41 Quotes & Sayings By Iain Banks

Iain Banks was born on 2 September 1954 in Stornoway on the Isle of Lewis. His mother was a teacher, and he grew up on the Isle of Lewis. He won a gold medal at the National Eisteddfod of Wales in 1971, and his poetry has appeared in anthologies published by various Scottish publishers. Banks worked as an editor at the progressive Scottish weekly The National, but he also wrote short stories for the paper's children's page Read more

One story, "The Dead Lady of Mount Street", won first prize in a competition organized by The Observer newspaper. His first novel, The Wasp Factory (1978), was published when Banks was twenty-three years old. The novel tells the story of two young boys growing up in Leith, Scotland. It is told from the point of view of "Mouth", the narrator's younger brother, who has Asperger syndrome.

The book has been described as one of the most powerful British novels about autism ever written. After The Wasp Factory came two more novels that were also critically acclaimed: The Bridge over the River Kwai (1981) and The Crow Road (1988). In 1983, Banks was named Scotland's national poet for life by the Scottish Arts Council. A year later he published his first collection of poems, Stonemasonry, which was followed by three additional collections: Airborne (1984), Unbound (1989), and Complicity (1993). He has also written science fiction, including Use of Weapons (1987), Consider Phlebas (1987), The Steam Powered Aeroplane (1991), and The Algebraist (1997).

These books are set in a future Earth dominated by corporations and secret police agencies. Banks's next science fiction novel was Consider Phlebas (1987), which takes place in a universe that resembles that portrayed in his earlier works; it features a Culture starship crew whose mission is to explore and colonize an alien world. The bridge between this world and ours is represented by the Culture's Minds—intelligent artificial intelligences whose ability to use language and to create art and literature is similar to our own—as well as those who support their existence—the Minds' creators, known as Artists.

Banks visited Japan in 1988 to promote Consider Phlebas there, and met with many fans. He later visited Japan again as part of a tour for his science fiction novel The Algebraist (1997). In 1993,

