Quotes From "Everything Is Illuminated" By Jonathan Safran Foer

1
If there is no love in the world, we will make a new world, and we will give it walls, and we will furnish it with soft, red interiors, from the inside out, and give it a knocker that resonates like a diamond falling to a jeweller's felt so that we should never hear it. Love me, because love doesn't exist, and I have tried everything that does. Jonathan Safran Foer
2
Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep, and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love. Jonathan Safran Foer
You are the only one who has understood even a...
3
You are the only one who has understood even a whisper of me, and I will tell you that I am the only person who has understood even a whisper of you. Jonathan Safran Foer
I imagine a line, a white line, painted on the...
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I imagine a line, a white line, painted on the sand and on the ocean, from me to you. Jonathan Safran Foer
5
(What are your ghosts like?)( They are on the insides of the lids of my eyes.)( This is also where my ghosts reside.)( You have ghosts?)( Of course I have ghosts.)( But you are a child.)( I am not a child.)( But you have not known love.)( These are my ghosts, the spaces amid love.) Jonathan Safran Foer
It was not the feeling of completeness I so needed,...
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It was not the feeling of completeness I so needed, but the feeling of not being empty. Jonathan Safran Foer
I don't think that there are any limits to how...
7
I don't think that there are any limits to how excellent we could make life seem. Jonathan Safran Foer
8
I am always sad, I think. Perhaps this signifies that I am not sad at all, because sadness is something lower than your normal disposition, and I am always the same thing. Perhaps I am the only person in the world, then, who never becomes sad. Perhaps I am lucky. Jonathan Safran Foer
She was like a drowning person, flailing, reaching for anything...
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She was like a drowning person, flailing, reaching for anything that might save her. Her life was an urgent, desperate struggle to justify her life. Jonathan Safran Foer
I will describe my eyes and then begin the story....
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I will describe my eyes and then begin the story. My eyes are blue and resplendent. Now I will begin the story. Jonathan Safran Foer
I could not believe in a God that would challenge...
11
I could not believe in a God that would challenge faith like this. Jonathan Safran Foer
12
(You do not have to be shamed in my closeness. Family are the people who must never make you feel ashamed.)( You are wrong. Family are the people who must make you feel ashamed when you are deserving of shame.)( And you are deserving of shame?)( I am. I am trying to tell you.) 'We were stupid, ' he said, 'because we believed in things.'' Why is this stupid?'' Because there are not things to believe in.'( Love?)( There is no love. Only the end of love.)( Goodness?)( Do not be a fool.)( God?)( If God exists, He is not to be believed in.) . Jonathan Safran Foer
13
It's true, I am afraid of dying. I am afraid of the world moving forward without me, of my absence going unnoticed, or worse, being some natural force propelling life on. Is it selfish? Am I such a bad person for dreaming of a world that ends when I do? I don't mean the world ending with respect to me, but every set of eyes closing with mine. Jonathan Safran Foer
...and when is enough proof enough?
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...and when is enough proof enough? Jonathan Safran Foer
With writing, we have second chances.
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With writing, we have second chances. Jonathan Safran Foer
16
God loves the plagiarist. And so it is written, 'God created humankind in His image, in the image of God He created them." God is the original plagiarizer. With a lack of reasonable sources from which to filch - man created in the image of what? the animals? - the creation of man was an act of reflexive plagiarizing; God looted the mirror. When we plagiarize, we are likewise creating in the image and participating in the completion of Creation. . Jonathan Safran Foer
17
Mesa, adorno de marfil, arcoíris, cebolla, peinado, molusco, Sabbat, violencia, cutícula, melodrama, cuneta, miel, pañuelo... Nada la conmovía. (...) Nada conseguía ser más de lo que era en realidad. Eran solo cosas, prisioneras de su propia esencia. Jonathan Safran Foer
18
From space, astronauts can see people making love as a tiny speck of light. Not light, exactly, but a glow that could be confused for light - a coital radiance that takes generations to pour like honey through the darkness to the astronaut's eyes. In about one and a half centuries - after the lovers who made the glow will have long since been laid permanently on their backs - the metropolitan cities will be seen from space. They will glow all year. Smaller cities will also be seen, but with great difficulty. Towns will be virtually impossible to spot. Individual couples invisible. . Jonathan Safran Foer
19
AND IF WE ARE TO STRIVE FOR A BETTER FUTURE, MUSTN'T WE BE FAMILIAR AND RECONCILED WITH OUR PAST? Jonathan Safran Foer
20
If we communicated with something like music, we would never be misunderstood, because there is nothing in music to understand...... But until we find this new way of speaking, until we can find a nonapproximate vocabulary, nonsense words are the best thing we've got. Ifactifice is one such word. Jonathan Safran Foer
21
I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others–the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad. Jonathan Safran Foer
22
One day you will do things for me that you hate. That is what it means to be family. Jonathan Safran Foer
23
This is the sixty-nine, " I told him, presenting the magazine in front of him. I put my fingers -- two of them -- on the action, so that he would not overlook it. "Why is it dubbed sixty-nine?" he asked, because he is a person hot on fire with curiosity. "It was invented in 1969. My friend Gregory knows a friend of the nephew of the inventor." "What did people do before 1969?" "Merely blowjobs and masticating box, but never in chorus. Jonathan Safran Foer
24
