126 Quotes & Sayings By John Fowles

John Fowles was born in England in 1918. He was described by Piers Paul Read as the greatest English novelist of the 20th century. His novel The French Lieutenant's Woman won the Booker Prize, and The Magus won the James Tait Black Memorial Prize for fiction. Fowles died in July 1994.

1
Once upon a time there was a young prince who believed in all things but three. He did not believe in princesses, he did not believe in islands, he did not believe in God. His father, the king, told him that such things did not exist. As there were no princesses or islands in his father's domains, and no sign of God, the young prince believed his father. But then, one day, the prince ran away from his palace. He came to the next land. There, to his astonishment, from every coast he saw islands, and on these islands, strange and troubling creatures whom he dared not name. As he was searching for a boat, a man in full evening dress approached him along the shore. Are those real islands?' asked the young prince. Of course they are real islands, ' said the man in evening dress. And those strange and troubling creatures?' They are all genuine and authentic princesses.' Then God must exist! ' cried the prince. I am God, ' replied the man in full evening dress, with a bow. The young prince returned home as quickly as he could. So you are back, ' said the father, the king. I have seen islands, I have seen princesses, I have seen God, ' said the prince reproachfully. The king was unmoved. Neither real islands, nor real princesses, I have seen God, ' said the prince reproachfully. The king was unmoved. Neither real islands, nor real princesses, nor a real God exist.' I saw them! ' Tell me how God was dressed.' God was in full evening dress.' Were the sleeves of his coat rolled back?' The prince remembered that they had been. The king smiled. That is the uniform of a magician. You have been deceived.' At this, the prince returned to the next land, and went to the same shore, where once again he came upon the man in full evening dress. My father the king has told me who you are, ' said the young prince indignantly. 'You deceived me last time, but not again. Now I know that those are not real islands and real princesses, because you are a magician.' The man on the shore smiled. It is you who are deceived, my boy. In your father's kingdom there are many islands and many princesses. But you are under your father's spell, so you cannot see them.' The prince pensively returned home. When he saw his father, he looked him in the eyes. Father, is it true that you are not a real king, but only a magician?' The king smiled, and rolled back his sleeves. Yes, my son, I am only a magician.' Then the man on the shore was God.'The man on the shore was another magician.' I must know the real truth, the truth beyond magic.' There is no truth beyond magic, ' said the king. The prince was full of sadness. He said, 'I will kill myself.' The king by magic caused death to appear. Death stood in the door and beckoned to the prince. The prince shuddered. He remembered the beautiful but unreal islands and the unreal but beautiful princesses. Very well, ' he said. 'I can bear it.' You see, my son, ' said the king, 'you too now begin to be a magician. John Fowles
When you draw something it lives and when you photograph...
2
When you draw something it lives and when you photograph it it dies John Fowles
Why should I struggle through hundreds of pages of fabrication...
3
Why should I struggle through hundreds of pages of fabrication to reach half a dozen very little truths?'' For fun?'' Fun! ' He pounced on the word. 'Words are for truth. For facts. Not fiction. John Fowles
There is only one good definition of God: the freedom...
4
There is only one good definition of God: the freedom that allows other freedoms to exist. John Fowles
I don't believe in God. And I certainly don't feel...
5
I don't believe in God. And I certainly don't feel chosen."" I think you may be." I smiled dubiously. "Thank you."" It is not meant as a compliment. Hazard makes you elect. You cannot elect yourself. John Fowles
We talked for hours. He talked and I listened. It...
6
We talked for hours. He talked and I listened. It was like wind and sunlight. It blew all the cobwebs away. John Fowles
7
He stared to sea. "I gave up all ideas of practicing medicine. In spite of what I have just said about the wave and the water, in those years in France I am afraid I lived a selfish life. That is, I offered myself every pleasure. I traveled a great deal. I lost some money dabbling in the theatre, but I made much more dabbling on the Bourse. I gained a great many amusing friends, some of whom are now quite famous. But I was never very happy. I suppose I was fortunate. It took me only five years to discover what some rich people never discover – that we all have a certain capacity for happiness and unhappiness. And that the economic hazards of life do not seriously affect it. John Fowles
Think. In a minute from now you could be saying,...
