The Sweat and the Furrow was Silas Weekley being earthly and spade-conscious all over seven hundred pages. The situation, to judge from the first paragraph, had not materially changed since Silas's last book: mother lying-in with her eleventh upstairs, father laid-out after his ninth downstairs, eldest son lying to the Government in the cow-shed, eldest daughter lying with her lover in the the hayloft, everyone else lying low in the barn. The rain dripped from the thatch, and the manure steamed in the midden. Silas never omitted the manure. It was not Silas's fault that its steam provided the only uprising element in the picture. If Silas could have discovered a brand of steam that steamed downwards, Silas would have introduced it. Josephine Tey
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  1. Great writers are indecent peoplethey live unfairlysaving the best part for paper.good human beings save the worldso that bastards like me can keep creating art, become immortal.if you read this after I am deadit means I made it. - Charles Bukowski

  2. Some writers enjoy writing, I am told. Not me. I enjoy having written. - George R.r. Martin

  3. Becoming a writer is about becoming conscious. When you're conscious and writing from a place of insight and simplicity and real caring about the truth, you have the ability to throw the lights on for your reader. He or she will recognize his or her... - Anne Lamott

  4. If you wish to be a writer, write. - Epictetus

  5. A big enough artist, I say, can eat anything, must eat everything and then alchemize it. Only the feeble writer is afraid of expansion. - Anonymous

More Quotes By Josephine Tey
  1. He knew by heart every last minute crack on its surface. He had made maps of the ceiling and gone exploring on them; rivers, islands, and continents. He had made guessing games of it and discovered hidden objects; faces, birds, and fishes. He made mathematical...

  2. What had he ever wanted that he could not buy? And if that wasn't riches he didn't know what was.

  3. It would do her good to have some demons to fight, to be swung out in space and held over some bottomless pit now and then.

  4. The Sweat and the Furrow was Silas Weekley being earthly and spade-conscious all over seven hundred pages. The situation, to judge from the first paragraph, had not materially changed since Silas's last book: mother lying-in with her eleventh upstairs, father laid-out after his ninth downstairs,...

  5. Grant had dealt too long with the human intelligence to accept as truth someone's report of someone's report of what that someone remembered to have seen or been told.

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