71 Quotes & Sayings By Tana French

Tana French was born in Co. Louth, Ireland. She has written three critically acclaimed novels. Her debut novel, In the Woods, was a bestseller in England and was nominated for the Irish Book Awards' Best First Novel Read more

The follow-up, The Likeness, won the Irish Book Awards' Best Novel in 2008. Her third novel, Broken Harbor, won the Best First Fiction Award in the 2008 International Thriller Writers Award.

1
I've always loved strong women, which is lucky for me because once you're over about twenty-five there is no other kind. Women blow my mind. The stuff that routinely gets done to them would make most men curl up and die, but women turn to steel and keep on coming. Any man who claims he's not into strong women is fooling himself mindless; he's into strong women who know how to pout prettily and put on baby voices, and who will end up keeping his balls in her makeup bags. . Tana French
I am not good at noticing when I'm happy, except...
2
I am not good at noticing when I'm happy, except in retrospect. Tana French
What I am telling you, before you begin my story,...
3
What I am telling you, before you begin my story, is this -- two things: I crave truth. And I lie. Tana French
4
We had no one else to learn this from- none of our parents were shining examples of relationship success- so we learned this from each other: when someone you love needs you to, you can get a hold of your five-alarm temper, get a hold of the shapeless things that scare you senseless, act like an adult instead of the Cro-Magnon teenager you are, you can do a million things you never saw coming. Tana French
Time works so hard for us, if only we can...
5
Time works so hard for us, if only we can let it. Tana French
My father told me once that the most important thing...
6
My father told me once that the most important thing every man should know is what he would die for. Tana French
7
Now death is uncool, old-fashioned. To my mind the defining characteristic of our era is spin, everything tailored to vanishing point by market research, brands and bands manufactured to precise specifications; we are so used to things transmuting into whatever we would like them to be that it comes as a profound outrage to encounter death, stubbornly unspinnable, only and immutably itself. Tana French
8
We think of mortality so little these days... I thought of the stern Victorian determination to keep death in mind, the uncompromising tombstones. Remember, pilgrim, as you pass by, As you are now so once was I:As I am so will you be... Tana French
9
To my mind the defining characteristic of our era is spin, everything tailored to vanishing point by market research, brands and bands manufactured to precise specifications; we are so used to things transmuting into whatever we would like them to be that it comes as a profound outrage to encounter death, stubbornly unspinnable, only and immutably itself. Tana French
10
People need a moral code, to help them make decisions. All this bio-yogurt virtue and financial self-righteousness are just filling the gap in the market. But the problem is that it's all backwards. It's not that you do the right thing and hope it pays off; the morally right thing is by definition the thing that gives the biggest payoff. Tana French
I don't do that kind of negativity. If you put...
11
I don't do that kind of negativity. If you put your energy into thinking about how much the fall would hurt, you're already halfway down. Tana French
12
I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself. Tana French
13
That kind of friendship doesn't just materialize at the end of the rainbow one morning in a soft-focus Hollywood haze. For it to last this long, and at such close quarters, some serious work had gone into it. Ask any ice-skater or ballet dancer or show jumper, anyone who lives by beautiful moving things: nothing takes as much work as effortlessness. Tana French
14
It always took my breath away, ’ he said, ‘that the five of us could have found one another—against such odds, through all the layers of armored fortifications each of us had set up… Do you see now why I believe in miracles? I used to imagine time folding over, the shades of our future selves slipping back to the crucial moments to tap each of us on the shoulder and whisper: Look, there, look! That man, that woman: they’re for you; that’s your life, your future, fidgeting in that line, dripping on the carpet, shuffling in that doorway. Don’t miss it. Tana French
15
So what are you thinking?" I asked. I meant about the case, obviously, but Cassie was in a giddy mood--she generates more energy than most people, and she'd been sitting indoors most of the day. "Will you listen to him? A woman asking a guy what he's thinking is the ultimate crime, she's clingy and needy and he runs a mile, but when it's the other--" "Behave yourself, " I said, pulling her hood over her face. "Help! I'm being oppressed! " she yelled through it. "Call the Equality Commission." The stroller girl gave us a sour look. "You're overexcited, " I told Cassie. "Calm down or I'll take you home with no ice cream. . Tana French
16
She [88yo Mrs Fitzgerald] crossed herself and patted my arm. "And you're after coming all the way from England to find out who done it? Aren't you great? God bless you, young fella." "The old heretic, " I said, when we got outside. Mrs. Fitzgerald had cheered up my day immensely. "I hope I have that much zip when I'm eighty-eight Tana French
We were still at the age when girls are years...