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Think. In a minute from now you could be saying, I risked death. I threw for life, and I won life. It is a very wonderful feeling. To have survived. John Fowles
Alive. Alive in the way that death is alive.
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Alive. Alive in the way that death is alive. John Fowles
10
I will tell you what war is. War is a psychosis caused by an inability to see relationships. Our relationship with our fellowmen. Our relationship with our economic and historical situation. And above all our relationship to nothingness, to death. John Fowles
To write poetry and to commit suicide, apparently so contradictory,...
11
To write poetry and to commit suicide, apparently so contradictory, had really been the same, attempts at escape. John Fowles
12
She's always looking for poetry and passion and sensitivity, the whole Romantic kitchen. I live on a rather simpler diet.' 'Prose and pudding?'' I don't expect attractive men necessarily to have attractive souls. John Fowles
Poetry had always seemed something I could turn to in...
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Poetry had always seemed something I could turn to in need - an emergency exit, a lifebuoy, as well as a justification. John Fowles
14
To write poetry and to commit suicide, apparently so contradictory, had really been the same, attempts at escape. And my feelings, at the end of that wretched term, were those of a man who knows he's in a cage, exposed to the jeers of all his old ambitions until he dies. John Fowles
15
Look, Miranda, he said, those twenty long years that lie between you and me. I've more knowledge of life than you, I've lived more and betrayed more and seen more betrayed. At your age one is bursting with ideals. You think that because I can sometimes see what's trivial and what's important in art that I ought to be more virtuous. But I don't want to be virtuous. My charm (if there is any) for you is simply frankness. And experience. Not goodness. I'm not a good man. Perhaps morally I'm younger even than you are. Can you understand that? . John Fowles
16
Time in itself, absolutely, does not exist; it is always relative to some observer or some object. Without a clock I say 'I do not know the time' . Without matter time itself is unknowable. Time is a function of matter; and matter therefore is the clock that makes infinity real. John Fowles
Liking other people is an illusion we have to cherish...
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Liking other people is an illusion we have to cherish in ourselves if we are to live in society. John Fowles
18
The human race is unimportant. It is the self that must not be betrayed."" I suppose one could say that Hitler didn't betray his self."" You are right. He did not. But millions of Germans did betray their selves. That was the tragedy. Not that one man had the courage to be evil. But that millions had not the courage to be good. John Fowles
19
The battle was over. Our casualties were some thirteen thousand killed--thirteen thousand minds, memories, loves, sensations, worlds, universes--because the human mind is more a universe than the universe itself--and all for a few hundred yards of useless mud. John Fowles
20
Men see objects, women see the relationship between objects. Whether the objects need each other, love each other, match each other. It is an extra dimension of feeling we men are without and one that makes war abhorrent to all real women - and abusrd. I will tell you what war is. War is a psychosis caused by an inability to see relationships. Our relationship with our fellow-men. Our relationship with our economic and historical situation. And above all our relationship to nothingness. To death. John Fowles
...Russia itself having turned to socialist realism - no-man's-land between...
