38 Quotes & Sayings By Samuel R Delany

Samuel R. Delany is an American author of science fiction, fantasy, and sf literary criticism, known for his work in both mainstream and literary science fiction. He is also the winner of four Nebula Awards for his fiction.

1
You know what I do? I listen to other people, stumbling about with their half thoughts and half sentences and their clumsy feelings that they can't express, and it hurts me. So I go home and burnish it and polish it and weld it to a rhythmic frame, make the dull colors gleam, mute the garish artificiality to pastels, so it doesn't hurt any more: that's my poem. I know what they want to say, and I say it for them. Samuel R. Delany
2
In a very real way, one writes a story to find out what happens in it. Before it is written it sits in the mind like a piece of overheard gossip or a bit of intriguing tattle. The story process is like taking up such a piece of gossip, hunting down the people actually involved, questioning them, finding out what really occurred, and visiting pertinent locations. As with gossip, you can't be too surprised if important things turn up that were left out of the first-heard version entirely; or if points initially made much of turn out to have been distorted, or simply not to have happened at all. . Samuel R. Delany
Endings to be useful must be inconclusive.
3
Endings to be useful must be inconclusive. Samuel R. Delany
4
I don’t know whether Asimov realized he was saying this as well, but as an old historical materialist, if only as an afterthought, he must have realized that he was saying too: No one here will ever look at you, read a word you write, or consider you in any situation, no matter whether the roof is falling in or the money is pouring in, without saying to him- or herself (whether in an attempt to count it or to discount it), 'Negro..' The racial situation, permeable as it might sometimes seem (and it is, yes, highly permeable), is nevertheless your total surround. Don’t you ever forget it..! And I never have. Samuel R. Delany
5
You meet a new person, you go with him and suddenly you get a whole new city...you go down new streets, you see houses you never saw before, pass places you didn't even know were there. Everything changes. Samuel R. Delany
6
One picks one's way about through the glass and aluminum doors, the receptionists' smiles, the lunches with too much alcohol, the openings with more, the mobs of people desperately trying to define good taste in such loud voices one can hardly hear oneself giggle, while the shebang is lit by flashes and flares through the paint-stained window, glimmers under the police-locked door, or, if one is taking a rare walk outside that day, by a light suffusing the whole sky, complex as the northern aurora. Samuel R. Delany
7
All life is a rhythm, ” she said as I sat up. “All death is a rhythm suspended, a syncopation before liferesumes. Samuel R. Delany
8
But the strange thing, the thing that you can never explain to anyone, except another nut, or, if you're lucky, a doctor who has an unusual amount of sense-stranger than the hallucinations, or the voices, or the anxiety-is the way you begin to experience the edges of the mind itself... in a way other people just can't. Samuel R. Delany
9
Because feelings, emotional and physical, are so foregrounded in sexual encounters, the orgy is soon the most social of human interchanges, where awareness and communication, whether verbal or no, hold all together or sunder it. Samuel R. Delany
10
We try to bring up our children so that they are protected from the world's evils, only to find we've raised a pack of innocents who seem to be about to stumble into them at every turn just from sheer stupidity! Samuel R. Delany
11
In Arachnia as it is spoken on Nepiy, ‘she’ is the pronoun for all sentient individuals of whatever species who have achieved the legal status of ‘woman’. The ancient, dimorphic form ‘he’, once used exclusively for the genderal indication of males (cf. the archaic term man, pl. men), for more than a hundred-twenty years now, has been reserved for the general sexual object of ‘she’, during the period of excitation, regardless of the gender of the woman speaking or the gender of the woman referred to. . Samuel R. Delany
12
The dawn of space travel is the dawn of woman. Samuel R. Delany
13
Sometimes you want to say things, and you're missing an idea to make them with, and missing a word to make the idea with. In the beginning was the word. That's how somebody tried to explain it once. Until something is named, it doesn't exist. Samuel R. Delany
14