17
We were still at the age when girls are years older than guy, and the guys grow up by doing their best when the girls need them to. Tana French
Human beings, as I know better than most, can get...
18
Human beings, as I know better than most, can get used to anything. Over time, even the unthinkable gradually wears a little niche for itself in your mind and becomes just something that happened. Tana French
A bore or an uggo might manage not to get...
19
A bore or an uggo might manage not to get up anyone's nose, but if a girl's got brains and looks and personality, she's going to piss someone off, somewhere along the way. Tana French
20
Like, okay. Everyone in history thought they were the ones who finally knew everything. In their naissance, right, they were positive they knew exactly how the universe worked. Til the next set of guys came along and proved they were missing like a hundred important things. and then that set of guys were sure they had it all down, til another set came along and showed them parts they were missing." He glances at Julia, checking if she's laughing at him, which she isn't, and if she's listening, which she is, completely. "So." he says, "it's pretty unlikely, mathematically, that we are living in the one single era that has everything figured out. Which means there's a decent possibility that the reason we can't explain how ghosts and stuff could exist is because we haven't figured it out yet, not because they don't. And it is pretty arrogant of us to think it definitely has to be the other way around. Tana French
21
Throughout history--even a hundred years ago, even fifty--it was discontent that was considered the threat to society, the defiance of natural law, the danger that had to be exterminated at all costs. Now it's contentment, Tana French
22
I loved him, you know, ' she said. 'I would have loved him as hard as he'd let me, for the rest of my life. Tana French
23
…Obviously, I have always wished I could remember what happened in that wood. The very few people who know about the whole Knocknaree thing invariably suggest, sooner or later, that I should try hypnotic regression, but for some reason I find the idea distasteful. I’m deeply suspicious of anything with a whiff of the New Age about it–not because of the practices themselves, which as far as I can tell from a safe distance may well have a lot to them, but because of the people who get involved who always seem to be the kind who corner you at parties to explain how they discovered that they are survivors and deserve to be happy. I worry that I might come out of hypnosis with that sugar-high glaze of self-satisfied enlightenment, like a seventeen-year-old who’s just discovered Kerouak, and start proselytizing strangers in pubs…. Tana French
24
We’ve become a nation of defaulters: we buy on credit, and when the bill comes in, we’re so deeply outraged that we refuse even to look at it. Tana French
25
The wave of pure outrage blindsided me. I shouldn't be here, I thought. This is utterly fucked up. I should have been sitting in a garden down the road, barefoot with a drink in my hand, swapping the day's work stories with Peter and Jamie. I had never thought about this before, and it almost knocked me over: all the things we should have had. We should have stayed up all night together studying and stressing out before exams, Peter and I should have argued over who got to bring Jamie to our first dance and slagged her about how she looked in her dress. We should have come weaving home together, singing and laughing and inconsiderate, after drunken college nights. We could have shared a flat, taken off Interrailing around Europe, gone arm-in-arm through dodgy fashion phases and low-rent gigs and high-drama love affairs. Two of us might have been married by now, given the other one a godchild. I had been robbed blind. . Tana French
26
Interesting fact from the front lines: raw grief smells like ripped leaves and splintered branches, a jagged green shriek. Tana French
27
I watched her on the stand in that unfamiliar suit and thought of the soft hairs at the back of her neck, warm and smelling of the sun, and it seemed an impossible thing to me, it seemed the vastest and saddest miracle of my life: I touched her hair, once. Tana French
28
Plenty of people think the same thing. All of them are teenagers, mentally if not physically. Only teenagers think boring is bad. Adults, gown men and women who’ve been around the block a few times, know that boring is a gift straight from God. Tana French
29
