Quotes From "Chronicles Vol 1" By Bob Dylan

Songs, to me, were more important than just light entertainment. They were my preceptor and guide into some altered consciousness of reality. Some different republic, some liberated republic.. whatever the case, it wasn't that I was anti-popular culture or anything and I had no ambition to stir things up. I just thought of mainstream culture as lame as hell and a big trick. It was like the unbroken sea of frost that lay outside the window and you had to have awkward footgear to walk with. Bob Dylan

I had no time for romance. I turned away from the window, from the wintry sun, crossed through the room, went to the stove and made and poured myself a cup of hot chocolate and then clicked on the radio Bob Dylan

The line it is drawn The curse it is cast The slow one now Will later be fast As the present now Will later be past The new order is Rapidly fadin'. And the first one now Will later be last For the times they are a-changin'. Bob Dylan

Come senators, congressmen Please heed the call Don't stand in the doorway Don't block up the hall For he that gets hurt Will be he who has stalled There's a battle outside ragin'. It'll soon shake your windows And rattle your walls For the times they are a-changin'. Bob Dylan

I was always fishing for something on the radio. Just like trains and bells, it was part of the soundtrack of my life. I moved the dial up and down and Roy Orbison's voice came blasting out of the small speakers. His new song, "Running Scared, " exploded into the room. Orbison, though, transcended all the genres - folk, country, rock and roll or just about anything. His stuff mixed all the styles and some that hadn't even been invented yet. He could sound mean and nasty on one line and then sing in a falsetto voice like Frankie Valli in the next. With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. With him, it was all about fat and blood. He sounded like he was singing from an Olympian mountaintop and he meant business. One of his previous songs, "Ooby Dooby" was deceptively simple, but Roy had progressed. He was now singing his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal. Typically, he'd start out in some low, barely audible range, stay there a while and then astonishingly slip into histrionics. His voice could jar a corpse, always leave you muttring to yourself something like, "Man, I don't believe it." His songs had songs within songs. They shifted from major to minor key without any logic. Orbison was deadly serious - no pollywog and no fledgling juvenile. There wasn't anything else on the radio like him. . Bob Dylan

When Johnson started singing, he seemed like a guy who could have sprung from the head of Zeus in full armor. Bob Dylan

I wasn't going to go deeper into the darkness for anybody. I was already living in the darkness. My family was my light and I was going to protect that light at all cost. That was where my dedication was, first, last and everything in-between. What did I owe the rest of the world? Nothing. Not a damn thing. Bob Dylan

It seemed I'd always been chasing after something, anything that moved -a car, a bird, a blowing leaf -anything that might lead me into some more lit place, some unknown land downriver. I had not even the vaguest notion of the broken world I was living in, what society could do with you. Bob Dylan

What was the future? The future was a solid wall, not promising, not threatening - all bunk. No guarantees of anything, not even the guarantee that life isn't one big joke. Bob Dylan

I had no songs in my repertoire for commercial radio anyway. Songs about debauched bootleggers, mothers that drowned their own children, Cadillacs that only got five miles to the gallon, floods, union hall fires, darkness and cadavers at the bottom of rivers weren't for radiophiles. There was nothing easygoing about the folk songs I sang. They weren't friendly or ripe with mellowness. They didn't come gently to the shore. I guess you could say they weren't commercial. Not only that, my style was too erratic and hard to pigeonhole for the radio, and songs, to me, were more important that just light entertainment. They were my preceptor and guide into some altered consciousness of reality, some different republic, some liberated republic. Greil Marcus, the music historian, would some thirty years later call it "the invisible republic." Whatever the case, it wasn't that I was anti-popular culture or anything and I had no ambitions to stir things up. i just thought of popular culture as lame as hell and a big trick. It was like the unbroken sea of frost that lay outside the window and you had to have awkward footgear to walk on it. I didn't know what age of history we were in nor what the truth of it was. Nobody bothered with that. If you told the truth, that was all well and good and if you told the un-truth, well, that's still well and good. Folk songs taught me that. Bob Dylan

Some people seem to fade away but then when they are truly gone, it's like they didn't fade away at all. Bob Dylan

..my father was the best man in the world and probably worth a hundred of me, but he didn't understand me. The town he lived in and the town I lived in were not the same. Bob Dylan

Opportunities may come along for you to convert something -something that exists into something that didn't yet. That might be the beginning of it. Sometimes you just want to do things your way, want to see for yourself what lies behind the misty curtain. It's not like you see songs approaching and invite them in. It's not that easy. You want to write songs that are bigger than life. You want to say something about strange things that have happened to you, strange things you have seen. You have to know and understand something and then go past the vernacular. Bob Dylan

New York was a city where you could be frozen to death in the midst of a busy street and nobody would notice. Bob Dylan