21
...Russia itself having turned to socialist realism - no-man's-land between surrealism and communism, ... John Fowles
22
I just think of things as beautiful or not. Can't you understand? I don't think of good or bad. Just of beautiful or ugly. I think a lot of nice things are ugly and a lot of nasty things are beautiful. John Fowles
23
I am one in a row of specimens. It's when I try to flutter out of line that he hates me. I'm meant to be dead, pinned, always the same, always beautiful. He knows that part of my beauty is being alive. but it's the dead me he wants. He wants me living-but-dead. John Fowles
24
The two of us in that room. No past, no future. All intense deep that-time-only. A feeling that everything must end, the music, ourselves, the moon, everything. That if you get to the heart of things you find sadness for ever and ever, everywhere; but a beautiful silver sadness, like a Christ face. John Fowles
25
You despise the real bourgeois classes for all their snobbishness and their snobbish voices and ways. You do, don't you? Yet all you put in their place is a horrid little refusal to have nasty thoughts or do nasty things or be nasty in any way. Do you know that every great thing in the story of art and every beautiful thing in life is actually what you call nasty or has been caused by feelings that you would call nasty? By passion, by love, by hatred, by truth. Do you know that?. John Fowles
26
I hate what G.P. calls the New People, the new class people with their cars and their money and their tellies and their stupid vulgarities and their stupid crawling imitations of the bourgeoisie.(...) The New People are still the poor people, it is the new form of poverty. The others hadn't any money and these haven't any soul. John Fowles
27
Art's cruel. You can get away with murder with words. But a picture is like a window straight through to your inmost heart. John Fowles
28
Do you know that every great thing in the history of art and every beautiful thing in life is actually what you call nasty or has been caused by feelings that you would call nasty? By passion, by love, by hatred, by truth. Do you know that? John Fowles
29
But however good you get at translating personality into line or paint it's no go if your personality isn't worth translating. John Fowles
30
I hate people who collect things and classify things and give them names and then forget all about them. That’s what people are always doing in art. They call a painter an impressionist or a cubist or something and then they put him in a drawer and don’t see him as a living individual painter any more. John Fowles
31
I'm only happy when I forget to exist. When just my eyes or my ears or my skin exist. John Fowles
32
We shall never fully understand nature (or ourselves), and certainly never respect it, until we dissociate the wild from the notion of usability - however innocent and harmless the use. For it is the general uselessness of so much of nature that lies at the root of our ancient hostility and indifference to it. John Fowles
33
The moon hung over the planet Earth, a dead thing over a dying thing. John Fowles
34
I knew that on that island one was driven back into the past. There was so much space, so much silence, so few meetings that one too easily saw out of the present, and then the past seemed ten times closer than it was. John Fowles
35
The evolution of human mentality has put us all in vitro now, behind the glass wall of our own ingenuity. John Fowles
36
These question-boundaries ...are ours, not of reality. We are led to them, caged by them not only culturally and intellectually, but quite physically, by the restlessness of our eyes and their limited field and acuity of vision. John Fowles
37
We lack trust in the present, this moment, this actual seeing, because our culture tells us to trust only the reported back, the publicly framed, the edited, the thing set in the clearly artistic or the clearly scientific angle of perspective. One of the deepest lessons we have to learn is that nature, of its nature, resists this. It waits to be seen otherwise, in its individual presentness and from our individual presentness. John Fowles
38
Despite all the identifying, measuring, photographing, I had managed to set the experience in a kind of present past, a having looked, even as I was temporally and physically still looking... It is not necessarily too little knowledge that causes ignorance; possessing too much, or wanting to gain too much, can produce the same result. John Fowles
39
This pain, this terrible seeing-through that is in me now. It wasn't necessary. It is all pain, and it buys nothing. Gives birth to nothing. All in vain. All wasted. The older the world becomes, the more obvious it is. The bomb and the tortures in Algeria and the starving babies in the Congo. It gets bigger and darker. More and more suffering for more and more. And more and more in vain. John Fowles