..I looked out the window at walls of moonlit cloud rising beside us as though we we were at the bottom of some, gray and ivory canyon, hung above the moon-smashed sea.. But, with whatever hindsight, I suppose the reason that I want to close on a consideration of these words is that the moon-solid progress through high, drifting cumulus is – read them again – at the very opposite of what we perceive on a liquid's tilting and untilting top, and so becomes the other privileged pole among the images of this study, this essay, this memoir. Or perhaps, as it is only a clause whose syntactic place has been questioned by my own unscholarly researches, I merely want to fix it before it vanishes like water, like light, like the play between them we only suggest, but never master, with the word motion. Samuel R. Delany
15
Those moments when we learn that mothers rage and fathers kill, that friends betray and authority is fallible, or that our own blank, innocent ignorance can destroy the pure, the good, and the loved are moments the very memory of which constitutes the beginning of a strategy to live in a world where such horrors exist. Samuel R. Delany
16
An individual, a thing apart from its environment, and apart from all things in that environment; an individual was a type of thing for which symbols were inadequate, and so names were invented. I am invented. I am not a round warm blue room. I am someone in that room; I am– Samuel R. Delany
17
The pleasures of love are really quite wonderful--though I suspect they are rather a luxury and require a certain level of socioeconomic stability to be anything other than a mode of suffering. Samuel R. Delany
18
You've blotted the rich form of desire from my life and left me only some vaguely eccentric behaviors that have grown up to integrate so much pleasure into the mundane world around me. What text could I write now? It's as though I cannot even remember what I once desired. All I can look for now, when I have the energy, is lost desire itself-- and I look for it by clearly inadequate means. At best such an account as I might write would read like the life of anyone else, with, now and again, a bizarre and interruptive incident, largely mysterious and completely demystified-- at least that's what it has become without the day-to-day, moment-to-moment web of wanting that you have unstrung from about my universe. Without it, all falls apart. In a single gesture you've turned me into the most ordinary of human creatures and at once left me an obsessive, pleasureless eccentric, trapped in a set of habits which no longer have reason because they no longer lead to reward. And if I had enough self-confidence, in the midst of this bland continual chaos into which you've shunted me, for hate, I should hate you. But I don't have it. Samuel R. Delany
19
And his left nipple was centimetres above my right eye. I wanted to lean my head back and lick it — not from desire but from that idiocy always there to subvert desire and render it ludicrous. Our human heat was a third creature bevelling between us. Samuel R. Delany
20
Desire isn’t appeased by its object, only irritated into something more than desire that can join with the stars to inform the chaotic heavens with sense. Samuel R. Delany
21
Well, your perfect erotic object remains only in recognition memory); and his absolute absence from reconstruction memory becomes the yearning that is, finally, desire. That socially surrounded absence, when you’re young, masks a lot of things in the real world; when you’re older and a few thousand sexual encounters have begun to clear what desire is about (or perhaps what really lies about desire) and you have begun to perceive desire’s edges, its effect is not so much that of an obliterator any more as it is that of a distorting lens. If you can smile at what you see through, it’s sometimes illuminating. Samuel R. Delany
22
Do you follow the wrestling? Most people think it's illegal, but you can watch it there. Ruby and Python are on display this evening. Samuel R. Delany
23
Science fiction isn’t just thinking about the world out there. It’s also thinking about how that world might be–a particularly important exercise for those who are oppressed, because if they’re going to change the world we live in, they–and all of us–have to be able to think about a world that works differently. Samuel R. Delany
24
Everything in a science-fiction novel should be mentioned at least twice (in at least two different contexts). Samuel R. Delany
25
It’s a very new, not to mention vulgar, idea that the spectator’s experience should be identical to, or even have anything to do with, the artist’s Samuel R. Delany
26