From space, astronauts can see people making love as a tiny speck of light. Not light, exactly, but a glow that could be mistaken for light--a coital radiance that takes generations to pour like honey through the darkness to the astronaut's eyes. In about one and a half centuries--after the lovers who made the glow will have long been laid permanently on their backs--metropolises will be seen from space. They will glow all year. Smaller cities will also be seen, but with great difficulty. Shtetls will be virtually impossible to spot. Individual couples, invisible. The glow is born from the sum of thousands of loves: newlyweds and teenagers who spark like lighters out of butane, pairs of men who burn fast and bright, pairs of women who illuminate for hours with soft multiple glows, orgies like rock and flint toys sold at festivals, couples trying unsuccessfully to have children who burn their frustrated image on the continent like the bloom a bright light leaves on the eye after you turn away fr . Jonathan Safran Foer
25
I have tutored Little Igor to be a man of this world. For example, I exhibited him a smutty magazine three days yore, so that he should be appraised of the many positions in which I am carnal. 'This is sixty-nine, ' I told him, presenting the magazine in front of him. I put my fingers--two of them--on the action, so that he would not overlook it. 'Why is it dubbed sixty-nine?' he asked, because he is a person hot on fire with curiosity. 'It was invented in 1969. My friend Gregory knows a friend of the nephew of the inventor.' 'What did people do before 1969?' 'Merely blowjobs and masticating box, but never in chorus. . Jonathan Safran Foer
26
The disgraced Usurer Yankel D took the baby girl home that evening.. He made a bed of crumpled newspaper in a deep baking pan and gently tucked it in the oven, so that she wouldn't be disturbed by the noise of the small falls outside.. When he pulled her out to feed her or just hold her, her body was tattooed with the newsprint.. Sometimes he would rock her to sleep in his arms, and read her left to right, and know everything he needed to know about the world. If it wasn't written on her, it wasn't important to him. Jonathan Safran Foer
27
She was a genius of sadness, immersing herself in it, separating its numerous strands, appreciating its subtle nuances. She was a prism through which sadness could be divided into its infinite spectrum. Jonathan Safran Foer
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She was a prism through with sadness could be divided into its infinite spectrum Jonathan Safran Foer
29
Memory was supposed to fill the time, but it made time a hole to be filled. Jonathan Safran Foer
30
Memories are small prayers to God, if we believed in that sort of thing. Jonathan Safran Foer
31
And so it was when anyone tried to speak: their minds would become tangled in remembrance. Words became floods of thought with no beginning or end, and would drown the speaker before he could reach the life raft of the point he was trying to make. It was impossible to remember what one meant, what, after all of the words, was intended. Jonathan Safran Foer
32
Deep down, the young are lonelier than the old.' I read that in a book somewhere and it's stuck in my head. Maybe it's true. Maybe it's not true. More likely, the young and the old are lonely in different ways, in their own ways... Jonathan Safran Foer
33
I will walk without noise and I will open the door in darkness and I will Jonathan Safran Foer
34
She told him of ship voyages she had taken to places he had never heard of, and stories he knew were all untrue, were bad non-truths, even, but he nodded and tried to convince himself to be convinced, tried to believe her, because he knew that the origin of a story is always an absence, and he wanted her to live among presences. Jonathan Safran Foer
35
It is best if the guard is in love with America and wants to overawe the American by being a premium guard. This kind of guard thinks that he will encounter the American again one day in America, and that the American will offer to take him to a Chicago Bulls game, and buy him blue jeans and whitebread and delicate toilet paper. This guard dreams of speaking Englishwithout an accent and obtaining a wife with an unmalleable bosom. This guard will confess that he does not love where he lives. The other kind of guard is also in love with America, but he will hate the American for being an American. This is worst. This guard knows he will never go to America, and knows that he will never meet the American again. He will steal from the American, and terror the American, only to teach that he can. Jonathan Safran Foer
36
To feel alone is to be alone. Jonathan Safran Foer
37
The animals are those things that God likes but doesn't love. Jonathan Safran Foer
38
Her learning to sew (from a book Yankel brought back from Lvov) coincided with her refusal to wear any clothes that she did not make for herself, and when he bought her a book about animal physiology, she held the pictures to his face and said, "Don’t you think it’s strange, Yankel, how we eat them?"" I’ve never eaten a picture."" The animals. Don’t you find that strange? I can’t believe I never found it strange before. It’s like your name, how you don’t notice it for so long, but when you finally do, you can’t help but say it over and over, and wonder why you never thought it was strange that you should have that name, and that everyone has been calling you that name for your whole life."" Yankel. Yankel. Yankel. Nothing so strange for me."" I won’t eat them, at least not until it doesn’t seem strange to me. Jonathan Safran Foer
39
It's so hard to express yourself.' I understand this.' I want to express myself.' The same is true for me.' I'm looking for my voice.' It's in your mouth.' I want to do something I'm not ashamed of.' Something you are proud of, yes?' Not even. I just don't want to be ashamed. Jonathan Safran Foer
40
The dream thatwe are our fathers. I walked to the Brod, 41without knowing why, and looked intomy reflection in the water. I couldn’t lookaway. What was the image that pulled mein after it? What was it that I loved? Andthen I recognized it. So simple. In thewater I saw my father’s face, and that facesaw the face of its father, and so on, and soon, reflecting backward to the beginningof time, to the face of God, in whoseimage we were created. We burned withlove for ourselves, all of us, starters ofthe fire we suffered–our love was the afflictionfor which only our love was thecure . . Jonathan Safran Foer
41
So She had to satisfy herself with the idea of love-loving the loving of things whose existence she didn't care at all about. Love itself became the object of her love. She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for. Jonathan Safran Foer
42
And this is what living next to a waterfall is like, Safran. Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep, and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Yor great-great-great-grandchildren's will be. But we learn to live in that love . Jonathan Safran Foer