40
Thus it had come about that she had read far more fiction, and far more poetry, those two sanctuaries of the lonely, than most of her kind. John Fowles
41
Henry knew sin was a challenge to life; not an act of unreason, but an act of courage and determination. John Fowles
42
You do not even think of your own past as quite real; you dress it up, you gild it or blacken it, censor it, tinker with it...fictionalize it, in a word, and put it away on a shelf - your book, your romanced autobiography. We are all in the flight from the real reality. That is the basic definition of Homo sapiens. John Fowles
43
Girls possess sexual tact in inverse proportion to their standard of education. John Fowles
44
I would have gone to bed with him that night. If he had asked. If he had come and kissed me. Not for his sake, but for being alive's. John Fowles
45
I lay in bed last night and thought of G.P. I thought of being in bed with him. I wanted to be in bed with him. I wanted the marvellous, the fantastic ordinariness of him. His promiscuity is creative. Vital. Even though it hurts. He creates love and life and excitement around him; he lives; the people he loves always remember him. I've always felt like it sometimes. Promiscuous. Anyone I see, even just some boy in the Tube, some man, I think what he would be like in bed. I look at their mouths and their hands, put on a prim expression and think about them having me in bed. Even Toinette, getting into bed with anyone. I used to think it was messy. But love is beautiful, any love. Even just sex. . John Fowles
46
I want to tell you what's really happened."" Not now. Please not now. Whatever's happened, come and make love to me." And we did make love; not sex, but love; though sex would have been so much wiser. John Fowles
47
In our age it is not sex that raises its ugly head, but love. John Fowles
48
For him the tragedy of Homo sapiens is that the least fit to survive breed the most. John Fowles
49
The power of women! I've never felt so full of mysterious power. Men are a joke. John Fowles
50
Liking other people is an illusion we have to cherish if we are to live in society. It is one I have long ago banished from my life. You wish to be liked. I wish simply to be. John Fowles
51
I love honesty and freedom and giving. I love making, I love doing. I love being to the full, I love everything which is not sitting and watching and copying and dead at heart. John Fowles
52
Nine-tenths of all artistic creation derives its basic energy from the engine of repression and sublimation, and well beyond the strict Freudian definition of those terms. John Fowles attended new College in Oxford. You might like to see my collection of Oxford trees at Rob's Bookshop. John Fowles
53
He said, one has to learn that painting well - in the academic and technical sense - comes right at the bottom of the list. I mean, you've got that ability. So have thousands. John Fowles
54
You have shared your secret. I think you will find it to be an unburdening in many other ways. You have very considerable natural advantages. You have nothing to fear from life. A day will come when these recent unhappy years may seem no more than that cloud-stain over there upon Chesil Bank. You shall stand in sunlight–and smile at your own past sorrows. John Fowles
55
A word (...) is never the destination, merely a signpost in its general direction; and whatever (...) body that destination finally acquires owes quite as much to the reader as to the writer. John Fowles
56
Each death laid a dreadful charge of complicity on the living; each death was incongenerous, its guilt irreducible, its sadness immortal; a bracelet of bright hair about the bone. I did not pray for her, because prayer has no efficacy; I did not cry for her, because only extroverts cry twice; I sat in the silence of that night, that infinite hostility to man, to permanence, to love, remembering her, remembering her. John Fowles
57
She smiled at him as they waited for their dessert, her chin poised on her clasped hands.' You're being very silent.'' That's how men cry. John Fowles
58
Men love war because it allows them to look serious. Because they imagine it is the only thing that stops women laughing at them. In it they can reduce women to the status of objects. That is the great distinction between the sexes. Men see objects, women see relationships between objects. Whether the objects need each other, love each other, match each other. It is an extra dimension of feeling we men are without and one that makes war abhorrent to all real women - and absurd. I will tell you what war is. War is a psychosis caused by an inability to see relationships. John Fowles
59