ABSTRACT THOUGHTS in a blue room; Nominative, genitive, etative, accusative one, accusative two, ablative, partitive, illative, instructive, abessive, adessive, inessive, essive, allative, translative, comitative. Sixteen cases of the Finnish noun. Odd, some languages get by with only singular and plural. The American Indian languages even failed to distinguish number. Except Sioux, in which there was a plural only for animate objects. The blue room was round and warm and smooth. No way to say warm in French. There was only hot and tepid If there's no word for it, how do you think about it? And, if there isn't the proper form, you don't have the how even if you have the words. Imagine, in Spanish having to assign a sex to every object: dog, table, tree, can-opener. Imagine, in Hungarian, not being able to assign a sex to anything: he, she, it all the same word. Thou art my friend, but you are my king; thus the distinctions of Elizabeth the First's English. But with some oriental languages, which all but dispense with gender and number, you are my friend, you are my parent, and YOU are my priest, and YOU are my king, and YOU are my servant, and YOU are my servant whom I'm going to fire tomorrow if YOU don't watch it, and YOU are my king whose policies I totally disagree with and have sawdust in YOUR head instead of brains, YOUR highness, and YOU may be my friend, but I'm still gonna smack YOU up side the head if YOU ever say that to me again; And who the hell are you anyway. ?. Samuel R. Delany
27
Well, most textbooks say language is a mechanism for expressing thought. But language is thought. Thought is information given form. The form is language. Samuel R. Delany
28
When I was packing those, I caught myself taking all the important, profound, and indispensable titles I could — nearly filled the box. But one of the more eccentric librarians at the internment compound I’d gotten permission to riffle had put up a whole shelf full of cubes of women writers or texts about women. She was convinced nobody could be truly educated unless they’d read them — though nobody I ever met had, except her, maybe. […]. Samuel R. Delany
29
Stupidity: a process, not a state. A human being takes in far more information than he or she can put out. “Stupidity” is a process or strategy by which a human, in response to social denigration of the information she or he puts out, commits him or herself to taking in no more information than she or he can put out. (Not to be confused with ignorance, or lack of data.) Since such a situation is impossible to achieve because of the nature of mind/perception itself in its relation to the functioning body, a continuing downward spiral of functionality and/or informative dissemination results, ’ and he understood why! ‘The process, however, can be reversed, ’ the voice continued, ‘at any time. . Samuel R. Delany
30
The mark of the truly civilized is their (truly baffling to the likes of you and me) patience with what truly baffles. Samuel R. Delany
31
The yellow eyes had fallen from the tired star. Lorq's face erupted about the scar at some antic from the Mouse that Katin had missed. Rage, Katin pondered. Rage. Yes, he is laughing. But how is anyone supposed to distinguish between laughter and rage in that face? But the others were laughing too. Yet some way, somehow, we do. Samuel R. Delany
32
There are three types of actions: purposeful, habitual, and gratuitous. Characters, to be immediate and apprehensible, must be presented by all three.' Katin looked toward the front of the car. The captain gazed through the curving plate that lapped the roof. His yellow eyes fixed Her consumptive light that pulsed fire-spots in a giant cinder. The light was so weak he did not squint at all. I am confounded, Katin admitted to his jeweled box, 'nevertheless. The mirror of my observation turns and what first seemed gratuitous I see enough times to realize it is a habit. What I suspected as habit now seems part of a great design. While what I originally took as purpose explodes into gratuitousness. The mirror turns again, and the character I thought obsessed by purpose reveals his obsession is only habit; his habits are gratuitously meaningless; while those actions i construed as gratuitous now reveal a most demonic end. . Samuel R. Delany
33
Writers are people who write. By and large, they are not happy people. They're not good at relationships. Often they're drunks. And writing–good writing–does not get easier and easier with practice. It gets harder and harder–so that eventually the writer must stall out into silence. The silence that waits for every writer and that, inevitably, if only with death, the writer must fall into is angst-ridden and terrifying–and often drives us mad. So if you're not a writer, consider yourself fortunate. Samuel R. Delany
34
To be sure, the Road of Excess leads to the Palace of Wisdom, even when it takes you through the Valley of the Nest of Spiders. Just watch out for parasites. Samuel R. Delany
35
An artist simply cannot trust any public emblem of merit. Samuel R. Delany
36
I want to read about a character doing something fairly quiet where I can picture who the character is, and what their attitude towards the world is - which I'm a lot more interested in than what they do under the pressure of a gunfight. Samuel R. Delany
37
Science fiction isn't just thinking about the world out there. It's also thinking about how that world might be - a particularly important exercise for those who are oppressed, because if they're going to change the world we live in, they - and all of us - have to be able to think about a world that works differently. Samuel R. Delany