" It's true, " I said. It -was- true. Haruki Murakami