Perhaps twenty minutes later he realized she had gone to sleep. He quietly removed his now stiff arm, then turned away. It must have woken her a little After a moment he felt her turn as well and lay a hand, instinctively, like a sleeping wife, across his hips; as if, in some dream, he was the one who escaped. John Fowles
60
Wolves don't hunt singly, but always in pairs. The lone wolf was a myth. John Fowles
61
But he was absolutely alone. No one ever wrote to him. Visited him. Totally alone. And I believe the happiest man I have ever met. John Fowles
62
I suppose I'd had, by the standards of that pre-permissive time, a good deal of sex for my age. Girls, or a certain kind of girl, liked me; I had a car-not so common among undergraduates in those days-and I had some money. I wasn't ugly; and even more important, I had my loneliness, which, as every cad knows, is a deadly weapon with women. My 'technique' was to make a show of unpredictability, cynicism, and indifference. Then, like a conjurer with his white rabbit, I produced the solitary heart. John Fowles
63
A mixture, before the English, of irritation and bafflement, of having this same language, same past, so many same things, and yet not belonging to them any more. Being worse than rootless... speciesless. John Fowles
64
He had the charm of all people who believe implicitly in themselves, that of integration. John Fowles
65
I was worse off than even Alison was; she hated life, I hated mysef. I had created nothing, I belonged to nothingness, to the néant, and it seemed to me that my own death was the only thing left that I could create. John Fowles
66
I needed a new mystery. John Fowles
67
Think what it would be like if you got back to your island and there was no old man, no girl any more. No mysterious fun and games. The whole place locked up forever. John Fowles
68
Her stare fixed me. Without rancour and without regret; without triumph and without evil; as Desdemona once looked back on Venice. On the incomprehension, the baffled rage of Venice. I had taken myself to be in some way the traitor Iago punished, in an unwritten sixth act. Chained in hell. But I was also Venice; the state left behind; the thing journeyed from. John Fowles
69
If there is a God he's a great loathsome spider in the darkness. John Fowles
70
People won't admit it, they're too busy grabbing to see that the lights have fused. They can't see the darkness and the spider-face beyond and the great web of it all. That there's always this if you scratch at the surface of happiness and goodness. The black and the black and the black. John Fowles
71
The river of life, of mysterious laws and mysterious choice, flows past a deserted embankment; and along that other deserted embankment Charles now begins to pace, a man behind the invisible gun carriage on which rests his own corpse. He walks towards an imminent, self-given death? I think not; for he has at which to build; has already begun, though he would still bitterly deny it, thought there are tears in his eyes to support his denial, to realize that life, however advantageously Sarah may in some ways seem to fit the role of Sphinx, is not a symbol, is not one riddle and one failure to guess it, is not to inhabit one face alone or to be given up after one losing throw of the dice; but is to be, however inadequately, emptily, hopelessly into the city's iron heart, endured. And out again, upon the unplumb'd, salt, estranging sea. John Fowles
72
It's despair at the lack of feeling, of love, of reason in the world. It's despair that anyone can even contemplate the idea of dropping a bomb or ordering that it should be dropped. It's despair that so few of us care. It's despair that there's so much brutality and callousness in the world. It's despair that perfectly normal young men can be made vicious and evil because they've won a lot of money. And then do what you've done to me. John Fowles
73
The height the dupe has fallen is measured by his anger. John Fowles
74
You're not me. You can't feel like I feel."" I can feel."" No you can't. You just choose not to feel or something and everything's fine."" It's not fine. It's just not so bad. John Fowles
75
Piers is always going on about how he hated Stowe. As if that solves everything, as if to hate something means it can't have affected you. John Fowles
76
I hate beyond hate. John Fowles
77
Staring out to sea, I finally forced myself to stop thinking of her as someone still somewhere, if only in memory, still obscurely alive, breathing, doing, moving, but as a shovelful of ashes already scattered; as a broken link, a biological dead end, an eternal withdrawal from reality, a once complex object that now dwindled, dwindled, left nothing behind except a l like a fallen speck of soot on a blank sheet of paper. John Fowles
78
