Quotes From "Night Film" By Marisha Pessl

The store was empty, without a single customer or employee. It appeared in the Internet age, pianos, like physical books, were fast becoming culturally extinct. They’d probably stay that way unless Apple invented the i Piano, which fit inside your pocket and could be mastered via text message. With the i Piano, anyone can be an i Mozart. Then, you could compose your own i Requiem for your own i Funeral attended by millions of your i Friends who i Loved you. Marisha Pessl

It was true. After our divorce, I'd ended up in a slight relationship with my last research assistant, Aurelia Feinstein, age 34-though let me state for the record it was not as hot as it sounded. Making love to Aurelia was like rummaging through a card catalog in a deserted library, searching for one very obscure little red entry on Hungarian poetry. It was dead silent, no one gave me any dierection, and nothing was where it was supposed to be. . Marisha Pessl

And that fear I'd felt, the disembodying confusion, seemed to be a drug I was now addicted to, because moving through the ordinary world- watching CNN, reading the Times, walking to Sant Ambroeus to have a coffee at the bar- made me feel exhausted, even depressed. Perhaps I was suffering from the same problem as the man who'd sailed around the world and now on land, facing his farmhouse, his wife and kids, understood that the constancy of home stretching out before him like a dry flat field was infinitely more terrifying than any violent squall with thirty-foot swells. Marisha Pessl

When it was daylight, we'd been sitting on a stoop watching the street get light. She mentioned the light took eight minutes to leave the sun and reach us. You couldn't help but love that light traveling so far through the loneliest of spaces to get here, to come so far. It was like we were the only two people in the world. Marisha Pessl

She was flighty and poor, a French studies major who quoted Simone de Beauvoir. She wiped her runny nose on her coat sleeve when it was snowing, stuck her head out of car windows the way dogs do, the wind fireworking her hair. That woman was gone now. Not that it was her fault. Vast fortunes did that to people. It took them to the cleaners, cruelly starched and steam-pressed them so all their raw edges, all the dirt and hunger and guileless laughter, were ironed out. Few survived real money. . Marisha Pessl

If I learned anything about her it was that she lived with a vehemence most of us never have the courage for." Banks tells me. "But there was something about her that precluded an ordinary existence. In some ways, I'm not surprised she's dead. A job, husband, kids, a beach house? That wasn't her. I can't explain why, except she was more like a force that whipped through life, defying logic, scaring you, even hurting you because she was everything you wanted to be, but you knew you'd never have the guts - and then she was gone. That was my experience with Ashley Cordova. Marisha Pessl

There was something about her playing... a knowledge of darkness in the most extreme form. Marisha Pessl

As much as some people would like to believe, for their own peace of mind, that the appearance of evil in this world had a clean cause, the truth was never that simple. Marisha Pessl

She was lost now, she'd been silenced- another dead branch on Cordova's warped tree. Marisha Pessl

I couldn't help but suspect something he'd seen or encountered had changed his view of what had happened between them. It had somehow set him free. And he'd let it fly, that gorgeous blackbird of a love he'd been keeping in a cage. What was it like for him, every day standing outside in the wind and rain to stare at the ocean, yearning for some sign of her, never giving up hope? At The Peak perhaps she'd finally come into view, a ship coming neither toward him nor away, only riding that perfect line between heaven and earth, long enough for him to know that she had loved him, that what they had was real, before slipping out of sight, probably forever. . Marisha Pessl

His characters are ravaged, beaten. They walk through infernos and emerge charred doves. Marisha Pessl

I just got another kitten, you know. Found another trademark. It's quite embarrassing I misse Marisha Pessl

Betrayal isn't ridiculous. It's the reason empires fall. Marisha Pessl

You'll find that great artists don't love, live, fuck or even die like ordinary people. Because they always have their art. It nourishes them more than any connection to people. Whatever human tragedy befalls them, they're never too gutted, because they need only to pour the tragedy into their vat, stir in the other lurid ingredients, blast it over a fire. What emerges will be even more magnificent than if the tragedy had never occurred. Marisha Pessl

I need to give you one last bit of advice in the off chance this rather extraordinary and enviable situation in which you find yourself is actually true- that somehow you've fallen deep down into a Cordova story. I stared back at him. Be the good guy, he said. How do I know I'm the good guy? He pointed at me, nodding. A very wise question. You don't. Most bad guys think they're good. But there are a few signifiers. You'll be miserable. You'll be hated. You'll fumble around in the dark, alone and confused. You'll have little insight as to the true nature of things, not until the very last minute, and only if you have the stamina and the madness to go to the very, very end. But most importantly- and critically- you will act without regard for yourself. You'll be motivated by something that has nothing to do with the ego. You'll do it for justice. For grace. For love. Those large rather heroic qualities only the good have the strength to carry on their shoulders. And you'll listen. . Marisha Pessl

We were up the whole night just talking, walking the city. You can walk those blocks forever, take a break on the edge of the fountain, eat pizza and snow cones, awed by the human carnival all around you. Marisha Pessl