How can I ever make you understand Cassie and me? I would have to take you there, walk you down every path of our secret shared geography. The truism says it’s against all odds for a straight man and woman to be real friends, platonic friends; we rolled thirteen, threw down five aces and ran away giggling. She was the summertime cousin out of storybooks, the one you taught to swim at some midge-humming lake and pestered with tadpoles down her swimsuit, with whom you practiced first kisses on a heather hillside and laughed about it years later over a clandestine joint in your granny’s cluttered attic. She painted my fingernails gold and dared me to leave them that way for work… We climbed out her window and down the fire escape and lay on the roof of the extension below, drinking improvised cocktails and singing Tom Waits and watching the stars spin dizzily around us. No. Tana French
30
If I had to get there without friends, I could do it. Had been doing it. I'd never met anyone who brought me somewhere I wanted to stay, looked at me and saw someone I wanted to be for good; anyone who was worth giving up the more I wanted down the line. Tana French
31
Everyone knows a wife and kids tie you down. What people miss sometimes is that mates, the proper kind, they do the same just as hard. Mates mean you've settled, made your bargain: this, wherever you are together, this is as far as you're going, ever. This is your stop; this is where you get off. Tana French
32
Who who whose smell in the air of her room, whose fingerprints all over her friends’ secret places. Tana French
33
The Place would already have started the leisurely, enjoyable process of digesting her into just one more piece of local gore-lore, half ghost story and half morality play, half urban myth and half just the way life goes. It would eat her memory whole, the same way its ground had eaten her body. Tana French
34
If her mind had held even the smallest chance of a future, she would have had no reason to tell me anything at all, whether or not it could send her to prison. But this is what I know about people getting ready to walk off the edges of their own lives: they want someone to know how they got there. Maybe they want to know that when they dissolve into earth and water, that last fragment will be saved, held in some corner of someone's mind; or maybe all they want is is a chance to dump it pulsing and bloody into someone else's hands, so it won't weigh them down on the journey. They want to leave their stories behind. No one in all the world knows that better than I do. Tana French
35
For as long as I could remember, a part of me had been waiting for the day it would happen; with the cunning that comes to people whose minds have been stripped to one desire, she picked the only day we weren't waiting for. Tana French
36
But this is what I know about people getting ready to walk of the edge of their own lives: they want someone to know how they got there. Maybe they want to know that when they dissolve into earth and water, that last fragment will be saved, held in some corner of someone's mind; or maybe all they want is a chance to dump it pulsing and bloody into someone else's hands, so it won't weigh them down on the journey. They want to leave their stories behind. No one in all the world knows that better than I do. . Tana French
37
These three children own the summer. They know the wood as surely as they know the micro landscapes of their own grazed knees; put them down blindfolded in any dell or clearing and they could find their way out without putting a foot wrong. This is their territory, and they rule it wild and lordly as young animals; they scramble through its trees and hide-and-seek in its hollows all the endless day long, and all night in their dreams. Tana French
38
About your easy heads my prayers I said with syllables of clay. What gift, I asked, shall I bring now Before I weep and walk away? Take, they replied, the oak and laurel. Take our fortune of tears and live Like a spendthrift lover. All we ask Is the one gift you cannot give. Tana French
39
That long sigh again, above us. This time I saw it, moving through the branches. Like the trees were listening; like they would've been sad about us, sad for us, only they'd heard it all so many thousand times before. Tana French
40
The lines of her face, turned up to the sky, would have broken your heart. Tana French
41
I’m the least fanciful guy around, but on nights when I wonder whether there was any point to my day, I think about this: the first thing we ever did, when we started turning into humans, was draw a line across the cave door and say: Wild stays out. What I do is what the first men did. They built walls to keep back the sea. They fought the wolves for the hearth fire. Tana French