If anything might hurt her, silence would; and I wanted to hurt her. John Fowles
79
...there are times when silence is a poem. John Fowles
80
I could scream abuse at him all day long; he wouldn't mind at all. It's me he wants, my look, my outside; not my emotions or my mind or my soul or even my body. Not anything human. John Fowles
81
And I envy you. You have the one thing that matters. You have all your discoveries before you. John Fowles
82
It's like the day you realize dolls are dolls. I pick up my old self and I see it's silly. A toy I've played with too often. It's a little sad, like an old golliwog at the bottom of the cupboard. Innocent and used-up and proud and silly. John Fowles
83
That is how war corrupts us. It plays on our pride in our own free will. John Fowles
84
Sometimes I almost pity them. I think I have a freedom they cannot understand. No insult, no blame can touch me. Because I have set myself beyond the pale. I am nothing, I am hardly human any more. I am the French Lieutenant’s Whore. John Fowles
85
...and his eyes had that splendid innocence, that opaque blue candour of the satanically fallen. ~ The French Lieutenant’s Woman John Fowles
86
It's despair at the lack of (I'm cheating, I didn't say all these things - but I'm going to write what I want to say as well as what I did) feeling, of love, of reason in the world. It's despair that anyone can even contemplate the idea of dropping a bomb or ordering that it should be dropped. It's despair that so few of us care. It's despair that there's so much brutality and callousness in the world. . John Fowles
87
So that the smile was not so much an attitude to be taken to life as the nature of the cruelty of life, a cruelty we cannot even choose to avoid, since it is human existence. John Fowles
88
Because they died, we know we still live. Because a star explodes and a thousand worlds like ours die, we know this world is. That is the smile: that what might not be, is. John Fowles
89
People who teach you cram old ideas, old views, old ways, into you. Like covering plants with layer after layer of old earth; it's no wonder the poor things so rarely come up fresh and green. John Fowles
90
M. I’ve never really thought of M objectively before, as another person. She’s always been my mother I’ve hated or been ashamed of. Yet of all the lame ducks I’ve met or heard of, she’s the lamest. I’ve never given her enough sympathy. I haven’t given her this last year (since I left home) one half of the consideration I’ve given the beastly creature upstairs just this last week. I feel that I could overwhelm her with love now. Because I haven’t felt so sorry for her for years. I’ve always excused myself– I’ve said, I’m kind and tolerant with everyone else, she’s the one person I can’t be like that with, and there has to be an exception to the general rule. So it doesn’t matter. But of course that’s wrong. She’s the last person that should be an exception to the general rule. Minny and I have so often despised D for putting up with her. We ought to go down onour knees to him. John Fowles
91
The craving to risk death is our last great perversion. We come from night, we go into night. Why live in night? John Fowles
92
He said, it's rather like your voice. You put up with your voice and speak with it because you haven't any choice. But it's what you say that counts. It's what distinguishes all great art from the other kind. John Fowles
93
He was one of the most supremely stupid men I have ever met. He taught me a great deal. John Fowles
94
In spite of her superficial independence, her fundamental need was to cling. All her life was an attempt to disprove it; and so proved it. She was like a sea anemone -- had only to be touched once to adhere to what touched her. John Fowles
95
And like most people who have spent much of their adult life being emotionally dishonest, I overcalculated the sympathy a final being honest would bring John Fowles
96
Each death laid a dreadful charge of complicity on the living; each death was incongenerous, its guilt irreducible, its sadness immortal; a bracelet of bright hair about the bone. John Fowles
97
I left a pause. ‘You sound like a certain kind of surgeon. A lot more interested in the operation than the patient.’ ‘I should not like to be in the hands of a surgeon who did not take that view. John Fowles
98
But she finally had the good sense to see that a long, dull and predictable future was an expensive price to pay for the satisfaction of a passing sexual attraction. John Fowles
99
I do not plan my fiction any more than I normally plan woodland walks; I follow the path that seems most promising at any given point, not some itinerary decided before entry. John Fowles
100
I must fight with my weapons. Not his. Not selfishness and brutality and shame and resentment. John Fowles