1
Everything about us, everything around us, everything we know and can know of is composed ultimately of patterns of nothing; that’s the bottom line, the final truth. So where we find we have any control over those patterns, why not make the most elegant ones, the most enjoyable and good ones, in our own terms? Yes, we’re hedonists, Mr. Bora Horza Gobuchul. We seek pleasure and have fashioned ourselves so that we can take more of it; admitted. We are what we are. But what about you? What does that make you? . Iain Banks
2
Don't you have a religion?" Dorolow asked Horza."Yes, " he replied, not taking his eyes away from the screen on the wall above the end of the main mess-room table. "My survival."" So... your religion dies with you. How sad, " Dorolow said, looking back from Horza to the screen. The Changer let the remark pass. Iain Banks
As long as a film stays unmade, the book is...
3
As long as a film stays unmade, the book is entirely yours, it belongs to the writer. As soon as you make it into a film, suddenly more people see it than have ever read the book. Iain Banks
One of your American professors said that to study religion...
4
One of your American professors said that to study religion was merely to know the mind of man, but if one truly wanted to know the mind of God, you must study physics. Iain Banks
5
Anyway, you can't leave her like that. You can't do that to the woman. She doesn't deserve it; nobody does. You don't belong to her and she doesn't belong to you, but you're both part of each other; if she got up and left now and walked away and you never saw each other again for the rest of your lives, and you lived an ordinary waking life for another fifty years, even so on your deathbed you would still know she was part of you. . Iain Banks
6
There has seldom if ever a shortage of eager young males prepared to kill and die to preserve the security, comfort and prejudices of their elders, and what you call heroism is just an expression of this simple fact; there is never a scarcity of idiots. Iain Banks
Yes of course I know it's all a dream. Isn't...
7
Yes of course I know it's all a dream. Isn't everything? Iain Banks
8
...for all its apparent speed, the ship was almost perfectly silent, and he experienced an enervating, eerie feeling, as though the ancient warship, mothballed all those centuries, had somehow not yet fully woken up, and events within its sleek hull still moved to another, slower tempo, made half of dreams. Iain Banks
9
In the end, he had to admit, he didn't really understand her. He didn't understand women. He didn't understand men. He didn't even understand children very well. All he really understood, he thought, was himself and the rest of the universe. Neither anything like completely, of course, but both well enough to know that what remained to be discovered would make sense; it would fit in, it could all be gradually and patiently fitted together a bit at a time, like an infinite jigsaw puzzle, with no straight edges to look for and no end in sight, but one in which there was always going to be somewhere for absolutely any piece to fit. Iain Banks
10
You need to read more science fiction. Nobody who reads science fiction comes out with this crap about the end of history Iain Banks
11
It is an ocean of burning oil I am cast adrift upon, no sea’s repose; I pass from waking agonies… to the semiconscious trance of torment in which the smaller, earlier, deeper rings of the brain know only that the nerves scream, the body aches, and there is no one to turn crying to for comfort. Iain Banks
12
To want more was not just childish, but cowardly, and somehow constpatory too. Death was change; it led to new chances, new vacancies, new niches and opportunities; it was not all loss. Iain Banks
13
You know, when I was in Paris, seeing Linter for the first time, I was standing at the top of some steps in the courtyard where Linter's place was, and I looked across it and there was a little notice on the wall saying it was forbidden to take photographs of the courtyard without the man's permission. [..] They want to own the light! Iain Banks
14
Hey, Wrobik; cheer up, yeah? You're going to shoot down a fucking starship. It'll be an experience. Iain Banks
15
The point is, there is no feasible excuse for what are, for what we have made of ourselves. We have chosen to put profits before people, money before morality, dividends before decency, fanaticism before fairness, and our own trivial comforts before the unspeakable agonies of others Iain Banks
16
Oh, no, Cameron; I believe we're born free of sin and free of guilt. It's just that we all catch it, eventually. There are no clean rooms for morality, Cameron, no boys in bubbles kept in a guilt-free sterile zone. There are monasteries and nunneries, and people become recluses, but even that's just an elegant way of giving up. Washing one's hand didn't work two thousand years ago, and it doesn't work today. Involvement, Cameron, connection. Iain Banks
17
I think the easiest people to fool are ourselves. Fooling ourselves may even be a necessary precondition for fooling others. Iain Banks
18
There is both fear and comfort to be drawn from devils--the fear speaks for itself, the comfort comes from being able to absolve oneself of responsibility for one's actions. Iain Banks
19
This is so much like the old days. And, again, I have mixed feelings. In some ways it's good and comfortable to be fitting straight back in like I've never been away, but, on the other hand, I'm getting this constrictive feeling as well. It's the same places - like the bars and pubs on Friday night - the same people, the same conversations, the same arguments and the same attitudes. Five years away and not much seems to have changed. I can't decide if this is good or bad. Iain Banks
20
Stories set in the Culture in which Things Went Wrong tended to start with humans losing or forgetting or deliberately leaving behind their terminal. It was a conventional opening, the equivalent of straying off the path in the wild woods in one age, or a car breaking down at night on a lonely road in another. Iain Banks
21
All I said was that I thought it was a judgement from God that Blyth had first lost his leg and then had the replacement become the instrument of his downfall. All because of the rabbits. Eric, who was going through a religious phase at the time which I suppose I was to some extent copying, thought this was a terrible thing to say; God wasn't like that. I said the one I believed in was. Iain Banks
22
Bright morning comes; the bloody-fingered dawn with zealous light sets seas of air ablaze and bends to earth another false beginning. My eyes open like cornflowers, stick, crusted with their own stale dew, then take that light. Iain Banks
23
I don't think you really belong here, Aviger." Xoxarle nodded wisely, slowly. Aviger shrugged, and did not raise his eyes. "I don't think any of us do."" The brave belong where they decide." Some harshness entered the Idiran's voice. Iain Banks
24
...and I confess that, like a child, I cry. Ah, self-pity; I think we are at our most honest and sincere when we feel sorry for ourselves. Iain Banks
25
I killed little Esmerelda because I felt I owed it to myself and to the world in general. I had, after all, accounted for two male children and thus done womankind something of a statistical favour. If I really had the courage of my convictions, I reasoned, I ought to redress the balance at least slightly. My cousin was simply the easiest and most obvious target. Iain Banks
26
I switched the light out again. The room was totally dark, not even the starlight showing while my eyes adjusted. Perhaps I would ask for one of those LED alarm radios, though I’m very fond of my old brass alarm clock. Once I tied a wasp tot the striking-surface of each of the copper-coloured bells on top, where the little hammer would hit them in the morning when the alarm went off. I always wake up before the alarm goes, so I got to watch. Iain Banks
27
I just think people overvalue argument because they like to hear themselves talk. Iain Banks
28
Half the fun of writing a novel is finding out from other people later on what you actually meant. Iain Banks
29
There are no gods, we are told, so I must make my own salvation. Iain Banks
30
I sucked that smoke in and made it part of me, joined mystically with the universe right at that point, said Yes to drugs forever just by the unique hit I got from that one packet of fags Andy liberated from his dad. It was a revelation, an epiphany; a sudden realisation that it was possible for matter - something there in front of you, in your hand, in your lungs, in your pocket - to take your brain apart and reassemble it in ways you hadn't thought of previously. This was better than religion, or this was what people meant by religion! The whole point was that this worked! People said Believe In God or Do Well At School or Buy This or Vote For Me or whatever, but nothing ever worked the way substances worked, nothing ever fucking delivered the way they did. They were truth. Everything else was falsehood. Iain Banks
31
There's something very... I don't know; primitive, perhaps, about you, Gurgeh. You've never changed sex, have you?' He shook his head. 'Or slept with a man?' Another shake. 'I thought so, ' Yay said. 'You're strange, Gurgeh.' She drained her glass. Iain Banks
32
Och, stop being so sensitive, Prentice; it isn't much fun getting old. One of the few pleasures that do come your way is to speak your mind... Certainly annoying your relatives is enjoyable too, but I expected better of you. Iain Banks
33
Maybe he's up to something, maybe he'Å› not really crazy after all. Perhaps he just got fed up acting normal and decided to act crazy instead, and they locked him up because he went too far. Iain Banks
34
Let's be clear: unless I have profoundly misunderstood its position, I pretty much despise American Libertarianism. Have these people seriously looked at the problems of the world and thought, 'Hmm, what we need here is a bit more selfishness'? .. . I beg to differ. Iain Banks
35
It's like a sealed, forgotten chamber in me; I shan't feel complete until I've discovered its entrance.' 'Sounds like a tomb. Aren't you afraid of what you'll find in there?' 'It's a library; only the stupid and the evil are afraid of those. Iain Banks
36
Look on the happy side, think of the good things. Hadn't it been clever? Yes, it had. Iain Banks
37
The flames had passed over those flattened blades and consumed their heather neighbours on either side while they themselves had remained, made proof against the blaze and guaranteed their stark survival just by their earlier oppression. Iain Banks
38
Escape is a commodity like anything else Iain Banks
39
My point has always been that, ever since the Industrial Revolution, science fiction has been the most important genre there is. Iain Banks
40
Torture is such a slippery slope; as soon as you allow a society or any legal system to do that, almost instantly you get a situation where people are being tortured for very trivial reasons. Iain Banks