42
It meant nothing. Some people are like that: everything comes out like a lie. Not that they're brilliant liars, just that they're useless at telling the truth. You get left with no way to tell what's the real fake and what's the fake one. Tana French
43
The truth is the most desirable woman in the world and we are the most jealous lovers, reflexively denying anyone else the slightest glimpse of her. We betray her routinely, spending hours and days stupor-deep in lies, and then turn back to her holding out the lover's ultimate Möbius strip: But I only did it because I love you so much. Tana French
44
In all your life, only a few moments matter. Mostly you never get a good look at them except in hindsight, long after they've zipped past you: the moment when you decided whether to talk to that girl, slow down on that blind bend, stop and find that condom. I was lucky, I guess you could call it. I got to see one of mine face-to-face, and recognize it for what it was. Tana French
45
You forget what it was like. You'd swear on your life you never will, but year by year it falls away. How your temperature ran off the mercury, your heart galloped flat-out and never needed to rest, everything was pitched on the edge of shattering glass. How wanting something was like dying of thirst. How your skin was too fine to keep out any of the million things flooding by; every color boiled bright enough to scald you, any second of any day could send you soaring or rip you to bloody shreds. Tana French
46
The closest I’d ever got to seeing a naked woman before was black and white cleavage, and then Rosie tossed her clothes in a corner just like they were getting in the way and spun around in the dim light of Number 16, palms up, luminous, laughing, almost close enough to touch. The thought still knocks the wind out of me. I was too young even to know what I wanted to do about her, I just knew nothing in the World, not the Mona Lisa walking through the Grand Canyon with the Holy Grail in one hand and a winning lotto ticket in the other, was ever going to be that beautiful. Tana French
47
Places are supposed to look smaller when you go back to them, but my road just looked schizoid. A couple of the houses had had nifty little makeovers involving double glazing and amusing faux-antique pastel paint; most of them hadn't. Number 16 looked like it was on its last legs: the roof was in tatters, there was a pile of bricks and a dead wheelbarrow by the front steps, and at some point in the last twenty years someone had set the door on fire. In Number 8, a window on the first floor was lit up, gold and cozy and dangerous as hell. . Tana French
48
..the solitude was intoxicating. On my first night there I lay on my back on the sticky carpet for hours, in the murky orange pool of city glow coming through the window, smelling heady curry spices spiraling across the corridor and listening to two guys outside yelling at each other in Russian and someone practicing stormy flamboyant violin somewhere, and slowly realizing that there was not a single person in the world who could see me or ask me what I was doing or tell me to do anything else, and I felt as if at any moment the bedsit might detach itself from the buildings like a luminous soap bubble and drift off into the night, bobbing gently above the rooftops and the river and the stars. Tana French
49
Some part of me believed, unassailably, and wordlessly and perhaps with a flick of justice, that they had sent me away because they were afraid of me. Like some monstrously deformed child who should never have lived beyond infancy, or a conjoined twin whose other half died under the knife, I had- simply by surviving-become a freak of nature. Tana French
50
Her forehead was a maze of anxious little grooves, from a lifetime of wondering about whether everyone within range was OK. Tana French
51
Regardless of the advertising campaigns may tell us, we can't have it all. Sacrifice is not an option, or an anachronism; it's a fact of life. We all cut off our own limbs to burn on some altar. The crucial thing is to choose an altar that's worth it and a limb you can accept losing. To go consenting to the sacrifice. Tana French
52
You can’t take credit for what you do when your back is against the wall. Tana French
53
Everyone else we knew growing up is the same: image of their parents, no matter how loud they told themselves they'd be different Tana French
54
