18 Quotes & Sayings By Adam Phillips

Adam Phillips is a psychoanalyst and psychotherapist. He is the author of six books, including In the Flesh: Discourses on Politics and Culture, A House of Many Rooms, The Philosopher's Toolkit, and On Kissing, Tickling, and Being Bored. His writing has been translated into twenty languages. He has been a fellow at the Freud Archives at the Institute of Psychoanalysis in London, a Visiting Professor at both Oxford and Cambridge Universities, a Visiting Fellow at Goldsmiths College in London, a Visiting Fellow at the Institute of Advanced Studies at Durham University in England, a Visiting Lecturer at Yale University, a Visiting Fellow at Harvard University's Center for European Studies in Cambridge, and a Fellow in Residence at New College in Oxford Read more

He is currently professor of creative arts and humanities in the Department of Modern Languages and Cultures at Oxford University. He lives in Oxford with his wife and their two children.

1
Just as there are phantom limbs there are phantom histories, histories that are severed and discarded, but linger on as thwarted possibilities an compelling nostalgias. Adam Phillips
2
Falling in love, finding your passion, are attempts to locate, to picture, to represent what you unconsciously feel frustrated about, and by. Adam Phillips
3
However much you have been wanting and hoping and dreaming of meeting the person of your dreams, it is only when you meet them that you will start missing them. It seems that the presence of an object is required to make its absence felt (or to make the absence of something felt). A kind of longing may have preceded their arrival, but you have to meet in order to feel the full force of your frustration in their absence. Adam Phillips
4
It is as if, oddly, you were waiting for someone but you didn’t know who they were until they arrived. Whether or not you were aware that there was something missing in your life, you will be when you meet the person you want. What psychoanalysis will add to this love story is that the person you fall in love with really is the man or woman of your dreams; that you have dreamed them up before you met them; not out of nothing – nothing comes of nothing – but out of prior experience, both real and wished for. You recognize them with such certainty because you already, in a certain sense, know them; and because you have quite literally been expecting them, you feel as though you have known them for ever, and yet, at the same time, they are quite foreign to you. They are familiar foreign bodies. Adam Phillips
5
The pleasure of kindness is that it connects us with others; but the terror of kindness is that it makes us too immediately aware of our own and other people’s vulnerabilities (vulnerabilities that we are prone to call failings when we are at our most frightened). Vulnerability–particularly the vulnerability we call desire–is our shared biological inheritance. Kindness, in other words, opens us up to the world (and worlds) of other people in ways that we both long for and dread. How can people, from childhood onward, feel confident enough to take such risks?. Adam Phillips
6
The past influences everything and dictates nothing. Adam Phillips
7
All love stories are frustration stories… To fall in love is to be reminded of a frustration that you didn’t know you had (of one’s formative frustrations, and of one’s attempted self-cures for them); you wanted someone, you felt deprived of something, and then it seems to be there. And what is renewed in that experience is an intensity of frustration, and an intensity of satisfaction. Adam Phillips
8
It is the link between satisfaction and redress--the idea that a satisfaction scene, whatever else it is, is a revenge tragedy--that I want to pursue; and the sense that we waylay our desire--make it literally unreal--with pictures of its satisfaction. Pornography, for example, can easily be used, among many other things, to pre-empt the elaboration of erotic fantasy; it can be, in Masud Kahn's words, 'the stealer of dreams'. To put it in old-fashioned Freudian language, fantasies of satisfaction are defences against desiring, the attempt in fantasy to take the risk out of desire; or to put it in more Kleinian language, fantasies of satisfaction are attacks upon desire; they are, in fact, against desiring, both up against it and in opposition to it. Our fantasies of satisfaction are clues to our fears about desiring. Wishful fantasies are the original sins of omission. Adam Phillips
9
In Freud’s story our possibilities for satisfaction depend upon our capacity for frustration; if we can’t let ourselves feel our frustration — and, surprisingly, this is a surprisingly difficult thing to do — we can’t get a sense of what it is we might be wanting, and missing, of what might really give us pleasure. Adam Phillips
10
If you want to be with somebody who gets you, you prefer collusion to desire, safety to excitement (sometimes good things to prefer but not always the things most wanted). The wish to be understood may be our most vengeful demand, may be the way we hang on, as adults, to the grudge against our mothers; the way we never let our mothers of the hook for their not meeting our every need. Wanting to be understood, as adults, can be, among many other things our most violent form of nostalgia. Adam Phillips
11
Anger, then, is only for the engaged; for those with projects that matter. Adam Phillips
12
It is unrealistic to assume that if all goes well in a child's life, he or she will be happy. Happiness is not something one can ask of a child. Children suffer in a way that adults don't always realize under the pressure their parents put on them to be happy. Adam Phillips
13
Believing in religion is like believing that adulthood is the solution to childhood. Adam Phillips
14
To grow up is to discover what one is unequal to. Adam Phillips
15
The big secret about Art is that no one wants it to be true. Adam Phillips
16
All love stories are frustration stories. As are all stories about parents and children, which are also love stories, in Freud's view, the formative love stories. To fall in love is to be reminded of a frustration that you didn't know you had (of one's formative frustrations, and of one's attempted self-cures for them); you wanted someone, you felt deprived of something, and then it seems to be there. And what is renewed in that experience is an intensity of frustration, and an intensity of satisfaction. It is as if, oddly, you were waiting for someone but you didn't know who they were until they arrived. Whether or not you were aware that there was something missing in your life, you will be when you meet the person you want. What psychoanalysis will add to this love story is that the person you fall in love with really is the man or woman of your dreams; that you have dreamed them up before you met them; not out of nothing - nothing comes of nothing - but out of prior experience, both real and wished for. You recognize them with such certainty because you already, in a certain sense, know them, and because you have quite literally been expecting them, you feel as though you have known them for ever, and yet, at the same time, they are quite foreign to you. They are familiar foreign bodies. But one things is very noticeable in this basic story; that however much you have been wanting and hoping and dreaming of meeting the person of your dreams, it is only when you meet them that you will start missing them. It seems the presence of an object is required to make its absence felt. Adam Phillips
17
Tragic heroes are failed pragmatists. Their ends are unrealistic and their means are impractical. Adam Phillips