Quotes From "Dragonfly In Amber" By Diana Gabaldon

1
I will find you, " he whispered in my ear. "I promise. If I must endure two hundred years of purgatory, two hundred years without you - then that is my punishment, which I have earned for my crimes. For I have lied, and killed, and stolen; betrayed and broken trust. But there is the one thing that shall lie in the balance. When I shall stand before God, I shall have one thing to say, to weigh against the rest." His voice dropped, nearly to a whisper, and his arms tightened around me. Lord, ye gave me a rare woman, and God! I loved her well. . Diana Gabaldon
2
Blood of my Blood, " he whispered, "and bone of my bone. You carry me within ye, Claire, and ye canna leave me now, no matter what happens, You are mine, always, if ye will it or no, if ye want me or nay. Mine, and I wilna let ye go. Diana Gabaldon
I stood still, vision blurring, and in that moment, I...
3
I stood still, vision blurring, and in that moment, I heard my heart break. It was a small, clean sound, like the snapping of a flower's stem. Diana Gabaldon
But I talk to you as I talk to my...
4
But I talk to you as I talk to my own soul, " he said, turning me to face him. He reached up and cupped my cheek, fingers light on my temple." And, Sassenach, " he whispered, "your face is my heart. Diana Gabaldon
5
No. Ye loved him. I canna hold it against either of you that ye mourn him. And it gives me some comfort to know ..." He hesitated, and I reached up to smooth the rumpled hair off his face." To know what?"" That should the need come, you might mourn for me that way, " he said softly. Diana Gabaldon
I'll tell ye, Sassenach; if ever I feel the need...
6
I'll tell ye, Sassenach; if ever I feel the need to change my manner of employment, I dinna think I'll take up attacking women - it's a bloody hard way to make a living. Diana Gabaldon
7
Not the historians. No, not them. Their greatest crime is that they presume to know what happened, how things come about, when they have only what the past chose to leave behind-- for the most part, they think what they were meant to think, and it's a rare one that sees what really happened, behind the smokescreen of artifacts and paper.. No, the fault lies with the artists.. The writers, the singers, the tellers of tales. It's them that take the past and re-create it to their liking. Them that could take a fool and give you back a hero, take a sot and make him a king.. Liars?..or sorcerers? Do they see the bones in the dust of the earth, see the essence of a thing that was, and clothe it in new flesh, so the plodding beast reemerges as a fabulous monster? . Diana Gabaldon
8
It's always better if they see. Then they don't imagine things. So I didn't imagine, I remembered. Diana Gabaldon
9
For several days, I slept. Whether this was a necessary part of physical recovery, or a stubborn retreat from waking reality, I do not know, but I woke only reluctantly to take a little food, falling at once back into a stupor of oblivion, as though the small, warm weight of broth in my stomach were an anchor that pulled me after it, down through the murky fathoms of sleep. Diana Gabaldon
10
Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says "I am, " and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber. . Diana Gabaldon
11
Do you really think we'll ever--"" I do, " he said with certainty, not letting me finish. He leaned over and kissed my forehead. "I know it, Sassenach, and so do you. You were meant to be a mother, and I surely dinna intend to let anyone else father your children. Diana Gabaldon
12
When you hold a child to your breast to nurse, the curve of the little head echoes exactly the curve of the breast it suckles, as though this new person truly mirrors the flesh from which it sprang. Diana Gabaldon
13
During his time with the French army, years before, one of the sergeants had explained to the younger mercenaries the trick of falling asleep the night before a battle. "Make yourself comfortable, examine your conscience, and make a good Act of Contrition. Father Hugo says that in time of war, even if there is no priest to shrive you, your sins can be forgiven this way. Since you cannot commit sins while asleep--not even you, Simenon! --you will awake in a state of grace, ready to fall on the bastards. And with nothing to look forward to but victory or heaven-- how can you be afraid. Diana Gabaldon
14
Alive, and one. We are one, and while we love, death will never touch us. 'The grave's a fine and private place/ but none, I think, do there embrace. Diana Gabaldon
15
I want to hold you like a kitten in my shirt, and still I want to spread your thighs and plow ye like a rotting bull. I dinna understand myself. Diana Gabaldon
16
Lying on the floor, with the carved panels of the ceiling flickering dimly above, I found myself thinking that I had always heretofore assumed that the tendency of eigh­teenth-century ladies to swoon was due to tight stays; now I rather thought it might be due to the idiocy of eighteenth-century men. Diana Gabaldon
17
...seeking refuge from a world in which huge and mysterious forces were let loose to destruction. Diana Gabaldon
18
Snapped abruptly to a realization of how rudely I had been staring, I blushed and said without thinking, "I was just wondering if you've ever been kissed by a beautiful young girl?" I went still redder as he shouted with laughter. With a broad grin, he said "Many times, madonna. But alas, it does not help. As you see. Ribbit. Diana Gabaldon
19
#Outlander QOTD Claire and Master Raymond.Snapped abruptly to a realization of how rudely I had been staring, I blushed and said without thinking, "I was just wondering if you've ever been kissed by a beautiful young girl?" I went still redder as he shouted with laughter. With a broad grin, he said "Many times, madonna. But alas, it does not help. As you see. Ribbit. Diana Gabaldon