I listen to the things people want out of love these days and they blow my mind. I go to the pub with the boys from the squad and listen while they explain, with minute precision, exactly what shape a woman should be, what bits she should shave how, what acts she should perform on which date and what she should always or never do or say or want; I eavesdrop on women in cafes while they reel off lists of which jobs a man is allowed, which cars, which labels, which flowers and restaurants and gemstones get the stamp of approval, and I want to shout, Are you people out of your tiny minds? . Tana French
55
Girlfriends aren’t allowed to care if you have Stilton socks. Friends are.” All the same, she gave her hands a quick, professional shake and took hold of my foot. “Plus, you might be less of a pain in the arse if you got more action. Tana French
56
One of the reasons I love Murder is that victims are, as a general rule, dead.. I don't make a habit of sharing this, in case people take me fore a sicko or- worse-a wimp, but give me a dead child, any day, over a child sobbing his heart out while you make him tell you what the bad man did next. Dead victims don't show up outside HQ to beg for answers, you never have to nudge them into reliving every hideous moment, and you never have to worry, and you never have to worry about what it'll do to their lives if you fuck up. They stay put in the morgue, light-years beyond anything I can do right or wrong, and leave me free to focus on the people who sent them there. . Tana French
57
Breslin gives me his wise-teacher smile, which is kind and crinkly and would make me feel warm all over if I was dumber than a bag of hair. Tana French
58
How's Alison getting on?' Conway snorted. 'Tucked up in the sick room like she's dying in some season finale. Little fadey voice on her and all. She's having a great old time. Tana French
59
He told me and Rafe to stay put in case you came home, burn the note and get hot water and disinfectant and bandages rea Tana French
60
If she had hurt me, I could have forgiven her without even having to think about it; but I couldn't forgive her for being hurt. Tana French
61
And I wanted this girl who was like no girl I had ever known, wanted her not in spite of her moods and her secret bruises and her sad attempts at artifice but because of them, because of them all. Tana French
62
I should've known the eyes. Wide, bright blue, and something about the delicate arc of the lids: a cat's slant, a pale jeweled girl in an old painting, a secret. Tana French
63
Always fuck with people's expectations, sunshine. It's good for their circulation. Tana French
64
The sudden, painful flare of envy caught me by surprise. I was a loner, my last few years in school. I could have done with a friend like that. Tana French
65
In my book, the media are a necessary evil: they live off the animal inside us, they bait the front pages with second-hand blood for the hyenas to snuffle up, but they come in useful enough that you want to stay on their good side. Tana French
66
Sacrifice is not an option, or an anachronism; it´s a fact of life. We all cut off our own limbs to burn on some altar. The crucial thing is to choose an altar that is worth it and a limb you can accept losing. Tana French
67
If you're good at this job, and I am, then every step in a murder case moves you in one direction: towards order. We get thrown shards of senseless wreckage, and we piece them together until we can lift the picture out of the darkness and hold it up to the white light of day, solid, complete, clear. Under all the paperwork and the politics, this is the job; this is its cool shining heart that I love with every fiber of mine. This case was different. It was running backwards, dragging us with it on some ferocious ebb tide. Every step washed us deeper in black chaos, wrapped us tighter in tendrils of crazy and pulled us downwards. Tana French
68
Breakfast was the full whammy: eggs, rashers, sausages, black pudding, fried bread, fried tomatoes. This was clearly some kind of statement, but I couldn't work out whether it was See, we're doing just grand without you, or I'm still slaving my fingers to the bone for you even though you don't deserve it, or possibly We'll be even when this lot gives you a heart attack. Tana French
69
Just about everything in this life is treacherous, ready to twist and shape-shift at any second; it seemed to me that the whole world would be a different place if you had someone you were certain of, certain to the bone, or if you could be that to someone else. Tana French
70
Don’t fool yourself: we all have a cruel streak. We keep it under lock and key either because we’re afraid of getting punished or because we believe this will somehow make a difference, make the world a better place. Tana French