Quotes From "Seveneves" By Neal Stephenson

1
We're not hunter-gatherers anymore. We're all living like patients in the intensive care unit of a hospital. What keeps us alive isn't bravery, or athleticism, or any of those other skills that were valuable in a caveman society. It's our ability to master complex technological skills. It is our ability to be nerds. We need to breed nerds. Neal Stephenson
2
Most of the people on the Cloud Ark were going to have to be women. There were other reasons for it besides just making more babies. Research on the long-term effects of spaceflight suggested that women were less susceptible to radiation damage than men. They were smaller on average, requiring less space, less food, less air. And sociological studies pointed to the idea that they did better when crammed together in tight spaces for long periods of time. This was controversial, as it got into fraught topics of nature vs. nurture and whether gender identity was a social construct or a genetic program. . Neal Stephenson
3
Seven billion who need to be kept happy, and docile, until the end. How do you do that? What's the best way to calm down a scared kid, get them to go back to sleep? Tell them a story. Some shit about Jesus or whatever. Neal Stephenson
4
We are all in trouble.... with a bunch of dead people. Neal Stephenson
5
So in order to accommodate the Pioneers who would begin arriving in a few weeks, the Arkitects sent up Scouts. The qualifications for being a Scout seemed to be a shocking level of physical endurance, a complete disregard for mortal danger, and some knowledge of how to exist in a space suit. All of them were Russians. Neal Stephenson
6
When the Bolide Fragmentation Rate shot up through a certain level on Day 701, marking the formal beginning of the White Sky, a number of cultural organizations launched programs that they had been planning since around the time of the Crater Lake announcement. Many of these were broadcast on shortwave radio, and so Ivy had her pick of programs from Notre Dame, Westminster Abbey, St. Patrick’s Cathedral, the Imperial Palace in Tokyo, Tiananmen Square, the Potala Palace, the Great Pyramids, the Wailing Wall. After sampling all of them she locked her radio dial on Notre Dame, where they were holding the Vigil for the End of the World and would continue doing so until the cathedral fell down in ruins upon the performers’ heads and extinguished all life in the remains of the building. She couldn’t watch it, since video bandwidth was scarce, but she could imagine it well: the Orchestre Philharmonique de Radio France, its ranks swollen by the most prestigious musicians of the Francophone world, all dressed in white tie and tails, ball gowns and tiaras, performing in shifts around the clock, playing a few secular classics but emphasizing the sacred repertoire: masses and requiems. The music was marred by the occasional thud, which she took to be the sonic booms of incoming bolides. In most cases the musicians played right through. Sometimes a singer would skip a beat. An especially big boom produced screams and howls of dismay from the audience, blended with the clank and clatter of shattered stained glass raining to the cathedral’s stone floor. But for the most part the music played sweetly, until it didn’t. Then there was nothing. Neal Stephenson