17 Quotes & Sayings By Laura Miller

Laura Miller is a writer, director, and producer whose work includes film, television, stage, and radio. Her screen credits include "21" (2011), "The Bank Job" (2008), "The Grudge 2" (2006), "Gosford Park" (2001), "Waking the Dead" (2000), "The House of Mirth" (2000), "High Art" (1999), "Facing the Giants" (1998), and the Sundance Channel's "If These Walls Could Talk." Her stage credits include "A View From the Bridge," which she co-adapted into a television mini-series for HBO; "Cabaret;" and the new play by Neil LaBute, "Fat Pig." Miller has directed live theater at the National Theater of Great Britain, The Royal Court Theatre of London, The Royal Shakespeare Company, The Gate Theater in New York, Playwrights Horizons in New York, Lookingglass Theatre Company in Chicago, and the Boston Playwrights' Theatre. She was also executive director of New York Live Arts.

Buying a book is not about obtaining a possession, but...
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Buying a book is not about obtaining a possession, but about securing a portal. Laura Miller
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If you've ever read one of those articles that asks notable people to list their favorite books, you may have been impressed or daunted to see them pick Proust or Thomas Mann or James Joyce. You might even feel sheepish about the fact that you reread Pride and Prejudice or The Lord of the Rings, or The Catcher in the Rye or Gone With the Wind every couple of years with some much pleasure. Perhaps, like me, you're even a little suspicious of their claims, because we all know that the books we've loved best are seldom the ones we esteem the most highly - or the ones we'd most like other people to think we read over and over again. Laura Miller
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A long time ago, I opened a book, and this is what I found inside: a whole new world. It isn't the world I live in, although sometimes it looks a lot like it. Sometimes, though, it feels closest to my world when it doesn't look like it at all. That world is enormous, yet it all fits inside an everyday object. I don't have to keep everything I find there, but what I choose to take with me is more precious than anything I own, and there is always more where that came from. The world I found was inside a book, and then that world turned out to be made of even more books, each of which led to yet another world. It goes on forever and ever. At nine I thought I must get to Narnia or die. It would be a long time before I understood that I was already there. Laura Miller
Do the children who prefer books set in the real,...
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Do the children who prefer books set in the real, ordinary, workaday world ever read as obsessively as those who would much rather be transported into other worlds entirely? Laura Miller
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Adventure, ' then, is what might otherwise be called hardship if it were attempted in a different spirit. Turning a difficult task or a perilous journey into an adventure is largely a matter of telling yourself the right story about it, which is one thing that Lewis's child characters have learned from reading, 'the right books. Laura Miller
If we weigh the significance of a book by the...
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If we weigh the significance of a book by the effect it has on its readers, then the great children's books suddenly turn up very high on the list. Laura Miller
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Desire acts as a honey trap to the unwary male, luring him into unworthy and catastrophic enterprises. The beauty of the Narnian witches isn't ancillary to their evil, but integral to it, one of the weapons in their arsenal. Evil must, after all, appear attractive if it's going to be tempting, and from there it's only a small step further to the conclusion that feminine beauty is inherently wicked. Laura Miller
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The closer and more completely you can come to explaining what a work of art means, the less like art it seems. Laura Miller
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Litchat, however, is singleminded. Seemingly, it can only conceive of a writer’s persona as one thing at a time: a prick, a detached brainiac, a suffering saint. Litchat is adamant, yes, and impervious to factual challenges, but that tends to be true of all strong opinions formed on a basis of incomplete and selective evidence. The weaker our footing, the more fiercely we defend it. We believe it not because it fits what we know–we know next to nothing, after all–but because we need to believe this particular thing at this particular time, regardless of what the truth may be. It suits our purposes to do so, and one of those purposes may be as flimsy as the desire to be excused from reading the books in question before telling the world what we think of them. Laura Miller
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She tries to wear her pain on the inside. She always has. It’s the trademark of the oldest sibling, I think. Laura Miller
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When life gives you a hundred reasons to cry, show life that you have a thousand reasons to smile. Laura Miller - Butterfly Weeds Laura Miller
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Fire will burn any human body it touches, and starvation will waste it, but stories are not so predictable in their effects. Laura Miller
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Because we all know that the books we’ve loved best are seldom the ones we esteem the most highly Laura Miller
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There is an uncharacteristic radicalism to Lewis’s further suggestion that if we can find “even one reader to whom the cheap little book with its double columns and the lurid daub on its cover had been a lifelong delight, who had read and reread it, who would notice, and object, if a single word were changed, then, however little we could see in it ourselves and however it was despised by our friends and colleagues, we should not dare to put it beyond the pale. Laura Miller
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I can see how James or Greene might agree with this point of view: the former finds that the ugly old lamp no longer produces a genie when rubbed and the latter realizes he has nothing left to wish for. Laura Miller
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I can hazily remember, long ago, having adults – librarians, friends’ parents – suggest to me that I liked books “with magic” because I wanted to escape from a reality that, by implication, I lacked the gumption to face. Laura Miller