42 Quotes & Sayings By Emma Cline

Emma Cline was born in New York City and raised in the San Francisco Bay Area. A graduate of Yale University, she completed her PhD at Stanford University. Her first novel, The Girls, won the Shirley Jackson Award for excellence in literary fiction.

She must have already forgiven him for leaving her behind....
1
She must have already forgiven him for leaving her behind. Girls were good at colouring in those disappointing blank spots. I thought of the night before, her exaggerated moans. Emma Cline
2
A lot of things in the house were broken or forgotten: the kitchen clock stopped, a closet doorknob coming off in my hand. The sparkly mess of flies I'd swept from the corners. It took sustained, constant living to ward off decay. Emma Cline
The man was bearing down on me. My hands were...
3
The man was bearing down on me. My hands were limp and wet. Please, I thought. Please. Who was I addressing? The man? God? Whoever handled these things. Emma Cline
4
.. . even the surprise of harmless others in the house disturbed me. I didn't want my inner rot on display, even accidentally. Living alone was frightening in that way. No one to police the spill of yourself, the ways you betrayed your primitive desires. Like a cocoon built around you, made of your own naked proclivities and never tidied into the patterns of actual human life. Emma Cline
It pained me to imagine how our twosome appeared to...
5
It pained me to imagine how our twosome appeared to others, marked as those kind of girls who belonged to each other. Those sexless fixtures of high school. Emma Cline
I'd always liked her in a way I never had...
6
I'd always liked her in a way I never had to think about, like the fact of my own hands. Emma Cline
7
Money is ego, and people won't give it up. Just want to protect themselves, hold on to it like a blanket. They don't realize it keeps them slaves. It's sick" "What's funny is that as soon as you give everything away, as soon as you say, Here, take it –that's when you really have everything". Emma Cline
At that age I looked at women with brutal and...
8
At that age I looked at women with brutal and emotionless judgement. Assessing the slope of their breasts, imagining how they would look in very crude positions. Emma Cline
9
But it was something else, too, that I wanted to extend: the taut and pleasant silence in the car, the stale heat raising vapours of leather. The warped image of myself in the side mirrors, so I caught only the quantity of hair, the freckled skin of my shoulder. I took on the shape of a girl. Emma Cline
10
Girls are the only ones who can really give each other close attention, the kind we equate with being loved. They noticed what we want noticed. And that's what I did for Tamar, I responded to her symbols. To the style of her hair and clothes and the smell of her L'Air Du Temps perfume. Like this was data that mattered. Signs that reflected something of her inner self. I took her beauty personally. . Emma Cline
11
Money is ego, and people won't give it up. Just want to protect themselves, hold onto it like a blanket. They don't realize it makes them slaves. It's sick. Emma Cline
12
We had been with the men, we had let them do what they wanted. But they would never know the parts of ourselves we hid from them - they would never sense the lack or even know there was something more they should be looking for. Emma Cline
13
Poor girls. The world fattens them on the promise of love. How badly they need it, and how little most of them will ever get. The treacled pop songs, the dresses described in the catalogs with words like 'sunset' and 'Paris'. Then the dreams are taken away with such violent force; the hand wrenching the buttons of the jeans, nobody looking at the man shouting at his girlfriend on the bus. Emma Cline
14
We had been with the men, we had let them do what they wanted. But they would never know the parts of ourselves that we hid from them - they would never sense the lack or even know there was something more they should be looking for. Emma Cline
15
Poor Sasha. Poor girls. The world fattens them on the promise of live. How badly they need it, and how little most of them will ever get. The treacled pop songs, the dresses described in the catalogs with words like 'sunset' and 'Paris.' Then the dreams are taken away with such violent force; the hand wrenching the buttons of the jeans, nobody looking at the man shouting at his girlfriend on the bus . Emma Cline
16
Adults always teased me about having boyfriends, but there was an age where it was no longer a joke, the idea that boys might actually want you. Emma Cline
17
It was a gift. What did I do with it? Life didn't accumulate as I'd once imagined. I graduated from boarding school, two years of college. Persisted through the blank decade in Los Angeles. I buried first my mother, then my father. His hair gone wispy as a child's. I paid bills and bought groceries and got my eyes checked while the days crumbled away like debris from a cliff face. Life a continuous backing away from the edge. Emma Cline
18
I was almost a wife but lost the man. I was almost recognisable as a friend. And then I wasn't. The nights when I flicked off the bedside lamp and found myself in the heedless, lonely dark. The times I thought, with a horrified twist, that none of this was a gift. Suzanne got the redemption that followed a conviction .. I got the snuffed-out story of the bystander, a fugitive without a crime, half hoping and half terrified that no one was ever coming for me. . Emma Cline
19
A rock, I thought crazily. He'll pick up a rock. He'll break open my skull, my brain leaking onto the sand. He'll tighten his hands around my throat until my wind-pipe collapses. The stupid things I thought of: Sasha and her briny, childish mouth. How the un had looked in the tops of the trees lining my childhood driveway. Whether Suzanne knew I thought of her. How the mother must have begged, at the end. Emma Cline
20
The only teenagers in town seemed to kill themselves in gruesomely rural ways– I heard about their pickups crashing at two in the morning, the sleepover in the garage camper ending in carbon monoxide poisoning, a dead quarterback. I didn’t know if this was a problem born of country living, the excess of time and boredom and recreational vehicles, or whether it was a California thing, a grain in the light urging risk and stupid cinematic stunts . Emma Cline
21
I may have smiled to myself as I watched the familiar pattern of the town pass, the bus cruising through shade to sunshine. I'd grown up in this place, had the knowledge of it so deep in me that I didn't even know most street names, navigating instead by landmarks, visual or memorial. The corner where my mother had twisted her ankle in a mauve pantsuit. The copse of trees that always looked vaguely attended by evil. The drugstore with its torn awning. Through the window of that unfamiliar bus, the burr of old carpet under my legs, my hometown seemed scrubbed clean of my presence. It was easy to leave it behind. . Emma Cline
