31 Quotes & Sayings By John Darnielle

John Darnielle is the lead singer and songwriter for the band The Mountain Goats. The band has released eight studio albums and over a dozen EPs and singles since their inception in the late 1990s. Darnielle has also released two solo albums under the name Silver Jews, and has written music for numerous other artists, including Brian Eno, Wilco, and David Byrne. He has collaborated with his brother Sean on several projects, such as Tarentel (an album which was recorded live in one day) and the band Wolf Parade Read more

Darnielle also contributes to the hip-hop production duo Apollo Brown and Skywlkr.

When you punish a person for dreaming his dream Don't...
1
When you punish a person for dreaming his dream Don't expect him to thank or forgive you. John Darnielle
And when the clouds do clear away Get a momentary...
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And when the clouds do clear away Get a momentary chance to see The thing I've been trying to beat to death The soft creature that I used to be The better animal I used to be John Darnielle
It's in the nature of the landscape to change, and...
3
It's in the nature of the landscape to change, and it's in the nature of people to help the process along... John Darnielle
4
The wind comes across the plains not howling but singing. It's the difference between this wind and its big-city cousins: the full-throated wind of the plains has leeway to seek out the hidden registers of its voice. Where immigrant farmers planted windbreaks a hundred and fifty years ago. it keens in protest; where the young corn shoots up, it whispers as it passes, crossing field after field in its own time, following eastward trends but in no hurry to find open water. You can't usually see it in paintings, but it's an important part of the scenery. John Darnielle
5
It’s hard to describe, this feeling of seeing your kids spending time together like adults, meeting up again after being out there in the world like free agents. There’s something giddy and unreal about it. I knew that boy when he was afraid of strangers. I knew them both before they knew how to talk. John Darnielle
6
If you work with or around children, you often hear a lot about how resilient they are. It's true; I've met children who've been through things that would drive most adults to the brink. They look and act, most of the time, like any other children. In this sense — that they don't succumb to despair, that they don't demand a space for their pain — it's very true that children are resilient. But resiliency only means that a thing retains its shape. That it doesn't break, or lose its ability to function. It doesn't mean a child forgets the time she shared in the backyard with her mother gardening, or the fun they had together watching Bedknobs and Broomsticks at the Astro. It just means she learns to bear it. The mechanism that allowed Lisa Sample to keep her head above water in the wak of her mother's departure has not been described or cataloged by scientists. It's efficient, and flexible, and probably transferable from one person to another should they catch the scent on each other. But the rest of the details about it aren't observable from the outside. You have to be closer than you really want to get to see how it works. John Darnielle
7
Cool parents, I thought, are the ones who know nothing. It made me feel a little sad for mine, but I didn't say any of this. John Darnielle
8
Their boots were black and shiny and your treasures gleamed like stars, Bones from deep down in the fertile crescent. John Darnielle
9
My grief sought out all parts of my body it hadn't yet inhabited, and I felt like I might collapse in on myself right there, at last, spectacularly John Darnielle
10
Dark, primitive magic. Swords Against Death. John Darnielle
11
To the left, just past the painting, on the other side of the hall, is the bathroom, the sort of open door that if cameras found it as they passed through the house in a horror movie would trigger a blast of synthesizers. John Darnielle
12
There are so many different kinds of ghosts. John Darnielle
13
And then I went back into my room, locked into a sequence as perfect as a pattern, and I sat down on my great rock throne, invisible to the outside world but palpable beneath me, and from how my face felt I thought maybe I was crying, either because I didn’t want to do this or because I did, it was hard to tell and anyway I never would, who would believe me in either case and who would be there to believe me in all cases, it was a puzzle, I had yet to learn the way of the jigsaw, and so I positioned the rifle beneath my chin, it feels cold, like an actual thing in the actual present physical world, OK, there it is, I am here now, and then I lay down on my belly and listened to the rising squall beyond the door. John Darnielle
14
I thought about the guy in the truck, the focus in his expression, and I felt like I already knew enough of the story to tell it to somebody else maybe better than either of its major players could. John Darnielle
