Quotes From "Philip Larkin: Letters To Monica" By Philip Larkin

1
I'm terrified of the thought of time passing (or whatever is meant by that phrase) whether I 'do' anything or not. In a way I may believe, deep down, that doing nothing acts as a brake on 'time's - it doesn't of course. It merely adds the torment of having done nothing, when the time comes when it really doesn't matter if you've done anything or not. Philip Larkin
2
I seem to walk on a transparent surface and see beneath me all the bones and wrecks and tentacles that will eventually claim me: in other words, old age, incapacity, loneliness, death of others & myself... Philip Larkin
One of the quainter quirks of life is that we...
3
One of the quainter quirks of life is that we shall never know who dies on the same day as we do ourselves. Philip Larkin
He [Llewelyn Powys] has always in mind the great touchstone...
4
He [Llewelyn Powys] has always in mind the great touchstone Death & consequently life is always judged as how far it fits us, or compensates us, for ultimately dying. Philip Larkin
Morning, noon & bloody night, Seven sodding days a week,...
5
Morning, noon & bloody night, Seven sodding days a week, I slave at filthy WORK, that might Be done by any book-drunk freak. This goes on until I kick the bucket. F U C K IT FUCK IT FUCK IT FUCK IT Philip Larkin
I feel the only thing you can do about life...
6
I feel the only thing you can do about life is to preserve it, by art if you're an artist, by children if you're not. Philip Larkin
Everyone should be forcibly transplanted to another continent from their...
7
Everyone should be forcibly transplanted to another continent from their family at the age of three. Philip Larkin
Dear, I can't write, it's all a fantasy: a kind...
8
Dear, I can't write, it's all a fantasy: a kind of circling obsession. Philip Larkin
There is bad in all good authors: what a pity...
9
There is bad in all good authors: what a pity the converse isn't true! Philip Larkin
Saki says that youth is like hors d'oeuvres: you are...
10
Saki says that youth is like hors d'oeuvres: you are so busy thinking of the next courses you don't notice it. When you've had them, you wish you'd had more hors d'oeuvres. Philip Larkin
I am always trying to 'preserve' things by getting other...
11
I am always trying to 'preserve' things by getting other people to read what I have written, and feel what I felt. Philip Larkin
12
Empty-page staring again tonight. It's maddening. I suppose people who don't write (like the Connollies) imagine anything that can be though can be expressed. Well, I don't know. I can't do it. It's this sort of thing that makes me belittle the whole business: what's the good of a 'talent' if you can't do it when you want to? What should we think of a woodcarver who couldn't woodcarver? or a pianist who couldn't play the piano? Bah, likewise grrr. Philip Larkin
13
The poetic impulse is distinct from ideas about things or feelings about things, though it may use these. It's more like a desire to separate a piece of one's experience & set it up on its own, an isolated object never to trouble you again, at least not for a bit. In the absence of this impulse nothing stirs. Philip Larkin
14
Often one spends weeks trying to write a poem out of the conscious mind that never comes to anything - these are sort of 'ideal' poems that one feels ought to be written, but don't because (I fancy) they lack the vital spark of self-interest. A 'real' poem is a pleasure to write. Philip Larkin
15
How hard it is, to be forced to the conclusion that people should be, nine tenths of the time, left alone! - When there is that in me that longs for absolute commitment. One of the poem-ideas I had was that one could respect only the people who knew that cups had to be washed up and put away after drinking, and knew that a Monday of work follows a Sunday in the water meadows, and that old age with its distorting-mirror memories follows youth and its raw pleasures, but that it's quite impossible to love such people, for what we want in love is release from our beliefs, not confirmation in them. That is where the 'courage of love' comes in - to have the courage to commit yourself to something you don't believe, because it is what - for the moment, anyway - thrills your by its audacity. (Some of the phrasing of this is odd, but it would make a good poem if it had any words..). Philip Larkin
16
Seriously, I think it is a grave fault in life that so much time is wasted in social matters, because it not only takes up time when you might be doing individual private things, but it prevents you storing up the psychic energy that can then be released to create art or whatever it is. It's terrible the way we scotch silence & solitude at every turn, quite suicidal. I can't see how to avoid it, without being very rich or very unpopular, & it does worry me, for time is slipping by , and nothing is done. It isn't as if anything was gained by this social frivolity, It isn't: it's just a waste. . Philip Larkin
17
In life, as in art, talking vitiates doing. Philip Larkin
18
How little our careers express what lies in us, and yet how much time they take up. It's sad, really. Philip Larkin
19
Work is a kind of vacuum, an emptiness, where I just switch off everything except the scant intelligence necessary to keep me going. God, the people are awful - great carved monstrosities from the sponge-stone of secondratedness. Hideous. Philip Larkin
20
You know, I know I should be just as panicky as you about the filthy work - one wants to do nothing in the evenings, certainly not spread rotten books around & dredge for a 'line'. It must be like still being a student, with an essay to do after a week's drinking, only you haven't had the drinking. Quite clearly, to me, you aren't a voluntary worker, from the will: you do it by intuitive flashes, more like an act of creation, & when the flashes don't come, as of course they don't, especially when the excess energy of undergraduate days is gone, then it is a hideous unnatural effort. Philip Larkin
21
I have a sense of melancholy isolation, life rapidly vanishing, all the usual things. It's very strange how often strong feelings don't seem to carry any message of action. Philip Larkin
22
I had a moral tutor, but never saw him (the only words of his I remember are 'The three pleasures of life -drinking, smoking, and masturbation') Philip Larkin
23
It's funny: one starts off thinking one is shrinkingly sensitive & intelligent & always one down & all the rest of it: then at thirty one finds one is a great clumping brute, incapable of appreciating anything finer than a kiss or a kick, roaring our one's hypocrisies at the top of one's voice, thick skinned as a rhino. At least I do. Philip Larkin