How can so many (white, male) writers narratively justify restricting the agency of their female characters on the grounds of sexism = authenticity while simultaneously writing male characters with conveniently modern values? The habit of authors writing Sexism Without Sexists in genre novels is seemingly pathological. Women are stuffed in the fridge under cover of "authenticity" by secondary characters and villains because too many authors flinch from the "authenticity" of sexist male protagonists. Which means the yardstick for "authenticity" in such novels almost always ends up being "how much do the women suffer", instead of - as might also be the case - "how sexist are the heroes". And this bugs me; because if authors can stretch their imaginations far enough to envisage the presence of modern-minded men in the fake Middle Ages, then why can't they stretch them that little bit further to put in modern-minded women, or modern-minded social values? It strikes me as being extremely convenient that the one universally permitted exception to this species of "authenticity" is one that makes the male heroes look noble while still mandating that the women be downtrodden and in need of rescuing.- Comment at Staffer's Book Review 4/18/2012 to "Michael J. Sullivan on Character Agency . Foz Meadows
About This Quote

This quote is very thought-provoking. It makes you think about what it means to be true to one's character, and whether or not it is possible to be true to oneself when in the company of others. It's interesting because it shows how much things have changed, but also how much has stayed the same. Even though this was written in the 1800's, it still rings true today.

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  1. True, life is complex. But so are a great many accidents.
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