15
But resiliency only means that a thing retains its shape. That it doesn’t break, or lose its ability to function. It doesn’t mean a child forgets the time she shared in the backyard with her mother gardening, or the fun they had together watching Bedknobs and Broomsticks at the Astro. It just means she learns to bear it. The mechanism that allowed Lisa Sample to keep her head above water in the wake of her mother’s departure has not been described or cataloged by scientists. It’s efficient, and flexible, and probably transferable from one person to another should they catch the scent on each other. But the rest of the details about it aren’t observable from the outside. You have to be closer than you really want to get to see how it works. John Darnielle
16
Who knows the secrets of anybody’s heart. John Darnielle
17
The inside of the Trace Italian, of course, does not exist. A player can get close enough to see it: it shines in the new deserts of Kansas, gleaming in the sun or starkly rising from the winter cold. The rock walls that protect it meet in points around it, one giving way to another, for days on end. But the dungeons into which you'll fall as you work through the pathways to its gates number in the low hundreds, and if you actually get into the entry hall, there are a few hundred more sub-dungeons before you'll actually reach somewhere that's truly safe. Technically, it's possible to get to the last room in the final chamber of the Trace Italian, but no one will ever do it. No one will ever live that long. John Darnielle
18
I wish they'd conduct a national poll to find out who feels out of place and who doesn't. Just to get the numbers, you know? To get a feel for how many of us there are. Sometimes at work I get the feeling that it's got to be right up against 100%. I’ll head out to the register to help out during the lunch rush and the new cashier will look so confused and lost, and then I’ll look at the customers she’s supposed to be helping, and they’ll look lost, too, and then when I sneak a glance toward the tables there’ll be all these people staring at their food or at each other with blank looks in their eyes. And I’ll think: Is this just me? Is everybody else actually fine, and I’m just trying to imagine that they’re like me? But I don’t think so. I’ve thought about this a lot, and I’m pretty sure that some ridiculous percentage of the population is walking around feeling like aliens. I think teenagers feel that all the time.. John Darnielle
19
Good things never last, bad things never die. John Darnielle
20
Metal has its own code of cool, but it's not really trying to be cool. And that was very refreshing to me, that metal is very much about expressing something that seems awesome to you even if, at the time, much of the world was going to mock and reject it. John Darnielle
21
You get this really cool groove when you're playing just piano, bass, and drums where everyone's sort of feeling each other's space, which is the only way to put it, but it really is true, and everyone's sort of sitting in their own pocket. It's kind of jazz-like. John Darnielle
22
Your intelligence doesn't override your desire to destroy yourself. John Darnielle
23
People like to say how much they like stuff, but with 'The Sunset Tree, ' people shared stories about what it meant for them. And that stuff's so humbling and amazing. John Darnielle
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My feminism is what came squarely up against my faith. There's a lot of ecstatic post-patriarchal Christians who have stuff they do with that. But at that point, you're doing Christianity with a double-superscript. The Bible, and especially the book of Genesis, is pretty unapologetically patriarchal. John Darnielle
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I think 'The Sunset Tree' is really the album on which I really learned to trust other musicians, which is so important. John Darnielle
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Most of my interests in terms of writing are dark, so it's discordant how much I try to lock into the vibe of wherever I'm at. Inhabiting the life of the imagination is the nature of survival strategy - you build yourself little worlds to enjoy. John Darnielle
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Metal isn't necessarily aggressive. There's metal that's contemplative, there's metal that's sad, and there's metal that's exuberant. No genre is limited in what it can express. John Darnielle
28
I was writing poetry, and the Mountain Goats was an outgrowth of that. John Darnielle
29
Opera combines pretty basic theater and poetry, but the storyline itself is actually quite poetic and, after some digital research, taking that actual content and seeing it as undeniably poetic. John Darnielle
30
My father would tell me if I wasn't writing in meter verse, it wasn't poetry. John Darnielle