Quotes From "How To Build A Girl" By Caitlin Moran

There's one big difference between the poor and the rich, ' Kite says, taking a drag from his cigarette. We are in a pub, at lunch-time. John Kite is always, unless stated otherwise, smoking a fag, in a pub, at lunch-time.' The rich aren't evil, as so many of my brothers would tell you. I've known rich people -- I have played on their yachts -- and they are not unkind, or malign, and they do not hate the poor, as many would tell you. And they are not stupid -- or at least, not any more than the poor are. Much as I find amusing the idea of a ruling class of honking toffs, unable to put their socks on without Nanny helping them, it is not true. They build banks, and broker deals, and formulate policy, all with perfect competency.' No -- the big difference between the rich and the poor is that the rich are blithe. They believe nothing can ever really be so bad, They are born with the lovely, velvety coating of blitheness -- like lanugo, on a baby -- and it is never rubbed off by a bill that can't be paid; a child that can't be educated; a home that must be left for a hostel, when the rent becomes too much.' Their lives are the same for generations. There is no social upheaval that will really affect them. If you're comfortably middle-class, what's the worst a government policy could do? Ever? Tax you at 90 per cent and leave your bins, unemptied, on the pavement. But you and everyone you know will continue to drink wine -- but maybe cheaper -- go on holiday -- but somewhere nearer -- and pay off your mortgage -- although maybe later. 'Consider, now, then, the poor. What's the worst a government policy can do to them? It can cancel their operation, with no recourse to private care. It can run down their school -- with no escape route to a prep. It can have you out of your house and into a B&B by the end of the year. When the middle-classes get passionate about politics, they're arguing about their treats -- their tax breaks and their investments. When the poor get passionate about politics, they're fighting for their lives.' Politics will always mean more to the poor. Always. That's why we strike and march, and despair when our young say they won't vote. That's why the poor are seen as more vital, and animalistic. No classical music for us -- no walking around National Trust properties, or buying reclaimed flooring. We don't have nostalgia. We don't do yesterday. We can't bear it. We don't want to be reminded of our past, because it was awful; dying in mines, and slums, without literacy, or the vote. Without dignity. It was all so desperate, then. That's why the present and the future is for the poor -- that's the place in time for us: surviving now, hoping for better, later. We live now -- for our instant, hot, fast treats, to prep us up: sugar, a cigarette, a new fast song on the radio.' You must never, never forget, when you talk to someone poor, that it takes ten times the effort to get anywhere from a bad postcode, It's a miracle when someone from a bad postcode gets anywhere, son. A miracle they do anything at all. Caitlin Moran

A self-made man" - not of woman born but alchemized, through sheer force of will, by the man himself. This is what I want to be. I want to be a self-made woman. I want to conjure myself out of every sparkling, fast moving thing I can see. I want to be the creator of myself. I'm going to begat myself Caitlin Moran

Hearing women singing about themselves - rather than men singing about women - makes everything seem wonderfully clear, and possible Caitlin Moran

When young people are cynical, and snarky, they shoot down their own future. When you keep saying "No, " all that's left is what other people said "Yes" to before you were born. Really, "No" is no choice at all. Caitlin Moran

The scabs feel like I have a message on my arm. Something that needs to be read, urgently, by someone. It was only years later that I realized the person I had written that message to- the person who wasn't listening- was me. I was the one who should have been staring at that arm, and working out what the red hieroglyphics meant. Had I translated them, I would have realized those red lines read: 'Never feel this bad again. Never come back to this place, where only a knife will do. Live a gentle and kind life. Don't do things that make you want to hurt yourself. Whatever you do, every day, remember this- then steer away from here. Caitlin Moran

In the street below, a posh-looking drunk man is reading the card of a prostitute, Blue-Tacked up by a doorbell. He’s examining it with all the forensic care I presume he puts into reading a wine list.‘ What are you looking for?’ I ask him, in my head. ‘What woman will go best with your main course of terrible, horny loneliness?’ I speculate, briefly, on how different the world would be if it were run by women. In that world, if you were a lonely, horny woman — as I am. As I always am — you’d see Blu-tacked postcards by Soho doorways that read, ‘Nice man in cardigan, 24, will talk to you about The Smiths whilst making you cheese-on-toast + come to parties with you. Apply within. Caitlin Moran

Because I haven't yet learned the simplest and most important thing of all: the world is difficult, and we are all breakable. So just be kind. Caitlin Moran

And that was the point I knew I just loved this filthy, ugly, loquacious man in a fur coat, who would spend the day roaming all over town, looking for bright lights, and laughter - and then at night come on stage, and unbutton two buttons on his waistcoat, with his clumsy, fat fingers, and show you his heart beneath. Caitlin Moran

It's really best not to tell people when you feel bad. Growing up is about keeping secrets, and pretending everything is fine. Caitlin Moran

He was bright, bright, bright, like a lantern above a pub door in November- he made you want to come in and never leave. Caitlin Moran

Please wait for me. Don't have all the fun now. Don't fill up on other people who aren't me. Don't ruin your appetite. Caitlin Moran

In the end, I go where I always go when I need information on something baffling, poisonous, or terrifying: the library. Caitlin Moran

When the middle classes get passionate about politics, they're arguing about their treats–their tax breaks and their investments. When the poor get passionate about politics, they're fighting for their lives. Politics will always mean more to the poor. Always. That's why we strike and march, and despair when our young say they won't vote. That's why the poor are seen as more vital, more animalistic. No classical music for us–no walking around National Trust properties or buying reclaimed flooring. We don't have nostalgia. We don't do yesterday. We can't bear it. We don't want to be reminded of our past, because it was awful: dying in means, and slums, without literacy, or the vote. Without dignity. It was all so desperate then. That's why the present and the future is for the poor–that's the place in time for us: surviving now, hoping for better later. We live now–for our instant, hot, fast treats, to pep us up: sugar, a cigarette, a new fast song on the radio. You must never, never forget when you talk to someone poor, that it takes ten times the effort to get anywhere from a bad post code. It's a miracle when someone from a bad post code gets anywhere, son. A miracle they do anything at all. Caitlin Moran

If I don't keep this job, then my only future career-options are working in Argos, or being a prostitute, ' I say, w Caitlin Moran

Sitting in seat 14A, in the sun, I float on a full-moon, tidal joy unlike anything I've ever experienced. I am getting incredibly high on a single, astounding fact: that it's always sunny above the clouds. Always. That every day on Earth- every day I have ever had- was secretly sunny after all.. I feel like I've just flown 600 miles per hour head-on into the most beautiful metaphor of my life: If you fly high enough, if you get above the clouds, it's never-ending summer. Caitlin Moran

And when you are being kissed like this, you are Christmas Day; you are the moon shot; you are field larks. My shoes were suddenly worth a million pounds, and my breath was the ethyl in champagne. When someone kisses you like this, you are the point of everything. Caitlin Moran