22
Someone's boyfriend died in a rock-climbing accident in Switzerland: everyone gathered around her, on fire with tragedy. Their dramatic shows up support underpinned with jealousy- bad luck was rare enough to be glamorous. Emma Cline
23
Sadness at that age had the pleasing texture of imprisonment: you reared and sulked against the bonds of parents and school and age, things that kept you from the certain happiness that awaited. When I was a sophomore in college, I had a boyfriend who spoke breathlessly of running away to Mexico - it didn't occur to me that we could no longer run away from home. Emma Cline
24
That was our mistake, I think. One of many mistakes. To believe that boys were acting with a logic that we could someday understand. To believe that their actions had any meaning behind thoughtless impulse. Emma Cline
25
I'd seen old Yardley Slickers- the makeup now just a waxy crumble- sell for almost one hundred dollars on the internet. So grown women could smell it again, that chemical, flowery fug. That's how badly people wanted it- to know that their lives had happened, that the person they once had been, still existed inside of them. There were so many things that returned me. The tang of soy, the smoke in someone's hair, the grassy hills turning blond in June. An arrangement of oaks and boulders could, seen out of the corner of my eye, crack open something in my chest, palms going suddenly slick with adrenaline. Emma Cline
26
The things I was good at had no real application: addressing envelopes in bubble letters with smiling creatures on the flap. Making sludgy coffee I drank with grave affect. Finding a certain desired song playing on the radio, like a medium scanning for news of the dead. Emma Cline
27
How sad it was to realize that sometimes you never got there. That sometimes you lived a whole life skittering across the surface as the years passed, unblessed. Emma Cline
28
The ways your desire could humiliate you. Emma Cline
29
The hatred that vibrated beneath the surface of my girl's face-- I think Suzanne recognized it. Of course my hand would anticipate the weight of a knife. The particular give of a human body. There was so much to destroy. Emma Cline
30
How impotent my anger was, a surge with no place to land, and how familiar that was: my feelings strangled inside me, like little half-formed children, bitter and bristling. Emma Cline
31
Hatred was easy. The permutations constant over the years: A stranger at a fair who palmed my crotch through my shorts. A man on the sidewalk who lunged at me, then laughed when I flinched. The night an older man took me to a fancy restaurant when I wasn't even old enough to like oysters. Not yet twenty. The owner joined our table, and so did a famous filmmaker. The men fell into a heated discussion with no entry point for me: I fidgeted with my heavy cloth napkin, drank water. Staring at the wall. "Eat your vegetables, " the filmmaker suddenly snapped at me. "You're a growing girl." The filmmaker wanted me to know what I already knew: I had no power. He saw my need and used it against me. Emma Cline
32
No-one had ever looked at me before Suzanne, not really, so she had become my definition. Her gaze softening my centre so easily that even photographs of her seemed aimed at me, ignited with private meaning. Emma Cline
33
I knew just being a girl in the world handicapped your ability to believe yourself. Feelings seemed completely unreliable, like faulty gibberish scraped from a Ouija board. Emma Cline
34
But I could not fully admit it, even then. The way Suzanne's face looked as she watched him - I wanted to be with her. I thought that loving someone acted as a kind of protective measure, like they'd understand the scale and intensity of your feelings and act accordingly. Emma Cline
35
That was our mistake, I think. One of many mistakes. To believe that boys were acting with a logic that we could someday understand. To believe that their actions had any meaning beyond thoughtless impulse. We were like conspiracy theorists, seeing portent and intention in every detail, wishing desperately that we mattered enough to be the object of planning and speculation. But they were just boys. Silly and young and straightforward; they weren't hiding anything. . Emma Cline
36
They didn't have very far to fall - I knew just being a girl in the world handicapped your ability to believe yourself. Feelings seemed completely unreliable, like faulty gibberish scraped from a Ouija board. My childhood visits to the family doctor were stressful events for that reason. He'd ask me gentle questions: How was I feeling? How would I describe the pain? Was it more sharp or more spread out? I'd just look at him with desperation. I needed to be told, that was the whole point of going to the doctor. To take a test, be put through a machine that could comb my insides with radiated precision and tell me what the truth was. Of course the girls didn't leave the ranch: there is a lot that can be borne. When I was nine, I'd broken my wrist falling from a swing. The shocking crack, the blackout pain. But even then, even with my wrist swelling with a cuff of trapped blood, I insisted I was fine, that it was nothing, and my parents believed me right up until the doctor showed them the X-ray, the bones snapped clean. . Emma Cline
37
I paid bills and bought groceries and got my eyes checked while the days crumbled away like debris from a cliff face. Life a continuous backing away from the edge. Emma Cline
38
Twisting the nipple so I inhaled audibly, and he hesitated for a moment but kept going. His dick smearing at my bare thighs. I would be shunted along whatever would happen, I understood. However he piloted the night. And there wasn't fear, just a feeling adjacent to excitement, a viewing from the wings. What would happen to Evie? Emma Cline
39
I took on the shape of a girl. Emma Cline
40
For a moment, I tried to see myself through the eyes of the girl with the black hair, or even the boy in the cowboy hat, studying my features for a vibration under the skin. The effort was visible in my face, and I felt ashamed. No wonder the boy had seemed disgusted: He must have seen the longing in me. Seen how my face was blatant with need, like an orphan's empty dish. And that was the difference between me and the black-haired girl- her face answered all it's own questions. Emma Cline
41
Pamela was beautiful, it was true, and I felt that submerged attraction to her that everyone felt for the beautiful. Emma Cline