Quotes From "The Corrections" By Jonathan Franzen

Fiction is a solution, the best solution, to the problem...
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Fiction is a solution, the best solution, to the problem of existential solitude. Jonathan Franzen
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If you were looking aside and mentally adding up the hours until the execution of a young killer, all that registered was something dark flashing by. But if you happened to be gazing directly at the window in question and you happened as well to be feeling unprecedentedly calm, four-tenths of a second was more than enough time to identify the falling object as your husband of forty-seven years. Jonathan Franzen
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The Astors and the Vanderbilts, their pleasure domes and money: she was sick of it. Sick of envying, sick of herself. She didn't understand antiques or architecture, she couldn't draw like Sylvia, she didn't read like Ted, she had few interests and no expertise. A paucity for love was the only true thing she'd ever had. Jonathan Franzen
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THE CORRECTION, when it finally came, was not an overnight bursting of a bubble but a much more gentle letdown, a year-long leakage of value from key financial markets, a contraction too gradual to generate headlines and too predictable to seriously hurt anybody but fools and the working poor. Jonathan Franzen
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And if the world refused to square with his version of reality then it was necessarily an uncaring world, a sour and sickening world, a penal colony, and he was doomed to be violently lonely in it. He bowed his head at the thought of how much strength a man would need to survive an entire life so lonely. Jonathan Franzen
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You could slap his wrist for saying it, but then he said it with his face, and you could spank him for making faces, but then he said it with his eyes, and there were limits to correction–no way, in the end, to penetrate behind the blue irises and eradicate a boy’s disgust. Jonathan Franzen
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You thought you knew what food was, you thought it was elemental. You forgot how much restaurant there was in restaurant food and how much home was in homemade. Jonathan Franzen
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By now it was too late to call St. Jude. He chose an out-of-the-way patch of airport carpeting and lay it down to sleep. He didn't understand what had happened to him. He felt like a piece of paper that had once had coherent writing on it but had been through the wash. He felt roughened, bleached and worn out along the fold lines. He semi-dreamed of disembodied eyes and isolated mouths in ski masks. He'd lost track of what he wanted, and since who a person was was what a person wanted, you could say that he'd lost track of himself. Jonathan Franzen
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It was a way of recognizing places of enchantment: people falling asleep like this. Jonathan Franzen
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Reading Chip's college orientation materials, Alfred had been struck by the sentence New England winters can be very cold. The curtains he'd bought at Sears were of a plasticized brown-and-pink fabric with a backing of foam rubber. They were heavy and bulky and stiff. "You'll appreciate these on a cold night, " he told Chip. "You'll be surprised how much they cut down drafts." But Chip's freshman roommate was a prep-school product named Roan McCorkle who would soon be leaving thumbprints, in what appeared to be Vaseline, on the fifth-grade photo of Denise. Roan laughed at the curtains and Chip laughed, too. He put them back in the box and stowed the box in the basement of the dorm and let it gather mold there for the next four years. He had nothing against the curtains personally. They were simply curtains and they wanted no more than what any curtains wanted - to hang well, to exclude light to the best of their ability, to be neither too small nor too large for the window that it was their task in life to cover; to be pulled this way in the evening and that way in the morning; to stir in the breezes that came before rain on a summer night; to be much used and little noticed. There were numberless hospitals and retirement homes and budget motels, not just in the Midwest but in the East as well, where these particularly brown rubber-backed curtains could have had a long and useful life. It wasn't their fault that they didn't belong in a dorm room. They'd betrayed no urge to rise above their station; their material and patterning contained not a hint of unseemly social ambition. They were what they were. If anything, when he finally dug them out of the eve of graduation, their virginal pinkish folds turned out to be rather less plasticized and homely and Sears-like than he remembered. They were nowhere near as shameful as he'd thought. Jonathan Franzen
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Brooklyn was like Philadelphia made better by its proximity to Manhattan. Jonathan Franzen