Quotes From "After Dark" By Haruki Murakami

You know what I think?" she says. "That people's memories are maybe the fuel they burn to stay alive. Whether those memories have any actual importance or not, it doesn't matter as far as the maintenance of life is concerned. They're all just fuel. Advertising fillers in the newspaper, philosophy books, dirty pictures in a magazine, a bundle of ten-thousand-yen bills: when you feed 'em to the fire, they're all just paper. The fire isn't thinking 'Oh, this is Kant, ' or 'Oh, this is the Yomiuri evening edition, ' or 'Nice tits, ' while it burns. To the fire, they're nothing but scraps of paper. It's the exact same thing. Important memories, not-so-important memories, totally useless memories: there's no distinction--they're all just fuel. Haruki Murakami

I do feel that I’ve managed to make something I could maybe call my world…over time…little by little. And when I’m inside it, to some extent, I feel kind of relieved. But the very fact I felt I had to make such a world probably means that I’m a weak person, that I bruise easily, don’t you think? And in the eyes of society at large, that world of mine is a puny little thing. It’s like a cardboard house: a puff of wind might carry it off somewhere. . Haruki Murakami

The new day is almost here, but the old one is still dragging its heavy skirts. Just as ocean water and river water struggle against each other at a river mouth, the old time and the new time clash and blend. Haruki Murakami

A giant octopus living way down deep at the bottom of the ocean. It has this tremendously powerful life force, a bunch of long, undulating legs, and it's heading somewhere, moving through the darkness of the ocean… It takes on all kinds of different shapes–sometimes it's 'the nation, ' and sometimes it's 'the law, ' and sometimes it takes on shapes that are more difficult and dangerous than that. You can try cutting off its legs, but they just keep growing back. Nobody can kill it. It's too strong, and it lives too far down in the ocean. Nobody knows where its heart is. What I felt then was a deep terror. And a kind of hopelessness, a feeling that I could never run away from this thing, no matter how far I went. And this creature, this thing doesn't give a damn that I'm me or you're you. In its presence, all human beings lose their names and their faces. We all turn into signs, into numbers. Haruki Murakami

Tell me something, Mari–do you believe in reincarnation?” Mari shakes her head. “No, I don’t think so, ” she says. “So you don’t think there’s a life to come?” “I haven’t thought much about it. But it seems to me there’s no reason to believe in a life after this one.” “So once you’re dead there’s just nothing?”“ Basically.”“ Well, I think there has to be something like reincarnation. Or maybe I should say I’m scared to think there isn’t. I can’t understand nothingness. I can’t understand it and I can’t imagine it.” “Nothingness means there’s absolutely nothing, so maybe there’s no need to understand it or imagine it.” “Yeah, but what if nothingness is not like that? What if it’s the kind of thing that demands that you understand it or imagine it? I mean, you don’t know what it’s like to die, Mari. Maybe a person really has to die to understand what it’s like.” “Well, yeah…, ” says Mari. “I get so scared when I start thinking about this stuff, ” Korogi says. “I can hardly breathe, and my whole body wants to shrink into a corner. It’s so much easier to just believe in reincarnation. You might be reborn as something awful, but at least you can imagine what you’d look like–a horse, say, or a snail. And even if it was something bad, you might be luckier next time. . Haruki Murakami

Well, finally, once you become an orphan, you're an orphan till the day you die. I keep having the same dream. I'm seven years old and an orphan again. All alone, with no adults around to take care of me. It's evening, and the light is fading, and night is pressing in. It's always the same. In the dream I always go back to being seven years old. Software like that you can't exchange once it's contaminated. Haruki Murakami

Sometimes I feel as if I'm racing with my own shadow Haruki Murakami

It's not as if our lives are simply divided into light and dark. There's a shadowy middle ground. Recognizing and understanding the shadows is what a healthy intelligence does. Haruki Murakami

The silence is so deep it hurts our ears Haruki Murakami

I mean, the ones on trial are not like me in any way: they're a different kind of human being. They live in a different world, they think different thoughts, and their actions are nothing like mine. Between the world they live in and the world I live in there's this thick, high wall. At least, that's how I saw it at first..I became a lot less sure of myself. In other words, I started seeing it like this: that there really was no such thing as a wall separating their world from mine. Or if there was such a wall, it was probably a flimsy one made of papier-mache. The second I leaned on it, I'd probably fall right through and end up on the other side. Or maybe it's that the other side has already managed to sneak its way inside of us, and we just haven't noticed. Haruki Murakami

It's true though: time moves in its own special way in the middle of the night, " the bartender says, loudly striking a book match and lighting a cigarette. "You can't fight it. Haruki Murakami

Even at a time like this, the street is bright enough and filled with people coming and going–people with places to go and people with no place to go; people with a purpose and people with no purpose; people trying to hold time back and people trying to urge it forward. Haruki Murakami

I've had sex with lots of guys, but I think I did it mostly out of fear. I was scared not to have somebody putting his arms around me, so I could never say no. That's all. Nothing good ever came of sex like that. All it does is grind down the meaning of life a piece at a time. Haruki Murakami

Are you asking because you really want an answer? Haruki Murakami

Allowing ourselves to become pure point of view, we hang in midair over the city. What we see now is a gigantic metropolis waking up. Commuter trains of many colors move in all directions, transporting people from place to place. Each of those under transport is a human being with a different face and mind, and at the same time each is a nameless part of the collective identity. Each is simultaneously a self-contained whole and a mere part. Handling this dualism of theirs skillfully and advantageously, they perform their morning rituals with deftness and precision: brushing teeth, shaving, tying neckties, applying lipstick. They check the morning news on TV, exchange words with their families, eat, defecate. . Haruki Murakami